The Complete List of Poems About History
1.
The ministers are the most thirsty, but they don't give a cup of dew on the golden stem.
2, "Wing Shi"
Tang Li Shangyin
North Hunan Lake Dai water is long, a piece of the descending flag hundred feet pole.
Three hundred years with the dawn dream, Zhongshan where the dragon coiled.
3, "Jinling Huai Gu"
Tang Liu Yuxi
Tide full of Yechengzhu, the sun slanting Zhenru Pavilion.
The tide is full of Yechengzhu, and the sun is slanting towards the Pavilion of the Levies.
The rise and fall of the personnel, the mountains and rivers empty terrain.
The song "Flowers in the Backyard" is a song that I can't listen to.
4, "Past Chen Lin's Tomb"
Tang Wen Tingyun
Once in the history of the world to see the legacy of the text, today drifted past this grave.
The writer of the book should know me, and the writer of the book has no master, but he has no pity for you.
The stone forest is buried to hide the spring grass, the copper sparrow is desolate to the twilight clouds.
I'm not sure why I'm so frustrated with the wind, but I want to learn how to use my sword.
5. "The Question of Wujiang Pavilion"
Du Mu of the Tang Dynasty
The victory and defeat of the soldiers is not expected, but the shame and humiliation is a man.
The children of Jiangdong have a lot of talent, and it is not known that they will make a comeback.
The three gorges are flooded with sun and moon, and the five streams are clothed in **** cloudy mountains.
The Karm and the Hurricane are the most important weapons in the world, and they are the most important weapons in the world.
Yu Xin was the most depressed in his life, and in his twilight years, his poems were moved by the river.
(2)
I know Song Yu's sorrows very well.
The disappointment of a thousand years, a tear, the depression of different generations at the same time.
The old house is empty of literature, and the deserted platform is not a dream.
The most important thing is that the Chu Palace is all gone, and the boatman has pointed it out to the present day.
(three)
The mountains and ravines go to Jingmen, and there is still a village where the princess grows.
Once the purple platform is gone, it is even in the desert, and the green mound is left alone in the dusk.
The painting of the picture is not enough to recognize the face of the spring breeze, and the ring of the moon returns to the soul of the night.
(Four)
The Sichuan master was lucky to be in the Three Gorges, and he was in the Palace of Yong'an in the year of his death.
The first time I saw this, I was in the middle of a long journey, and the second time I was in the middle of a long journey, I was in the middle of a long journey.
The ancient temple of Cedar Pine nesting water cranes, the years of ambrosia walking village.
Wuhou's ancestral hall is always close to the same place, where the same monarchs and ministers are worshipped.
(5)
Zhuge's name is known all over the world, and the statue of his father is very clear.
The three points of the division of the state of affairs have been carefully planned, and a feather has been placed in the sky for a long time.
This is the first time in the history of the world that Zhuge has been recognized as a leader in the world.
The first time I saw this was when I was in the middle of the night, and the second time I was in the middle of the night.
Tang Hu Zeng
Bo Wang is buried, the Yellow River is still watery.
Along the stream, I want to **** the language of the cowherd, but only the helicopter can send to heaven.
8, "Golden Valley Garden"
Tang Du Mu
The prosperity of things scattered by the fragrant dust, flowing water is merciless grass from spring.
The east wind at sunset complains about the crying birds, and the fallen flowers are like the people who fell from the building.
9, "The sound of selling flowers"
Yuan Zhang Kejiu
Afang dance hall turn Luo sleeve, the Golden Valley garden jade building,
Sui embankment ancient willow cable dragon boat.
It's hard to look back, the east wind is still again, wildflowers bloom twilight spring time.
The beauty cut her own throat on the bank of the Wujiang River, and the fire of war once burned the Red Cliff Mountain.
The general is empty old Jade Gate Gate.
The sadness of the Qin and Han Dynasties, the people are suffering,
The readers sighed a long sigh.
The first thing you need is amber to be a pillow, and the second thing you need is real pearls to be a car.
The first thing you need to do is to get rid of the amber, and the second thing you need to do is to get rid of the beads.
The first time I saw the song, I saw the song in the south, and the last time I saw the song, I saw the song in the south, and the last time I saw the song in the south.
Appreciation
Li Shangyin's poems on history not only sing about the past and the present, fully reflecting his progressive view of history, but also use the past to satirize the present, implicitly expressing his tendency to realism, and at the same time, also use the topic to send feelings, euphemistically expressing his bitterness at not being able to meet the needs of the talented. The deep emotion relative to the current political situation expands the capacity of the performance of the aria.
The historical story or legend as the theme of the poem is closely related to the poet's view of history. The reason why Li Shangyin's poems are well written is that he analyzes the social changes with the historical view of development and changes, and attributes the rise and fall of the country to human beings. In "Viewing the Ancient", he linked the vertical history with the horizontal view of history, pointing out that: do not rely on the gold and the soup to neglect the peace, the frost and dew in the grass of the ancient and modern feelings, and profoundly warned the ruling group of the Late Tang Dynasty that: everything is changing, and the gold and the soup will not be able to keep the country from declining and dying forever. He also based on the rise and fall of the historical facts, summarized as a review of the former sages country and family, into the hard work and thrift broken by luxury ("Wing history"), put forward the key to the success or failure of all regimes in his fundamental understanding of history is: and heard of the reason and chaos, the Department of the people are not tied to the sky. ("One Hundred Rhymes for Walking to the Western Suburbs") On the question of who is to be tied to whom, although he could only tie the lifeline of reason and chaos to the emperors due to the limitations of his time, most of his poems accuse them of corrupting the country. Therefore, this kind of revelation has more progressive significance. The idea of being tied to man rather than to heaven runs through all of Li Shangyin's poems on history. The most notable one is the poem "Winging History" (The water in the forest of the northern Hunan province is long), which explains that there is a way to rise and fall, and it is not related to the fate of heaven. He also says: Since the Emperor of Heaven was drunk at that time, it is not about Qin's land with mountains and rivers ("Xianyang"). Qin's annexation of the world does not depend on getting the danger of mountains and rivers. Since he thought that there were clues to the rise and fall of the chaos, and there was the ambition to ride on the luck of the deserted people, and the man was in love with the pool god ("Inscription on the Ancestral Temple of Han"), therefore, despite the metabolism of the personnel in the ancient times, he still felt that there was still a possibility of things to be done. Not pessimistic. At the same time emphasizing man-made, the poet also highlighted the criticism of the geographical conditions, the fate of the king as a spiritual pillar, without scruples to live in peace and enjoyment of the feudal rulers. For example, "South Dynasty": The land is dangerous and long, the jade gas of Jinling should be Yao Guang, do not boast that this place is divided into the world, only the half-face makeup of Princess Xu. This poem summarizes the Southern Dynasty by citing the Liang Dynasty, skillfully connecting the half-face makeup with the division of the world, and bitterly satirizing the corrupt and muddleheaded feudal rulers who were superstitious about the king's energy, relied on the danger of heaven and earth, and did not try to make any progress, and ate the fruit of their own demise. These clear attitude to learn from the past, contains a profound intention, more conscious and complete than the previous understanding.
Secondly, the poet is often ancient and satirize the present, focusing on exposing the historical phenomenon of some of the dead kings who indulged in women's sexuality, and led to the demise of the country and the destruction of the body due to extreme extravagance. He is famous for all generations of good fairy, good wine and color of the emperor as well as shameless dead king, such as Zhou Mu Wang, Chen Houzhu, Sui Yang emperor, Tang Xuanzong have given a different degree of satire, thus directly or indirectly expressed his realism tendency, play a certain role in satirical admonition. For example, in "South Dynasty", who said that the agar tree is seen from morning to night, but not as good as the golden lotus step by step, in "Qi Palace Lyrics", the song and dance on the Liangtai is over after three nights, but still the wind is shaking the bell of the nine sons, and in "Sui Palace", the spring wind is lifting up the country to cut the palace brocade, and it is half for the barrier and half for the sails. Poems with such contents and styles account for the majority of his historical poems. This shows that from the observation of real life, the poet could see that some emperors of that era had already stepped on the mistakes of the previous dynasty and were inevitably going to the abyss of extinction. Because he did not dare to expose them positively, he used the aria to satirize them. However, Li Shangyin, in many of his ahistorical poems, excessively regarded indulgence in female sex as the greatest cause of his country's demise, while ignoring more important factors such as politics, economy and class conflicts, which was due to the limitations of his class origin and the history of his time. Poet in the middle of the Tang dynasty since the clan division, eunuchs dictatorship, cattle and Li party dispute, the acceleration of the death of the country, although standing in defense of the interests of the Tang dynasty on the position of the aria, although it is twisted, but it is also a subtle and obvious to show their own ideas and indignation at the current situation. The "Han Stele" is a tribute to the "Pinghuaixi Stele" written by Han Yu during the reign of Emperor Xianzong of the Tang Dynasty, which expresses the author's political attitude of insisting on unification and opposing feudalism; of course, Li Shangyin's aria poems have a realistic background and refer to the matter in a close way. Emperor Xianzong took the golden elixir to seek immortality, but he died suddenly and was buried in Jingling Mausoleum. He wrote a poem called "Passing the Jingling Tomb" about his death: "The spirit of Emperor Wu has long been immortalized, the tent hall is bleak and the smoke is condensed, but the living people can't stay, Dinghu is different from the West Tomb of Wei". In addition to Emperor Xianzong, Li Shangyin body experience of the dynasty. Mu Zong, Wu Zong also good fairy. Wu Zong also became sick, he wrote a lot of historical poems satirizing the emperor to seek immortality. He wrote a lot of historical poems to satirize the emperor's quest for immortality, such as "The Temple of the Queen Mother of the West under Huayue". Since King Jingzong succeeded to the throne at a young age, he became a man of excess, so Li Shangyin borrowed the name of Gao Wei (高纬) of the Northern Qi Dynasty (北齐), the son of a sorrowless heaven, in his poems to remind him of this. For example, "Chen Hau Gong", "Fuping Shao Hou", coldly satirized the highest ruler who did not know how to worry about the country and the people, and was drunk all day long.
Once again, Li Shangyin is even more valuable: he realized that the root cause of all defeats lies in the fact that the supreme ruler, the emperor, did not distinguish between the wise and the foolish, did not pay attention to talent and extravagance, good female sex, and good to seek immortality. Therefore, the emperors in his historical poems are mainly typical of the two types of emperors. In his poems such as "Yao Ji" and "Jia Sheng," he bitterly satirized the emperors' vain and unprofitable pursuit of immortality and their foolishness in loving talents and people more than the immortals. The emperors' delusion of seeking immortals was a common theme in poems in the past, but Li Shangyin wrote a deeper thought than others.
Li Shangyin, Aria
Aria
By Li Shangyin
Original text:
(I)
The water in the south of Lake Dai in the north of the lake is very long, and there is a descending flag of a hundred-foot pole.
Three hundred years of the same dawn dream, where is the dragon disk in Zhongshan?
(Second)
The past and the past, the country and the family, the success of hard work and frugality, broken by luxury.
The first is to make a pillow of amber, and the second is to make a car of real pearls.
The first time I saw this, I was in the middle of a long journey, and it was a long time before I could get to the top.
A few people have been to the South Smokey song, the ancient Cangwu cry Cuihua.
Notes:
1, North Lake: Nanjing Xuanwu Lake. North Hunan Dai, collectively referred to the Xuanwu Lake, is the place of the Southern Dynasties to train the navy, but also the emperor's place to feast. This water diffuse, meaning that the former water army, the emperor no longer exists, only the lake diffuse carry on.
2, a descending flag: Liu Yuxi "Jinling Huai Gu": a thousand iron locks sunk to the bottom of the river, a descending flag out of the stone. This is a reference to the surrender of Sun Hao of the Eastern Wu to the Jin Dynasty.
3, three hundred years with the dawn dream: Nanjing is the ancient capital of the six dynasties, three hundred years, the change of dynasties, the descending flags repeatedly, not only the Sun-Wu one time.
4, Longpan: Xu Zuan "release asked": ten miles northeast of Jiankang, Zhongshan, the old name of Jinshan, after more Chiangshan. Zhuge Liang thought Zhongshan Longpan, that is, Jiangshan also. Zhang Bo "Wu Records": Liu Bei once sent Zhuge Liang to the capital, because he saw the Moling Mountain, he sighed and said: Zhongshan Dragon Plate, Stone Tiger Grouse, the residence of the emperor.
Translation:
(2)
Throughout history, all the wise countries,
Success comes from thrift and hard work, and the downfall is due to luxury.
Why does amber have to be a pillow,
why is a car with pearls a good ride?
I want to travel far, but I have not met the horse of a thousand miles,
and it is difficult for me to pull the snake from the mountain of Shushan, because I am alone in my strength.
How many of you have ever heard Shun Di's Song of the South Wind?
The sky is the limit,
only in the Cangwu to the green Huagai crying share.
Appreciation:
(a)
The first sentence of the North Lake Hunan Dai water diffuse highlights the typical scenery of the capital of the Six Dynasties. The North Lake is the Xuanwu Lake, and the South Dai is the Jiming Dai, which was the place where the emperors of the six dynasties had their pleasures. But after the change of dynasties, the same North Lake, the same South Dai, in the past had seen the colorful boat with, heard the song and sing, and now there is only a sea of water. Poet with the emotions of the past, the North Lake and South Dai of the two places and the diffuse lake water buckle together to write, showing the sense of emptiness and insignificance. The first line of BeiHunNanDai water diffuse, the poet is the rise and fall of the six dynasties into the image of the vast lake, and the second line of a descending flag 100 feet pole, is through the close-up of specific things, the image of the six dynasties of the end of the king's movement. Here a descending flag becomes a general symbol of the end of the six dynasties. The allusion to the lowering of the flag was originally related to the stone city, but the poet wrote the lowering of the flag does not count, but also used the hundred-foot pole as a further foil. The flag is lowered in one piece, which can be scoffed at; the pole is 100 feet high, which is more and more humiliating. Whether from the breadth of a piece or from the height of a hundred feet to see the history, some of the last feudal rulers of the six dynasties, the depth of desolation, mediocrity, shamelessness, can be imagined.
The third and fourth lines of the three hundred years with the dawn dream, Zhongshan where there is a dragon disk? is a twist, the poet encapsulates the history of the six dynasties three hundred years of shame. From Sun-Wu to the death of Chen three hundred years is not too short, but the six dynasties, one after another, just like the early morning dream, said what Zhongshan Dragon Coil, the situation is dangerous, is not based on anything. Zhongshan is Purple Mountain. Legend has it that Zhuge Liang saw the Jinling situation of the male, said: Zhongshan Dragon, Shicheng Tiger, the emperor's house. However, in Li Shangyin's opinion, during the past three hundred years, Sun-Wu, Eastern Jin Dynasty, Song, Qi, Liang, Chen, had successively set their capitals here, and all of them perished, so it can be seen that the survival of the country is in the people, not in the spirit of the land (Qu Fu, "Yuxi Sheng Poetry," Volume VII). In the first two lines, Beihu and Nandai have already laid the foundation for the place of the dragon's disk in the following lines, while a piece of surrendered flag was erected on the stone city, which proves that the danger of the place is not enough to rely on. Where in Zhongshan is the Dragon Plate? The poet uses the form of rhetorical question to strengthen the negative tone, which is really a fast speech that hits the nail on the head. The reason why this rapid speech is wonderful, wonderful in the author is with the image to judge. The poet's thinking about the dragon disk king qi, not only with the six dynasties of the mountain, with a piece of history of the descending flag, but also with the eyes of the diffuse north lake; not only with the overthrow of a dynasty, but also with the vicissitudes of the three hundred years. His theory of the king's breath without evidence is actually a wonderful artistic summary of the three hundred years of a dawn dream. The poem combines landscape writing and discussion in one furnace, with the victory of both subtlety and lucidity. The poet skillfully combines the layers of revelation of typical scenes with the layers of deep meaning. He depicted a picture of the lake and mountains after six dynasties of the rise and fall, but hidden behind the meaning, is the danger of the Dragon Plate and can not be relied upon. Water diffuse is the poet from today's ruined scenery to reveal the meaning; a piece of descending flag is from the rise and fall of history to reveal the meaning. Three hundred years is a piece of descending flag shows the change of dynasties, combined as a dream, no trace, but also as a guide, leading to a long time hovering in the heart of the poet's lament Zhongshan where there is a dragon plate of the calm and clear words, forming the climax of the poem. It seems that the dragon disk is nowhere to be found, the six dynasties, and the late Tang Dynasty regime is on the verge of collapse.
(2)
Li Shangyin, with his high sense of historical responsibility and artistic innovation, created an epic poem that accounted for more than one-seventh of all his poems, which expanded the meaning of the traditional epic, enriched the subject matter of epic, explored a new approach to epic, and harmonized his unique ideology and artistry, which is a milestone in the development of epic. His poems on history not only sing of the past and the present, fully reflecting his progressive view of history, but also make use of the past to satirize the present, implicitly expressing his tendency towards realism. At the same time, he also made use of the theme to express his feelings, euphemistically expressing the bitterness of his unrecognized talents. In contrast to the general poets' deep feelings about the current political situation, Li Shangyin's poems have expanded the capacity of the performance of historical poems.
The first line of the poem says, looking back at the past dynasties, thrift and hard work can make a country prosper while extravagance and corruption will bring about its demise, suggesting the key to the success or failure of all regimes.
The second line is about two allusions, the first one is the amber pillow, which was given to an emperor of the Southern Dynasty when he was on a warpath, but he crushed it and gave it to his soldiers. The second one is about the Duke of Qi Huan (齐桓公). Back then, the Duke of Qi Huan (齐桓公) met another monarch, who had a lot of carts, and each of them had a very big pearl, which the monarch was very proud of and regarded it as a precious treasure, but the Duke of Qi Huan (齐桓公) said that he had talents, and that was his treasure. This line is to illustrate the importance of talent.
The third sentence is also two allusions. The Qinghai horse refers to the talents who can take charge of military affairs, and the Shushan snake refers to the scourge of the fallen state (when the state of Shu was destroyed because the five strong men pulled out the snake and the road to Shu opened up), these two sentences actually have the meaning that the destruction of the country is also hidden in the will of God. Yishan is in fact very contradictory, although he knew that all the former sage country and family, success by hard work and thrift defeat by luxury.
The last line of the Nanfeng Song is the Nanfeng Song sung by Shun back then, and once sung, the world was at peace. A few people had predicted that the Nanfeng Song meant that no one would ever hear Shun's Nanfeng Song again, which meant that the world would be in great chaos. Cangwu is the place where Shun is buried, Cuihua is the top Chinese cover in the emperor's ceremonial weapon, and the last sentence means that the country is in such a state of decay that it is no longer the same as Yao and Shun.
In this poem, the poet, based on the historical facts of the rise and fall of history, summarized as a review of the former sage country and family, the success of hard work and thrift broken by luxury. These clear attitude to learn from the past, contains a profound intention, more conscious and complete than the previous understanding. On the question of who is responsible for the rise and fall of a nation, although Li Shangyin was limited by the time and could only tie the lifeline of chaos to the emperors and kings, most of his poems accused them of corrupting the nation. Therefore, this kind of revelation has more progressive significance.
1.
The east wind is not with Zhou Lang便，铜雀春深锁二乔。
2, "Ascending the Phoenix Terrace in Jinling"
Li Bai, Tang Dynasty
The phoenix swims on the Phoenix Terrace, the phoenix goes to the empty platform, and the river flows from the river.
The Wu Palace is buried in flowers and grasses, and the Jin Dynasty has become an ancient mound.
The three mountains are half-fallen outside the blue sky, and the two waters are divided into two egret continents.
The clouds can cover the sun, and Chang'an is not to be seen, which makes people sad.
3. "The Prime Minister"
Tang Du Fu
Where can I find the Prime Minister's ancestral hall? The city of Jin Guan is surrounded by cypresses.
The blue grass is the color of spring, and the yellow roc is the sound of the sky.
The three times I looked at the world's plans, the two times I tried to help the old ministers.
The first to die before the division, long make the heroes tears in the lapel.
4, "Jinling Huai Gu"
Tang Liu Yuxi
Tide full of Yechengzhu, the sun slanting Zhenru Pavilion.
The tide is full of Yechengzhu, and the sun is slanting towards the Pavilion of the Levies.
The rise and fall of the personnel, the mountains and rivers empty terrain.
The song "Flowers in the Backyard" is a song that I can't listen to.
The title "Wujiang Pavilion"
Tang Du Mu
The victory and defeat of the military family is not expected, the shame and humiliation is a man.
The children of Jiangdong have a lot of talent, and it is not known that they will make a comeback.
6, "Winged Memories of Ancient Monuments" (five of five)
Tang Du Fu
Zhuge's great name is hanging in the universe, and the remains of his ministers are clean and high.
The name Zhuge is known throughout the universe, and his legacy is a clear one.
The first two of these were in the same room, and the second one was in the same room.
The first time I saw this, I was able to get my hands on a new one, and I was able to get my hands on a new one, and I was able to get my hands on a new one.
7, "Wing Huai monuments" (three of the five)
Tang Du Fu
Mountains and ravines to the Jingmen, the growth of Mingfei still have a village.
Once the purple platform is gone, it is connected to the desert, and the green mound is left alone in the dusk.
The painting of the picture is not enough to recognize the face of the spring breeze, and the ring of the belt returns to the soul of the moon night.
The Pipa has been used for thousands of years, and it has been used for a long time to express the grievances of the people.
8, "The sound of selling flowers"
Yuan Zhang Kejiu
The beauty cut her own throat on the bank of the Wujiang River, the fire of war once burned the Red Cliff Mountain, the general is empty old Jade Gate Pass.
The sadness of the Qin and Han Dynasties, the people are suffering, and the readers let out a long sigh.
9, "Han Palace Lyrics"
Tang Li Shangyin
The green sparrow flew to the west but did not come back, the king is long in the set of Lingtai.
The ministers are most thirsty, but they don't give a cup of dew on a golden stem.
10, "Jiangnan Huai Gu"
Tang Du Mu
Che Shu mixed a career endless, well Yi mountains and rivers today and in the past.
The year of the Eternal Era was spent in Jinling, and I remembered Yu Gong in despair and idle chanting.
11, "Moonlight Night in Jinling"
Tang Li Bai
Pale Jinling moon, empty hanging emperor state.
The astronomical lists of the hosts are there, and the great river flows in the hegemony.
The green water is the last of the road, and the pines destroy the ancient hills.
The platform was tilted to jaybird view, the palace did not phoenix building.
The other halls are sad and clear, and the garden is not in the mood for fun and games.
I heard the song of the Jade Tree, and the autumn of the backyard.
12, "Nian Nujiao Red Cliff Huai Gu"
Song Su Shi
The great river goes east, waves amassed, thousands of people.
The old fortress is on the west side of the city, and it is said to be the Red Cliff of Zhou Lang of the Three Kingdoms.
The rock and stone are piercing through the air, and the waves are beating against the shore, rolling up a thousand piles of snow.
The mountains are like a painting, and there are many great men and women in the world.
I think of the time when Kung Jin was married to Xiao Qiao.
The first thing you need to do is to get your hands dirty.
The first thing you need to do is to get your hands on a new pair of shoes or boots.
Life is like a dream, a bottle of libation.