Peking Opera Flower Face is a special form of expression of other roles can not be replaced, is a spectrum of the opera actor's facial make-up, from the Tang Dynasty music and dance "on behalf of the face" worn by the mask gradually evolved. Actors use a variety of colors in the face sketched into a certain pattern, to show the character's personality, features or other characteristics. Generally, red represents loyalty and courage, such as "Guan Yu"; black represents roughness and straightforwardness, such as "Zhang Fei"; white represents treachery and evil, such as "Cao Cao".
2. Classification
Peking Opera Hua-face is generally categorized into hammered Hua-face and racked Hua-face.
The bronze hammer flower face is generally based on singing. Representative works include "Exploring Yinshan" and "The Second Palace".
The frame flower face is generally based on workmanship, which is represented by the Yuan School of Art founded by Mr. Yuan Shihai. The representative repertoire includes Stealing the Royal Horse, Jiujiangkou, and so on.
3, the aesthetic standards
(1) flower face to be beautiful and not charming
"Flower face to be beautiful and not charming" is a common saying circulating in the Peking Opera world. The flower face line embodies a kind of rough beauty, can not charm. Especially in the body performance, a hand and a foot, even a "shaking sleeve", a "cloud hand", a "mountain bladder" have the norms of beauty.
(2) DAN JING FALL
"DAN JING FALL" is a continuation of the "flower face should be beautiful, not charming", that is to say, the flower face to do the beginning of a body to use the end of the Dan role, to "light" or "light". "or called" slow "start, when the body to pause, when the stillness of the time to use the strength of the flower face.
(3) face to support
"Lao Sheng bow, face to support, Wu Sheng in the middle, Xiao Sheng, Danjiao loose" is the standard of Peking Opera performance. That is to say, the same body, such as the "mountain bladder", the standard and strength of the line is not the same. Brace" means to brace up, the performance of the flower face line, for example, "up the bully", the front chest can not be empty, the back can not stick, but the two arms should be braced round. Not only is the "up bully", any action to support the round, never see the angles, otherwise it is not beautiful.
Question 2: Peking Opera face painting ShengDanJingDanChou corresponds to which roles? Sheng: Zhuge Liang, Guan Yu, Song Jiang, Lin Chong, Yang Silang, Lin Xiangru, Zhou Yu, Luo Cheng
Dan: Yang Guifei, Qin Xianglian, Mu Guiying, Wang Baochuan, Cui Yingying, Hongniang, She Taijun
Pure: Bao Gong, Huang Gai, Jing Ke, Lian Po, Meng Liang, Zhang Fei, Xiang Yu, Dou Er Dun
Clown: Jiang Gan, Shi Qian, Xu Jiujing, Yang Nga Nai, Chong Gong Dao
Arc is a branch of Sheng that is now basically categorized as Sheng.
Question 3: Peking Opera Sheng, Dan, Jie, Mou and Chou are the ones who paint their faces Peking Opera lines are Sheng, Dan, Jie, Mou and Chou, of which the ones who paint their faces are: Jie and Chou.
Pure, also known as the big flower face and two flower face (deputy net).
Clown, also known as the three flower face.
Mordant, now categorized as Sangha.
Question 4: What is the character of Hua-fang? Flower face originally refers to a line of Peking Opera performance, called the net role. Flower face is a common name. In this paper, refers to the class is the mask of the Jiejiao face. The significance of the image of each face varies. Red depicts the character of the red courage and loyalty, such as Guan Yu; black embodies the task of rich loyalty and integrity, fierce, courageous, rash, reckless character, such as Bao Zheng, etc.; white alludes to the character of the character of the nature of the treacherous, vicious means of abominable face, such as the Qin Hui, etc.; green sketches the character of the chivalrous and righteousness, fierce, violent, such as the green-faced tiger Zhang Qing, Cheng Bite Jin, etc.; purple symbolizes the wisdom of brave and righteousness, resolute, calm, such as Lian Po and so on.
Question 5: What are the "Sheng, Dan, Jie, Jie, Wu, Chou" in Peking Opera? What is the corresponding face? Chinese opera character line classification, according to traditional custom, there are "Sheng, Dan, Jing, Chou" and "Sheng, Dan, Jing, the end, Chou" two lines of method, since modern times, due to a number of types of "end" line has been gradually categorized into the "end" line. In recent times, because many types of "end" lines have been gradually subsumed into the "Sheng" line, the "Sheng, Dan, Jing and Chou" are usually taken as the four basic types of the line. Each line has a number of branches, each with its own basic fixed characters and performance characteristics. Among them, "Dan" is a generic term for female roles; "Sheng", "Jing", and the two lines are male roles; "Chou" is the most important role in the opera. line in addition to sometimes also play the ugly Dan and the old Dan, mostly male roles.
生:男性小生 老生 武生
旦:女性花旦 刀马旦 老旦青衣
净:男性花脸
末:老老男性
丑:丑角文丑 武丑 生 One of the main lines of Chinese opera performance. It refers to the male roles other than jing and chou. Sheng's name was first seen in the Song and Yuan southern opera, referring to the male protagonist of the play, and the Yuan miscellaneous opera is equivalent to the end. After the Qing Dynasty, the name of Sheng has been developed into four branches: Lao Sheng, Xiao Sheng, Wai, and Mou. According to their character attributes, personality traits and performance characteristics, they can be roughly divided into the categories of Lao Sheng, Xiao Sheng, Wai, Mou, Wu Sheng, Doll Sheng, etc. The main role of Lao Sheng is to play the character of the middle-aged and above. Lao Sheng mainly plays positive characters of upright and resolute character above middle age, and is also called Su Sheng (须生), commonly known as Bearded Sheng (胡子生), because of the beard he wears. Peking Opera veteran line is divided into singing, doing work, rely on the handle and martial arts veteran, another line of red, mainly playing Guan Yu, because of the hook red face, it is also known as red.
The young male play young men, divided into the middle (fan student), crown student (official student), poor student, pheasant tail student (plume student), martial arts small student. Outside, generally refers to the vice corner of the student, does not show a definite character traits, only the Han opera outside the singing, reading, doing and emphasize. The end, along the name of the southern opera, northern opera, most of the theater has been incorporated into the line of the Lao Sheng. Wusheng play characters who specialize in martial arts, divided into two categories: long leaning Wusheng and short-playing Wusheng. Dolls play children's roles, Peking Opera, there are dolls Wusheng.
In addition to some of the Wusheng's red face, the other Wusheng's face is plain, which is also known as the "Junzhuang" in the industry.
Dan
In the Dan line, there are Qingyi (Zhengdan), Huashang, Huadan, Jianmaadan, Wudan, and Laodan.
Qingyi
The most important type of Dan is Qingyi. Qingyi has another name, Zhengdan, and is generally a dignified, serious and decent character. Most of them are virtuous wives and mothers, or chaste women of the old society and other characters. Age is generally from young to middle-aged, Qingyi performance is characterized by singing work, movement range is relatively small, the action is more stable. Read white are read rhyming white, generally do not read Beijing white, and singing is quite heavy. From the clothing point of view, Qingyi wear green pleats for more, so another name for the green shirt, referred to as the shirt.
The performance of Qingyi is characterized by singing, small movements and steady action. Such as the "White Snake" in the last fold of the "Ritual Pagoda", "two into the Palace" in the Li Yanfei, "Three Maidens" in the Wang Chun'e, "Spring and Autumn Match" in the Jiang QiuLian, "He after scolding the temple" in the He Hou, "Red Mane Horse" in the Wang Baochuan, "Three Maidens" in the Wang Chun'e, "Fenhewan" in the Liu Yingchun, "June Snow" in the Dou'e, "Five Dragons Swindle" in the Li Sanniang, "Dabao" in the Li Yanfei, "guillotine" in Qin Xianglian, "beauty case". Qin Xianglian in The Case of the Beautiful, Zhao Yanrong in The Cosmic Front, Sun Shangliang in Farewell Palace? Sun Shangxiang in Bie Gong? Sacrifice to the River, Jiang Qiu Lian in Spring and Autumn, Song Qiao Jiao in Fa Men Temple, and Raccoon Lady in Raccoon Tale.
Hua Dan
The second major category of Dan line is called Hua Dan. In terms of costume, all of them wear skirts and dresses. Even long clothes are embroidered with brightly colored patterns. From the age point of view, are playing young women. For example, Hongniang in "Hongniang", Pingxin in "Playing Cherries", Chunlan in "Flower Field Mistake", Chuncao in "Chuncao Breaking Into the Hall", Jin Yunu in "Red Luan Jubilee", Di Yunluan in "Delightful Fate", Sun Yujiao in "Pick up the Jade Bracelet", Liu Yulian in "Cabinet of Margins", Cheng Xue'e in "Phoenix Returns to the Nest", Tang Huixian in "Phoenix in the Hairpin", Su Yulian in "Plum Yuhua Matching", and Chen Xingyuan in "Two Plums". In terms of performances, Hua Dan is mainly based on workmanship and speech. The characters are generally more lively and cheerful, and their movements are quicker and more eloquent. Hua Dan can be categorized as a girl door Dan, play door Dan, spicy Dan, assassination Dan.
Flower Shirt
The Flower Shirt is an important line in the Peking Opera Dan line, which is a kind of Dan line that combines singing, reciting, acting, and fighting, that is to say, she concentrates on the solemnity of the Qing Yi, the vivaciousness and cheerfulness of the Flower Dan, and the martial arts work of the Wu Dan. In early Peking Opera, there were only Qingyi and Hua Dan, not Hua Shirt. The founder of the Flower Shirt was Wang Yaoqing. He created the line of flower shirt, in the performance of singing, reading, doing, and ...... >>
Question 6: What is the ancient legacy of painting flower face Peking Opera flower face is a special form of expression that can not be replaced by other roles, is a spectrum of the opera actor's facial make-up, from the Tang Dynasty music and dance "on behalf of the face" of the mask worn by the gradual evolution. Actors use a variety of colors in the face sketched into a certain pattern, to show the character's personality, features or other characteristics. Generally, red represents loyalty and courage, such as "Guan Yu"; black represents roughness and straightforwardness, such as "Zhang Fei"; white represents treachery and evil, such as "Cao Cao".
Question 7: What is the flower face? What are some of them in Peking Opera? The original "Flower Face" refers to a line of Peking Opera performers, called "Jiejiao" (净角). Flower face is a common name. In this article, it refers to the class is the mask of the Jiejiao face. The image of each face has different meanings. Red depicts the character of the red courage and loyalty, such as Guan Yu; black embodies the task is rich in loyalty and integrity, fierce, courageous, rash, reckless character, such as Bao Zheng, etc.; white alludes to the character of the character of the nature of the treacherous, vicious means of the abominable face, such as the Qin Hui, etc.; green outlines the character of the chivalrous and righteous, fierce, violent, such as the green-faced tiger Zhang Qing, Cheng Bite Jin, etc.; purple symbolizes the wisdom of courage and righteousness, resolute, calm, such as the Lian Po and so on. Give points ，，，，，，，，，，，，，，， Yu ，，，，，， I Zhang 。。。。。。
Question 8: What are the roles of ShengDanJingChou in Peking Opera? Sheng: male frontal role, Lao Sheng, Wu Sheng, Xiao Sheng.
Dan: female frontal roles, Qingyi, Hua Dan, Lao Dan, Wu Dan, and Dao Ma Dan.
Pure: male characters with strong personalities.
Clown: Humor and funny or anti-role, Wen Chou, Wu Chou, ugly woman.
末: older male.
Question 9: What does the flower face in Peking Opera represent? Who are the representative characters of the "flower face", also known as "net". The Jing of Peking Opera mainly plays the role of male characters whose character, quality or appearance are different from the general and have outstanding features. According to the character of these characters, there are upright, stalwart, brave, powerful, rough, reckless, cunning, brutal, stupid, etc.; according to the age, there are eighty to ninety years old, and there are children in their teens; according to the status, there are emperors and generals, and there are commoners and butchers. These characters are both positive and negative, can be said to be the shape of *** characters.
The character of these characters, quality or appearance characteristics, is to borrow a specific face to indicate. That is, according to the character, quality, appearance of different, and red, black, white, yellow, purple, green, blue and other colors, according to a fixed pattern, facial makeup. This kind of facial make-up is called "face hooking". Facial makeup is not only to highlight the character's personality, but also a means to express praise and blame for the character. For example, most of the red face is to show the character of loyalty and justice, most of the black face is to show the character of integrity, bravery or recklessness, most of the white face is to show the character of treachery and cunning, most of the purple face is to show the character of courage and boldness, most of the yellow face is to show the character of brutality, most of the blue face is to show the character of bravery and tenacity.
Pure, divided into literary pure and martial arts pure. Generally, there are black face, old face, treacherous white face, rack flower face and so on.
Black face, because Bao Zheng is a model of uprightness, impartiality, and law enforcement, and Bao Zheng is depicted in black face in Peking Opera, so the black face represented by Bao Gong represents the character of uprightness and unselfishness.
The old face, mainly playing the role of the male elderly, sketched red, blue, purple, pink, yellow and other colors, and painted a piece of the brain with a different color in front of the face. Such as "Huarong Road" in the Guan Gong, sketched red face.
Adulterous white face, is to play sinister, murderous, cunning people, are old and cunning antagonists. Rape white face hook half of the face, in the white face between the eyebrows and the corners of the eyes, sketched a few black lines, to highlight its old and treacherous features. Rape white face are hanging or black, or white beard, to show its old.
Shelf flower face, playing the character character in addition to strong, brave, reckless, there is innocent, witty gas. Such as Zhang Fei, Li Kui. Also highlight optimism, humor and fun. Therefore, strong dance, heavy work is one of the characteristics of the frame Huafen performance. In addition, the frame flower face in anger will be issued "wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow, wow.
Hou Yi has nine days on his face, Xiang Yu's left eye is the "Tao" character eyebrow, Zhang Fei's face is the "bat" type eyebrow, Guan Yu's face is the "lying cicada" eyebrow, Lu Zhishen's face is the "peacock" eyebrow, and the "peacock" eyebrow is the "peacock" eyebrow. Cao Cao's face is the "gaze" eyebrow, Song Jiang's face is the "crouching" eyebrow. Song Jiang's face is the "silkworm" eyebrows, and Wu Song has a pair of "paint" like eyebrows.
Question 10: What are the main roles in Beijing opera? Peking Opera is also known as roles, which can be divided into five major roles, namely, Sheng, Dan, Jing, Mou and Chou.
1. Sheng line referred to as "Sheng". Sheng line is divided into Sheng (Sheng), red Sheng, Sheng, Wu Sheng, doll Sheng and so on. One of the important lines in Beijing opera.
Su Sheng (Lao Sheng): that is, more than middle-aged playwrights, mouth wearing a beard (beard), due to different personalities and identities, can be divided into An Gong Lao Sheng or singing Lao Sheng (such as playing emperors, bureaucrats, literati, etc.), rely on the Lao Sheng (such as playing a military general), the decline of the old school Lao Sheng (such as playing the poor and downtrodden people, etc.).
Hongsheng: the red face of the hook sushi, such as playing Guan Yu, Zhao Kuangyin and so on.
Xiao Sheng: refers to the drama of the plume student (with pheasant plume generals, princes and lords, etc.), the gauze hat student (official student), fan student (scholar), poor student (poor scholar) and so on.
Wusheng: the role of martial arts for the play, wearing thick-soled boots called long leaning (Dunzi) Wusheng, wearing thin-soled boots called short hit (skimmer) Wusheng.
2. Dan line short for "Dan". Divided into the roles of Qingyi, Hua Dan, Wu Dan, knife horse Dan, old Dan, paste Dan, girl Dan and other roles. Dan role for all women.
Qingyi: mainly singing, playing the role of a good wife and mother.
Hua Dan: also known as the flower shirt, characterized by the flowery clothing, to play the queen, princess, noble lady, female generals, peddlers, village girls and other roles.
Wu Dan, knife and horse Dan: women who are good at performing martial arts.
Old Dan: sung with this noise, mostly middle-aged and elderly women.
3. net line referred to as "net", also known as the flower face. The net angle refers to the face painting color figure of the role of the flower face, it does not seem clean, so the opposite of the meaning of ''net" net line is divided into the following roles: to sing the main copper hammer flower face and black head flower face; to frame the main frame of the frame of the flower face, such as the generals, monks, heroes, and the martial arts flower face and wrestling flower face, and so on. Bronze hammer Hua face called positive net, frame Hua face called vice net, Wu Gong Hua face name Wu net, Wu two Hua face words red net, in the performance style have different characteristics.
4. The end of the line referred to as "end". The line is mostly middle-aged men. The actual end of the line specializing in lead play functions, such as playing the head of the field, the opposite of its meaning and called "end".
5. clown line short for "ugly". In the play, the clown line hook face, and hook painting "three flower face", the face of the spectrum and flower face is very different.
The clown line is also divided into the clowns, martial arts clowns. The clowns are divided into square scarf clowns (literati, Confucian); martial arts clowns, specializing in the role of martial arts skills such as falling, fighting, flipping, pouncing, etc. According to the animal phases, the clown is an ox. According to the animal phases, the ugly belongs to the ox, the ox is stupid, ugly is synonymous with stupid. But the stage of the Wu Clown is also called open jump, and can talk and jump, perform lively and clever, good at performing martial arts martial arts role, which is completely different from the ugly and stupid nature of the cow.
Peking Opera has four main roles: Sheng, Dan, Jing, and Chou.
Sheng line school: Ye, Jiang, Liu, Xu.
The Dan school: Mei, Shang, Cheng, Xun, Wang, Song, Mao, Li, Zhang, Yang, Chen, Shin, Xiao Li, Da Li, Gong.
Pure line school: Hao, Hou, Yuan, Qiu, Jin.
The ugly line school: Xiao, Ye, Liu, Ma.
The origin of the role names of the opera, there have been many different opinions. A more common saying is: "raw, Dan, net, ugly" is to use "metaphors" to take the name, which is in fact a very old legend, as early as in the miscellaneous drama, the legend of the popularity of the times have. However, when this saying was in full bloom, it has been pointed out that it is false. Such as the Ming Dynasty writer Zhu Zhishan's "hedgehog" said: "Sheng, net, Dan, the end of the name, it is said to be the opposite of what is called, or to the Tang Zhuangzong, all fallacious clouds. Sheng is a man, Dan is said to load Dan color, net is said to net children, the end is said to the end of the mud, lone is an official, that is, the sound of its soil, what is the righteousness of there?" This clearly negates the role of opera "metaphor" statement.
First, the "raw". I'm not sure if I'm going to be able to do that, but I'm going to be able to do it," he said. It's a simple statement, but it makes sense. Mr., after the student, Confucian students, as well as Zhang Sheng, Li Sheng, etc., in which the original meaning of "Sheng" is not the male title? Some people may think that this is too simple, ordinary, and hard to prove the mystery, the result is to produce some far-fetched argument.
And again, "Dan". People often want to understand why women on stage are called "Dan"? Theater historian Zhou Yibai believes that the word "Dan" evolved from the word "Sister". The order is the first "Sister", by "Sister" blackmail for "Da" (Song miscellaneous dramas have "Old Orphan遣妲", "Shuang卖妲", "Ragging Shop Huida","" Dada" is the blackmail of "Sister"), and then "Dada" is abbreviated to "Dan" (in the Jin and Yuan Yuan Yuanben, there are "Dan Judgement of Orphans" and "Sour Orphan Dan", and the original "Old Orphan Dispatch of Dada" became "Old Orphan Dispatch of Dada"). The original "Old Orphan Dispatching Dada" became "Old Orphan Dispatching Dan" (see Zhou Yibai's "Collected Essays on Chinese Opera"). "Sister" has always been a term of endearment for women, and since "Dan" is the blackmail of "Sister", it is quite understandable that "Danjiao" specializes in female roles. The first time I saw this, it was a very good idea to have a woman in the role.
Plus "net". Yuan Ke Danqiu that "net" that is "beautiful" of the black. He explained: "Fu powder and ink to offer a smile ...... > >