Scene shown: look, the red sun rising, radiating ten thousand channels of sunlight, red clouds in the sky, reflecting the red snow-capped plateau, the sea of clouds, snow-capped mountains, towering, flowers, pines and cypresses, lush green, the red sun and white snow reflecting the motherland is like a red maiden, extraordinarily colorful and colorful.
The scene in the snow looks majestic in the pallor, and the scene after the snow looks delicate. The word "look" and the word "look" correspond to each other; "red dress", the beauty of the rivers and mountains is compared to the girl's clothes, describing the red sun and snow reflecting the gorgeous scene. "Enchanting", the passion of praise is overflowing.
Snap your fingers, it's already cloudy; talk and laugh, the boom is gone. This is to imagine the beautiful scenery of the sky clearing up after the snow. Mao Zedong had already seen the end of the war and sent a prophecy of victory to the world.
What is revealed between the lines is clearly the courage to turn the tide, clearly the discerning eye of time and space. The Chinese revolution is destined to be an extremely difficult, tortuous and thrilling struggle, but the people will surely win and the revolution will surely succeed. There should not be the slightest doubt that the sky will clear up after the snow.
This passage is from the poem "Qinyuanchun - Snow" by Mao Zedong, the full text of which is as follows:
Modern: Mao Zedong
The scenery in the north of China is characterized by a thousand miles of ice and ten thousand miles of snow.
Looking at the Great Wall and beyond, I can only see the recklessness; up and down the great river, I have lost the heaviness.
Mountains dance with silver snakes, the original wax elephants, want to compete with the sky.
Sunny day, to see the red dress, enchanting.
The mountains and rivers are so beautiful that they attract countless heroes.
Spite the Qin Emperor and Han Wu, a little loss of literary talent; Tang Zong and Song Zu, a little inferior to the style.
The pride of a generation, Genghis Khan, only knows how to bend the bow to shoot a big eagle.
It is time to move on, count the winds and streams, but also look at the present day.
Translation: The scenery of the north, millions of miles of ice frozen, millions of miles of snow drifts. Looking at the Great Wall inside and outside, there is only an infinite white expanse left; up and down the broad Yellow River, it has suddenly lost its monstrous water power.
The mountains seem like silver-white pythons flying, the hills on the plateau seem like a lot of white elephants running, they all want to try to compete with God. To wait until a sunny day, to see the red sunshine and white snow and ice reflect each other beautifully.
The rivers and mountains are so charming that they attracted countless heroes. It is a pity that Qin Shi Huang, Han Wu Di, slightly less literary talent; Tang Taizong, Song Taizu, slightly less literary merit.
Genghis Khan, the man of the world, only knows how to draw a bow and shoot an eagle. These characters are all past, counting the heroes who can build a career, but also look at the people today.
Expanded Information
Background of Creation
In 1936, the Red Army organized the Eastern Expeditionary Forces to prepare for the eastward crossing of the Yellow River to fight against the Japanese. When the Red Army started from Zichang County and advanced to the area of Yuanjiagou in Gaojie Village, Qingjian County, the troops rested here for 16 days.
From Feb. 5 to 20, during Mao Zedong's stay here, there was a heavy snowfall, with the Great Wall and beyond snow-covered, and the bulging Qin-Jin plateau covered in ice and snow. The weather was so cold that even the normally rushing and roaring Yellow River had a thick layer of ice and lost its usual waves.
Mao Zedong was staying at the home of farmer Bai Zhimin late at night. Seeing this scene, he was quite touched and filled out this lyric. Qinyuanchun - Snow" was first published on November 14, 1945 in Chongqing "New People's Newspaper Evening Magazine", and later officially published in the "Poetry Magazine" January 1957 issue.
References: