1, hands folded: This is one of the most common ending patterns in Tibetan dance. Putting your hands together shows respect and gratitude to the Buddha, and at the same time symbolizes the wish for peace, friendship and harmony.
2. Kneel and squat: In Tibetan dance, dancers usually kneel and squat at the end. This action symbolizes respect for the gods and the audience, and also shows the flexibility and skills of the dancers.
3, the back hand half squat: this action requires the dancer to put his hands behind his back and bend his knees half squat. This action shows the dignity and steadiness of the dancer, and also symbolizes the respect for the gods and the audience.
4. Cross-legged squat: This action requires the dancer to cross one leg in front of the other and kneel down. This action shows the strength and stability of the dancer, and also symbolizes the respect for the gods and the audience.
5. Hands spread out: This action requires dancers to spread their hands horizontally and palms up. This action symbolizes the prayer and gratitude to the gods and the audience, and also shows the dancer's self-confidence and open mind.
End the scene of Tibetan dance using rigid movements;
1, Stage Performance: When performing Tibetan dance on the stage, it is very important to end the stereotype. Through these movements, dancers can show their skills and express their emotions, and at the same time, they can push the whole dance performance to a climax. On the stage, ending the same routine usually becomes the focus of the audience, so dancers need to do their best to win applause and praise from the audience.
2. Folk activities: In folk activities in Tibetan areas, such as weddings, sacrifices and festivals, people usually dance Tibetan dances to express their joy, blessings and thanks. In these activities, it is also very important to end stereotypes, which can help dancers express their inner feelings and let the audience feel a strong national cultural atmosphere.
3. TV programs: Tibetan dance performances are also common in TV programs, especially in ethnic cultural programs. In these programs, the stereotype ending can be the climax of the whole program. Through these movements, dancers can show their skills and emotions, and at the same time, they can let the audience know more about the cultural connotation of Tibetan dance.
4. Daily practice: In daily practice, ending stereotypes is also essential. Through these movements, dancers can test whether their skills and expressions are correct, and also lay a solid foundation for future performances. In practice, dancers need to keep trying, exploring and innovating to find the most suitable ending formula.