Indian dance is divided into North Indian dance (Kathak) and South Indian dance (BharataNatyam). The music of North Indian dance is Hindustani, while South Indian dance adopts Carnatic music, the two kinds of music have different rhythms and melodies, and different forms of expression. Dance Kathak, legs must be straight, the body curve always maintains the streamline, this dance is concerned with exaggerated facial expressions and rich hand movements, combined with gorgeous costumes and make-up, through the body language rather than music to sing to convey the meaning; and dance BharataNatyam, the legs can be bent, the body amplitude is very large changes, more appreciative. Indian Dance - Performance to God For Indians, dance is not only an art, but also has a religious meaning. Indian dance originates from the unparalleled devotion to God clean and selfless love, the dancers by their own fingers, arms, eyes, five senses, the body expression and interpretation of the universe of all things. Therefore, some Indian dances are only performed in temples for God to see, and Indian dance also has a layer of mysterious color. Basic movements: Indian dance is fast-paced, and a 4-minute dance has about 50 movements. It includes hand gestures, eyes, inner thoughts, and facial expressions, and these varied postures can represent human emotions and desires, as well as natural phenomena such as heaven and earth, mountains and water, and day and night. ● Before starting the dance, keep your legs bent and close your hands in an opening salute. ● Stretch out your hands and take a step forward with your feet. Start to change your hand positions in time with the music. When the rhythm of "dong-dong" starts to appear in the music, start to change your foot movements. Keep smiling. ●The dance moves faster and faster, and the hand movements change a lot. Clothing: In India, only married women wear the six-meter-long sari, except for the dancers, and even very young girls can be dressed this way. Sometimes dancers also wear PUNJABI: pants + knee-length coat + long scarf. There are many styles of pants, some wide, some tight. There are different ways to tie the scarf, so you can wear it around your neck and tie it around your waist when you dance to add a sense of line. punjabi has become a fashionable style, and last year it was all the rage in Japan. Accessories: The long, pointed ornament attached to the forehead is called a bindi, and the traditional bindi is very large and studded with diamonds and gemstones. However, a simpler style is now popular. Girls usually wear it for weddings or dances. A circle of loose diamonds above the eyebrow can also be called a BINDI for good luck. Red Dot: A red dot on the center of the eyebrow. When dancing, small diamonds may also be used instead of the traditional red dot for added brightness. When not dancing, only married women are usually allowed to have red dots. Bangles: In Indian dance, hand gestures are very important in the language of dance, so dancers care about bangles. They are worn in large numbers, up to 20. Anklets: There are many stomping movements in Indian dance, to have a crunching sound and a sharp rhythm, so the foot halter is very important. Hand Posture: An important element of Indian dance is hand posture. There are about 100 kinds of hand postures, each of which has a specific meaning, some representing beauty, some peace, some anger, and some even ugliness. Indians believe that hand gestures are symbols of communication between humans and gods, and that different gods prefer different hand gestures. Smile: During the dance, the dancer's heartfelt smile is consistent throughout, expressing a joyful and peaceful state of mind. Head movement: the head moves rhythmically to the left and right. Waist movement: the swinging of the waist makes the body graceful. Foot movements: toes, heels, stomps. The movements of the feet in Indian dance are also very expressive. Eyes: The essence of Indian Dance is the turning of the eyes during the dance. Indian dance sign language is unpredictable. For example, the finger and face gesture expresses beauty, and the lotus hand gesture is a common hand gesture used when performing for God. The hand gestures not only dazzle the viewer, but also reflect the performer's active thinking, a real brain exercise, which can be described as "dexterity of mind." The jumping posture represents the Indian bird "PIKAKE". When jumping, keep your eyes on your hands. This jumping posture not only looks good, but also improves balance and bone density, especially in the hips and pelvis. Unlike other dances, Indian dance requires the dancer to be in a semi-squatting position. This posture is good for the thighs and buttocks! Do you want to have a great look in your eyes? Learn from Indian dance! Keep your head still and roll your eyes in all directions, remembering to keep them wide open as you do so. ●Heel lift and toe stand. Indian dance foot movements will give you beautiful calves and ankles. ● During the dance, your shoulders should often be kept in an end-over-end posture, and the head-turning motion will help take care of your cervical spine. ● When dancing Indian dance, your back must be kept straight. This explains why Indian beauties have the sexiest backs in the world.
China classic danceChina classic dance, as a category in China's dance art, is based on the traditional dance of national folklore, refined, organized, processed, created by successive generations of professional workers, and passed down through a long period of testing of artistic practice with a certain exemplary significance of the characteristics of the classical style of dance. Classical dance was founded in the fifties and was once called "opera dance" by some people, which itself is a mixture between opera and dance. Opera and martial arts are the foundations on which the training of classical Chinese dance is built, and the basic training of classical Chinese dance fully embodies the distinctive national characteristics of our Chinese nation. The techniques and skills in the basic training have a unique national character and are very different from those in other dances.
The rhythm of the body method refined in the body section class is what must be carried through in our basic training class, and it should be combined and utilized in the basic training class from the height of the stylistic nature of the basic training, the artistic expression of the body, and the ethnicity of the techniques, and gradually form an inseparable part of the basic training materials. For example, in the movement through the mention, sinking, rushing, leaning, containing, shy, moving, side mention of the dynamic elements; through the requirements of breathing; through the requirements of rhythmic characteristics; through the requirements of the hand, eye, body, method, step. For example, the requirements of the hands include the training of fingers, wrists, elbows, arms and shoulders; the functional quality training of lifting, pulling, stretching and plucking in terms of ability and amplitude; and the artistic quality training in terms of conception and feeling. Only in this way can reflect the "God, gas, rhyme" of folk dance, and break the tendency of balletization of the market place of basic training, gymnastics, acrobatic tendency; in order to change the basic training class in the training of pure functionality and rigid, dead, board tendency. At the same time also solved the combination of the language, as well as let the bodywork and national technology, skills, ability, quality training combined