Liang Xiao is the first male protagonist in Kunlun, whose birth, personality, and experience have many similarities with Yang Zao in Divine Eagle. First of all, the similarity of life, Liang Xiao was born before the age of ten, the family tragedy, his father Liang Wenjing corpse is difficult to complete, his mother Xiao Yuling was under house arrest, mother and son difficult to see a side, reduced to the street wandering small beggars; Yang has not yet been born when his father, Yang Kang died in the Temple of Iron Guns, at the age of seven years old when his mother, Mu Nianci, also in the depression of the death of the first time he came out, it is a thief of the image of a small gangster. Again, the experience is similar, Liang Xiao street wandering, met Qin Bo Fu and fate into the Tian Ji Palace to learn the arts, and later his wife Hua Xiaoshang "life"; Yang Chao in Li Mochou revenge day coincidentally met Guo Jing Huang Rong was sent to the Terminal South Mountain to learn the arts, in the tomb of the living dead met Little Dragon Lady. In addition, Liang Xiao met Jiuru, Chu Xianliu, Gongyang Yu, Shi Tianfeng similar to Yang met Hong Qigong, Ouyang Feng, Huang Yanshi, the old boy; Liang Xiao had helped Mongolia to break through the Xiangyang casting the end of the day long hatred, Yang to avenge his father's revenge nearly killed Guo Jing guarding Xiangyang; Liang Xiao had practiced at sea in the Sea of Thrilling Wave Palm, Yang in the waterfall side of the cultivation of the eclipsed soul palm. Third, the personality is similar, Liang Xiao hours smart and clever and naughty, suffered a family disaster is more cynical, to the Xiangyang city broke through a lot of suffering after the nature of the change in the deep; Yang and such the same, when young and not stick to the rules and regulations of the freewheeling and smart, to be broken arm after the loss of his wife, not only the temples of the stars, the nature of the change in the steadiness of introspection.
Of course, there is a big difference between the two, Liang Xiao is not only a martial arts master or a big calculator, after the collapse of the city of Xiangyang was even more depreciated by the world, while Yang is a divine sculpture warrior, praised by everyone; emotionally, Liang Xiao in the flower Xiaoshang and Liu Yingying wandering between the, while Yang, although it makes a lot of women "wrong life", but he has a love for Xiaolong female, and the love for her, but the woman's love. He has always had the same love for Xiaolongnu.
(2) female protagonists: Xiao Yuling, Liu Yingying, Yao Qing and Huang Rong, Zhao Min, Zhou Zhiruo.
Xiao Yuling and Zhao Min. Xiao is a Mongolian, Zhao is also a Mongolian, both of them have a very bold character; Xiao to love, betrayed his master for the sake of feelings, Zhao also for the sake of feelings and father and brother to break; more interesting is that both Xiao and Zhao left a tooth mark on the arm of their lover.
Liu Yingying and Huang Rong. Liang Xiao in the brothel hook bar know Liu Yingying, Guo Jing in Zhangjiakou restaurant know Huang Rong, two people are very tricky and weird; Liu Yingying was troubled by Yunshu, Huang Rong was Ouyangke stalking; Liu Yingying always jealous of flowers Xiaoshang, want to break up the flowers and Liang two, Huang Rong on Mu Nianci, Hua Zhen heart of scruples; Liu Yingying open Tianshan faction, Huang Rong lead the Beggar's Association group of heroes.
Yao Qing and Zhou Zhiruo. The same point is: the poor life, the appearance of the father that is lost, by chance into the famous family; heavy heart, in order to revenge the theft of the book, framing others and sacrificing their own life-long happiness. The difference is: Yao Qing's revenge is to kill her father and not to enter the devil's path, while Zhou Zhiruo's revenge is the hatred of her master and has entered the devil's path.
(3) The high and mighty: Gong Yang Yu, Xiao Qianjie, Jiu Ru, Shi Tianfeng, He Tuo and Huang Yushu, Ouyang Feng, Hong Qigong, Old Boy, Golden Wheel Master and so on.
Ram Yu and Huang Yao Shi. The same place is "poor" ram feather living in the world between the world, a life of contradictions, a "Taibai chanting picture" write its character, chivalry and righteousness as fast as Hu Yi knife, and because of the love of hatred and family shame and national hatred of the despondent place as wind Qingyang. Huang Yao Shi is a typical character of Wei and Jin dynasties, who emphasizes on "profound heart, insight, wonderful appreciation and deep feelings", looks down upon the worldly rituals and admires the loyal and righteous people at the same time, and writes a song called "Tidal Wave of the Blue Sea" to write all the ordinary business. The difference lies in the fact that Gong Yang Yu was emotionally frustrated and had a bad relationship with his wife Hua Wu Simply, while Huang Yao Shi was y in love with Feng Hengyang and never married her after her death.
Siao Qianjie and Ouyang Feng. The similarities are: First, living in the frontier. Xiao Qianjie is in the Blackwater, Ouyang Feng is in the Western Region. Second, the means of venomous. Xiao Qianjie appeared to kill, exterminate the three odd, broken eagle claws, kill Wen Jing, Ouyang Feng is using snake venom to exterminate the East China Sea group sharks. Third, protect the calf love. Xiao Qianjie Xiao Yuling, Xiao Leng's love as Ouyang Feng's love for Ouyang Ke. The difference is that the end of the two are different, Xiao Qianjie late cool, return to justice, in the protection of the Palace of Tianji in the battle of the world; Ouyang Feng, a life of evil, the late years of insanity, in the Huashan Jedi snow on top of the embrace with Hong Qigong world.
Besides the above four characters with obvious similarities, there are a few others who are more similar, such as Jiu Ru and Hong Qi Gong, Shi Tian Feng and the Old Boy, and He Tuo Luo and the Golden Wheel State Master. The great monk Jiuru is a typical Zen character, much like Jigong, and some critics have suggested that Hong Qigong is an imitation of Jigong,1 so the two can be compared here. In addition, Jiu Ru is the master of the "Vajra Sect", who is well versed in Buddhist philosophy and is not afraid of small matters, and his power is so strong that it is fierce; Hong Qi Gong is the master of the "Beggar's Gang", who punishes the wicked and removes the evils, and is so righteous and courageous that his eighteen Dragon Subduing Palms are invulnerable to all kinds of evils. The difference lies in the nine such as fighting, seven Gong gluttony. Shi Tianfeng person as his name, crazy, martial arts like life, had broken into the Mongolian camp, this plot is obviously imitation Jin Yong, the old codger has also sneaked into the Mongolian army camp, also like Shi Tianfeng general crazy martial arts like life. Hetaro was a Westerner who practiced Tantric Kung Fu, as did the Golden Wheel Master, and both were antagonists.
In addition, Liang Wenjing and Xiao Yuling's acquaintance in "Iron Blood Heaven's Pride" is similar to that of Zhang Cuisan and Yin Susu, and their whispering and teeth marks in prison are similar to those of Zhang Wuji and Zhao Min. In "Kunlun", Liang Xiao calmed down the chaos of Tianji Palace similar to Zhang Wuji's battle at the Bright Top, and then Liang Xiao was coerced by Ming Gui, Lu Jian was coerced by Ning Bukong similar to that of Duan Yu being coerced by Hatou Mozhi, and Ming Gui's conspiracy at the Tianji Palace was similar to that of Cheng Kun's conspiracy at the Bright Top, and in the section of "Snake Whistling Sparrow Coming", Gong Yang Fei, Xiao Qianjie, Jiu Ru, and He Duo Luo, In the section "Snake and Bird", the fight between Gong Yang Yu, Xiao Qian Jie, Jiu Ru, He Duo Luo, and Shi Tian Feng, the five greatest masters of the world, is similar to the plot of Jin Yong's novel. Canghai" in the Yao Qing dressed as an ugly slave child and Xiao Zhao dressed as an ugly maid similar, Shen Xiu fake alms poor people silver to deceive Shang Qingying and Yang Kang medical rabbit to deceive Bao Xizhi similar, the East Island West of the city of the "September 9, on the road to destroy the gods" and the Central Plains of the five absolute "Huashan sword debate" similar. But this is only similar, not the same, the literary brilliance is precisely to describe the different details and feelings of life in a similar story. Story mode or function is limited, and life experience feelings are unlimited, so similar patterns can be written under a thousand strange with different plot feelings. Theoretical circles have studied this, for example, Propp believes that in the fairy tale there are some uniform, ever-changing factors is the "function", and extracted 31 functions from 100 fairy tales, but it is precisely these limited functions that make the fairy tale strange and colorful. For example, at the end of the 18th century, Italian dramatist Carlo Cozzi put forward the theory that "all the dramas in the world can be summarized into 36 patterns", and in the 20th century, George Prodi tried to restore these 36 patterns and believed that "all the dramas of the past and present will not exceed these 36 patterns". Today, this theory is still considered by the mainstream Hollywood movie industry as a must-read textbook for movie scriptwriters. In this sense, the formal similarity between Feng Ge and Jin Yong's novels is inevitable, and his re-combination of the various plot patterns is in line with the second case of Matzhe's principle of "qualitative and quantitative changes", which is in essence a move towards innovation.
In a word, the characters of Feng Ge's novels are only "similar" in form to those of Jin Yong's novels, and the combination of these plots, and the characters' life time, life experience, martial arts skills, family background, and the author's thinking and feeling of the life, society, and the universe of nature are not the same. Therefore, it is called "not". Feng Ge is also along the "like but not" path of creation, the first will be Jin Yong characters mashed and then re-spliced, and ultimately from imitation to innovation.
Three. "
The charm of Jin Yong's novels lies not only in the suspenseful storyline and vivid characters, but also in the Chinese culture and humanistic spirit contained therein, and Jin Yong's novels have achieved great success by transforming the traditional martial arts with the foundation of the profound national education. Feng Ge's novels have inherited this tradition of Jin Yong's novels, while incorporating other current factors, and have also achieved great success.
Mr. Chen Mo has written a book titled "Jin Yong's Novels and Chinese Culture," in which Chinese culture contained in Jin Yong's novels is roughly divided into twenty parts, namely, "history, geography, yi, Confucianism, Buddhism, Taoism, military service, canon law, politics, wushu, medical science, poetry, qin, chess, calligraphy, paintings, flowers, wine, food and vulgarity," which are discussed in detail in the following section. The following is a detailed discussion of the relationship between Feng Ge and Jin Yong's novels.
History refers to the historical background involved in the novels. Jin Yong's novels have clear dynasties as the specific period of the main character's activities, such as "The Sword of the Yue Maiden," whose historical background is the struggle between Wu and Yue at the end of the Spring and Autumn Period, "The Eight Parts of the Dragon," which takes place at the end of the Northern Song Dynasty during the years of Yuanfeng and Yuanyou, "Shooting Eagles," "The Divine Eagles," which takes place during the reign of the Southern Song Dynasty during the period of the reign of the Li Zong in the Song, Jin, and Meng dynasties as the background, "Yitian," which takes place during the late Yuan Dynasty during the great peasant uprisings, and "The Laughing Pride," which takes place in the Ming Dynasty even though the era is not clear. The story takes place in the Ming Dynasty, "The Sword of Blood and Blood" is about the peasant uprising, "The Book of the Deer and the Tripod" is about the Kangxi period, so it has the name of historical novel, and his "The Book of Swords", "The Snowy Mountain", "The Flying Foxes", etc. all take place during the Qianlong period, and they comment on the historical achievements of the Emperor Qianlong. Feng Ge's novels obviously inherited this tradition, not only write Jin Yong's written, but also write its not written, such as "Iron Blood Heavenly Pride", "Kunlun" involved in the battle of Song and Mongolia, which the "war in Xiangyang" section is Jin Yong had written, but Feng Ge wrote "Song and Yuan's battle However, Feng Ge's "Song-Yuan War" is more extensive and occupies more space. Feng Ge also writes about the Battle of Yashan and the fall of the Song Dynasty, as well as the indomitable struggle of the righteous people of the Central Plains for the restoration of Zhao's rivers and mountains. Canghai" is written in the middle of the Ming Dynasty and Qi Jiguang's war against the Japanese, involving Xu Jie and Yan Song's political struggles, and all the emperors of the Ming Dynasty have commented; in addition to writing the war of conquest of Japan during the warring states period and the situation in England, which have not been written by Jin Yong, reflecting the innovative sense of Fengda. Peking University "drunken warrior" Kong Qingdong that "the emergence of Feng Ge, marking this generation of young people to reach the level of Jin Yong storytelling, but also beyond, his grasp of ancient knowledge over Jin Yong", "Canghai" "looks more like a historical novel."
The ground refers to the geographical features involved in the novel. Jinyong was fond of reading travelogues when he was young, and his novels depicted a wide range of regions, including the "Ice and Fire Island" in the south, "Russia" in the north, Persia in the west, and the East China Sea in the east, so reading his novels is like traveling in a book, such as the desert oasis and the Fortress of Solitude in the White Horse, the tide of Qiantang and the miles and miles and miles and miles and miles and miles of water in the Book of Swords. In "The White Horse", the desert oasis and the lonely castle, in "The Book of Swords", the tide of Qiantang and the Great Wall of China, in "The Flying Fox of the Snowy Mountains", the snowy mountains of Guandong, and in "The Shooting Eagles", the scenery outside the Seychelles and the beautiful scenery of Taihu Lake. Feng Ge's "Iron-Blooded Heavenly Pride" wrote about the Liupan Mountains, the Shu Road, the Yangtze River, and Hezhou, mostly based on the "Heavenly Capital" of Sichuan. Kunlun" is on this basis to broaden the field, write the Yellow River, the desert, the lonely city, the black water, Kunlun, the South and the South China Sea, the land across Asia, Africa and Europe. To the "Canghai", more broaden the vision to the global, write the East Japan, the East China Sea, England, the author intends to let the main character to complete a global journey, the field of vision is greatly expanded.
Yi, refers to the "Zhouyi", which is the Chinese culture of the Sect, the natural way of the Milky Way, martial arts novels are involved, or divination, or talk about the metaphysical, or stargazing, or martial arts, or on the personnel, or the view of the Tao of Heaven. The I Ching - Department of Rhetoric" said "easy to have Taiji, is born two meters, two meters born four phase, four phase of the gossip, gossip set the lucky and lucky, lucky and lucky to have a great cause", this theory of endless life and implies the principle of mutual reproduction of all things, so it was later developed into the principle of the five elements of the mutual reproduction of the principle of mutual reproduction. Jin Yong novels in the Yi culture involves all aspects, first of all, the naming of martial arts moves, such as descending eighteen palms in the "flying dragon in the sky", "hyper dragon have regret" and other moves, will be derived from the lines of the dry trigrams of the nine and a half, on the six lines; the second is to break up the word divination, such as Yuan Ziyi in the participation in the Feng Ge is also comfortable with the use of easy-to-use techniques. In his first work "Iron Blood Tianjiao", Gong Yang Yu's "San San Bu" was transformed from the Nine Palace Diagram, and "Gui Zang Sword" in "Kun Lun" is divided into eight sword paths such as Qian, Kun, Xun, Kan, Li, Burgundy, Tui, Zhen, etc., which are intertwined and multiplied according to the principle of "Gui Zang" to transform the heaven and earth into a multitude of phenomena, all things in the heaven and the earth are returned to their original state. All things in heaven and earth are hidden in it. Canghai" is directly named after the eight trigrams of Xicheng, which are divided into "Heaven, Earth, Water, Fire, Wind, Thunder, Mountain, and Zephyr", and the martial arts skills and character traits of the master of the department are extremely close to these eight trigrams. The earth mother's "method of birth", the factor of any place and the endless, the water part of the Yin nine heavy water soul array hurt people in the invisible, the fire part of the Ning Bukong's "heavenly fire beads" potential as thunderbolt, the wind part of the left Feiqing's wind flying style, the thunder part of the thunder quake's thunder and lightning dragons across the sky and the earth. In addition, the name of the first lord of this book, Wan Guizang, originates from the "Guizang Yi" made by the ancient Xuan Yuan Clan, and its technique, "Zhouliu Liuxu Gong", originates from the "I Ching - Series of Rhetoric" in the sentence "The road is also repeatedly moving, circumference of the flow of the six emptiness, and the change is never constant". Lu Jian, the hero of the book, derives his name from the 53rd hexagram of the I Ching, and Ming Yi, one of the Five Dignitaries of the East Island, even uses the 36th hexagram as his name. In addition, the art of divination is also written in Canghai, such as Ning Bukong's "Kun Gua" for Lu Dahai in the section "Ancestors and Grandchildren", and the "Su Gua" for Yu Zaemon in the section "Floating Crews". "Lawsuit" in the section "The Floating Crew". From the above, we can see the influence of Yi on the creation of Feng Ge's novels.
The three cultures of Confucianism, Buddhism and Taoism are the foundation of traditional Chinese culture. Confucianism and Taoism are indigenous and self-generated cultures, and the Shakya culture is imported, and the deeper meanings in Jin Yong's novels are mostly derived from these three. Some commentators have suggested that Jin Yong's novels portray the chivalry of three schools: Confucian chivalry, Taoist chivalry, and Buddhist chivalry. In the early stage of his creation, he is mostly a Confucian chivalry, such as the gentle Chen Jialuo, the dignified Yuan Chengzhi, the bold and righteous Hu family father and son, and the naive and straightforward Guo Jing; in the middle and late stage of his creation, he is mostly a Taoist chivalry, such as the cynical and sentimental Yang Zao, the suave and unrestrained and dashing Ling Fuchong; and a Buddhist chivalry, such as Zhang Wuji, who has a pity for all the people and who looks like a human being, Shibuatian, who is nameless, phantomless, and without any knowledge and desires, and Xiao Feng, who sacrificed his body to feed a tiger, and resolved the feuds between the Hu and Han Dynasties. Xiao Feng. Another theorist to Zen "cloud door three singing" on jinyong characters, one is to cover the universe, "book sword" period of chenjialuo dashing outstanding, talent to release that is; two is to cut off the crowd, guo jing yang pass a class of maverick characters that is; three is to go with the waves, such as wei xiao bao, buddhist so-called no phase of the waves, people have to the realm of the nothing can't be. The third is to follow the waves, as in the case of Wei Xiaobao. Feng Ge's novels also show a big weather covering the three schools of "Confucianism, Buddhism and Taoism", not only the novel's protagonist has imbibed the factors of the three cultures, but also the influence of the three schools of martial arts depictions. The characters of the three schools in Feng Ge's novels have already been discussed in the previous section, so we will not repeat them here. We will mainly look at the depiction of martial arts in Feng Ge's novels: Gong Yang Yu's "Hao Ran Zheng Qi" internal martial arts and Liang Xiao's "Harmonious Path" swordsmanship in Kunlun can be regarded as influenced by Confucianism, with the former originating from Meng Zi's "The Analects of Mencius", and the latter from the "The Analects of Mencius". The former originates from a sentence of Mencius in "Mengzi - Gongsun Chou", "I am good at cultivating my righteousness", and the latter's "harmonic" means "harmony and difference, variety and unity", which are in line with the essence of Confucian culture. All these are in line with the essence of Confucian culture. Liang Xiao's practice of the "Bikai Shocking Wave Palm" on the Bikai Sea, with its six strange strengths, "monstrous air, trapping force, yin and yang flow, the Dao of life and death, dripping strength, and vortex strength", and the characters of Canghai's "Refining Essence and Transforming Qi, Refining Qi and Transforming God, Refining God and Reversing Void, and Feuding into the Void," are all in line with the essence of Confucian culture. The techniques of "refining essence into qi, refining qi into god, refining god against emptiness, and attaining immortality" can be regarded as the embodiment of Taoist culture in the novel. In Canghai, the "thirty-two phases" of the "Great Vajra Divine Power" of the Vajra School is obviously derived from the Buddhist scriptures, which originally refers to the thirty-two phases of Rulai, including the "I phase", "human phase", "human phase", "human phase", "human phase", "human phase", "human phase" and "human phase", The "human phase", "longevity phase", "horse king phase", "monkey king phase", "sparrow mother phase", "monkey king phase", "monkey king phase", "monkey king phase", "monkey king phase", "monkey king phase", "horse king phase", "monkey king phase", "monkey king phase", "Mother of Sparrow", "Male Pig", "Divine Fish", "Half-Lion Man", "White Hair", "White Hair", "White Hair", "White Hair", "White Hair", "White Hair", "White Hair", "White Hair", "White Hair Phase", "All Heavens Phase", "Multi-Headed Snake Phase", "Great Self-Possession Phase", "Great Sumeru phase", "Male Pig phase", "Fuyu phase", "Dragon King phase", "Long Hands and Feet Phase" and so on.
Soldier, refers to the way of marching and leading the army to fight. Jin Yong novels have been depicted, "Book of Swords" in Huo Qingtong rate back to the Department of Generals to "Romance of the Three Kingdoms" on the military secrets of the Qing army, "Divine Eagle" in the Yellow Old Evil to 28 Starry Nights Formation to break the Mongolian army in Xiangyang, "Yitian" Zhang Wuji with the Wumu book of the rate of the Ming Church group of heroes to break the Yuan army. Feng Ge's novels also inherited and developed this article, such as "Kunlun" in the waterfowl fish and dragon formation, Xuan Tian twenty-four formations, heaven and earth Xuan Huang formation, "Canghai" in the two-winged geese formation. In addition, in the section of "Six Dynasties", Qi Jiguang and Mo Yi discuss "Sun Tzu's Art of War", and in the section of "Labyrinth", Gu Zhen uses the "Thirty-six Stratagems" to toy with Xu Hai in the palm of his hand. These are all examples of Feng Ge's use of the Art of War.
The term "canon" refers to the use of historical and literary references in novels. Jin Yong's "Flying Fox on Snowy Mountain" has a Buddhist verse "all love will be, impermanence is hard to get", the pain of love alone; "Shooting Eagles" quoted Yue Fei "Full River Red", which alludes to the theme of the novel's loyalty to the country; "God's Eagles" has Yuan Haoqian "Touching Fish", and there is also Su Shi "Jiangcheng Zi", Li Bai's words "Autumn wind and moon", and ends with an "autumn breeze", and the "moon is bright". ", the end of a love word through; "The Pride of Wanderers" with Bo Ya Zi period and Jikang Qin on the penalty of the allusion, so that people can not help but give birth to the "confidant is hard to find" and "people in the world, not of their own volition," the sigh of lamentation. Feng Ge "Iron Blood Tianjiao" first cited Li Bai "difficult road to Shu", both written in the Daba Mountains, the degree of treachery of the gods, but also shaped the image of a generation of warrior Gong Yang Yu; after the story of the Three Kingdoms and Bo Ya Ziqi's allusions to the plot to unfold extremely helpful. Kunlun" in the Hetu Luoshu Lianshan return to the Tibetan and Taoist introduction, "snake whistling sparrow to" a section of the cited "Poetry", "wild dead", "female said chicken", "reed" three, "the Great King of Heaven Temple" section of the Liang Xiao and eight Siba talk about the story of the Buddhist scriptures. And one of the "maze invisible" section of the "stone array of martial arts" is a list of literary and historical allusions, such as the assassin mirror ZhuHai painted vertebrae, gradual away from the building, dance sun halberd, YuJean latent latrine, TuYuDaoDagger, the emperor's mirror has Yao to the world, YuKing open mountain, shun dance dry chi, shangtang seek rain! The emperor's mirror has Yao to the world, King Yu opened the mountain, Shun dance Ganqi, Shang Tang seek rain, Xuan Yuan boarding Yue, King Wu waved his spear, red Jing Chopper snake, retreating from the Three Shelters, the tripod in the Central Plains, the first emperor whip, Shen Nong waved a hoe, Taizong set Tang, the generals and ministers of the mirror has the completion of the wall to return to the Zhao, Lian Po Boring, Zhang Liang picking up the track, Han Xin point of the army, Zhuge waved a fan, the cloud long dance halberd, Sun Wu commanding the army, Guanzhong shooting hooks, the Lord of the Zhou spit feeding, Taigong fishing, Yi Yin ploughing the land, Sun Quan killed the tiger, and so on, all of which are the use of historical and cultural allusions.
Government, refers to politics. Wuxia often involves political events in history and reflections on these political events, such as the wars between Song-Liao, Song-Jin, Song-Yuan, and the great peasant uprisings of the late Yuan and Ming dynasties, and Jin Yong's "The Smiling Pride" is even a political allegory. Feng Ge's "Kunlun" also writes about political rivalry, such as the change of the Tianji Palace, in the "Canghai" is the world as a chessboard, to the people as ruminants, to start the game for the world. This has already been described, and will not be repeated.
Wu, refers to the novel of martial arts techniques. Jin Yong novels of martial arts both written and fictional, written such as shaolin boxing, taiji sword, tam leg, iron cloth shirt, golden bell shroud, etc., fictional, such as hundred flowers wrong fist, dugu nine swords, butcher's cleansing palm, the eighteen palms of the dragon, eerily soul palms, qiankun da nuoxiang, toadstool power, the six veins of the divine sword, the north meditative shengong, etc., these kung fu and character character character, dance, philosophy, combined, can be seen and can be tasted. The names of the kung fu in Feng Ge's novels, which are more imaginary than real, are often borrowed from Taoist and Buddhist texts, such as San Cai Hui Yuan Palm, Xuan Yin Clutching Divine Power, Hao Ran Zheng Qi, Sumeru Arabidopsis Palm, Eight Hundred Sages' Statues, Thirty-two Phases, Great Diamond Divine Power, Zhou Liu Six Void Power, and so on.
Medicine, refers to the physician's medical skills in the novel. Jin Yong novel "Yi Tian" in the Butterfly Valley Hu Qingniu for the Butterfly Valley Medical Fairy, "Tian Long" in the Hangu eight friends of one of the Xue Divine Doctor, "Smiling Pride" has a murderous famous doctor Ping Yi finger. Feng Ge's "Kunlun" in the apricot grove medical hidden Wu Changqing, flowers Xiao frost, "Canghai" in the "Black Book of Heaven". What is even more marvelous is that the characters in Feng Ge's book combine the pulse of the human body with astronomy, naming the pulse as the "three walls and twenty-eight constellations", and at the same time, under the inspiration of Jin Yong's "Reverse Pulse", invented the "Hidden Pulse". The invention of "hidden pulse" was inspired by Jin Yong's "reverse pulse". What needs to be said is that practicing medicine is often related to administering and detoxifying poisons, so "poison" must be mentioned. In the novel of Jin Yong, the good poisoner has Golden Snake Langjun, Blue Phoenix, the king of medicine, etc. Feng Ge in the "fog forest strange crone" section set Luo Mingqi as "poisonous Rakshasa".
The qin, chess, books, paintings, poetry, wine, flowers are the favorite things of the literati, written in the novel can enhance the cultural connotation but also can add interest to the novel, Jin Yong in the novel on a large number of depictions. Zither, "Book and Sword" in Qianlong Chen Jia Luo brothers to the piano as a guide to meet, "Yi Tian" in the Kunlun three saints piano "Birds of the phoenix" and the small Guo Xiang so become a soulmate, "Smiling Pride" in the Liu Zhengfeng Qu Yang played a song "Smiling Pride of the Wanderer" long sigh of the ancient world is difficult to meet the voice of the soulmate. Chess, "Dragon" in a game of "Zhenlong Chess Game" to break the appearance of all living beings, a metaphor for the world or obsession or obsession are difficult to free the infinite sea of suffering; "Laughing Pride" in the Xiang Wentian to the "Rouge Ke Records" to cast the black and white favorite, to save Ren Wexing. In "The Divine Eagle", Zhu Ziliu used the Zhu pen as a weapon and the book sticker as a move to fight Huodu in Dasheng Pass; in "Yitian", Zhang Sanfeng wrote the "Post of Mourning" at night because of his beloved disciple's suffering; in "Laughing Pride", the Bald Brush Weng and Linghu Chong competed with each other, and the meaning of the book was blocked, but he unintentionally created the first wonderful pen in his life. Painting, "Shooting Eagles" in Guo Huang traveled to Taihu Lake, and the five lakes of waste on ink landscape; "Dragon" in a scroll of the goddess, hidden within a few generations of love and resentment. Poetry, this is a pronoun, refers to the novel back to the title, couplets, poems, lyrics, songs and so on. In addition, there are also poems written by the author himself or by others, such as the word written by Chen Jia Luo in the 20th episode of The Book and the Sword in memory of Xiang Xiang: "Hao Hao sorrows, boundless robberies, Yu Yu Jia Cheng, in which there is blue blood. The blue is also sometimes exhausted, and the blood is also sometimes extinguished. A wisp of fragrant soul is not broken, is it right or wrong? It turns into a butterfly." Another example is the lyrics of "Shooting Eagles" about Eunice and the old boy: "Four machines, mandarin ducks weaving to fly together. Pitifully, the old man is not yet white. Spring waves and blue grass, deep in the dawn cold, both bathing in red." About wine, "book sword" in the Qianlong and Chen Jia Luo in Hangzhou West Lake drinking and listening to music scene, "sword of blood" in Yuan Chengzhi and Wen Qingqing in Nanjing Qinhuai River listening to music and drinking scene, "shooting" in the Qiu Shiqi and the seven monsters of the south of the West Lake in Hangzhou drinking and reasoning of the scene, and the "Tianlong" in the Xiaofeng and DuanYu first time when we met and the heroes of the gathering of YinZhuang Assembly, ShaoRuMenShan meeting all have a drink. If Xiao Feng is the first "drink", foxchong is the first "good drink", he listened to zuqianqiu in the "laughing proud of the wangjiang river" in the most wonderful section of the wine, this is not detailed. Flowers, is the code of culture. Such as the lotus flower out of the silt and not stained, plum blossom cold and noble, snow and frost, peony symbolizes the glory and wealth, chrysanthemum has a hermit's name. Jin Yong has a description of chrysanthemums in "The Secret of Connecting Cities". Chrysanthemums are divided into several categories such as red chrysanthemums, white chrysanthemums, yellow chrysanthemums and purple chrysanthemums, etc. In white chrysanthemums, there are subcategories such as white under the moon, jade peony, jade Baoxiang, jade linglong, a ball of snow, sable cicada worshiping the moon, and taiyi liquid lotus. Feng Ge's novels have the intention to learn from Jin Yong, and there is no reason not to imitate the elegant things of the literati. Kunlun" in the "Yellow River nine songs" section Jin Cuiyu holding a pipa, a song of five sections, respectively, "High Mountains and Flowing Water", "Fishermen and Woodcutters Q & A", "Ambush on Ten Sides", "Sunset xiaojiao drums", "Moonlit Night of the Spring River," is the qin (on behalf of the music). In the section "A Thousand Games", Qin Bofu fights Jiu Ru at night, and in "Canghai", Lu Jiangu plays double land meticulously, which is chess. In "Canghai", Shang Qingying taught Lu Jian how to learn Lady Wei's "Pen Formation Diagram", which reads: "'Horizontal' is like a thousand-mile formation of clouds, 'point' is like the falling stones of a high mountain, 'skimming' is like the land breaking rhinoceros elephants. 'like the horn of a rhinoceros elephant broken by the land,' 'vertical' like a long-lived withered vine, 'down' like the crashing waves of thunder, 'nu' like a hundred pounds of crossbows, 'Hook' is like the sinews of a powerful crossbow." It is a book. In "Iron-Blooded Heaven's Pride," Liang Wenjing once commented on Gongyang Yu's "Taibai Xingyin Tu" at the inn of Shenxindu, as well as the portraits of the Eight Ancestors in "Kunlun," which are paintings. In the section of Kunlun, "Snow Dancing and Phoenix Soaring", Gongyang Yu chanted "snow" and "spring", and "Changing the wall of Xiaowei". The "Crane" recited by the eight cranes in the section "Snow Dancing in the Phoenix", the "Crane" recited by the eight cranes when they appeared on the stage, and the Buddhist verses made by Jiu Ru and Hua Sheng in the section "The Moon Shining on the Great River", are poems. In "Kunlun", the poor Gong Yang Yu never leaves his body without wine, and in "Canghai", Lei Zhen can't live without wine, which is wine. In "Kunlun", Chu Xianliu's garden is full of flowers, and the names of his sword moves are not far from flowers, which are flowers.
Food, food culture, China is a country that emphasizes "food", and has always been food is not too refined. Jin Yong novels write all the world's food, such as "Book of Swords" on the stir-fried shrimp, salt and pepper ribs, vinegar fish, fried chicken slices, onions, pepper mutton, asparagus stir-fry, chicken stewed gluten, etc., "Shooting Eagles" on the "four dried fruits, four fruits, four candied fruits, eight wine dishes," these recipes are realistic, and in addition to the authors combined with the deep knowledge of national science and cooking knowledge, creating a "jade flute", "the jade flute", and "the jade flute", and "the jade flute", and "the jade flute", "the jade flute". In addition, the author also combined his profound knowledge of Chinese literature and culinary knowledge to create such delicious dishes as "Who listens to falling plums with a jade flute", "Good Ball Soup", and "Twenty-four Bridges and a Moonlit Night". To the phoenix singer, food culture is further exaggerated, "Canghai" in the "Doo Nu" section, written to taste the embroidered sea bass micro Qin know taste, a thousand kinds of flavors in the tongue of the scattered collapse, visible its freshness; "Golden Turtle" section written twelve women for the Valley meticulous set up a feast of superb! The "Golden Turtle" section of the twelve women for Valley meticulously laid out the best feast, there are "elephant trunk shark wings, monkey brain hump, oil pomfret wins sturgeon, giant shrimp such as dragons, fire meat as colorful as rouge, drunken clams than the color of spring peaches; dental chopsticks point of gold, the dragon tripod burning musk, a hundred fruits to compete for freshness, the name of swallowing the full floor, the jade plate group of the moon, the Bijie bell as strange as the peak," can be seen in its beauty. More exaggerated is the "six dynasties of gold powder" in the section of the win Wan Cheng in the big restaurant to feast, first is "three white three fresh, a steamed two stewed", followed by "iron plate goose palms, live roasted snapper, bad hoof tendons, broken pond bamboo shoots stir-fried corrugated ark shells, Fern flour braised with river-pearl and mother-of-pearl, corrugated ark shell, river-pearl and mother-of-pearl, as well as the fire meat of Pujiang, river crab of Shanyin, camel's hump of Mobei, bear's paw of Liaodong, and the big white clam of Sanjiang, etc." and so on. From the above, we can see that Fengge is familiar with food culture.
Customs, there are three categories: local customs, national customs and jianghu customs. Jin Yong's "Book and Sword" has the customs of Huijiang, "Shooting Eagles" has the customs of Mongolia, "Tianlong" has the soft Wu Nong language of Jiangnan, and "White Horse" has the ethnic folklore of Kazakhs. And Feng Ge in the "Kunlun" in the writing of the Jingjie clan, its folk pure and simple Jin Yong back to the flavor of the border, write Mongolia clan, its tough and rugged class "Divine Eagle" in the description. In addition, the author also depicts the folk customs of overseas Japan and England in "Canghai".
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