The clouds embraced the neon dresses and the flowers were shy, and the cape and the feathered clothes were heavy with inlaid jewels. The dance is a great way to make a difference in the lives of the people. Yang Yuhuan, known as Taizhen, was named a noble consort by Emperor Xuanzong of the Tang Dynasty in the fourth year of the Tianbao era. She was one of the Four Beauties of Ancient China. She was one of the four great beauties of ancient China. She knew music and her musical talent was rare among the consorts of the past dynasties. She was good at dancing, although her body was plump, but her body was swaying and leaping like the wind. Nishang Yuyi Song" that is "Nishang Yuyi Dance", is a famous Tang Dynasty court music and dance. Another theory is based on the imported from India "Brahmin song" adaptation. This song was popular during the Kaiyuan and Tianbao years. With the decline and fall of the Tang Dynasty, this masterpiece was not passed on. Referring to historical sources, Huang Liyan (No. Wo Mu) used traditional Chinese ink and brushstrokes to paint "Yang Yuhuan Performing the Neishang Yuyi Dance," in an attempt to recreate the beauty of the court musician and dancer Yang Yuhuan.
How beautiful is the Nei Shang Yu Yi Dance of the Sheng Tang Dynasty, follow me to see it.
Yuhuan dancing in neon dresses
(By Huang Liyan)
The clouds embrace the neon dresses and the flowers are shy,
The chapeau of the feathered dresses and the inlay is heavy.
Pi?a colada is the perfect example of a woman's ability to dance.
Yang Yuhuan (719-756), known as Taizhen, was named a noble consort by Emperor Xuanzong of the Tang Dynasty in 745.
She was one of the Four Beauties of Ancient China.
She was also a great musician, and her musical talent was rarely seen among the consorts of the past generations.
She was good at dancing, and although her body was full-bodied, her body was swaying and leaping like the wind.
The Neishang Yuyi Song is the Neishang Yuyi Dance, a famous Tang dynasty court dance. The music is beautiful and well conceived.
The song was written between 718 and 720 AD. It is said to have been composed by Emperor Xuanzong of the Tang Dynasty when he climbed the Sansiang stage in Luoyang and looked at the female mountains, which triggered his inspiration. Another theory is that it was adapted from the Brahman Song, which was imported from India.
This song was popular during the Kaiyuan and Tianbao years. It was rumored that Yang Yuhuan danced to it and was amazed by it. With the decline and fall of the Tang dynasty, this masterpiece "silent not passed on".
Huang Liyan (No. Wo Mu), with reference to historical sources, used traditional Chinese ink and brushstrokes to paint "Yang Yuhuan Performing the Neishang Yuyi Dance", in an attempt to recreate the beauty of the court musician and dancer Yang Yuhuan.
Yang Yuhuan Performing the Nei Shang Yu Yi Dance
Colors on paper
61.9cm×34.5cm
Creator: Huang Liyan (No. Wo Mu)
How beautiful is the Nei Shang Yu Yi Dance during the Tang Dynasty:
Wonderful! The "Dance of the Neishang Yuyi", the great song of the Sheng Tang Dynasty to the Southern Tang Dynasty lament
"Dance of the Neishang Yuyi", created in the Sheng Tang Dynasty, is a large-scale Tang Dynasty court dance music. It is a masterpiece of song and dance, and has an irreplaceable position in the history of music and dance.
The Dance of the Nei Shang Yu Yi combines traditional dance with Western dance styles, and the dance is both strong and soft. Bai Juyi's poem depicts that "the snow is light, and the dragons are frightened by the sweetness of it. The willow is powerless after the small hanging hand, and the clouds want to be born when the skirt is trailing diagonally. Smoke E convergence slightly not win, the wind sleeve low as sentimental.
The origin of the "Nishang Yuyi Qu"
The origin of the "Nishang Yuyi Qu" is recorded in the "Ziji Tongjian":
When Emperor Xuanzong, Yang Jingshu, the minister of the Heshi Festival, offered the "Nishang Yuyi Qu" twelve times.
From these words can be seen in two origins. First, the Hexi Festival Minister Yang Jingshu dedication song, two, the Tang Xuanzong heard the immortal music and create this song. The former statement shows that the "Nishang Yuyi Song" from the "Hexi", that is, the Qinghai-Gansu, from the dance in the fusion of Dunhuang frescoes dance can also be explored.
"Bijie Manzhi" cited the Tang Zheng quality "Jin Yangmen Poetry" Note: Ye Fashan cited Ming Huang into the Moon Palace heard music return, until writing its half, will be the governor of Xiliang Yang Jing Shu into the "Brahman song" sound tone match, so the moon heard for the loose sequence, Jing Shu into its cavity, the system "Neishang Yuyi". Moon Palace is absurd, but Xiliang into the "Brahmin Qu", Ming Huang embellishment, and for the Yi Mei name, the most understandable. Yang Taizhen biography: Neishang Yuyi song, Xuanzong boarded the Sangxiang stage, looking at the female several mountains also made.
The second theory is that Emperor Xuanzong of Tang Xuanzong had boarded the Sansiang stage, looking at a few female mountains, as if hearing the song from afar, see the distant fairy dance. Deeply attracted by the music and dance Tang Xuanzong secretly memorized the music, came back to let the musicians into the "Nishang Yuyi". Yang Guifei also dressed as a fairy dance, dancing, like flying.
Liu Yuxi's "Sanxiang stage building ambush witnessed Xuanzong looking at female several mountain poem, the little minister Firan have feelings" goes even further in describing the background of the creation of this piece of music:
Kaiyuan son of heaven all things are enough, but unfortunately at that time the light of the scene is shortened. The first time I saw this song, I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night.
After the Tang Dynasty, Jiang Kui of the Southern Song Dynasty was living in Changsha, and he happened to find eighteen sections of the sheet music of the Neishang Qu by chance in the old books of the musicians. So he filled in a new lyric for the first paragraph of the "middle sequence", that is, the "Neihong middle sequence of the first", together with the sheet music has been preserved.
The modern version of the Dance of the Neishang Feather Clothes is based on Jiang Kui's Dance of the Neishang Feather Clothes. The dance expresses the life of the immortals in the heavenly realm, with the Taoist mythological scene of "the upper yuan pointing the ring to invite the calyx green, and the queen mother waving goodbye to Feiqiong".
No one danced the Neishang Dance when the palace on Yeoshan Mountain was ruined
The Neishang Dance was a brilliant piece of music in the Tang Dynasty, and it was performed by all the clans and towns because of the beautiful music and the exquisite conception of the piece, and so it was sung by the literati in the Tang Dynasty, and the performance of the piece was recorded in a number of poems.
The Palace of Huaqing has a cloud: the sky que is deep and the night is not yet over, Biyun Xianqu dances in neon dresses. A jade flute to the sky, the moon full of Lishan Palace leakage long. Du Mu, "Huaqing Palace": Xinfeng green trees from the Yellow Eyes, several riding fishing Yang to explore the return of the ambassador. The neon dresses were danced on a thousand peaks, and the dance broke the original down.
But with the decline of the Tang Dynasty, the famous court song "Neishang Yuyi Dance" is also gradually lost.
Li Yu, the lord of the Southern Tang Dynasty, accidentally obtained the "Neishang Yuyi" remnants of the score, overjoyed, and then with the Queen of the Zhou Dynasty to make up for it, "to go to his obscenity, fixed its lack of fall". The first time I saw this was when I was a student at the University of California, Berkeley, and the second time I was a student at a university. The old country's legacy of sound, bear to the annihilation? I am not sure how much I can say about this, but I think it's a good thing that I did. I am going to reintroduce the elegant system to the extent of the remaining tunes. Xu Xian, a minister beside Li Yu, once questioned about the mending of the song: "The end of the song is slow, but the sound is sharp, why?
Later, when the Northern Song Dynasty's army came to the city, the score was destroyed on the day of the city's destruction. Since then, the Lixan Palace has been destroyed, and no one has danced in the neon dresses.
Tang Dynasty Daqu
The large-scale music and dance suites with multiple movements used in court banquets are called Daqu. It was a fusion of music from the Rakufu period and foreign music, synthesizing singing, instrumental music, and dance on a large scale. One part of the Daqu is called "Faqu", which is the most exquisite and splendid part of the Daqu.
When Emperor Xuanzong of the Tang Dynasty was halfway through writing the Nishang Yuyi Qu, he received a Brahmin Qu from Yang Jingshu, the governor of Heshi, so he added the tune of the Brahmin Qu, and wrote the whole piece. The main characteristic of the French tune is that it is more elegant in its tunes and the instruments used. The most famous piece of French music is the "Nei Shang Yu Yi Song".
"Nishang Yuyi Qu" is very long, Bai Juyi "early hair Dongting boat" wrote: gradually see the sea tree red birthday, see the package mountain white with frost. Out of the Guo has traveled fifteen miles, only to eliminate a slow song "Nishang".
Fifteen miles in the boat, in order to listen to a "Nishang Yuyi Qu". The music system of this piece of music, is also based on Bai Juyi "Nishang Yuyi song and Yuan Wei Zhi", combined with a variety of other historical evidence, that the whole song **** 36 paragraphs, divided into the scattered order of 6 paragraphs, in the order of 18 paragraphs, the song broken 12 paragraphs.
Emperor Xuanzong of Tang Xuanzong liked this piece of music so much that he personally taught his Liyuan disciples to play it with 30 people, 10 on stage each time, with the help of vocal music, dance, and costumes to depict the misty fairyland, and to express the need to seek immortality and catechize the Tao.
With Taoist culture as the ideological theme, the sea is full of water
Emperor Xuanzong of the Tang Dynasty composed this piece of music based on a dream of traveling immortals, and the basic idea belongs to Taoist culture.
Various accounts of the creation of the Nishang Yuyi Dance affirm that the musical elements of the music and dance came mainly from the Western Regions, and that although politically the minority regimes had a divided relationship with the Tang, culturally there was always integration. The process of creating the Dance of the Nei Shang and the Feathered Garments fully reflects the Tang empire's respect for and absorption of ethnic cultures other than those of the Han Chinese.
Although Taoism was honored as the state religion in the Tang Dynasty, the illusion of the immortal world was still a real feeling for most people.
The joys are great and the sorrows are many.
The sky is suddenly filled with white clouds, and the world is empty of "Autumn Wind".
Conclusion
Tang Xuanzong, like Liu Che, the Emperor of Han Dynasty, who created the "Kaiyuan Dynasty", practiced alchemy and immortality, but the time went by, and in the end, nothing came out of it. Aspire to become immortal, but life can not live forever, want to get can not be obtained, and can not help life. This is the real portrayal of life.
In other poems, the irony conveyed by the poet through the "Nei Shang Yu Yi Song" is always combined with the sadness of the sudden disappearance of the world's prosperity, resulting in a strong sense of emptiness.
From the great song's extinction to the mournful sound of the Southern Tang Dynasty, in addition to pondering over the cultural heritage, we can also better analyze our hearts and think about what is the meaning of life, and how to go about pursuing it.