Maodifang's Artistic Experience

Maodifang studied in Moscow during the 1951: participated in the revolutionary work (under the tutelage of Dai Ailian, Wu Xiaobang, Han Shichang, Ma Xianglin, Bai Yunsheng, Hou Yongkui, Wang Ping, Sokosky, Baranova)

1956: went to Czechoslovakia. Prague State Conservatory of Dance Department to study dance direction 1959: returned to China as Yunnan Provincial Song and Dance Troupe choreographer

1962: entered the Chinese Dancers Association

1979: attended the Fourth National Congress of Literary and Artistic Workers

1980: Gansu Province, vice chairman of the Association of Dancers

1980 Transferred to the Beijing Military District Comrades Song and Dance Troupe as a choreographer

1981: Mao Difang (a famous choreographer) was included in the Dictionary of Chinese Artists

1986: Mao Difang (an outstanding woman in China) was included in the Dictionary of Famous Women in China and Abroad

1996: Retired

1951: Joined the Revolutionary Work and took up the position of China Beijing Mass Art Museum dance instructor;

Maudifang in the Czech Republic during the study period, 1951: created the famous mass square dance "Youth Friendship Circle Dance", mainly mass group dance; such as the "Happy Holiday", "Field Trip", "Pea Flowers" and so on more than a dozen mass group dances, and continues to this day is the most widely disseminated of China's square mass dance for the founding of the country at the beginning of the mass dance career made outstanding In 1980, he was transferred to the Beijing Military Region Comrades Song and Dance Troupe as a dance director.

During this period, "Jingpo Knife Dance" (group dance), military theme "Riptide", "Luanshui Love" and many other works have won awards (see list of works) In 1987, the Chinese classical group dance "Auspicious Heavenly Maiden" (also known as: "Buddha", "Thousand-Handed Goddess of Mercy", etc. see the program list of the past few years), this work draws from Dunhuang mural paintings, colored sculptures of Datong in Shanxi Province, the Lohan Hall of Ciuzu Temple in Yunnan Province, and so on, 'Thousand Hands and Thousand Eyes. This work draws on the Dunhuang mural paintings, Datong color sculptures in Shanxi Province, Yunnan Province, such as the Lohan Hall of the Ciizhu Temple, etc. 'Thousand Hands and Thousands of Eyes' Guanyin modeling as the core, the fusion of the Dai dance, the characteristics of the Indian dance and absorbed the young people's fashion at the time of the breakdance, and other dance through the vocabulary of the main creation.