Liangzhou huteng dance
classical poem with eight five-character lines
Beauty is cool, good at Hu Teng dance.
Dressed in red makeup, geese fight in the rain.
Tilt the shadow of the moon to the east and spit the beads to the west.
A small step on the horizon makes a drunk businessman.
To annotate ...
Charm: refers to the soft posture and beauty.
Jun: It means excellent, good and outstanding, and it has a beautiful meaning.
"Huteng Dance" originated from the stone country in the "Nine Surnames of Zhaowu" in Central Asia. In the Tang Dynasty, "Huteng Dance" was very popular in Liangzhou. It shows the bold, simple and strong personality characteristics of the western nationalities and the simple and passionate emotional catharsis. Coupled with the scene of drinking, the action is more prominent, which strengthens the regional characteristics of the dance, which is also called "drunken dance" by the people. Huteng dance, as a kind of dance that can express dance, was once popular among Liangzhou nobles in the Tang Dynasty. Hu Teng Dance, Hu Xuan Dance and Tuozhi Dance were introduced from Central Asian countries (now Kazakhstan, Kyrgyzstan and Tajikistan). In the Tang Dynasty, these three dances were very popular in China. In addition to Chang 'an in Kyoto, early Hui ancestors lived in Changzhou, Hangzhou, Yangzhou, Jiangsu, Sichuan and other places. However, with the gradual deepening of the influence of Islam on the Hui nationality in the Yuan and Ming Dynasties (singing and dancing were not advocated) and the formation of the scattered living pattern of the Hui nationality, these dance cultures that were once popular in the western regions have not been well passed down. Today, this dance is performed in Kazakhstan, Kyrgyzstan and Tajikistan.
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"Hu Teng Dance", "Hu Xuan Dance" and "Tuozhi Dance" were introduced from Central Asian countries (now Kazakhstan, Kyrgyzstan and Tajikistan) in the Tang Dynasty. Except Chang 'an, Changzhou, Hangzhou, Yangzhou, Jiangsu, Sichuan and other places in Kyoto, these three kinds of dances are very popular in China. However, with the gradual influence of Islam on the Hui people in the Yuan and Ming Dynasties,
Today, this dance is still performed in Kazakhstan, Kyrgyzstan, Tajikistan and other Central Asian countries and Xinjiang. Hu Teng dance, which is resolute and unrestrained, is a man's solo dance introduced to the Central Plains from the Western Regions. It was very popular in the Tang Dynasty. Dancers wear pointed hats, narrow-sleeved "Hu shirts", belts and brocade boots. Dance is dominated by jumping and fast-changing steps. "Huteng Dance" is described in Tang poetry. He said, "Huteng is the son of Liangzhou, and his skin is like a jade nose cone." "Weave it into a hat with a virtual top and a thin felt beard shirt with small sleeves."
"Before and after the Tongbu light shirt, the grapes are long and drooping. Kneel in front of the tent and write the first sentence, pick up the collar and fiddle with the sleeves for your dance. " Liu Yanshi's poem "Wang Zhongcheng's House Watching Dance at Night, Hu Teng" describes the complex dance steps with fast-paced idling by "jumping the hub to make the foot color soft".
Li Rui's poem "Hu Tenger" includes: "Raise eyebrows and move eyes on the carpet, and exchange red sweat with beaded hats. Drunk and inclined east and west, the boots before the lamp are weak. The phrase "Everything around is in harmony, and the backhand is akimbo like the moon" describes the dancer's vivid expression, intense dancing, rapid prancing, rushing, backhand akimbo and other dance changes.