Liang Yusheng's Martial Arts Pastoral: Legend of the Wonderful Warrior Beyond the Plateau (Author: Yun Mu Ou)
In Liang Yusheng's novels, several short stories are quite well written. The Legend of Strange Heroes Outside the Seaside, The Strange Record of Returning the Sword, The Sword of Ice and Cold Light, and The Flying Phoenix and the Submerged Dragon, are described as each having its own distinctive features, and are worth checking out. Though it is only a short story, "Beyond the Seas" has a very important place in Liang's martial arts. The Out of the Seas" combines "White Hair" and "Seven Swords", two of Liang's most important works, with which it constitutes a trilogy, creating the most important of Liang's works, "Tianshan Series". One issue that needs to be explored here is the age of creation of these three novels. The specific time of the creation of these three works has not been very precise, and it is even difficult to figure out who was before and after. From the content point of view, "outside the plug" is about the white-haired witch and obscure Zen master apprentice generation Yang Yuncong flying red scarf story, and "Seven Swords" is obviously "outside the plug" of the latter. But the problem arises in the "Outside the Seas" is not "White Hair" of the latter, especially "Outside the Seas" in the White-haired Witch and "White Hair" in a great discrepancy, and even in the "Outside the Seas" as a Liang's martial arts signature character of the White-haired Witch turned into an eccentric and unsympathetic temperament of the ugly old woman. Private Eye in "Re-reading Mr. Liang Yusheng - Wuxia Works Volume" argues that "Beyond the Seas" was written before "White Hair" and "Seven Swords". From the reference to the story of the White-haired Witch and Zhuo Yihang in "Out of the Seas", the first time it was mentioned, it was only briefly mentioned, and the second time at the end when Yang Yuncong encountered Luo Tiejia to deliver a letter to the White-haired Witch on behalf of Zhuo Yihang, it was told in more detail about the antecedents of the two men, and purposely adorned with Leung's logo "Please see my humble book "The Legend of the White-haired Witch"." When comparing the masters of the White-haired Witch and Himei in White Hair, it was also simply passed over, and did not say, "Please see my book, The Book of the United Swords" (because The United Swords was written later). It can be assumed that the time of creation of "Outside the Seaside" should be earlier than "White Hair", and "White Hair" said that Yang Yuncong is Yang Lian's orphan, (impeach Wei Zhongxian's East Liners Yang Lian is Guangshui people in Hubei province, I remember that when I went to college there was a good friend who was a Guangshui person, he told me that Yang Lian was his hometown, and I said to him that Hamaa is your daughter-in-law in Guangshui) was saved by Himei Ming to bring to the Tianshan Mountain. The White-haired Demoness saved the parents of the Flying Red Scarf, and they thus became friends, and later the White-haired Demoness traveled far away from the Heavenly Mountain and took the daughter of her late husband as her pupil. All of these elements are not found in "Out of the Seas". At that time, it was Leung who pioneered the new school of martial arts, and with the constant stream of manuscripts, it was normal for Leung to write several stories at the same time in the early days. Therefore, I think the creation time of "Outside the Seas", "White Hair", and "Seven Swords" should not be far apart, or even overlap. Outside the Seaside" is slightly earlier than "White Hair", and "White Hair" is slightly earlier than "Seven Swords", but "White Hair" overlaps with "Outside the Seaside". So "Outside the Seas" should be the beginning of the whole "Tianshan series", because Liang's first two novels are still imitation of the old school of martial arts, "Outside the Seas" is also Liang's first real sense of the new school of martial arts. This short story establishes Liang Yusheng's style for the first time, and contains three of Liang's most important elements: love, morality, and poetry in a not-so-long story.
Liang's chivalrous morality, reflecting the theory of class struggle, is of course a theme of "Beyond the Seas". The whole piece is about the resistance of the tribes in the Hui territory against the invasion of the Qing army. Liang's opposition to grand unification can be justified if viewed from the perspective of national independence and freedom. The sons and daughters of the vast grassland at the foot of the Tianshan Mountains were free, and no one could come to enslave them. But Yang Yuncong the anti-Qing warrior is not very good explanation, the book that "who resisted the Qing soldiers I will help who" does not seem to be persuasive reasons. Or attributed to the "anti-Qing to restore the Ming Dynasty", of course, there is also "class struggle" flavor, Yang Yuncong was called "political instructor" is inevitable. But obviously Liang's intoxicated by the beauty of the Tianshan grasslands, the anti-Qing struggle is more embodied in the grassland children can not be enslaved to the heart, rather than between the Han and Qing "anti-Qing to restore the Ming Dynasty", which is different from the "Seven Swords". It is worth mentioning that Liang's book also explores the cruelty of war, in which Yang Yuncong and Nalan Minghui met on the battlefield, two back to the Kadar warriors attempted to take Nalan as a trophy, Yang Yuncong left and right, to stop, Nalan smooth results of the two. As a traditional literati, Liang naturally knows the cruelty of "one will accomplish ten thousand bones"; at the same time, Liang, who is y influenced by the leftists and is an employee of Ta Kung Pao, is also forced to carry the revolution to the end. This contradiction runs through Liang's entire creative career. Therefore, I always feel that Liang had a lot of unspeakable secrets.
Of course, the real theme of "Beyond the Seas" is still love. Counting on the complex love between Yang Yuncong and Fei Hongxuan Nalan Minghui predates the love of Lian Zhuo, perhaps Fei Hongxuan is the first white-haired witch in the true sense of the word. In the whole story, in addition to love, Yang Yuncong is omnipotent. Empty-handed will be able to level Chu Zhaonan, Nuhu Lu, Tianlong school lama of the generation is even less, interesting is the "Seven Swords" Yang even and Nuhu Lu with the death. Across the desert, no one can be defeated, strict general house, come and go as you please. Such a great hero who is famous in the north of the border but still weak and even cowardly, in essence, and Zhuo Yihang is no different. Women's valor and men's weakness have become Liang's strange characteristics. Spread out 35 novels, the real outstanding men but Zhang Danfeng, Tan Yu Chong, Jin Shiwei three people only. Such as Zhuo Yihang, Li Yi are emotional cowards. Gold sandalwood two people also have the suspicion of weakness, the real dashing is only Zhang Danfeng one person only.
Yang Yun-chong's love triangle is Liang's first love tragedy. Flying Red Scarf is in love with Yang Yuncong, and Yang and Nalan are y in love with each other. This love triangle is not complicated, unlike, for example, Liang's other famous love tragedies that are difficult to solve. Lian Nishang and Zhuo Yihang are y in love, but they are crushed by the pressure of the world, one night white head, one spends his whole life to guard the sorrowful blossom; Jin Shijiu when facing Li Shengnan and Gu Zhihua, the nature of man decides that he can't make the right choice, Li Shangyin has already written down the prophecy for them a few hundred years ago; Li Yi also can't choose between Changsun Bik, Shangguan Wan'er, and Wu Xuanxuan, and he can only sigh for Li Yi and Wu Xuanxuan. Yang Yuncong and Nalan met before the flying red scarf, and since the beginning of Yang Yuncong has not loved the flying red scarf, although he took the flying red scarf as on the closest friends and even relatives, and even trust the flying red scarf than Nalan, but the flying red scarf is never Yang Yuncong's lover, relatives and lovers of the boundaries of the separation of the clear, which is the flying red scarf will never be able to understand the inexorable. Indeed, Yang Yuncong can not fall in love with the flying red scarf, because the flying red scarf belongs to the Tianshan Mountain belongs to the grassland, and only at the foot of the Tianshan Mountain, the vast grassland will always circulate the legend of the flying red scarf. And Yang Yuncong does not belong to the grassland, does not belong to Tianshan, he only belongs to the "Seven Swords" in the seven swords of Tianshan against the Qing Dynasty to restore the Ming Dynasty. In this simple and wild grassland, Yang Yuncong is close to and identifies with Nalan Minghui, a Manchu assimilated by the Han Chinese. When Yang Yuncong and Nalan made a love alliance, Yang compared Nalan and the Flying Red Scarf. The Flying Red Scarf's boldness is like a grassland camel bell, while Nalan's softness is like a Jiangnan jade xiao. Horses, west wind, the Seaside; apricot blossoms, smoky rain, Jiangnan. The flying red scarf on the Plateau, Yang Yuncong and Nalan Minghui in Jiangnan. There is no suspense in the battle of love. Yang Yuncong, a typical Han Chinese warrior, was born with a heart that could not accommodate the valor of the Flying Red Scarf, and stayed only for Nalan's little birdie. As even without Li Yuanzhi messing with him, it would have been difficult for Chen Jia Luo to truly accept the Jade Feather Yellow Shirt.
Love is like this, no one can complain. Yang Yuncong chose Nalan to give up the flying red scarf, Yang is not wrong, he just choose what he loves. But Yang and Nalan tragic end reflects Yang and Nalan's cowardice. Although Yang and Nalan share the same bloodline psychologically, they are the opposing sides in the war. This pair of Liang's Romeo and Juliet had to face up to the cruel reality, as well as to bear the great pressure brought by the cruel reality. Love is not only the happiness of two people in the world, but also the integration of their respective families and social classes. Nalan Minghui is the daughter of Nalan Xiuji, the general who rounded up the Hui clans, while Yang Yuncong is a great hero who rebelled against the Qing army. This hatred and hostility is not ****ing heavenly. Yang Yuncong was insulted by the Hui Jiang warriors for rescuing Nalan Minghui, and was accused by thousands of people from his own tribe; Nalan also had only a private meeting with Yang Yuncong. Liang's men almost never sacrifice everything for love, Yang Yuncong is bound to have no such courage, he has to be loyal to his cause; Nalan Minghui is not the White-haired Witch or the Flying Red Scarf, she has regard for her parents and the flag people, and it is impossible for her to have the White-haired Witch or Li Shengnan's rigidity and ruthlessness. The two lovers who have a lot of worries and lack of courage, in the face of the great conflict between love and reality, the two weak and y in love, only to choose to retreat. A long time in heaven is not their choice, there is just a one-night passion that they possessed at one time. It is really hard for Liang to surprisingly describe the passion between the two on the grassland with relatively hot words. Perhaps that makes sense, with neither side being able to convince the other that there is only one for each. Unfortunately this pair of deep lovers lacks the necessary trust, especially Yang Yuncong. Yang should have realized the difficulty of their love from the moment he started to choose Nalan, but Yang only fantasized that Nalan would marry the chicken and follow the chicken. Yang believes that it is right and proper to fight against the Qing army, but he can't ask Nalan to agree with him. Nalan was forced to obey her parents' order, even though she loved Yang y. After a night of passion between Nalan and Yang Yuncong, Yang behaved in a retarded manner. Nalan did not agree to elope and was afraid that Yang would be ambushed and let Yang go, so Yang thought that Nalan had betrayed him. Until the final Nalan and Duo Hangzhou wedding, Yang went to claim his daughter, Yang is resentful of Nalan. Poor pair of lovers, true love, crystallized down only revenge orphaned daughter. Later, Duo was stabbed by Yi Lanzhu into serious injury, even if they know the truth or love Nalan. It seems that Duo's feelings for Nalan are still deeper than Yang Yunchong's. Yang Yuncong and Nalan Minghui national hatred, incompatible, but also the creation of people, grassland alliance. Just Yang Yuncong is not Zhang Danfeng, there is no hate to resolve the perfect love of the courage; Nalan also does not have the white-haired witch or Knight Shengnan's strong persistence, the end of the fiasco is also reasonable thing. I'm afraid the reality of the love story is mostly like this.
What really makes "Beyond the Seas" stand out is the flying red scarf and the Tianshan grassland. Liang's "Tianshan series" has more than ten, but really reflects the flavor of the Tianshan grassland, I think it is this short story. The opening song of the Kazakhs opened the prelude to the display of the rich grassland flavor. Sudden desert winds will bring people into the desert sands of the fury of the magnificent, not the long smoke and sunset of the desolate, but the enthusiasm of the vast expanse. Flying red scarf prairie night festival, martial arts fixed alliance, Diao Sheep General Assembly three scenarios of different scenes is more like a portrait of grassland life. Flying red scarf execution is both a traitor and lover of the bet not Lulu solemn pain, in the grasslands of the various ethnic groups on the General Assembly of the skill pressure of the various warriors of the valiant martial arts, Diao Sheep General Assembly in the face of Yang Yuncong blunt and yet Wan turn of the feelings of the children. Flying red scarf is the heroine of the grassland, grassland is also flying red scarf galloping hot land. Vast earth, towering mountains. The field is vast, snow-capped. Free children of the prairie during the day under the sun at will gallop, night campfire reflecting the beauty of the starry sky. Flying red scarves are as simple and innocent as the grassland, as the grassland is full of fresh and hot vitality. Singing camel bells flying around, the children of the prairie overflowing with carefree innocence. They have joy and happiness and sadness and pain, but they are frank and forthright as the grassland so that people can enjoy but always appreciate enough. Liang Yusheng's martial arts novel is like a pastoral song of the prairie, singing the beauty of the prairie. Impression of Liang Yusheng is mostly back to the border of Tibet, away from the imperial state of prosperity, and Jin Yong is more Jiangnan tune. Has always felt y Liang Yusheng body has a very heavy poet breath, onlookers commented that Liang's writing plain in a kind of flavor, coupled with a handful of hard poetry kung fu, embellished with a very ancient and elegant. In fact, Liang's sometimes use of poetry and novels are not very good, novels are too bland text, the effect is not very good. But Liang does have the breath of a poet, and the flavor in the novel's blandness is poetic.
Leung's novels are set in places that are not luxurious and extravagant, and are often a bit chilly, sometimes like personal travel adventures. Liang's good in the unique flavor of the exotic poetry, in a sense, Liang's martial arts is a pastoral. Away from the hustle and bustle, in the quiet and secluded to find an eternal existence. Lightly said, but contains a very hot feelings. Thus, in Liang's bland and even drawn-out stories, there are quite a number of shocking love tragedies. Such as Li Shengnan, such as the white-haired witch, such as the flying red scarf.
"Outside the Seaside" is like a pastoral song of the prairie, Liang's poetry to show the harmony and nature of the prairie, serenity and innocence. Unlike the elegant and solemn pastoral songs of the idyllic pastoral, the rich grassland flavor of "Outside the Seaside" flaunts a robust and free vitality in the natural freshness. This kind of robustness and freedom comes from the flying red scarf and her love. Flying Red Scarf's robustness is different from that of the White-Haired Witch, and Lian Nishang is a warrior's robust beauty that transcends the ordinary. So she white head overnight, far away from the Tianshan Mountain, rather than look back at the northern Tianshan Mountain sad for a lifetime. And flying red scarf everything is completely grassland flavor bred in the grassland, her valor, her deep love, her joy, her pain. Falling in love with Yang Yuncong may be a mistake, perhaps Yang Yuncong such a weak man is not worth valiant perfect so flying red scarf to love. But for the flying red scarf, the important thing is that she paid her feelings. The flying red scarf on the grassland shows her beauty, love and hate flashes her light. Poetry in the prairie children will never stop singing, the song "in the grassland who is the most stubborn person" song of the proud and affectionate teenage girl, for love sacrificed pride, and for pride to kill the love, and is not the interpretation. Hamaya is also in the interpretation of life's splendor to the fullest, not about Yang Yuncong and Nalan Minghui. In the book, Nalan Minghui gave birth to a child in the grassland and encountered horse thieves. In the midst of danger, the flying red scarf who came to seek revenge saved Nalan mother and daughter. When the enemy meets, they are very jealous of each other. Embracing the blood of Yang Yuncong, Fei Hongxuan was silent, and her complex feelings revealed her love for the baby. I remember the Singapore version of the "Legends of the Wizards and Heroes of the Seaside", Flying Red Scarf took off her scarf and galloped on her horse, letting her full of white hair fly on the grassland. In the book, Yang Yuncong went to Tianshan Mountain to see the white-haired witch, goodbye to the flying red scarf. Magnificent heroine sprinkled all over the southern border of the grassland heroine has become white hair, sitting on a futon, chanting: "the world law such as fantasy such as a dream, such as the sound such as light, such as the shadow such as the transformation of ......" sad woman. The hundred refinement of the essence of rigidity into the softness of the fingers, the prairie legend of the hymn changed into the silence of the green lamp of the Buddha's name. The heart palpitating beautiful interpretation to the full. The red scarf fluttering, low-hanging white hair, the pastoral song of the prairie, the joy of the pain echoed in the red and white.
The Tragedy of Love in the Land Beyond the Seaside (By: Tianshan Wandering Dragon)
Roses bloom like a cloudy haze, and the fruits are bigger than a bowl,
Yi la--
Songs, camel bells; the desert, the traveler;
A mesmerizing picture of the borderland unveils a long-standing legend of the wondrous warrior and the land that used to be the land beyond the Seaside. and the tragic love that once took place on this land.
From Liu Mengdie's learning of the art in the "Dragons and Tigers" to the return of Jiang Yixian and Jiang Fengqiong's grandchildren to avoid the disaster in "The Legend of the Reckless Dragon and Snake," it is clear that there is a yearning for Mr. Yusheng's land beyond the border, but this is only a small episode in the story that belongs to it. But this is only a small episode in the story. However, after the experience of "Dragon and Tiger" and "Reckless", Mr. Yusheng finally could not suppress the dream in his heart, and through this book, he expresses that dream with all his heart and soul, and then there is the story of this strange warrior who took place in the north and south of Tianshan Mountain and the land of Huijiang.
Born in the south of Mr. Yusheng, but his life is in love with the land outside the Serbian, yearning for the majestic Tianshan Mountain. From a personal point of view, this may be a person hidden in the depths of his heart to the other side of the far shore of that a yearning it, on behalf of the dream of the "Holy Land". Although the southern landscape is beautiful, but lacks the frontier that boundless openness, and horses gallop that pleasure, that with the original smell of folklore, customs, that hospitable shepherds and they retained that pure and simple atmosphere, and all of this undoubtedly let the later in the narrow city Mr. Yusheng for the heart of the thumping.
Of course, Mr. Yusheng may also have his own considerations from the creation of the novel, because he had to find a space for those stirring stories written under the pen, in all of his writings on martial arts, the Qing Dynasty accounted for about half of the story, compared to the tightly controlled by the court on the mainland, far away from the center of the power of the court of the borderland undoubtedly for the chivalrous to provide a resistance to tyranny, and thus to a certain extent to narrow the contrast between the power of the two sides. The story is also a good example of how the two sides have brought their forces closer together, so that the whole story is not so far from reality.
The perfect combination of the dream in his heart and the reality of his creation has led to this tale of the outer-western region.
The vast and boundless desert, the broad and boundless grassland; the night sky flickering with a little starlight, the grassland in the night wind in the wildfire lit up, the happy herdsmen sang a pastoral song, of course, but also can not be separated from that full of national flavor "DiaoYang".
The Tianshan Mountains are majestic and magical, and more people are frustrated thinking that if the mountains of snow and ice melt into water, so that the desert into an oasis of beautiful prospects.
The land below the endless "black water", enough to light up the entire steppe, more people feel that the earth contains a magic. And this magical land, there are such as Ishida, McGuinty like a real warrior, with a flying red scarf heroine, but also has a pure and sentimental Manbellina, they are completely belong to the warriors and girls on this land.
Of course, this land outside the Seychelles is not perfect, the lack of water, the relentlessness of the desert, the sandstorms that are enough to devour all living beings, and the barbaric remnants of the custom of plundering the slaves, which makes this land seem not so perfect. But the real suffering is from the barbaric conquest accompanied by the sword and war, ruthless war makes how many people homeless, how many families displaced and separated, how many people lost their loved ones, which is the root cause of all the suffering, how many songs and tears of resistance stories also emerged from it.
The hero of the anti-riot Yang Yuncong, in order to fight against the Qing dynasty's cause, running in the north and south of the border, how many enemies have been scared, perhaps this is and he is the Ming dynasty official family lineage, so although he grew up in the Tianshan Mountains, famous in the Seychelles, but can not be changed in the bones of that Confucian sentiment. Mr. Yusheng other novels of the protagonist, most of the martial arts is not in a super strong position, but in this book, Yang Yuncong in the martial arts is basically no rival, the former senior Zhuo Yihang and his peer to peer, that is, such as the world's best master of the White-haired Witch, he is also a hit not to be hit. The same door of the Chu Zhaonan and has a division origin of the flying red scarf, Xin Longzi, martial arts and he still has a certain gap, as for the enemy, such as Tianmeng Zen Master, New Hulu, Qiu Dongluo, etc. is far from being a rival, he has been alone to overcome the Tianlong Shangren, empty-handed defeat Qiu Dongluo brothers and sisters teamed up, breaking the Tianlong Sword Formation, breaking the Jade Sword so that the enemy of the number of chills, as the protagonist, Mr. Fei Sheng's system of martial arts novels can be regarded as a special case.
However, despite being armed with the greatest martial arts skills, running around and fighting in the land outside the Seychelles, he still faces too much powerlessness. In the face of nature's mighty sandstorms, he could not help, almost killed in the wild run; in the face of thousands of troops, his supreme martial arts could not help; in the face of the Qing army's crazy plunder, he could not help; in the face of the national hatred caused by the tragedy of love, he could not help, a lifetime of running in the north and south of the border, is committed to the cause of the Qing dynasty, but powerless to prevent the Qing conquest of the soldiers, and his " His spirit of resistance, "knowing that it is not possible to do but to do it", makes his whole life show a kind of tragedy.
He treats people with sincerity and honesty, and is eager to help his friends, and is frank and honest, and wins the respect of people on the grassland, and at the same time, although he has the resentment of the enemy, he still can't lay hands on his brother who betrayed his master, and is merciful at all times, which makes Chu Zhaonan hurt more people; in the feelings of the initial wavering. Although every day in the iron and blood struggle, but the bones of that elegant but makes him everywhere to people to leave room, can not bear to hurt everyone, even if suffered from the misunderstanding of allies, he also do not regret, this character ultimately note on the tragedy of his fate.
Nalan Minghui, a young lady from the Manchu aristocracy, as a Manchu, as a vested interest and conqueror, she has both the wildness left in the white mountains and black waters, but also as a young lady of the aristocracy, brought by the delicate and weak, these two different personalities are co-existing in her body. She saves Fred Yang in the sand, falls in love with him despite the fact that they are in rival camps, and eventually dedicates her most precious thing to him,
"I dedicate everything I have to you, and even though we can't be husband and wife, I am still your wife. Han women who are concerned with propriety should be unimaginable, fully demonstrating the kind of impulsiveness and wildness in Ming Hui.
Her life also has a weak place, she has never dared to betray her class, in the face of the marriage arranged by her parents, she is also unable to resist, her body still has some kind of weakness, submissive and self-sacrificing characteristics, these two different personalities jiao fusion in the Ming Hui body, but also for her life to add a number of tragedy color.
Flying red scarf is really belong to the land of the grassland princess, grassland hero, and later became the grassland alliance. As a hero loved by thousands of herdsmen, she has the children of the Seychelles bright, generous, warm, kind, cynical; as a prairie princess, she has a few points of pride in the personality, ego; and as a prairie alliance, she has as the alliance's leadership, adaptability and determination and responsibility; as a woman in love, she also has a tender heart. Based on these personalities, she can personally execute the betrayal of the nation's first love; she is equally able to rescue the love in distress; she is able to take the initiative to express love to his beloved, but the result of the request is not, but a night of white head, and from now on to hide in the mountains.
She is the expectation of the people outside the Seychelles, but also the soul of the anti-Qing dynasty, she was able to organize the people of all races to fight against the Qing Dynasty, but when she retired to the Tianshan Mountain, the various races were also defeated by the Qing soldiers, so that it is unmanageable. But no matter what, that galloping steed flying a red scarf, forever in the hearts of the children of the Seychelles, which is enough to become a symbol of the children of the Seychelles to resist violence and unyielding.
Of the three protagonists, Yang Yuncong is always a Han Chinese warrior, mature, atmospheric and introverted, he is also a wonder warrior of this land outside the Seychelles, a true friend of thousands of children outside the Seychelles. Nalan Minghui, as a young lady among the upper class nobles, is kind and simple, sympathizes with the weak and detests war, but cannot act as a betrayer of her own class, but only a victim. Flying Red Scarf is the true master of the grassland, everything about her is one with the land, *** glory **** shame. It is also between these three protagonists of different origins and experiences that a tragedy of love is performed.
This love tragedy, but by the flying red scarf's former lovers and former suitors of the story unveiled. Bet not Lulu, as the grassland as a famous singer, was also once the flying red scarf lover, but ultimately became collusion with the enemy, mutilation of their own compatriots traitor, but also became one of the flying red scarf's father killers, and ultimately died a tragic death under the flying red scarf's sword. But its dying words, but out of his fall from the extreme inequality of love with the Red Scarf. Because true love needs mutual respect and understanding, love is actually a kind of tolerance between each other. But as the grassland princess of the flying red scarf, but did not think of this, she did not take into account as their lovers, bet not Lu with their own relationship is equal, the same need to respect, or her heart did not really love bet not Lu, which formed the two sides of the relationship between the couple, the flying red scarf will always be a round of the moon, and bet not Lu is just a bleak star of the situation. At the same time as the heroine's lover, bet not Lu actually even the right to break up, because the flying red scarf is not wrong. Long-term repression eventually led to the distortion of the mind, perversion, and finally made sorry for their own people, become a shameful traitor, although its behavior is shameful, unforgivable, but which also has a pitiful place. The reason for betting on the non-lodge was ruthlessly refuted by the elders of the clan, but perhaps people outside the circle could never understand the pain of it, instead, it is still an outsider, Fred Yang, from which he saw the weaknesses in the personality of the Flying Red Scarf. The story of Gongsun Zhi and Qiu Qianshi in Jin Yong's "The Divine Eagles" is quite similar to this one. Similarly, the inequality in their love life is something they cannot get rid of, which distorts their minds and eventually leads to a tragedy. The story of Gongsun Zhi and Qiu Qian ruler is more extreme, and more expressive of the ugly and vicious side of human nature, which also makes people feel more palpitating.
Chu Zhaonan, as the former pursuer of the flying red scarf, eventually became a traitor. This is a typical courtship can not, because of cynicism into hatred, the story of revenge, of course, Chu Zhaonan's defection with the flying red scarf not half a relationship, more is to show Chu Zhaonan nature of selfishness, indifference and cool, extremely selfish Chu Zhaonan pursuit of extreme self-flying red scarf, and the result is imaginable. However, for their own once pursued the flying red scarf, Chu Zhaonan is not the kind of can not get rather than the destruction of the mind, but from now on the flying red scarf more than a bit of fear of the psychology, more than ten years later, the capital city in the dungeon, when the flying red scarf to take the desperate attack on both sides, Chu Zhaonan or "retreat", both do not want to let the flying red scarf hurt themselves, but also do not want to hurt both sides. Do not want to lose both, from this point of view is still quite desirable.
Back to the three protagonists of the "love triangle" love story, the Manchu aristocratic group Nalan Minghui and the southern border of the alliance of the Red Scarf **** the same fell in love with the Han Chinese warrior Yang Yuncong, and both love so deep, love so painful.
Yang Yuncong and Nalan Minghui knew each other before, the first time they met each other in the heart has been y hidden in each other's shadow, however, each other is in a hostile camp, they are clear that it will be very difficult to go on, it is very difficult.
Yang Yuncong and the flying red scarf's acquaintance, although in the latter, between the two have a sense of love at first sight, although the flying red scarf is very self-centered, but Yang Yuncong by virtue of the world's best martial arts repeatedly to her rescue, but also to make her get along with two people in the gradual abandon the kind of self-centered shortcomings, and even pointed out to the face of Yang Yuncong, but also sincerely accept, which is undoubtedly invaluable, and at the same time, they are the grassland of the war against the Qing dynasty, and each other like-minded. The same thing is true for all of them," he said.
If there is no Ming Hui, Yang Yuncong should slowly accept the Flying Red Towel, but when he got to know the Flying Red Towel, Yang Yuncong had Ming Hui in his heart, and the beautiful first feeling is the most difficult to forget, Yang Yuncong could not forget Ming Hui, and I am afraid that the tragedy of the betting hut is also left a little bit of a shadow in Yang Yuncong's heart.
Yang Yuncong's heart, Ming Hui represents a gentle, dignified, loving, flying red scarf is more or less on behalf of the strong, valiant, let a person admire; Ming Hui to Yang Yuncong, with a young girl to the hero's worship, and do not hesitate to sacrifice everything for; and flying red scarf to Yang Yuncong, more as a reliable comrade-in-arms, can be used as a lifelong companion, each other accompanied by breaking through the road in the future. Yang Yuncong, as a hero, may be more accepting of the weaker Ming Hui, after all, as strong as a mountain, tender as water, more tolerant of each other. But rationally feel that this love is too hopeless, after all, as a hostile camp each other will be very difficult. From the cause of the choice of flying red scarf will be more logical some, for both sides is not impossible.
The inability to choose between emotion and reason, coupled with his own character's ambiguity, makes Yang Yuncong would rather temporarily put aside this emotion and devote himself to the cause of the anti-Qing dynasty, if this goes on, he and the Red Scarf should be along with more suffering and **** deepening of feelings, and ultimately towards the combination. However, Yang Yuncong saved Minghui on the battlefield and revived her life with the power of love when she was dying, and after this period of intimacy, their love for each other has been unshakeable.
Compared with Fred Yang's subtle and introverted behavior, both Ming Hui and the Red Scarf are much more proactive. Ming Hui seeks love from Yang Yuncong at the end of her life with a trace of her remaining mind, while Flying Red Scarf vaguely expresses her love to Yang Yuncong at the party in the grassland through the custom of "Diao Sheep". Compared to the traditional Han Chinese women, they both love more boldly and more directly.
However, Ming Hui's acquaintance and emotional connection, as well as the time they spent alone together, made Yang Yuncong choose Ming Hui without any hesitation, which is what he wanted in his heart.
But from love to the final union is not only by virtue of the word "love", the hostile camp is always a barrier that they can not overcome, even with Ming Hui, Yang Yuncong still will not change his position to fight against the Qing Dynasty, and the same Ming Hui will not betray her people, even though she knows that her people in the morality of injustice, but the natural blood relationship between the two is also the most important thing. of her people, but the innate blood ties are something that no one can easily break. This, coupled with Duo's proposal and her parents' promise of marriage, pushes Good's fate to a crossroads. The remaining wildness in her and her determination to devote herself to love make her willing to give everything to Freddy Yang and become his de facto wife; but her aristocratic status and inherent blood relationship also limit her sacrifice for Freddy Yang to herself, and she has no right to let her parents die with her. All of this, Yang Yuncong can only be passive acceptance, he can not and have no right to make any master, even Yang Yuncong proposed to go far away, for Ming Hui is also unable to agree, because she can not drag her parents and family, but only to sacrifice themselves. So even though the story ends with Yang Yuncong arriving in Hangzhou before the wedding, it is irreparable, and their relationship is destined to be a tragedy.
Yang Yuncong and Nalan Minghui's tragic story, in fact, decided to later write the Penglai witch and martial arts Tianjiao will not have a good ending, the same is a foreign love ending is so miserable, then what makes the martial arts Tianjiao and Penglai witch will be an exception? As long as the national vendetta is still continuing, will affect every man and woman in this, everyone is living in the secular world, based solely on a "love" word, sometimes will seem how powerless. As for Yang Yuncong and Flying Red Scarf, it could have been a happy ending for Laughing Pride of Qiankun and Penglai Demoness, but due to Yang Yuncong and Ming Hui's love and bonding in the impossible, Flying Red Scarf ended up being the loser in the love scene, which is unbelievable and unacceptable to her. She can't accept that Yang Yuncong will fall in love with someone else, and even more so that he will fall in love with the daughter of his enemy. The heart is also fragile, has always been the ego of the flying red scarf, this failure to bring the gap more unacceptable, so there is a night of white heads, master and disciple **** the tragedy of fate.
The end of the story Yang Yuncong eventually died in Hangzhou, Qiantang River, flying red scarf recluse Tianshan, recalling the pain of the soul, Nalan Minghui is a long time after the marriage depression, this happened in the land of the triangular love triangle will be the three protagonists of the destiny of the final to tragedy, *** with the song of a song of the love of sad song passed down through the ages.