The lyrics "I mentioned Song Laosan and his family selling cigarettes" are from the Beijing song "Qingshuihe".
The song "Qing Shui He" was sung by Guo Degang
Music genre: Beijing Xiaoqu
Origin: "Beiping common songs"
Lyrics:
Peach leaves that are on the tip of the tip of the tip of the tip of the tip of the tip of the tip of the peach leaf
Liu leaves that are covering the sky
This is the brightest of all in the position of this Ming ah male
Listen to me carefully to say that
This matter ah out of the indigo factory in the west of Beijing ah
This matter is the most important thing.
There was a man named Song Laosan in the Indigo Factory's firearms battalion
Song Laosan was mentioned
The two of them sold cigarettes
They had no children in their lives
and had a daughter, Cindy
The youngest girl was 15 years old
The girl was given the maiden name of Lotus, Da Lian
The girl's name was Da Lian, and she was called Da Lian, and her name was Dalian.
Handsome face
This flower has no one to pick it
The broken lute has no one to play it
Nu is like Sable Cicada thinking of Lu Bu
And Yan Boshi sitting on a building thinking of Zhang San
The sun has set
Autumn bugs are making a racket
The Sixth Brother that I have thought about all day long and all night long
Here he comes to my door
Appointment made for a meeting with the Sixth Brother.
I've arranged to meet you tonight on the third night of the month
Da Lien, I'm shy and bowed my head in silence
On the first night of the month, the drums are beating
The girl is in tears
I'm sorry that my second mother and father love to smoke opium
They've delayed my marriage
If my youth were over, I wouldn't be able to find a young man
During the second night of the month, the drums are beating
The sixth brother, I've been thinking about you for years.
Xiaoluer climbed the wall
Shocked the daughter of the house above, who was obsessed with her
Opened the door in a hurry
And pulled the hand of his beloved enemy
Third night, the drums are loud
The moon shines in the middle of the sky
What a pair of lovebirds sitting in the middle of the sky
Yuanyang ducks playing in the water, I say I'll tell you what's in my heart
The lovebirds are holding each other's hands and they can't stop crying
It's dawn at five o'clock
Mother and father know the details
The shameless girl
Has ruined my family
Today I'll have to beat you up
A whip dipped in water will definitely beat you up
Dalian is speechless
Dalian is forced to say that she'll be beaten up by her husband.
Forced to jump into the river
The Sixth Brother was alerted
To come and visit the river
Kindred spirits, you died for my sake
Dalien sister, walk slowly and wait for the Sixth Brother
Autumn rains are falling continuously
Frost is falling on the river
That's a good pair of lovers
They jumped into the river
These two jumped down together.
The woman of love and the man of love
We made up a little song to explore the Qingshui River
Reference:
Beijing Xiaoqu, is an ancient Han Chinese opera. From the Ming and Qing dynasties, some of the popular singing books, from the Beijing popular music and some other related materials, we can see that the Ming and Qing dynasties in Beijing in the popular tune of a variety of small songs, different colors, and spread to all levels of society. Some of the Beijing kunqu, chaobao actors, in addition to specializing in the north and south of the song, some of them also work Xiaoqu.
From the Ming and Qing dynasties, the popularity of some singing books, from the "Beijing common song" and some other relevant information, can see the Ming and Qing dynasties in Beijing popular time tune tune a variety of different colors, and spread to all levels of society. Some of the Beijing kunqu, chaobao actors, in addition to specializing in the north and south of the song, some of them also work Xiaoqu. Such a wide variety of songs circulated in Beijing, from the distribution of the field and before and after the contrast, can be roughly divided into the following cases: As the original folk songs have been circulated in the general public, such as: "Jasmine", "embroidered purse", "four seasons of lovesickness", "twenty-four confused," and so on, is still in the form of folk songs in the folk circulation. Of course, some of these folk songs are absorbed into the repertoire of the artists, and the music is still sung according to the tunes of the folk songs or with slight variations.
The artists who perform the songs as their repertoire, or those who engage in other business and sing the songs, are divided into several situations in the society:
Those who play and sing the songs in the brothels and invite guests to pay for their services belong to the courtesans in the green houses. The rich and powerful merchants kept young boys dressed up as women in the capital to sing and dance for guests, called the bright boy or "like aunts". Ming boy, like a nun in the late Qing Dynasty and the early years of the Republic of China has been banned one after another. After the founding of the People's Republic of China, brothels have been closed down, and kiln tunes have been banned.
As a song performer for the performance of the song, the streets and lanes to play their own singing is mostly a blind artist or a small woman singing (historically known as Luqi people). In Beijing, blind artists such as Jiang Lantian and Liu Arthurshen, whose repertoire includes many songs such as "Joyful Return", "Prostitute's Complaint", "Pair of Flowers", "Opposition to Flowers", etc., as well as "The White Monkey Steals the Peach" of the Horse's Head Tune, etc., are very popular among the public, especially women, and they are often invited to perform in the courtyards for the people.
Those who performed independently in tea gardens, on the stage, and at temple fairs with their seasonal tunes were professional Xiaoqu singers. Among the famous singers in Beijing in the late Qing Dynasty and early Republic of China, there were Guo Xiaoxia and Song Dahong as female performers, and Xiao Yuqing, Yin Fulai and Zhao Junliang as male performers. Yin Fulai's singing of "The Big Five Nights", "The Little Five Nights" and "Exploring the Qingshui River", and Zhao Junliang's singing of "The Twelve Heavy Floors" and "Embroidering the Unicorn" were all popular for a while.
While the time-tuned Xiaoqu is a kind of tune, it is a huge project to sort out the lineage of the various tunes of the Xiaoqu that have been passed down. Because there are many new compositions, the name of the tune and the name of the singing section change frequently, from a variety of sung book of the tune collection labeling retrieval, the most popular in Beijing in the Ming and Qing Dynasties, the longest circulation of the time tune is: "West Qu", "Forked Qu", "Hillside Goat", "Resident Yunfei", "play the child", "Silver Nuance", "Parasitic Grass", "playing the jujube pole" and so on. Some of these songs are still in circulation, some have changed their names, some have disappeared from the stage, and some have become part of some kind of opera music.