Introduction to related facial makeup
Red face
Symbolizes loyalty, uprightness, and bloody nature, such as: Guan Yu in "Three Kingdoms Opera" and "Zhan Jing Tang" Wu Han in. Black-faced Zhang Fei
Others: It has an ironic meaning and means a fake good person. Guan Yu (whole face is red)
Black face
It not only expresses a serious character and is unsmiling, such as Bao Zheng in "Bao Gong Opera"; it also symbolizes power, rudeness and boldness, such as: " Zhang Fei in "Three Kingdoms Opera", Li Kui in "Water Margin Opera", and Jiao Zan in "Yang Paifeng". Others: Indicates the yin in yin and yang, used for ghosts. Dark skin or ugly appearance. Zhang Fei (Black Cross Butterfly Face)
White Face
Shows cunning and suspiciousness, such as: Cao Cao in "Three Kingdoms Opera" and Cao Cao in "Da Yan Song"
Yan Song. Cao Cao (white face)
Blue face
Shows upright and unruly character, such as: Ma Wu in "Up to the Rooftop", Dou Er in "Luan Tao" Pier. Dou Erdun with a blue face
Dou Erdun (blue flower with three tiles face)
Purple face
Expresses solemnity, stability, and a sense of justice, such as : Xu Yanzhao in "Second Entering the Palace", Zhuan Zhu in "Yuchang Sword". Others: bad complexion, ugly. Zhang He (purple three-tile face)
Golden face
It symbolizes power and solemnity and expresses the role of gods. For example: Tathagata Buddha and Erlang God in "Havoc in Heaven". Dapeng (golden elephant face)
Green face
Brave and reckless. Such as: Xu Shiying in "White Water Beach"
Others:
The green forest hero. Yellow: generally shows a violent personality. Such as Lian Po in "Nanyang Tian". Zhong Kui's facial makeup
Brown and pink: an old man who behaves upright. Gold: used for figures such as Buddha and gods, such as Tathagata Buddha and Erlang God. Silver: used for some more powerful spirits. Purple face with clean angle: Purple is between black and red. Purple faces are often used by upright and majestic characters and loyal and kind characters. For example, Zhuan Zhu in "Yuchang Sword", Chang Yuchun in "Martial Arts Field", Xu Yanzhao in "Dabaoguo", some characters are described as having purple faces in novels or folk oral literature, so they use purple faces, Such as Pu Tiandiao in "Evil Tiger Village", Fei Degong in "Recruiting Town", and Wei Yan in "Battle of Changsha". Some characters use purple faces to distinguish themselves from other characters on the same stage. For example, the Big Dipper in "Hundred Years of Life" is compared to the South Dipper of Lao Sheng, which makes him appear majestic, while Pang Tong in "Chaisangkou" uses purple faces to express his power. His appearance is ugly. Net angle pink face: Pink face generally symbolizes old red-faced characters, such as Su Xian in "Taking Luoyang", Yuan Shao in "The Battle of Panhe", Hua Zhenfang in "The Village of Four Heroes", etc. Green face with a clean angle: Green face generally means bravery and irritability, and has a similar meaning to black face. Some grass bandits who dominate the mountains use green faces. Such as the green-faced tiger in "White Water Beach", Ni Rong in "Qing Ding Zhu", the golden-eyed leopard in "The Lost Child", Cheng Yaojin in "The Legend of the Thieves", etc. Net angle blue face: Blue generally means strong and sinister. In facial makeup, purple and green have similar meanings. They are both extensions of black and represent characters with strong personalities. For example, Ma Wu in "Taking Luoyang" represents the character's sinister character. Such as Xie Hu in "Xue Jia Wo", Jiao Zhenyuan in "Jianfeng Mountain", Dou Erdun in "Luan Tao", etc. Net angle yellow face: Yellow face means the character is brave and fierce or violent and cruel, such as Yuwen Chengdu in "The Wheel of War" and Yang Mo in "Dongting Lake". Dian Wei and others in "Zhan Wancheng". Net-angle gold and silver face: Gold and silver are widely used in facial makeup of gods and monsters, showing the golden face of gods and the green-faced fangs of ghosts, such as Yang Jian (Erlang God) in "An Tianhui", "Bottomless Pit" and "Peach Club" , the golden leopard in "Red Plum Mountain", Jin Zhajun in "Attack Tongguan" has a golden face, and Mu Zha in "Attack Tongguan" has a silver face.
Some generals also use gold to express their bravery and invincibility, which is used to increase the majesty of their facial makeup, such as Jin Wushu in "The Pulley" and Li Yuanba in "Siping Mountain". When it comes to magical facial makeup, it should be emphasized here that the famous predecessors Actors are opposed to the weird or spooky outlines of the facial makeup of gods and monsters. They are not in favor of realistically painting snakes, scorpions and centipedes on the face. They are also opposed to the painting of ghastly shapes such as skulls in the facial makeup. They believe that this not only undermines the artistic principle of stage beauty, but It also makes people tremble when looking at it, and is harmful to stage performances. It is a superficial approach with low artistic attainments. Even though it is a miraculous mask, it should be similar to a human face. Net angle tile gray face and ocher face: tile gray and blue have similar meanings in the application of facial makeup, tile gray face is like Uli Black in "Luhua River", ocher and purple have similar meanings, such as "Colorful House Matching" The Old Man Under the Moon in "Iron Cage Mountain" and the mysterious character in "Iron Cage Mountain". Zhou Cang in "Single Sword Society"
Light cyan face with net angle: The purpose of light cyan is between blue and green, such as Zhou Cang in "Woniu Mountain" and "Single Sword Society" with light cyan forehead , Zhou Cang uses a golden forehead in "Blue Stone Mountain" to indicate that he will become a god after death. "Facial makeup" refers to the colorful makeup on the faces of male actors in traditional Chinese dramas. This kind of facial makeup is mainly used for Jing (painted face) and Chou (clown). It has a certain format in form, color and type. Expert viewers can tell from facial makeup whether the character is a hero or a villain, smart or stupid, loved or hated. The charming facial makeup of Peking Opera holds a special place among the countless facial makeups in Chinese dramas. Peking Opera facial makeup is famous for its "symbolism" and "exaggeration". It uses exaggerated and deformed graphics to demonstrate the character's personality traits. The eyes, forehead and cheeks are often painted in the shape of bat, butterfly or swallow wings, together with an exaggerated mouth and nose, to create the desired facial effect.
Edit this history
The creation of Facebook has a long history. Facial makeup originated from masks. Facial makeup draws graphics directly on the face, while masks draw or cast graphics on other things and then wear them on the face. In ancient China, there were witch dances and Nuo dances in sacrificial activities. People often wear masks. North of Chengdu, Sichuan, ancient Shu ruins