1, about the voice conditions - timbre is determined by heaven, the quality of sound is practiced later, the voice can be practiced out ！！！！！
Often heard people complaining about their own voice is not good, high not low or something, or sing a dry song is not good to listen to, clouds and so on In fact, to say a word of wisdom, in today's popular music prevalent, advocating individuality in the world of music, how your voice conditions are not a problem at all, it is not possible to decide that you do not sing the song or sing a good song, only to decide that you are suitable for singing what song! It doesn't determine whether you can sing or not or whether you can sing well or not, it only determines what kind of songs you are suitable for! Therefore, if you like to sing, you must have confidence, if you want to sing, just go ahead and sing, don't worry about your voice, it's meaningless. In fact, when it comes to voice conditions, no matter how the tube think, a cat is very experienced, because the voice is really bad when I was small, to participate in the school's chorus teachers do not really want me, but I still went in smoothly, because = = = we have a good sense of music, and vegetarian captain, do not want me? Don't want me who help them work who help them organize ah in fact 5 years old that year my voice is completely broken, because the vocal cords grow a foreign body, and then nearly a year to cure (to the larynx injection, every 7 days to play a needle), but because the voice from childhood is very bad, so no matter who will not think I and song together, when I began to like opera, singing every day, people around me or no one think my voice! It's not bad, and there is a saying that we are recognized as having a "broken gong" voice. But the broken gong voice is still very persistent adhere to, sing every day, but also specifically on the study of Vietnamese opera has a "florid soprano" genre, the consequences of course, very bleak, simply can not sing up, completely is humming, even humming can not hum up ------ | | | pain ah <
Then after more than ten years, a persistent cat can finally sing up , excited ah a excited, rejoice na ～～～～～
2, **** the problem of song - singing is by "vibration", not by "
After a lot of nonsense, open the main thing
Singing is actually a technical work (leaving aside the issue of singing to have feelings not to talk about), if you stand in a good side of the singing, especially American singers, ethnic singers, opera singers, you will feel that the side of the pendulum of a large stereo! Because their voices "through" "through" "bright" ～～～～ feel very rocking, very three-dimensional, that kind of singing even if what effects are not done will win the applause of the crowd!
So to sing must pay attention to their own voice "sound quality", to have a sense of stereo, to have penetration, and to have a certain sense of thickness, avoid light and fluffy.
How can you produce such a sound? Singers must work hard to train their bodies into a large **** vibration body, because the sound is by vibration, not shouting out, this awareness is very important, singing a song is the need for the whole body force, breath down to the dantian, up to the top of the head cavity, the channel to ensure that the smooth, in order to sing a good song!
So, you can sit and sing, because the recording of the song is bound to sit on the side of the computer, but the sitting posture must be correct, to sit, otherwise - certainly not good song la, usually singing or recommended to stand up, try to feel the feeling of the **** vibration.
There are three basic forms of **** vibration, chest **** sound, nasal **** sound, head cavity **** sound
Thoracic **** sound is the absolute support of the bass, mastering the chest **** sound singing the bass inevitably does not seem "bottom", want to soothe the smooth completion of the bass, chest **** sound to be In place. Of course, there is also a good demonstration of the master of the bass with the nasal upper **** sound, we rookies do not want to think about it, that = = = = really incredible.
Nasal **** sound is an important technique to make your voice become transparent and bright, in my whole song in the Yue Opera in the continuous nasal **** sound, has been relying on the nose vibration ah vibration ah ～～～～ In fact, I just started to find the nasal **** sound position, basically singing opera is the nasal voice - later found that the original nasal pronunciation of the pronunciation of the position of the nasal voice than the nasal **** sound point to the front, so the voice still sounds "flat", but the voice is also a "flat", so the voice is still a "flat". The voice still sounds "flat", and the use of nasal **** sounding point of articulation in the top of the human palate, and the mouth should naturally open some, to be "round", do not have to be very exaggerated to open the mouth as if singing a beautiful voice, it is not necessary, but you try to sing well with a very strange mouth shape or to sing a good opera. But you try to sing well with a very strange mouth shape or simply do not intend to open your mouth to show a small gap, the root of the teeth do not want to sing well, the former voice is bound to appear tone is not uniform, or tone is very strange, the latter is not called singing, but humming, it is estimated that no one can hear what you are singing without coming to the side of your mouth, from a conventional singing notes, these are not desirable, of course, there are no exceptions! Of course there are exceptions. There are, but --- can become a special case of the person is estimated to be one in ten thousand ------- everyone please carefully weigh it.
The last head cavity *** sound, this powerful, if very high tone, want to sing through and loud, you have to rely on this, but the head cavity *** sound due to the main service in the treble, and singing treble is definitely not mastered the head cavity *** sound can be dealt with (chest and nose *** sound but some experience will be easily integrated into their own singing, but it is relative to the head *** sound ha), high sound, the head cavity *** sound, but the head cavity *** sound, but the head cavity *** sound, the head cavity *** sound. **Ming in terms of ha), soprano singing has a lot of skills, not the average person can master, I hope that we try to be careful, the voice shouted bad, but after will be lifelong ah!
I have an experience, there are times when I feel that the ****ing position can not be found (nasal cavity), then bury my head down to sing a couple of lines, this time the vocal position is actually a little close to the nasal cavity ****ing, so I obviously feel that, while washing my head while singing better than normal
~~~~~~~~ = = = ||| Typical rookie troubles ah, can't wash my head! Recording it
3, qi sinking dantian - qi ah qi ah ~ ~ ~ qi is not enough what to do? The first thing you need to do is to get your hands on a new one, and you'll be able to do it. Finding the right sound position - as important as the breath a question of pronunciation position right?
When we sing, we often feel that there is no gas, and the songs we sing will be said to look weak, no strength, etc. ~~~~ That means you don't have enough breath or breath control ----
4 Pitch problems - a good headache to run out of tune! ^^ Actually, runaway pitch can be corrected!
(The one who said these words is the one who is the netizen of the even)
And, a few more points:
Singing Skills
The interpretation of a song is required to perform in many ways.
The first is, of course, the voice. This is a very specialized study that includes breath, use of the voice, oral ****ing, and the way you spit out the words. In future posts, I will share what I know as much as possible.
The second is emotion. This requires the singer to have a strong sense of words and melody, and many of my friends sing with the entire focus on the voice part and ignore the emotion, which will never sing a good song. Excessive focus on the sound of the reason, because the singer's strength is limited, the singing process is always thinking about where to pay attention to the breath, where to pay attention to the change of air, almost to the high notes to be prepared, etc., which are unavoidable. Therefore, if you want to sing to achieve the "voice and emotion", practice is very important. When you have matured your voice, you will be able to focus on your emotions when you sing. As the saying goes, a song is not sung with the mouth, but with the heart. If your voice is practiced to the point where your breath is through and through, you will be able to sing more casually and inject emotion into your voice, and your interpretation of the song will be more contagious.
The third is feeling. Here again to emphasize, the feeling of music is born, how much you have is how much, the music of the latter to make up for the feeling of very little very little. Pop songs need the feeling of pop songs, folk songs need the feeling of folk songs, for example, if you want Yan Weiwen to sing "nothing", I guarantee you will laugh over a bunch of people! Singers have different feelings and sing songs in different ways, some deal with it in a very plain way, some deal with it in a heart-wrenching way. These treatments are subtle, such as a small change of air, an emphasized accent, a long drag without a change of air, or an abrupt finish ...... These will have to be intended.
Fourth is rhythm and pitch. Have you ever seen a child over 3 years old hear a melody and tap out the rhythm of the gahana? Have you ever seen a 3+ year old sing live, with his dad accompanying him on the accordion, changing the pitch at any time, and he comes in and sings at the exact pitch? Have you ever seen an 8 year old child humming the sound of "1" in any key, such as "E-flat", "C-up", etc., without hearing any sound, and then checking the accuracy of the sound by pressing the key on the keyboard after humming? After humming it, he can check it on the keyboard and it's perfectly accurate. That's talent, and you need a foundation to sing songs that are not as good as they are, but not as weak.
Fifth is the quality. This is the difference between amateur singers and professional singers. In fact, just in the voice, emotion, feeling, rhythm, pitch these aspects of comparison, amateur singers have a lot of not worse than professional singers. The difference is in the quality. Do you know your form and expression when you sing? You probably have a vague image of what you imagine yourself to look like when you commit to singing, and that image is probably that of the original singer of the song you are singing. But these are your imaginations, and the image you imagine for yourself is almost perfect. You know what people see is? Have you ever filmed yourself with a video camera during a formal singing session? In fact, when you go on stage with the first look or the first words, you can tell if you are an amateur or a professional. The qualities mentioned here also include knowledge of music theory, knowledge of musical instruments, knowledge of music history and general knowledge of music, etc. Of course, there are many professional singers who are not comprehensive, but I personally believe that if you want to be a professional singer, you should carry out all these, and be able to stand up to the word "professional".
Understanding the lyrics
How many times have you read the lyrics from beginning to end in your mind before learning a new song? And how many times have you speculated on the mind of the lyricist and the mood he expressed? Whether the words or the song come first, both authors are trying to figure out what the other (lyricist or songwriter) is trying to express, but if it comes to you, and you completely disregard their intentions and just sing according to your own feelings, I don't think it's a good idea. Some personalized singers like to express themselves this way according to their own understanding, and it's not a bad way to do it (and I like it too), but I would understand the author's intention first before playing it. Besides not every song is suitable for you to play at will, there are some lyrics you can't find a more suitable expression, like the anthem.
After you y understand the song, you will definitely be much better in terms of emotional processing. If your perception is strong, you can't help but sing a certain tone heavier, a certain tone gently, and a passionate long tone will be dragged full ......
The words and the singing, in addition to the melody, the rhythm, and the breath, there are other differences? There is, and that is the way the words are spit out. Please feel free to read "Let me love you enough at once" in the way you speak, and then devote yourself to singing it out ...... will find that the shape of the mouth is open to both sides when singing, and to exaggerate a little. If you think it's about the same, then you have a problem with the words you're saying. So singing should be more exaggerated than talking mouth shape, so that the spitting words will be more clear, breath more fluent, more suitable for the expression of emotions.
Singing Mandarin songs is better to be standardized. For example, the difference between "Z, C, S" and "an, ang" and "L, N" is easy to confuse. Sometimes singers from Hong Kong and Taiwan will sing individual words without curling their tongues on purpose, either because their own tongues can't roll over, or because they think it doesn't sound good, or because they don't know how to pronounce it at all. When we cover these songs of theirs, I don't have a clear claim that it's okay to leave them uncorrected for the sake of imitation. But if it's to sing your own style or competition, then it needs to be corrected.
About Cantonese songs, I advise you to learn it before you sing it, or it will be very easy to be funny. Just like I used to sing Cantonese songs, I thought I was standard, but now I realize there are gaps. In Cantonese, there is a subtle difference between "Z, C, S" and "an, ang" similar to that in Mandarin, so you can't learn it if you don't take it seriously.
Breath
This topic is a bit confusing because it's the worst thing to put into words. I practiced American voice for two years before I sang, and it gave me a great insight into how much the breath foundation helped me. Generally speaking, people who have not studied vocal music have a very flat voice, which is pronounced in the usual speaking position (voice), and we call it a "white" voice, with no color and no filtration. Here is how I would like to express the method of practicing the American voice.
The voice should be rooted in the small of the back of the abdomen. Imagine that the voice goes through the back of the spine, to the back of the head, to the back of the mouth, and that the whole voice should be upright and backward. Please find the feeling: you bite an apple, showing the upper teeth, in a bite down at the same time, make a "hmm" sound, feel the sound in the back of the mouth and the upper part of the nasal cavity position, this is the sound of the voice of the United States of America, a *** sound point. Next, the breath sinking, abdominal expansion, slightly in the abdomen, a top, in the position just now sound, male voice throat pressure down, female voice more focus on the sound in the back of the head on the position, you will find that the sound is more than before to most of the time. Often practice against the wall to help voice, because against the wall can contact your backbone, so that you are more likely to find the feeling, and the chest cavity of the **** sound and wall **** vibration, so that you are more likely to find the feeling of the chest cavity of the **** sound. First from the "m ~ mom" practice, gradually rise, help practice the breath of the treble; and then from high to low practice, so repeatedly, one day you will find the feeling. American voices pay attention to "translucent", often imagine that their voices are vertical, not flat; also pay attention to the "*** sound", the voice through the chest or chest above the *** sound, will be very round, full. To experience *** Ming, you can do: close your mouth, issued a "hmm" sound, a little deep feeling, "hmm" a little longer, you will feel the head and chest in the vibration, if the breath is good, this *** Ming will give your voice a lot of color. Listen carefully to some of the taller Americans speak, you will know what is called chest **** sound (foreigners chest structure is more likely to produce **** sound).
Another thing I'd like to mention is lung capacity, singers need a large lung capacity to sing, such as some very long, not change the breath of a certain melody, but do not sing after the red face, just gasping for air. Lung capacity should be exercised regularly in order to maintain. There are also certain skills that can make up for the lack of lung capacity. First of all, we need to practice breath, a good vocal method it can be very good control of the flow of sound through the voice, such as singing to "...... not afraid of you betraying me ......" this sentence, the breath of the unstable The singer may sing the sound of the word "afraid" in a blasting manner, and then put the original insufficient lung capacity of the gas to run away, if there is a long sentence behind the non-exchange of breath does not suffocate him to death only strange. And breath good singer can control the flow of these bursts of sound, singing the microphone will not appear some fluttering sound. So I suggest that you put a candle in front of your mouth when you practice your voice, and try to keep the candle from shaking when you practice your voice, right? That way your breath will stay inside you longer. Think about whether you hold your breath longer by exhaling all the way out or by holding it in and not letting it out. Of course, this also requires singers to be relaxed and not nervous, and when you are nervous, your heart beats faster, and your breath is even more stabilized
There's only so much I can say here, and it's all about perception. However, I want to remind you that practicing is the basis of singing pop songs, do not use the method of practicing straight interpretation of pop songs, then it is too much to do, it will be like Yan Weiwen singing "nothing".
On the use of voice in pop songs, my point of view is that as long as the mood of the song to meet, to shout to break is not bad, but these are absolutely prohibited in the American voice, so we have to take advantage of the shortcomings, because we are not in order to sing in the American voice and the American voice, we are in order to sing a good popular voice to practice the American voice, like martial arts to practice the same as the horse stance, have you ever seen a fight crouched in a horse stance to beat it?
A friend said that this expression is difficult to understand, I have to say that the pop singer who's breath is very permeable, just according to the feeling to learn easier to comprehend, this is also an effective method. Personally, I think, female singers you listen to more "Zhang Huimei", she was born through the breath; male singers on the more speculation on the "Man Manjun", he is really rely on the breath in the singing, in addition, Jacky Cheung's breath is very good, but for teaching.
Soprano
This is one of my friends' favorite questions, and in their words, it's because the soprano is "cool"! Again, I'll add that good singing is a combination of many things, and you can't say that the higher the treble, the better the singing. Indeed, a good treble can give the climax of the song to add rendering power, but advise friends not to only know the value of the treble and ignore the bass, in fact, full of bass is also very infectious
Singing a high pitch, the breath must be to the abdomen, Dantian as the foundation of the Peking Chamber of Commerce, "Dantian gas" is also referred to as this! The voice position is also referred to in the Peking Opera.
Looking for the feeling 1: If you are a girl, there is suddenly a mouse on the shoes, what will you do? You would probably let out a long "ah~" sound, with a "falsetto" vocal position. After you calm down, you will "ah ~" a look, most of them can no longer "ah" up. Why? Because the moment you are startled, your belly is tensing up (think of the feeling of being startled, is it not the whole body tensing up?). Because of this foundation, coupled with a strong air flow (can be interpreted as singing breath), straight to the throat, the voice is not high. Therefore, you can understand the feeling of soaring high notes as "nervous", "invigorated", remember, everything to the abdomen as the foundation, to sing high notes is not to lift up the head to pull upward, is to feel the center of gravity down a kind of rebound force.
Find the feeling 2: ever seen a rubber hose? Want the water in the hose to soar farther how to do? Pinch the front end of the hose, a small gap, the pressure increases, the water rushes farther. In fact, soprano does not necessarily have to be very loud, some singers sing a lot of sound when singing soprano, we say that is with strength and lung capacity in singing, rather than in the use of breath and skill in singing. Think of the faucet theory and you should be able to glean something.
Find the feeling 3: There's a big rock on the ground, lift it up. As soon as you bend down, your mouth counts: "one, two, three, go ......", I think the word "go" you must have used the breath. I'm not going to say any more, feel it, what's heavy around you ...... huh? These are just some of the ways I've created to get you to feel the breath, not formal, but very effective.
We also want to tell you that the ability to perform high notes with your own voice conditions, if the voice is born high-pitched is a great advantage, such as "Sun Nan" is a typical high-pitched voice, high pitch interpretation will not be so laborious. The singer's voice condition is not good, we have to rely on a lot of breath and method, but no matter whether the voice condition is good or bad, the voice is through the breath to sing, just like cigarettes to pass through the filter, the sound will be more beautiful to filter.
Additionally, I also tell you a psychological method, the high notes imagine that you are facing the vast sea singing, can not see the sea and sky, such scenery is not worth you shouting?
Mid-bass
Mid-bass is generally full, deep and emotional. But like the high notes, many people lack the ****ing sound of the low mids. Bass is more innate as it depends on chest ****ing and a wide voice structure to come through. In my experience, a voice that can't get down in the bass is hard to get down much, and it's good to get down a few scales. If you have to record a song with rich bass, if you get up in the morning without brushing your teeth or washing your face, your voice will go down a lot. Therefore, the lack of bass in the middle of the people try to avoid such a song, to avoid the shortcomings, the same bass rich people must play well to its potential, bass singing good is very charming oh!
Singing bass to chest and throat relaxation, with a sigh of relief can strengthen some **** Ming, really very low place can add some breath to produce oral **** Ming, will feel the sound of some thick. But in any case, the voice is naturally thick people have much more room to play.
Singing the alto should be more embellished, including the words of the breath have a sense of beauty, of course, this is related to the feeling of singing, the bass listen to the "Cai Qin".
Overall and style
First, sing more, sing the voice open, and then long suitable for your range of songs, sing the sound of smooth, and so on the middle range of smooth and try to improve the range and try to find the feeling of breathing with the abdomen, and then slowly add a little vibrato skills.
There are a lot of people who don't have enough air when they sing long notes, and they release some of the air they have at the end of the song when they are about to run out of air, and it's very loud. In fact, when you feel that the gas is going to be gone, don't release all the gas in one breath, but balance the strength and volume of your voice.