Chaoyang Ying Ge Chaoyang Ying Ge is a continuation of the Han folk square dance and Nuo cultural form, in the continuation of certain changes to the Ming Dynasty to absorb the northern drums of the sub-Yangge, gradually evolved into Ying Ge Dance, became the Chaoyang region with a unique form of expression of folk dance art. 1, the history of Chao Yang Ying Ge is famous for its boldness and vigor, and is known as "the typical dance of Chinese Han men". On the origins of the Chao Yang Ying song, scholars and experts have long made a lot of exploration, although so far there is no conclusive, but there is a relatively unified understanding that the Chao Yang Ying song is a stream rather than the source of its formation can be traced back to the Ming Dynasty or even farther. As for the direct source, there are different ways of saying, one says that it comes from Shandong Lubei's "Big Drums Rice-planting Song" and Lushi's "Liulin Rice-planting Song", one says that it comes from Henan Flower Drum's "King's Whip", and one says that it comes from Fujian Putian's Flower Encouragement Song, to name but a few. Southern Han Chinese folk dance to light and elegant as a feature, however, in the coastal corner of Guangdong East, but the breeding of such a only majestic, strong, cohesion of the Yellow Earth sense of gravity of the Shaanxi waist drums can be comparable to the Ying song and dance. What are the reasons for this? First of all, the Central Plains culture and marine culture of the intersection of derivation, so that Chaoyang has a Zoulu and different from Zoulu, unique Ling sea and both the old state of the Ling sea culture of the atmosphere. Related to the rituals to drive away evil spirits. From the unearthed Neolithic, Tong Yu Lushan Jin tomb artifacts, the local Yue culture and the culture of the Central Plains Nuo culture and rituals as an important part of the Yingge origin. Chaoyang back mountains facing the sea, the environment is dangerous and poor, disasters are often seen, limited to the conditions of the inability to fight will produce worship, rituals and prayers to eliminate disasters. Such as the Tang Yuanhe fourteen years Chaozhou assassin Han Yu sent people to the present repentance door of the town of Dahu sacrifices to the gods, there are "blowing pipe drums to urge incense and clean also", Ming Jiajing thirty-six years, "ghosts (horse spirit) gallop attached line" "Myup Beacon fire ceaselessly. Cannon and drum sound heard." Today's Ying Ge performers face should be a ritual Nuo dance masks simplified, Nanshan Ying Ge front shed has hit the snare drum. To date, Ying Ge still participate in the tour to drive away evil spirits, indicating that the formation of Ying Ge and rituals related to drive away evil spirits. And Chaoyang also sacrificed double loyalty, "the city will be double loyalty every year, the city will have a double dance horse joy". Visible Yingge parade, heroic temperament and Zi can be considered a lineage. And then there are Confucian rituals. Fangzhi: "thirty-six dancers with" "left hand sign with the right hand Bing Zhai. Dancers with cluster section two frame Zhu pole dragon head diffractive five-color line nine sections of the dance long to hold to decorate the Zhao speed Xu line standing chase stops the road to dance Yanyan." The snake charmer commanded the formation change whether inspired by the ritual guide dance and formed, extremely valuable research. Secondly, from the Song and Yuan dynasties onwards, the culture of the Fujian Province spread westward from Chaoshan to Chaoyang. In the Song and Yuan Dynasties, Chaozhou and Chaoyang had the largest number of Min people. After that, Min land is also a transit point for racial migration, the eunuchs and immigrants who came here will bring the Min culture to Chaoyang. Known as the singing of Xilou Jianshan Ying Song (`97 Chao Yang Ying Song Festival the team may not have performed the part of the Ying Song in haste), in the members of the snare drum, broken step performance, it is considered to be derived from the Putian flower encouragement. Putian Chao Yang for a lot of family names origin, and even some of the roots to the iron alley. Visible Min culture westward is an important factor in the formation of the song in Chaoyang. Again, the Ming Dynasty, theater, folk dance for the formation of one of the conditions of Yingge. Chaoyang popular theater", there are stages, platforms, but also do "Tu play", singing Yingge predecessor should be rap, and later for the God of the tournament suitable for the formation of Yingge such emotional dance. Fangzhi: "the first month of the fifteenth day, there are good singers for their own peer group, make-up performances of the signs of the square formation, to welcome the gods diffraction of the alley," "for the race of the gods boiling pipe sheng sign, clothes and incense tufted shadow full of the spring city." Today, before the Ying Ge's performance of characters in costume, the back shed of the Teochew opera clips such as "Peach Blossom Transition", "double rocking groove", "Xian Gong Xian mother", folk dance, "playing birds", martial arts performances, etc. can be said to be a melting pot of dance, opera, martial arts in a furnace. 2, artistic characteristics slow Yingge slower rhythm, the dance stick than other genres long, the basic dance method is three mallets or four mallets constitute a group of actions, slow in the momentum, momentum in the gas, heavy and simple and stretching beautiful. In addition, there is the "Drunken Mallet" English song, when the dancer looks like a drunkard, it has a unique charm. The rhythm of the middle-plate Ying Ge is slightly faster than that of the slow-plate Ying Ge. The basic dance method includes playing five rods and seven rods (Ying Ge Dance) to form a group of movements, and also playing eight rods, ten rods, eleven rods and thirteen rods to form a group of movements. The gongs and drums are distinctly different from those of the slow-playing English songs, with the former having pauses and elongations in the middle of the drums, and the latter having continuous drumming. The middle-board English song is mainly circulated in the area of Wenguang, Cotton North and Chengnan, which is characterized by the dash in the steady and the roundness in the ancient simplicity. 3, Ying song genre Due to historical reasons, geographical conditions and other factors, Chao Yang Ying song formed a slow, medium, fast three major categories, of which: slow: playing method with three or four mallets, mallet length 1.6 to 1.8 feet, each hit a group of mallets have a spinning brown, commonly known as "drunken mallet". Drums and gongs supporting the bass drum, gongs, gongs, gongs, cymbals, pronounced in slow rhythm, as if the court officials on patrol or tour of the gods gongs to open the way, the drums and gongs issued by the sound and the classical court characteristics, the performance of the performance of Song Jiang, Shiqian (snake charmer) and other Liangshan heroes face, that is, not affected by the "Water Margin" opera. Therefore, the slow Ying song is melted from the ritual dance and folk dance, and it is the earliest genre category of Ying song in Chaoyang. Zhongban: the mallet is 57 centimeters long, shorter than Slow Ban and slightly longer than Fast Ban. There are 5, 7, 8, 10, 11, l3 respectively, each group has two to two flat shoulders outward 360-degree rotary mallet, the dance is based on the Southern Fist of the Great War Horse, flat shoulders outward horizontal rotation of the mallet, with the light, lively drums, gongs, large and small drums, the performance of the flexible and mobile. It can be performed while marching. One of the drummers and conductor makeup for Song Jiang. From the records and the Ming Dynasty left the text, Chao Yang at that time to restore the City God set the Jikji school built a lot of temples, absorbing folk art, opera, martial arts and the formation of the board in the English song. Fast board: the mallet is a little shorter than Zhongban Yingge, only 1.2 feet, half of the players hold a hand drum, hold a small drumstick buckle, gongs and drums supporting the Teochew gongs and drums, gongs, cymbals, Chin Tsai composition. Performers paint the face of Liang Shan heroes, performing forms, techniques, sets, patterns change intricately, flexible movements, fast rhythm, momentum and magnificent. And there are small programs performed in the back shed. Observed from the dance ecology, the Danan Mountain Mountain people are also forestry and agriculture, difficult conditions, heavy labor load. Lack of cultural activities, but also because of the deep class oppression, repeated peasant uprisings, the English song has been passed down to this accelerated tempo. And because of social development. Various forms of arts and culture to become familiar, whether music, opera, folk dance, martial arts. A lot of melting into the English song to, together with the introduction of foreign cultures, the formation of a quick English song 4, the significance of inheritance So far, Chao Yang English song is still widely circulated and continue to develop, the main inheritors of the Hong Feiying, Guo Yao Yao Yang, Chen Hanlong, Yao Xinta, Yang Wei, Zhou Xiu Xing, Chen Kunli, Lin A saturated, and so on. Chao Yang Ying song wide distribution, strong radiation, almost every town (street) have Ying song team, some towns even at the same time have several different styles or different age structure of the Ying song team. 1996 November, Chao Yang was named by the Ministry of Culture, "the hometown of Chinese folk art". With the rapid economic and social changes, the cultural ecology has undergone drastic changes, Chaoyang Ying Ge has lost its former glory, and is on the verge of being lost, and is in urgent need of rescue and protection.
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