The whole movie slowly tells a pure love story in an eloquent way, without too many ups and downs and vacillations in emotional setting, and love is inadvertently integrated into the audience's mind. Especially when Guo Yan was crying with her child in her arms, the seemingly casual story actually caught people's hearts and made people feel that everything was just beginning, not that the movie was coming to an end.
Compared with the complicated love movies that have flooded in recent years, "Butterfly on the Shoulder" is more life and more real, jumping out of the vigorous bridge and returning to the simple and pure side.
Humanity: Butterfly is not the only one who knows the truth.
Director Zhang Zhiliang used a lot of special effects elements of 3G animation in the film, which vividly showed the world of insects and animals, and animated characters also became a highlight of the film. Their life is simple and linear, and they are United and friendly, with flesh and blood. Their existence not only enriches the whole species, but also makes the world more three-dimensional and multi-level.
Throughout the film, butterflies are used as metaphors. There are stray dandelions, and finally they return to butterfly adults, which shows the good intentions of the founders. Special effects: Oriental special effects, plain atmosphere.
With the popularity of the film, I have to mention the special effects in the film. The pictures created by 70% of the special effects pictures really make people feel nuanced. Some viewers even ridiculed that "it was special to react at the end", and its consistent and close-to-life expression was not artificial, showing a simple and low-key viewing atmosphere.
The film Butterfly on the Shoulder cleverly chooses a life-oriented way, tells stories with special effects, and creates a most familiar and unfamiliar world, in which emotion and purpose are integrated. From the movie screen, clean to the extreme, beautiful to wonderful; From the shooting technique, the interpretation of the roles of insects and animals is wonderful and in place. The creation of the whole dream world makes people more like bringing busy modern people back to the fairy tale kingdom (Sina Entertainment Review). When explaining the plot, there are still several serious injuries in the film that people can't ignore: First, what influence Kwai Lun Mei secretly put into the soil at the beginning, and the whole film didn't give an explanation at the end; Second, the emotional development of Chen Kun and Liang Yongqi is slightly dry, and there seems to be no basis for Bai Die to change his original intention; Thirdly, what role does Xu Shaoxiong's play have, but he hasn't appeared as a character since then.
Moral: the concept of environmental protection is slightly free.
The love implication of Butterfly on the Shoulder is well displayed in the cartoons of Guo Yan and Butterfly and Black and White Mouse, but another clue of environmental protection is slightly detached.
The white butterfly, which has changed from human beings, has narrowed the distance between human beings and insects after entering the insect world. The lovely performance of insects can let the audience enter this clue, but when human beings talk about the protection of small life such as insects, they have the meaning of empty preaching. Although similar plague events were arranged for the bizarre death of insects, this clue could not really be completed and the answer to the question could not be given.
Role: the insect part is seriously stealing the play.
The highlight of Butterfly on the Shoulder is the insect part. The survival of the white butterfly in the insect world and its interaction with other insects have become the most interesting points in the whole film. Her two friends, ladybug and grasshopper, are jokes when they are exported, which brings the audience a rare freshness of domestic movies.
In the role part, except for the heroine Chen and Chen, the other two heroines are not so likable. Although Kwai Lun Mei dares to love and hate, he is really suspected of being a mistress, and Liang Yongqi seems to be perfect. He is a typical virgin in the contemporary popular network language. Everything he does seems to make a lot of sense, but it is not pleasing and even more unacceptable. The popularity of the three heroines is seriously unbalanced, so the audience can't help tilting the balance in their hearts to the white butterfly and a richer and more lovely insect world (Phoenix Entertainment Review).