Poems about the Imagery of Night
1. What is the general imagery of night in ancient poems
In the poems of the contemporary poet of the Turks, Yilang, the night is a typical imagery that appears again and again.
With the help of the image of night, the poet expresses the indifference of the human society and the pain in his heart against the backdrop of the night scene. The "night" in Yilang's poetry does not exist only as a spatial and temporal background for expressing the poet's inner feelings, but also contains profound ideological connotations, reflecting unique aesthetic value.
Hegel said, "Whether it is classical Chinese poetry or the poetry of the peoples of the world, they all take the recognition of imagery as a stepping stone to deconstruct poetry." Interpreting the night imagery in Yilang's poems not only enables us to accurately recognize the connotation of his poems, but also facilitates an in-depth grasp of the overall style of Yilang's poems.
Night is a symbol with multiple symbolic meanings. The poet loves the night, and has special feelings for the night; he also has a keen insight into the color of the night, and at night, the poet's emotional activities are very rich.
The recurrence of night imagery in Yilang's poetry is related to the objective social reality, the subjective consciousness of the poet, and his creative thinking. In Yilang's poetry, the "night" imagery has the following three symbolic meanings: Night imagery is a visualization of the social background In Yilang's poetry, through the "night" imagery, we can feel the reality Yilang experienced, and the society Yilang knew: indifference, In Yilang's poems, through the imagery of "night", we can feel the reality that Yilang experiences and the society that he knows: cold, dark, bitter, full of confusion and without a sense of direction.
The rapid development of industrial civilization has brought about a false prosperity on the surface of human society, behind which is a serious deterioration of spiritual civilization. This deterioration is manifested in such things as the communication gap between people, the loss of ethical values, and the conflict between the material and the spiritual.
Yilang's poetry reveals the crisis of this era and the poet's concern for the civilization of today's society. There is a big difference between the real world written by the poet and the world full of love and warmth in the poet's heart. Reading Yi Lang's poems, one can feel the conflict between the poet's inner world and the modern society.
In the poem "Station Square", the poet graphically describes the inner anxiety of a countryman who has just come to the city, and writes, "Holding on to my luggage, I step off the worn-out bus that drove into the city from the countryside, and pick up the lost souls/It is necessary to stomp off the dirt on my shoes in the sound of the thumping sound in order to dissolve into the greater silence of this civilized city. "The use of the verbs "pick up" and "stomp off" vividly reflects the awkwardness of the identity and status of the country people who come to the city, and shows that the country people need to pay a heavy price if they want to integrate into the city. Then he said, "We are all strangers/....../a noisy station/surprisingly, I can't find/another similar face". In the city, the country people feel cold, we are all strangers, and there is no communication and exchange between people, and the relationship between people is just like the relationship between stones and mountains and other silent objects. mountains and other silent objects, unable to communicate with each other; like birds and crowds, although both can make sounds, they ultimately do not understand each other.
Imagery is a unique image of objective things refined by the poet's inner activities, and it is the carrier of the poet's subjective emotions. In Yilang's poetry, "night imagery" includes the author's unique experience of nature, society, and life, as well as his ideological comprehension and aesthetic feelings.
In his poetry, "night" not only symbolizes the image of the social background of the times, rendering a strong atmosphere of bleakness, but also the poet as a new era of intellectuals, the era of civilization transition to the late negative impact of the expression of a special mentality. The cold social reality, resulting in the psychological loneliness and sadness of the clothes Lang.
"Shuowen": "Night, sheds also. The world rests in the house.
From the evening, also save sound." Night is a cozy home, only the night, the poet feels the objective and real existence of individual life, so that the poet has a sense of security and authenticity.
This profound experience of the poet is personal and unique, and at the same time, it is the era, the society, and even the whole mankind. In Yilang's poetry, under the suggestion of night imagery, what is presented to us is the author's extremely lonely state of mind, the tragic consciousness of human existence felt by the author, which not only graphically expresses the indifferent atmosphere of this era, but also has a sublime and chilling aesthetic effect.
Night imagery is the support of the poet's aesthetic ideals Eilang not only reveals the special conditions of the real society through the "night" imagery, and expresses his own dissatisfaction with the times, but also puts his own aesthetic ideals with the "night" to set off the rendering of the night to awaken the world to wake up and wake up the world. At the same time, he used "night" as a setting for his aesthetic ideal, to awaken the world to wakefulness and alertness. Therefore, it is not by chance that Yilang chose the imagery of "night", the night has a very important meaning to him, and this particular moment never needs to be reminded of its arrival, but the emotion it carries will always shine brightly.
In Yilang's poetry, the night actually expresses the poet's yearning for light. In the tragic society, on the way to his dream, the poet realizes the pursuit and expression of the ideal of "infinity" by means of the limited night. In the silence of the night, the poet is not to hide himself in the darkness, but to search for himself, to give up the superficial, illusory and indifferent, and to search for the profound, real and warm.
In his poem "But I am still accustomed to waiting quietly for the arrival of death at night", he writes: "Faintly / Fate opens or closes like a razor blade / But I am still accustomed to waiting quietly for the arrival of death at night / Abandon the guilt / Distractions and passive verses / And rediscover myself with some words / That is: generosity, helping the world and loving life! "Only at night can the poet abandon his illusory goals, transcend his inner worries, find a gentle home in the changing society, and realize his wishes. In his blog announcement, Yilang said, "Poets should get the spirit and experience from the earth, and the heart and language should care for each other.
The stimulation of experience in writing depends more on the poet's imagination and sensitivity to language. Poetry has to take up the discovery and cognizance of the art of living.
Many times we should humbly perceive the divine world in the simple things around us, I know the dangers, but I ignore the pain". In Iroh's poetry, the poet is always in a very bleak realm, with the help of the night to fade into a gentle dream.
There he enjoys tranquility and happiness, and in the process of serious physical observation of the world, he obtains inspiration, redefines human values, and restores human nature. As a night watchman, the poet has to do more than just ignite himself, which would result in self-destruction, but should provide the world with the power of spiritual motivation and the home of discourse.
In the poem "Diary: Nightwatchman," "The nightwatchman does this.
2. Collect verses describing the imagery of spring, river, flower, moon, and night
The tide of the spring river is even with the sea, and the bright moon *** tidal wave is born on the sea.
Rippling with the waves for ten million miles, where is the spring river without a bright moon?
The river flows around Fangdian, and the moon shines on the flowers and forests.
The first thing you need to know is how to get to the top of the page, and how to get to the bottom of the page.
The river and the sky are all in one color, and the moon is alone in the sky.
The first time I saw the moon was on the banks of the river, and the first time I saw the moon was on the banks of the river. The first time I saw this was when I was a student at the University of California at Berkeley, and the first time I was a student there.
The first time I saw the moon in the sky, I saw the moon in the sky, and I saw it in the sky.
I don't know who the river and the moon are waiting for, but the Yangtze River sends the flowing water.
The white clouds are going away, and the blue maple is on the river.
Who's in the boat tonight? The first time I saw this was when I was in the middle of the night, and the second time I was in the middle of the night.
The poor upstairs moon is wandering around, it should shine on the mirror of the departed person's makeup.
The first thing you need to do is to get your hands dirty.
The first thing I want to do is to look at each other and not hear each other.
The goose will not be able to fly, and the fish and dragon will be able to jump into the water and become a text.
The first time I saw this is when I was a kid, and I was a kid, and I was a kid, and I was a kid, and I was a kid, and I was a kid.
The river is flowing in the spring, and the moon is falling in the river pool, and the moon is slanting in the west.
The slanting moon is sinking and hiding the sea fog, Jieshi Xiaoxiang infinite road.
I don't know how many people will return by the moon.
I don't know how many people will return by the moon, but I'm not sure how many people will return by the moon, but I'm not sure how many people will return by the moon!
3. Ancient Poems about Imagery
1. The Moon
"Yu Meiren - When is the Spring Flower, Autumn and Moon Over", Fifth Generation: Li Yu
When is the Spring Flower, Autumn and Moon Over? I'm not sure how much I know about the past. Last night, the east wind blew again from the small building, and the old country could not return to the moonlight.
The carved railings and jade masonry are still there, but the color of their faces has changed. I'd like to ask you how many sorrows you can have. It's like a river of spring water flowing eastward. (Carved Fence 通：阑)
解解：
When will this year come to an end, the past knows how much! Last night the spring breeze blew again from the small building, how can one endure the pain of remembering the old country in this night with the white moon in the sky. The carved balustrades and jade steps should still be there, but the people I miss have aged. To ask me how much sorrow in my heart, just like the endless spring river water rolling east.
2, ice and snow
"Nian Nujiao - over the dongting" Song Dynasty: Zhang Xiaoxiang
The dongting grass, nearly mid-autumn, more than a little bit of wind color. The jade world of Qiongtian 30,000 hectares, with my flatboat a leaf. The moon, the bright river **** shadow, the surface and the inside are clear. The moon and the bright river **** shadow, the surface and the inside are all clear. (著 同：着；玉界 一作：玉鉴)
应念岭表經年，孤光自照，肝胆皆冰雪。 I'm not sure if I'm going to be able to do this, but I'm going to be able to do it, and I'm going to be able to do it. I'm not sure if I'm going to be able to get the best out of you, but I'm sure I'll be able to get the best out of you. I'm not sure where I'm going to end up. (Canglang I as: Canghei; Ling table I as: Linghai)
Comment:
Dongting Lake and Qingcao Lake are connected to the vastness of the vastness of this mid-autumn season, but also not a little bit of wind. Autumn moon under the vast soup soup, a blue hectare of the lake, carrying me a small flat boat. The bright moon and the brilliant Milky Way, in this vast jade mirror reflecting their beauty, the water above and below a bright and clear. I'm not sure how to share this wonderful experience with you, as I've experienced the emptiness of all things.
Sense of this round of lonely light from the bright moon ah, how many years wandering between the ridge sea, the heart of the bright and open like ice and snow like pure. At the moment, I am wearing a thin coat, calmly canoeing in the vast vastness of the ding-dong. Let me hold all the clear water of the Xijiang River, pouring in the wine spoon made of the Big Dipper, please heaven and earth and all the elephants to be my guests, I feel free to beat the side of my boat, alone sing loudly, how can I remember this time is what year!
3, willow
"Farewell Poem" Sui Dynasty: anonymous
Willow green hanging from the ground, poplar flowers roaming the sky.
The willows are all broken and the flowers are all flown, so I ask the pedestrians whether they will return or not.
Interpretation:
The willow is green, its branches and leaves hang down to the ground. The poplar flowers are diffuse and flutter chaotically in the air. The willows in the eyes of the send-off are broken and the poplars fly away. May I ask when the one who has traveled far will return?
4, the long pavilion
"Bodhisattva barbarians - flat forest desert smoke such as weaving" Tang Dynasty: Li Bai
Flat forest desert smoke such as weaving, cold mountains with a sad blue. All night long, the color of the night into the high building, some people upstairs sad.
The jade steps are empty, and the birds are flying back. The first thing you need to do is to get your hands dirty. The first thing you need to do is to get a good deal of money to pay for it. The color of the night filled into the high boudoir, someone is upstairs alone sad. On the jade stone steps, the vain waiter looks forward to. The birds returning to their nests are urged to fly. Where is my return journey? I can only see the long pavilions on the road connected to the short pavilions.
5, wild geese
Butterfly Lovers' Flower - Tears Wet Luo clothes full of fat powder Song Dynasty: Li Qingzhao
Tears Wet Luo clothes full of fat powder, the four stacks of Yang Guan, sung to a thousand times. The first time I saw it, it was a long time ago, and it was a long time ago that I saw it. Good to put the sound book with over 32313133353236313431303231363533e58685e5aeb931333431346465 geese, Donglai is not like Penglai far.
Explanation:
When parting with the sisters, the tears of farewell wet the clothes, blotting the cheeks, farewell "Yang Guan Qu" sung over and over again, even if there are a thousand words, it is difficult to exhaust the feelings of farewell. Now that I am in a foreign land, I am looking at the mountains of Laizhou, which are long and far away. The first thing you need to do is to get your hands on some of the most popular products in the world, and you'll be able to do it all in one place.
Being away from the emotions stirred up by the heart confused, I do not know in the farewell party sisters send-off wine is how to drink down, the cup of wine is deep or shallow, all do not know. Lastly, I asked the sisters, you have to let the news of the passing geese, to comfort my heart, after all, Donglai is not as far away as Penglai.
4. What kind of imagery is described in Yessenin's poem Night
A masterpiece of eco-literary poetry, with imagery such as the river, the dark pine forest, and the bright moon (a recurring and important image), which mainly highlights the silence of nature.
This small poem focuses on showing the stillness and beauty of the night, conveying the poet's love for nature and his peaceful and serene state of mind.
The first stanza of the poem describes the silence of the night. With the advent of the night, everything in nature is silent: the calm river seems to quietly enter the dreamland, the pine forest is no longer noisy, the nightingale stops singing, and the roosters are no longer noisy. Although not say quiet but quiet from the present. Here there is both auditory and visual, but also with the daytime association and contrast. The second stanza goes on to write that in the silence of the night, the babbling brook sings softly, which is to write silence with movement, and to set off the silence with movement to make it more visible; and then from the sense of hearing into the visual, introducing the moonlight imagery to depict the beauty of the night: the moon's silvery light quietly sprinkled down to the earth, and everything around them was bathed in the moonlight. The third stanza further describes the beauty of nature in the moonlight: the great river, the brook, the grass on the water-soaked wilderness, all glistening in the moonlight. The fourth stanza goes back to the silence of the night and writes again about the beautiful moonlight, which is not a simple repetition, but a repetition of chanting to cause the rhythmic and melodic beauty of the poem, deepening the silence of the night, the beautiful atmosphere, and make people feel the poet's emotions more y rippling and rhythmic.
The night scene described by the poet is so quiet and beautiful, like a beautiful picture, like soft music, like a charming dream, which makes people immersed in it and have unlimited reverie. The author is the singer of nature, he draws inspiration from nature, and puts himself into nature. The whole poem is purely about the scenery, but permeated with the poet's telepathy to nature, permeated with the essence of life.
5. Find 10 images and verses about these 10 images
1 Chrysanthemum: Although chrysanthemum can not be compared with peony, nor can it be compared with orchid, but as a frosty flower, it has always been favored by writers and writers, some people praised it for its strong character, and some people appreciated it for its noble temperament.
Qu Yuan's "Li Sao": "Drinking the dew of the magnolia, and eating the fall of the chrysanthemums at night." The poet symbolizes the nobility and purity of his character by drinking dew and eating flowers.
Yuan Zhen of the Tang Dynasty wrote "Chrysanthemums": "Autumn bushes surround the house like the Taoist family, and the sun slopes around the hedge. It is not the flower that favors the chrysanthemum, but the flower that blooms has no more flowers."
Expresses the poet's pursuit of chastity and purity of character. Other poems such as "I'd rather die holding the fragrance on the branch than blowing down the flowers" (Song's Zheng Sishao's "Cold Chrysanthemums"), and "Lonely East Hedges are wet and dewy, and the dimple of the golden nightmare shines on the mud and sand" (Song's Fan Chengda's "Two Songs on Chrysanthemums after Chung Yeung"), all of them borrow chrysanthemums to symbolize the poet's spiritual qualities. The chrysanthemums here have become a reflection of the poet's personality.
2 plum blossom: Plum blossom is the first to open in the cold, and then lead to the fragrance of all the flowers, so the plum blossom, like chrysanthemums, has been admired and praised by poets. Chen Liang of the Song Dynasty wrote "Plum Blossoms": "A single flower is suddenly the first to change, and all the flowers are scented later."
The poet seized the plum blossom is the first to open the characteristics, write the quality of not afraid to fight frustration, dare to be the first in the world, is not only the Wing Mei, is also Wing himself. 3 pine Pine is a model of frost and snow, naturally, is the object of eulogy.
Li Bai's "Gift Book Servant Huang Shang": "I wish you would learn the long pine, be careful not to make peaches and plums." Li Bai wrote a poem to advise Wei Huangshang to be an upright person, as he always flattered the rich and powerful.
Liu Zhen (刘桢), a scholar from the Three Kingdoms, wrote in his poem "Gift to my younger brother": "The pines and cypresses have their own natures." The poet used this line to encourage his cousin to be as chaste as the pines and cypresses, and to maintain his noble qualities under any circumstances.
4 Lotus: Because "lotus" and "pity" sound the same, so there are many ancient poems written in the lotus poem, to express love. For example, the southern dynasty music "West Island Song": "picking lotus in the south pond in the fall, the lotus flower over the head of the people; head down, 弄莲子, lotus seed green as water."
"Lotus" means "pity", and "green" means "clear". Here is a real and imaginary writing, semantic puns, the use of harmonic puns rhetoric, expressing a woman to the man she loves the deep longing and purity of love.
Jin's "Forty-two Songs of the Midnight Song" (35): "The fog and dew hide the hibiscus, and the lotus is indistinguishable from the lotus." Fog dew hidden lotus true colors, lotus leaves can be seen but not very clear, this is also the use of harmonic puns, write a woman vaguely feel the male love for their own.
5 Sycamore: Sycamore is a symbol of sadness. For example, Wang Changling's "Changxin Autumn Lyrics": "The golden well of the sycamore is yellow with autumn leaves, and the pearl curtains are not rolled with frost at night.
Smoke cage jade pillow colorless, lying down to listen to the South Palace clear leak long ." It was written by a young girl who was deprived of her youth, freedom and happiness. In the desolate and lonely palace, she was alone, lying down and listening to the leakage of the palace.
The first line of the poem starts with the yellow leaves of the sycamore tree by the well, which creates an atmosphere of sadness and loneliness. The first line of the poem starts with a sycamore tree with yellow leaves by the well, creating an atmosphere of sadness and coldness. The night rain": "A sound of sycamore leaves, a sound of autumn, a bit of banana, a bit of sadness, after three nights of dreaming."
The song is about the fall of the sycamore leaves and the rain hitting the plantain. Others such as "a leaf, a sound, the empty steps drop to the Ming" (Tang Wen Tingjun "more leakage"), "Sycamore more and rain, to dusk, dotted" (Li Qingzhao "sound slow") and so on.
6 Cuckoo Bird In ancient mythology, Du Yu, the king of Shu (i.e. Emperor Wangdi), was forced to give up his throne to his subjects, and secluded himself in the mountains and forests, and his soul was transformed into a cuckoo after his death. So the cuckoo in ancient poetry has become a symbol of bleakness and sadness.
Li Bai's "I heard that Wang Changling moved to Longbiao and sent this message from afar": "The poplars have fallen and Zi Gui is crying, and I heard that Longbiao has passed through the five streams. I send my worries to the bright moon, following the wind until the west of Yelang."
Zigui bird is the cuckoo bird. The first sentence is about the scene of the eye, in the desolate natural scenery, the sentimental feelings of separation.
The third and fourth lines are rich in imagery, expressing infinite nostalgia and deep sympathy for the friend. Song people He cast "remembering Qin'e": "three more moon, in the middle of the court just light pear snow; pear snow, not better than the miserable break, the azalea cries blood."
The moonlight shines on the snow-white pear blossoms in the courtyard, and the azalea bird chirps mournfully, which makes people miss their loved ones and feel sad. The lyricist sends his deepest thoughts of his homeland by describing the bleak scenery.
Other words, such as "I can't stand the coldness of a lonely pavilion in spring, and the sound of azaleas in the twilight of the slanting sun" (Tang Dynasty Qin Guan's "Treading on the Sands"), and "Zi Gui cries for blood in the middle of the night, and I don't believe that the east wind can't call me back" (Song Dynasty Wang Ling's "Sending off the Spring"), are all based on the mournful cries of azalea birds, which can express the grief, desolation, or longing of a person's life. The cuckoo's mournful song is used to express the feelings of grief, desolation or homesickness. 7 Partridge Bird: The image of the partridge in ancient poetry also has a specific connotation.
The sound of the partridge makes people sound like "can't walk, but also brother", very easy to evoke the association of the journey and the full-blooded sadness of parting. Such as "the fall of the light pale autumn grass bright, partridge cries far people line" (Tang Li Qunyu "Jiu Zi Po heard partridge"), "the river night is worried about the rest of the mountain deep heard partridge" (Xin Qiji "Bodhisattva barbarians? Book of Jiangxi Makiguchi wall "), etc., the partridge in the poem is not a purely objective sense of a bird.
8 Cicadas: After the fall of the cicada is not long to live, after some autumn rain, the cicada will be left with a few if intermittent wailing, the life of the dead. Therefore, cold cicadas have become synonymous with sadness.
For example, in the Tang Dynasty, Luo Binwang's "Cicadas" begins with two lines: "The cicadas are singing in the west, and the guests in the south are thinking of the deep." The cicada's song is a reflection of his deep nostalgia for his home in prison.
In the Song Dynasty, Liu Yong's "Yu Lin Ling" begins with: "Cicadas are bleak, and the evening of the Long Pavilion is the first rest of the sudden downpour." Before directly describing the parting, the feeling of "miserable" has filled the reader's heart, creating an atmosphere that is enough to touch the feelings of separation.
The same sentiment is also expressed in the poem "Cicadas chirping on my side" (Cao Zhi's "Gift to Wang Biao, the White Horse" from the Three Kingdoms).
The sound of a tall house is far away, not from the autumn wind." In this poem, Yu Shinan used the image of cicadas to express his own noble feudal scholar.
9 wild geese: wild geese are large migratory birds that migrate south every fall, often causing homesickness and nostalgia and sadness. 10 mourning: the metaphor of grief and suffering, displaced people.
Gong Zizhen's "Miscellany of Poetry in the Year of the Dragon": "Three nights of sudden and painful mourning, and in September, there is no jacket in the Huai Shui Mekong." It is written about the people's life of pain and displacement.
The phrase "mourning" comes from "Poetry? Xiao Ya? Hongyan": "Hongyan is flying, wailing and wailing. This is the philosopher who says I am charging a lot of money."
The poem is about the envoys traveling in the four directions and seeing the stragglers like the wild geese gathering in the field.
6. Ancient poems describing the night
A black mood, stagnant, once upon a time waiting, dreamy beauty, and ultimately replaced by a **** the same black, destiny, or? Do not want to stop. Floating me, in anticipation of a miracle, with the sea breeze, with the wind to write their own stories mood. Looking forward to that day, standing on the beach, bathed in sunshine, sunshine retreat, is a large large snowflakes withered. However, the darkness of the night fell, I have no trace of everything. No more behind the pain, understand the helplessness of this life, in exchange for the despondency of this time. Can not see their own shadow, leaving only lingering sighs behind. White, there is no value of existence. Black, has long stepped throughout the heart. I'm not sure how much I'm going to be able to do this, but I'm sure I'll be able to do it in the future.
I said, give me a reason to find a reason to dream. I'm not sure if you're going to be able to get a good deal on a new product or not. Perhaps, that is the only beautiful dedicated. Black me, can not see through, is away from the sadness. Love the sunshine, but yearn for the darkness alone. Too much drama, cover up the ink-like mood.
I do not understand the complexity of the world, originally thought I live a wonderful, all day long behind the hip-hop but hides a black box, box coat with a big and full of vicissitudes of the lock. This lock locks the bits and pieces of my spirit, the key in the whereabouts, in the black and white between the place. In the black night under the displacement of smoky I inadvertently opened this obsolete locks in the space of the if not, at once, black liquid splash, trance, moments later, in the black time to look back at thousands of, to find themselves.
Yes, I belong to the black soul, a soul destined to drift, a soul destined to gray in the black fantasy. I tried to break free, to an unprecedented resistance. Unfortunately, I, could not do it. The black flower bloomed, the next second waiting for it is withering. The next second is waiting for it to wither. Withered in the gap at the edge of the black night of life, everywhere flying words, green smoke, red mist,
7. Poems describing a variety of imagery
Nature in the rain, snow, wind and frost of a kind of scenery, snow is the most poetic and picturesque, and is therefore quite popular with the literati favor. Poets throughout the ages on the snow wonderful pen flowery depictions and enthusiastic praise, but also dazzling, relaxed and happy.
First, "Poetry" in the "Xiaoya, Caiwei" of the end of the chapter: in the past, I go back, willow, today I come to think, rain and snow fall. At the beginning of the snow, the first snow beads, sometimes snowfall is also accompanied by rain, so there is "rain and snow fall" sentence.
Second, the Jin couplets Xie Taifu cold snow day set of children to speak thesis on righteousness, the snow is big, the public said: "snow has been like", brother said: "salt in the air poorly comparable", brother and daughter said: "not if the willow wadding The first is a poem about snow, which can be regarded as a poem with the same rhyme and meaning.
The use of "salt in the air" and "willow wadding due to the wind" to compare the "heavy snow", each has its own merits. Some people think that "salt in the air" a good metaphor, the color of the snow and the fall of the state with the salt is relatively close to the willow flakes were gray and white, in the wind tends to rise, and even fly higher and farther away, with the snow dancing in a different way. Write objects must first seek to get the similarity of form and then reach the similarity of God, the similarity of form is the basis. Some people think that "the willow flakes rise because of the wind" is a good metaphor, it gives a person the feeling that spring is coming, has a profound meaning. What is lacking in the metaphor of "sprinkling salt" is precisely the meaning. A good poem should have imagery, and imagery is the unity of object and meaning. The metaphor of "willow floss" is good because it has imagery. Third, Liang Wu Jun in the Southern Dynasty, there is a "snow" poem in five lines, close to the style of the law, is a famous piece of writing has been recited: "The breeze shakes the trees in the courtroom, the fine snow under the curtain gap. The snow falls down the curtains. The air is like fog, and the steps are like flowers. I don't see the spring of the willow, but the white of the osmanthus branch. No one can tell me about my tears, but I am thinking of you." The first six lines of the poem write the scene, the last two lines of lyricism, very rhyme, whether it is written in the dynamic beauty of the snow "such as fog turn", or write the static beauty of the snow "such as flowers", can be difficult to write the scene as in the present. Fourth, (a) Tang Li Bai "north wind line": Yanshan snowflakes as big as a mat, pieces of blowing down the Xuan Yuan platform.
[Appreciation] The snowflakes around Yanshan Mountain are as big as mats, and one by one they blow down on Xuan Yuan Terrace. This is Li Bai's famous line describing snowflakes. Yanshan Mountain is in the southeast of Jixian County in present-day Hebei Province, which refers to the north of China in general. The ruins of Xuanyuan Terrace are on Qiaoshan Mountain in Huailai County, Hebei Province. The sentence says, "The snow is as big as a mat", which is a high degree of artistic exaggeration, but without losing its reality. As Lu Xun said in the article "Comics": "'Yanshan snowflakes are as big as a mat' is an exaggeration, but Yanshan actually have snowflakes, contains a little honesty in it, so that we immediately know that Yanshan was so cold. If you say Guangzhou snowflakes are as big as a mat, then it becomes a joke."
(2) Tang Bai Juyi's "Night Snow": I was already surprised that the coverlet was cold, and then I saw that the window was bright. I know the snow is heavy in the depth of the night, and I hear the sound of folding bamboo.
"The night is deep and I know the snow is heavy, and I hear the sound of folding bamboo." The night is deep, I know that the snow is very thick, when I hear the sound of bamboo breaking.
[Appreciation] Describing snow, usually write about its color and shape, but the snow late at night is very difficult to use visual images to show, so the poet changed the visual to auditory. Of course, the snow itself has no sound, so the poet expressed it by "hearing the sound of folding bamboo". In a snowy night, sleepless poet heard from time to time outside the sound of broken bamboo, we know that the snow has been under a thick layer, and even many of the bamboo are bent. Describing snow through hearing is the main feature of these two lines.
(3) Cen Sen's "Snow Song": "Suddenly the spring breeze comes, thousands of trees and thousands of pear blossoms." [Appreciation] This is a good line of snow that has been recited through the ages. It is very novel to use pear flower as a metaphor for snow, and a picture of the beauty of pear blossoms in full bloom with the warmth of the spring breeze immediately appeared in front of my eyes when I read it.
(4) Han Yu's "Spring Snow": the New Year is not yet fragrant, and grass buds are seen in early February. The snow is too late for spring, so it is flying through the garden trees.
[Appreciation] This small poem of early spring snow is a new idea, unique and surprising. The first two lines are written in the New Year has passed, but can not see the shadow of the fragrant flowers. In early spring and February, people go out and are surprised to find a little grass sprouting on the ground. The people who have spent the long winter are looking forward to seeing the spring color earlier, "all" is showing the people's eagerness to spring and the frustration of not seeing the sound of spring. The word "surprise" reveals the joy of seeing spring coming.
(5) Luo Yin's "Snow": "I have said that the year of plenty is auspicious, but what happens in the year of plenty? The poor people in Chang'an, for the Rui should not be more! [Appreciation] The snow is a sign of a good year, but for the poor people, it is a disaster.
8. The moon to express the intention of the poem
The moon's aliases: Toad Palace, Jade Plate, Silver Hook, Cindy, Guigong; "Jade Plate", "Jade Wheel", "Jade Ring", "Jade Ring", "Jade Palace". ", "Jade Hook", "Jade Bow", "Jade Mirror", "Heavenly Mirror", "mirror", "jade rabbit", "Chang'e", "toad";
In ancient Chinese poetry
In China's ancient poetry, the use of the moon to accentuate feelings is a commonly used technique. Generally speaking, the moon in ancient poetry is synonymous with homesickness. Li Bai's "Silent Night Thoughts": "The light of the moon in front of the bed is suspected to be the frost on the ground, raising my head to look at the bright moon, and lowering my head to think of my hometown." This poem shows Li Bai's homesickness. The moon in the poem is no longer a purely objective object, but an image that has been imbued with the poet's feelings. Wang Jian of the Tang Dynasty wrote "Sending Du Langzhong on the Fifteenth Night": "Tonight the moon is bright and people are all looking forward to it, I don't know whose home the thoughts of autumn have fallen on." The poem with a euphemistic question points out this full moon night on earth universal nostalgia, implicitly expressed the poet's deep longing for his hometown friends.
In addition, the moon also has the following imagery (1) the bright moon contains the sadness of the border.
Such as: "back to the music beacon before the sand like snow, the moon outside the city of the surrender as frost" of the sadness of the melancholy; "Qin time bright moon Han time customs, ten thousand miles of the long march people have not yet" of the sadness of the majesty. (2) The bright moon contains the emotion of helplessness.
For example, Xie Zhuang's prayer and blessing; Zhang Jiuling's prayer and blessing; and Zhang Jiuling's prayer and blessing. The prayers and blessings; Zhang Jiuling "the bright moon at sea, the end of the world **** this time." The hope and longing of Zhang Jiuling. (3) The bright moon implies the eternity of space and time.
"The ancients and modern people are like flowing water, *** look at the bright moon are so." The looting of life by time and the helplessness of life in front of time are expressed to the fullest extent.