In addition to the "article-style" dense baggage, the most impressive thing about the film is the bustling beauty of George W. Song Jia. Since Master, the beauty of George W. Song Jia has been deeply rooted in people's hearts, and the sexy, enchanting and melancholy beauty is unforgettable. In Lu Yao's understanding of Mary, Mary is the kind of goddess who is the focus everywhere, but she is careless in private, even a little pretentious, and interprets the domineering queen and the weak and sensitive little girl in her heart just right. In the film, she and Liu Geng sometimes play like "death" and sometimes take the initiative to show good. This play is both good-looking and good-looking. As striking as her plays is her beauty. Whether it is the beauty of the university campus or the intellectual beauty afterwards, Song Jia Jr. is dazzling in beauty, and almost every appearance is an eye-opener. After watching the film, many viewers said that they were "crying for beauty", "It's really beautiful like the scorching sun, and I want to give her all the points", "Although she played a great role, she enjoyed it", and some people bluntly said that after watching the film, Song Jia's face was covered, and "I really want to take her away".
It is worth mentioning that the actors in this episode of the film performed well. Although Bao Beier has a bald head that is easy to jump off a building, it is as sad to cry; This time, Zhu subverted the image of "walking hormone", played Zhao Ben, the screenwriter of "Niang Man", and kissed the wolf without consent, showing surprise. The ancient Avon gray is also very eye-catching, and the short hair is handsome and capable. She and Zhu fell in love at first sight, bickering and "sex scenes" were brilliant. The acting school collectively dragged the show, which made the audience quite enjoyable.