Night is a typical image that appears again and again in the poems of the contemporary Turkish poet Yilang.
The poet uses the image of night to express the indifference of human society and his inner pain against the backdrop of the night scene.
Hegel said, "Whether it is classical Chinese poetry or the poetry of the peoples of the world, they all take the recognition of imagery as a stepping stone to the deconstruction of poetry." Interpreting the night imagery in Yilang's poetry will not only enable us to accurately recognize the connotations of his poetry, but also facilitate an in-depth grasp of the overall style of Yilang's poetry.
Night is a symbol with multiple symbolic meanings. The poet loves the night, and has special feelings for the night; he also has a keen insight into the color of the night, and at night, the poet's emotional activities are very rich.
The recurrence of night imagery in Yilang's poetry is related to the objective social reality, the poet's subjective consciousness and creative thinking. In Yilang's poetry, the "night" imagery has the following three symbolic meanings: night imagery is a visualization of the social background In Yilang's poetry, through the "night" imagery, we can feel the reality that Yilang experienced and the society that he knew: indifference, In Yilang's poem, through the imagery of "night", we can feel the reality that Yilang experiences and the society that he knows: cold, dark, bitter, full of confusion, and without a sense of direction.
The rapid development of industrial civilization has brought to human society a superficial false prosperity, behind which is actually a serious deterioration of spiritual civilization. This deterioration is manifested in such things as the communication gap between people, the loss of ethical values, and the conflict between the material and the spiritual.
Yilang's poems reveal the crisis of this era and the poet's concern for the civilization of today's society. There is a big difference between the real world written by the poet and the world full of love and warmth in the poet's heart. Reading Yi Lang's poems, one can feel the conflict between the poet's inner world and the modern society.
In the poem "Station Square", the poet graphically describes the inner anxiety of a countryman who has just come to the city, and writes, "Holding on to my luggage, I step off the worn-out bus that drives into the city from the countryside, and pick up the lost souls/It is necessary to stomp off the dirt on my shoes in the thumping sound in order to dissolve into the greater silence of this civilized city. "The use of the verbs "pick up" and "stomp off" vividly reflects the awkwardness of the identity and status of the country people who come to the city, and shows that the country people need to pay a heavy price if they want to integrate into the city. Then he said, "We are all strangers/....../a noisy station/surprisingly, I can't find/another similar face". In the city, the country people feel cold, we are all strangers, and there is no communication and exchange between people, and the relationship between people is just like the relationship between stones and mountains and other silent objects. Mountains and other silent objects, unable to communicate with each other; like birds and crowds, although both can make sounds, but in the end they do not understand each other.
Imagery is a unique image of objective things refined by the poet's inner activities, and it is the carrier of the poet's subjective emotions. In Yilang's poetry, "night imagery" includes the author's unique experience of nature, society, and life, as well as his ideological comprehension and aesthetic feelings.
In his poetry, "night" not only symbolizes the image of the social background of the times, rendering a strong atmosphere of bleakness, but also the poet as a new era of intellectuals, the era of civilization transition to the late negative impact of the expression of a special mentality. The cold social reality, resulting in the psychological loneliness and sadness of the clothes Lang.
"Shuo Wen": "Night, she also. The world rests in the house.
From the evening, also save sound." Night is a cozy home, only the night, the poet feels the objective and real existence of individual life, so that the poet has a sense of security and authenticity.
This profound experience of the poet is personal and unique, and at the same time, it is the era, society, and even the whole of mankind. In Yilang's poetry, under the suggestion of night imagery, what is presented to us is the author's extremely lonely state of mind, the tragic consciousness of human existence felt by the author, which not only graphically expresses the indifferent atmosphere of this era, but also has a sublime and chilling aesthetic effect.
The night imagery is a support for the poet's aesthetic ideal. Not only did the author reveal the special condition of the real society through the "night" imagery, and express his dissatisfaction with the times, but he also set off and rendered his own aesthetic ideals with the "night", which awakens the world to wake up and be awake in the night. At the same time, he used "night" as a setting for his aesthetic ideal, to awaken the world to wakefulness and alertness. Therefore, it is not by chance that Yilang chose the imagery of "night", the night has a very important meaning to him, and this particular moment never needs to be reminded of its arrival, but the emotion it carries will always shine.
In Yilang's poetry, the night actually expresses the poet's yearning for light. In the tragic society, on the way to his dream, the poet realizes the pursuit and expression of the ideal of "infinity" through the limited night. In the silence of the night, the poet is not to hide himself in the darkness, but to search for himself, to give up the superficial, illusory and indifferent, and to search for the profound, real and warm.
In his poem "But I am still accustomed to waiting quietly for the arrival of death at night", he writes: "Faintly / Fate opens or closes like a razor blade / But I am still accustomed to waiting quietly for the arrival of death at night / Abandon the guilt / Distractions and passive verses / And rediscover myself with some words / That is: generosity, helping the world and love of life! "Only at night can the poet abandon his illusory goals, transcend his inner worries, find a gentle home in the changing society, and realize his wishes.
The stimulation of experience in writing depends more on the poet's imagination and sensitivity to language. Poetry has to take up the discovery and recognition of the art of living.
Many times we should humbly perceive the divine world in the simple things around us, I know the dangers, but I ignore the pain". In Iroh's poetry, the poet is always in a very bleak realm with the help of the night to fade into a gentle dream.
There he enjoys tranquility and happiness, and in the process of serious physical observation of the world, he gains inspiration, redefines human values, and restores human nature. As a night watchman, the poet has to do more than just ignite himself, which would result in self-destruction, but should provide the world with the power of spiritual motivation and the home of discourse.
In the poem "Diary: Nightwatchman" "The nightwatchman does this.
2. Collect verses describing the imagery of spring, river, flower, moon, and nightThe tide of the spring river is even with the sea, and the bright moon on the sea **** the tide.
Rippling with the waves for ten million miles, where is the spring river without a bright moon?
The river flows around Fangdian, and the moon shines on the flowers and forests.
The first thing you need to know is how to get to the top of the page, and how to get to the bottom of the page.
The river and the sky are all in one color, and the moon is bright in the sky.
The first time I saw the moon was on the banks of the river, and the first time I saw the moon was on the banks of the river. The first time I saw it, it was a very good one, and the first time I saw it was a very good one.
The world's most important thing is that the world is not a place for people to live, but a place for people to live.
I don't know who is waiting for the moon on the river, but I can see the Yangtze River sends flowing water.
The white clouds are going away, and the blue maple is on the river.
Who's in the boat tonight? The first time I saw it, it was a very good one, and the second time I saw it, it was a very good one.
The poor man's moon is hovering above him, and it should be shining on the mirror of the departed.
The first time I saw this, I was in the middle of the night, and I was in the middle of the night.
The first time I saw you was when I was a kid, and I was a kid, and I was a kid.
The goose and the goose are not in the right place, and the fish and the dragon are in the right place.
Last night, I dreamed of falling flowers in the pool, and I pity you for not returning home in the middle of spring.
The river is flowing in the spring, and the moon is falling in the river pool, and the moon is slanting in the west.
The slanting moon is sinking and hiding the sea fog, Jieshi Xiaoxiang infinite road.
I don't know how many people will return by the moon.
I don't know how many people will go back by the moon, but I'm afraid that the falling flowers will fill the trees
Hehehe, it's my first time to work together, so please teach me more!
3. Ancient Poems about Imagery1. The Moon
"Yu Meiren - When is the Spring Flower, Autumn and Moon Over", Fifth Generation: Li Yu
When is the Spring Flower, Autumn and Moon Over? I'm not sure how much I know about the past. Last night, there was an east wind in the small building, and the old country could not look back in the moonlight.
The carved railings and jade masonry are still there, but the color of their faces has changed. I'm not sure how many sorrows you can have, but I'm not sure how many sorrows you can have. It's like a river of spring water flowing eastward. Last night the spring breeze blew again on the small building, how can one endure the pain of remembering the old country on this night when the white moon is in the sky. The carved balustrades and jade steps should still be there, but the people I miss have aged. To ask me how much sorrow in my heart, just like the endless spring river water rolling east.
2, ice and snow
"Nian Nujiao - over the dongting" Song Dynasty: Zhang Xiaoxiang
Dongting grass, near the mid-autumn, more than a little bit of wind color. The jade world of Qiongtian 30,000 hectares, with my flatboat a leaf. The moon is shining brightly, the river **** shadow, the surface and the inside are all clear. The moon and the bright river **** shadow, the surface and the inside are all clear. (著 同：着；玉界 一作：玉鉴)
Should be read Ling table for years, the lonely light from the light, liver and gall bladder are ice and snow. The short hair Xiao Sao sleeve cold, stable pan Canglang empty space. The West River and the Big Dipper, all the elephants are guests. I'm not sure where I'm going to end up. (Canglang I as: Canghei; Ling table I as: Linghai)
Comment:
Dongting Lake and Qingcao Lake are connected to the vastness of the vastness of the mid-autumn festival, but also in this season, there is no little wind. Autumn moon under the vast soup soup, a blue hectare of the lake, carrying me a small flat boat. The bright moon and the brilliant Milky Way, in this vast jade mirror reflects their beauty, the water above and below a bright and clear. I'm not sure how to share this wonderful experience with you as I experience the emptiness of all things.
Sense of this round of lonely light from the bright moon ah, how many years wandering between the ridge and the sea, the heart of the bright and open like ice and snow like pure. And at the moment, I am wearing a thin coat, calm canoeing in the vast vastness of the ding-dong. Let me hold all the clear water of the Xijiang River, pouring in the wine spoon made of the Big Dipper, please heaven and earth and all the elephants to be my guests, I feel free to beat the side of my boat, alone sing loudly, how can I remember what year it is at this time!
3. Willow
"Farewell Poem" Sui Dynasty: Unknown
The willow is hanging down on the ground, and the poplars are stirring up the sky.
The willows are all broken and the flowers are all flown.
Interpretation:
The willow is green, its branches and leaves hang down to the ground. The poplar flowers are diffuse and flutter chaotically in the air. The willows in the eyes at the time of farewell are broken and the poplars fly away. May I ask when the one who has traveled far will return?
4. The Long Pavilion
"Bodhisattva Barbarian - Flat Forest Desert Smoke Like Weaving" Tang Dynasty: Li Bai
Flat Forest Desert Smoke Like Weaving, cold mountains with a band of sad blue. All night long, the color of the night into the high building, some people upstairs sad.
The jade steps are empty, and the birds are flying back. The first thing you need to do is to get your hands dirty. The first time I saw it, it was a very good one, and the second time I saw it, it was a very good one. The color of the night filled into the high boudoir, someone is upstairs alone sad. On the jade stone steps, the vain waiter looks forward to. The birds returning to their nests are urged to fly. Where is my return journey? I can only see the long pavilions on the road connected to the short pavilions.
5. Hongyan
Butterfly Lovers' Flower - Tears and Wet Clothes are Full of Grease and Powder
Tears and wet clothes are full of grease and powder, and the four stacks of Yangguan Pass are sung to a thousand times. The people say that the mountains are long and broken, and that the rain is drizzling down on the lonely house. Good to put the sound book with over 32313133353236313431303231363533e58685e5aeb931333431346465 geese, Donglai is not like Penglai far.
Interpretation:
When parting with the sisters, the tears of farewell wet the shirt, blotting the cheeks, farewell "Yang Guan Qu" sung over and over again, even if there are a thousand words, it is difficult to exhaust the feelings of farewell. Now that I am in a foreign land, I am looking at the mountains of Laizhou, which are long and far away. The first time I saw this, I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night, and I was in the middle of the night.
Being away from the emotions stirred up by the heart confused, I do not know in the farewell party sisters send-off wine is how to drink down, the cup of wine is deep or shallow, all do not know. Finally instructed the sisters, you have to let the news of the passing geese, to comfort my heart, after all, Donglai is not as far away as Penglai.
4. What kind of imagery does Yessenin's poem "Night" describeA masterpiece of ecological literature poetry, with images such as the river, the dark pine forest, and the bright moon (a recurring and important image), which mainly highlights the silence of nature.
This small poem focuses on showing the stillness and beauty of the night, conveying the poet's love for nature and his peaceful and tranquil state of mind.
The first stanza of the poem describes the silence of the night. With the advent of the night, everything in nature is silent: the calm river seems to quietly enter the dreamland, the pine forest is no longer noisy, the nightingale stops singing, and the roosters are no longer noisy. Although not say quiet but quiet from the present. Here there is both auditory and visual, but also with the daytime association and contrast. The second stanza goes on to write that in the silence of the night, the babbling brook sings softly, which is to write silence with movement, and to set off the silence with movement to make it more visible; and then from the sense of hearing into the visual, introducing the moonlight imagery to depict the beauty of the night: the moon's silvery light quietly sprinkled down to the earth, and everything around them was bathed in the moonlight. The third stanza further describes the beauty of nature in the moonlight: the great river, the brook, the grass on the water-soaked wilderness, all glistening in the moonlight. The fourth stanza goes back to the silence of the night and writes again about the beautiful moonlight, which is not a simple repetition, but a repetition of chanting to cause the rhythmic and melodic beauty of the poem, to deepen the silence of the night, the beautiful atmosphere, and make people feel the poet's emotions more y rippling and rhythmic.
The night scene depicted by the poet is so quiet and beautiful, like a beautiful picture, like soft music, like a charming dream, which makes people immersed in it and have unlimited reverie. The author is the singer of nature, he draws inspiration from nature, and puts himself into nature. The whole poem is purely about scenery, but permeated with the poet's telepathy to nature, permeated with the essence of life.
5. Seek 10 images and poems about these 10 images1 Chrysanthemum: Although chrysanthemum can not be compared with the peony, nor can it be compared with the orchid, but as a frosty flower, it has always been favored by writers and writers, and some people praised it for its strong character, and some people appreciated it for its noble temperament.
Qu Yuan, "Li Sao": "Drinking the dew of the magnolia, and eating the fall of the chrysanthemums at night." The poet symbolizes the nobility and purity of his character by drinking dew and eating flowers.
Yuan Zhen of the Tang Dynasty wrote "Chrysanthemums": "Autumn bushes surround the house like the Taoist family, and the sun slopes around the hedge. It is not the flower that favors the chrysanthemum, but there is no more flower when this flower is finished."
Expresses the poet's pursuit of chastity and purity of character. Other poems such as "I'd rather die holding the fragrance on the branch than blowing down the flowers" (Song's Zheng Sishao's "Cold Chrysanthemums"), and "Lonely East Hedgerow is wet with dew, and the dimple in front of it shines on the mud and sand" (Song's Fan Chengdai's "Two Songs on Chrysanthemums after Chung Yeung"), all of them use chrysanthemums as a means of symbolizing the poet's spiritual qualities.
2 plum blossom: Plum blossom is the first to open in the cold, and then lead to the fragrance of all the flowers, so plum blossom, like chrysanthemum, was admired and praised by poets. Chen Liang of the Song Dynasty wrote "Plum Blossoms": "A single one suddenly changes first, and all the flowers are scented later."
The poet seized the plum blossom is the first to open the characteristics, write the quality of not afraid to fight frustration, dare to be the first in the world, is not only the Wing Mei, is also Wing himself. 3 pine Pine is a model of frost and snow, naturally, is the object of eulogy.
Li Bai's Gift Book Servant Huangshang: "I wish you would learn the long pine, do not be a peach or a plum." Li Bai wrote a poem to advise Wei Huangshang, who had always flattered the rich and powerful, that he should be an upright person.
Liu Zhen (刘桢), a scholar of the Three Kingdoms, wrote in his poem, "The pine and cypress have their own natures." The poet used this line to encourage his cousin to be as chaste as the pines and cypresses, and to maintain his noble qualities under any circumstances.
4 Lotus: Because "lotus" and "pity" sound the same, so there are many ancient poems written in the lotus poem, to express love. For example, the southern dynasty music "West Island Song": "picking lotus in the south pond in the fall, the lotus flower over the head of the people; bowed head, 弄莲子, lotus seed green as water."
"Lotus" means "pity", and "green" means "clear". Here is a real and imaginary writing, semantic puns, the use of harmonic puns rhetoric, expressing a woman's deep longing for the man she loves and the purity of love.
Jin's "Forty-two Songs of the Night" (35): "The fog and dew hide the hibiscus, and the lotus is indistinguishable from the lotus." Fog dew hidden lotus true colors, lotus leaves can be seen but not very clear, this is also the use of harmonic puns, write a woman vaguely feel that the male love themselves.
5 Sycamore: Sycamore is a symbol of sadness. For example, Wang Changling's "Changxin Autumn Lyrics": "The golden well of the sycamore is yellow with autumn leaves, and the pearl curtains are not rolled with frost at night.
Smoke cage jade pillow colorless, lying down to listen to the South Palace clear leak long ." It was written by a young girl who was deprived of her youth, freedom and happiness. In the desolate and lonely palace, she was alone, lying down and listening to the leakage of the palace.
The first line of the poem begins with the yellow leaves of the sycamore tree by the well, creating an atmosphere of sadness and loneliness. The first line of the poem is the first line of the poem, which is the first line of the poem, which is the first line of the poem. The night rain": "A sound of sycamore leaves, a sound of autumn, a bit of banana, a bit of sadness, after three nights of dreaming."
The sycamore leaves are falling and the rain is beating on the plantain. Others such as "a leaf, a sound, the empty steps drop to the Ming" (Tang Wen Tingjun "more leakage"), "Sycamore more and rain, to dusk, dotted" (Li Qingzhao "sound slow") and so on.
6 Cuckoo Bird In ancient mythology, Du Yu, the king of Shu (i.e. Emperor Wangdi), was forced to give up his throne to his subjects, and secluded himself in the mountains and forests, and his soul was transformed into a cuckoo after his death. So the cuckoo in ancient poetry has become a symbol of bleakness and sadness.
Li Bai's "I heard that Wang Changling moved to Longbiao and sent this message from afar": "The poplars have fallen and Zi Gui cries, and I heard that Longbiao has passed through the five streams. I send my worries to the bright moon, following the wind until the west of Yelang."
Zigui bird is the cuckoo bird. The first sentence is about the scene of the eye, in the desolate natural scenery, it implies the feelings of parting.
The third and fourth lines are rich in imagery, expressing infinite nostalgia and deep sympathy for the friend. In the Song Dynasty, He cast "Memory of Qin'e": "The moon in the middle of the third night is shining on the pear blossom; the pear blossom is snowing, and the azalea is crying blood."
The moonlight shines on the snow-white pear blossoms in the courtyard, and the azalea bird chirps mournfully, making people miss their loved ones and feel sad. The lyricist sends out deep thoughts of his homeland by describing the bleak scenery.
Other words, such as "I can't stand the coldness of a lonely pavilion in closed spring, and the sound of azaleas in the twilight of the slanting sun" (Tang Dynasty Qin Guan's "Treading on Shakespeare"), and "Zi Gui cries for blood in the middle of the night, and I don't believe that the east wind can't call me back" (Song Dynasty Wang Ling's "Sending off the Spring") all use the mournful cries of azalea to express the grief, desolation, or longing of azalea. The cuckoo's mournful song is used to express the feelings of grief, desolation or homesickness. 7 Partridge Bird: The image of the partridge in ancient poetry also has a specific connotation.
The sound of the partridge makes people sound like "can't walk also brother", it is very easy to evoke the association of the journey and the full-blooded sadness of parting. Such as "the fall of the light pale autumn grass bright, partridge cries far people line" (Tang Li Qunyu "Jiu Zi Po heard partridge"), "the river night is worried about the rest of the mountain deep heard partridge" (Xin Qiji "Bodhisattva barbarians? Book of Jiangxi Makiguchi wall"), etc., the partridge in the poem is not a purely objective sense of a bird.
8 cold cicadas: after the fall of the cicada is not long to live, after some autumn rain, the cicada will be left with a few if the intermittent wailing, the life of the dead. Therefore, cold cicadas have become synonymous with sadness.
For example, in the Tang Dynasty, Luo Binwang's "Cicadas" begins with two lines: "The cicadas are singing in the west, and the guests in the south are thinking of the deep." The first two lines of Luo Binwang's "Song of the Cicadas" are: "The cicadas are singing in the western land, and the guest in the southern crown is thinking y".
In the Song Dynasty, Liu Yong's "Yu Lin Ling" begins: "The cold cicadas are bleak, the evening of the Long Pavilion, the first rest of the sudden rain." Before directly describing the parting, the feeling of "wretchedness and misery" has filled the reader's heart, creating an atmosphere that touches the feelings of separation.
Such sentiments are also expressed in poems such as "The cicadas chirping on my side" (Cao Zhi's "Gift to Wang Biao, the White Horse" from the Three Kingdoms).
The cicada's song is on my side" (Cao Zhi's "Gift to King Biao of the White Horse").
The sound of a tall house is far away, not from the autumn wind." In this poem, Yu Shinan used the image of cicadas to express his own noble feudal scholar.
9 wild geese: wild geese are large migratory birds that migrate south every fall, often causing homesickness and nostalgia and sadness. 10 mourning: the metaphor of grief and suffering, displaced people.
Gong Zizhen's "Miscellany of Poetry in the Year of the Dragon": "Three nights of sudden and painful mourning, and in September, there is no jacket in the Huai Shui Mekong." It is written about the people's life of pain and displacement.
The phrase "mourning" comes from the poem "Xiao Ya? Xiao Ya? This philosopher said that I have to pay for my labor."
The poem writes that the envoys traveled to the four directions and saw the stragglers like wild geese gathering in the field.
6. Ancient poems describing the nightA black mood, stagnant, once upon a time waiting, dreamy beauty, eventually replaced by a **** the same black, destiny, or? I don't want to. Floating me, in anticipation of a miracle, with the sea breeze, with the wind to write their own stories mood. Looking forward to that day, standing on the beach, bathed in sunshine, sunshine retreat, is a large large snowflakes withered. However, the darkness of the night fell, I have no trace of everything. No more behind the pain, understand the helplessness of this life, in exchange for the despondency of this time. Can not see their own shadow, leaving only lingering sighs behind. White, there is no value of existence. Black, has long stepped throughout the heart. I'm not sure how much I'm going to be able to do this, but I'm sure I'll be able to do it in the future.
I said, give me a reason to find a reason to dream. I'm not sure if you're a good person, but I'm a good person, and I'm a good person. Perhaps, that is the only beautiful dedicated. Black me, can not see through, is away from the sadness. Love the sunshine, but yearn for the darkness alone. Too much drama, cover up the ink-like mood.
I do not understand the complexity of the world, originally thought I live a wonderful, all day long behind the hip-hop but hides a black box, box coat with a large and full of vicissitudes of the lock. This lock locks the bits and pieces of my spirit, the key in the whereabouts, in the black and white place. In the black night under the displacement of smoky I inadvertently opened this obsolete locks in the space of the if not, at once, black liquid splash, trance, moments later, in the black time to look back at thousands of, to find their own.
Yes, I belong to the black soul, a soul destined to drift, a soul destined to gray in the black fantasy. I tried to break free, to an unprecedented resistance. Unfortunately, I, could not do it. The black flower bloomed, the next second waiting for it is withering. The next second it is waiting for it to wither. Withered in the gap at the edge of the black night of life, everywhere flying words, green smoke, red mist,
7. Poems describing various imageryrain, snow, wind and frost of nature, a kind of scenery, snow is the most poetic and picturesque, and therefore quite popular with the literati favor. Throughout the ages, poets have been very enthusiastic in their portrayal of snow and enthusiastic in their praise, which is even more fascinating and refreshing.
First, "Poetry" in the "Xiaoya, Caiwei" of the end of the chapter: in the past, I go back, willow, today I come to think, rain and snow fall. At the beginning of the snow, the first snow beads, sometimes snowfall is also accompanied by rain, so there is "rain and snow fall" sentence.
Second, the Jin couplet poem Xie Taifu cold snow day set of children to talk about thesis righteousness, the snow is big, the public said: "snow has been like", brother said: "salt in the air poorly comparable", brother said: "not if the willow wadding The first is a poem in which the words "snow" and "wind" are combined in a single line.
The use of "salt in the air" and "willow wadding rises in the wind" to compare the "heavy snow" has its own merits. Some people think that "salt in the air" a good metaphor, the color of the snow and the fall of the state with the salt is relatively close to the willow flakes gray, often up in the wind, and even fly higher and farther away, with the snow fluttering in a different way. Write objects must first seek to get the similarity of form and then reach the similarity of God, the similarity of form is the basis. Some people think that "the willow flakes rise because of the wind" is a good metaphor, it gives a person the feeling that spring is coming, has a profound meaning. What is lacking in the metaphor of "sprinkling salt" is precisely the meaning. A good poem should have imagery, and imagery is the unity of object and meaning. The metaphor of "willow floss" is good because it has imagery. Third, Liang Wu Jun in the Southern Dynasty, there is a "snow" poem in five lines, close to the style of the law, is a famous piece of writing has been recited: "The breeze shakes the trees in the courtroom, the fine snow under the curtain gap. The snow falls down the curtains. The air is like fog, and the steps are like flowers. I don't see the spring of the willow, but the white of the osmanthus branch. No one can tell me about my tears, but I am thinking of you." The first six lines of the poem write the scene, the last two lines of lyricism, very rhyme, whether it is written in the dynamic beauty of the snow "such as fog turn", or write the static beauty of the snow "such as flowers", can be difficult to write the scene as in the present. Fourth, (a) Tang Li Bai "north wind row": Yanshan snowflakes as big as a mat, pieces of blowing down the Xuan Yuan platform.
[Appreciation] The snowflakes around Yanshan Mountain are as big as mats, and one by one they blow down on Xuan Yuan Terrace. This is Li Bai's famous line describing snowflakes. Yanshan Mountain is in the southeast of Jixian County in present-day Hebei Province, which refers to the north of China in general. The ruins of Xuanyuan Terrace are on Qiaoshan Mountain in Huailai County, Hebei Province. The sentence says, "The snow is as big as a mat", which is a high degree of artistic exaggeration, but without losing its reality. As Lu Xun said in the article "Comics": "'Yanshan snowflakes are as big as a mat' is an exaggeration, but Yanshan actually have snowflakes, contains a little honesty in it, so that we immediately know that Yanshan was so cold. If you say that the snowflakes in Guangzhou are as big as a mat, then it becomes a joke."
(2) Tang Bai Juyi's "Night Snow": I was already surprised that the coverlet was cold, and then I saw that the window was bright. Deep in the night, I know the snow is heavy, and I hear the sound of folding bamboo.
"I know the snow is heavy at night, and I hear the sound of folding bamboo." The night is deep, I know that the snow is falling heavily, and I hear the sound of bamboo breaking at times.
[Appreciation] Describing snow, usually write about its color and shape, but the snow late at night is very difficult to use visual images to show, so the poet changed the visual to auditory. Of course, the snow itself has no sound, so the poet expresses it by "hearing the sound of folding bamboo". In a snowy night, sleepless poet heard from time to time outside the sound of broken bamboo, we know that the snow has been under a thick layer, and even many of the bamboo are folded. Describing snow through hearing is the main feature of these two lines.
(3) Cen Sen's "Song of White Snow": "Suddenly, the spring breeze comes on the night, and thousands of pear blossoms bloom." [Appreciation and analysis] This is a good line about snow that has been recited through the ages. It is very novel to use pear blossoms as a metaphor for snow, and a picture of the beauty of pear blossoms in full bloom with the warmth of the spring breeze immediately appeared in front of my eyes when I read it.
(4) Han Yu's "Spring Snow": the New Year is not yet fragrant, and the grass buds are seen in early February. The snow is too late for spring, so it is flying through the garden trees.
[Appreciation] This small poem of early spring snow is a new idea, unique and surprising. The first two lines are written in the New Year has passed, but can not see the shadow of the fragrant flowers. In early spring and February, people go out and are surprised to find a little grass sprouting on the ground. The people who have spent the long winter are looking forward to seeing the spring color earlier, "all" is showing the people's eagerness to spring and the frustration of not seeing the sound of spring. The word "surprise" reveals the joy of seeing spring coming.
(5) Luo Yin's "Snow": "I have said that the year of good fortune, but what is the matter with the year of good fortune? There are poor people in Chang'an, and it is not appropriate to do much for the Rui! [Appreciation] The snow is a sign of a good year, but for the poor people, it is a disaster.
8. The moon to express the intention of the poemThe moon's aliases: toad palace, jade disk, silver hook, Cindy, Guigong; "jade disk", "jade wheel", "jade ring", "Jade Hook", "Jade Bow", "Jade Mirror", "Heavenly Mirror", " mirror", "Jade Rabbit", "Chang'e", "Toad";
In ancient Chinese poetry, the moon is commonly used to accentuate the feelings of the Generally speaking, the moon in ancient poetry is synonymous with homesickness. Li Bai's "Silent Night Thoughts": "The bright moonlight in front of the bed is suspected to be frost on the ground, raising my head to look at the bright moon, and lowering my head to think of my hometown." This poem shows Li Bai's homesickness. The moon in the poem is no longer a purely objective object, but an image that has been imbued with the poet's feelings. Wang Jian of the Tang Dynasty wrote "Sending Du Langzhong on the Fifteenth Night": "Tonight the moon is bright and people are all looking forward to it, I don't know whose home the thoughts of autumn have fallen on." The poem with a euphemistic question points out this full moon night on earth universal nostalgia, implicitly expressed the poet's deep longing for his hometown friends.
In addition, the moon also has the following imagery (1) the bright moon contains the sadness of the border.
Such as: "back to the music beacon before the sand like snow, the moon outside the city of the surrender as frost" of the sadness and grief; "the moon in the Qin Dynasty, Han Dynasty customs, ten thousand miles of the long march people have not yet" of the sadness and majesty. (2) The bright moon contains the emotion of helplessness.
For example, Xie Zhuang's prayer and blessing; Zhang Jiuling's prayer and blessing; and Zhang Jiuling's prayer and blessing. The prayers and blessings; Zhang Jiuling "the bright moon at sea, the end of the world **** this time." The hope and longing of Zhang Jiuling. (3) The bright moon implies the eternity of space and time.
"The ancients and modern people are like flowing water, *** look at the bright moon are so." The looting of life by time and the helplessness of life in front of time are expressed to the fullest.