There are three types of Chama performance in Horqin area: one is Chama in the sutra hall. Performers two to four people, chanting sutra in the hall, mainly through gestures to the Buddha for the merits of the salute. The second is Mira Chama. In the square in front of the temple called the stage performance. Characters are Mira, black and white old man, dog, deer (all played by people), etc., in the form of speaking, singing, dancing, music, celebrating the Mira leave home and abandon their careers, bitter practice, traveling around, spreading the Buddha's teachings, and ultimately achieve the right results of the story. Third, the square Chama. Performed in the square in front of the Maharishi Temple. Numerous characters, fixed program, standardized action, the strongest dance, more common circulation. In the Chama show, those who appear collectively referred to as the protector of the gods. Protector of the gods are divided into large Chama (the main god), small Chama (converted to God) two categories. Chama generally consists of 13-15 dance passages. All belong to the big Chama, are in the form of a single dance to perform an independent dance; there is also a god as many gods, according to the east and west, south, north and south at the same time dance. The small chamas mostly appear in the form of a four-person dance; they can also accompany the main god as attendants when he dances. Relatively speaking, the dance of the big Chama's movements calm and rugged, transcendent, hands and feet are very stylized, reflecting the strong religious connotations and the character of the ideological and emotional; the small Chama is flexible, fast-paced, unconstrained form, less God's authority, there is a very strong rhythmic nature. Some of the larger temple, in order to facilitate the inheritance, but also similar characters to standardize the action, to determine the name.
Fifth, horqin "Bo" dance. "Bo", is a shamanism in the sorcerer, researchers call "shaman". Mongolians call themselves Bo. The religious rituals performed by Bo are called Bo. Bo dance is the dance performed by Bo. Bo religion once for the Mongolian people for a long time, but since the introduction of Tibetan Buddhism is declining, only a small number of remnants, mainly circulating in horqin grasslands. Bo dance preserved more complete is Xing'an League and Tongliao City. Bo dance as an ancient art form, due to its own rich connotation and its artistry and entertainment, not only still have a certain vitality, but also has a high research value. The line of Bo in the Horqin area is mainly used for rituals to seek blessings and exorcisms to cure diseases. The main feature of the performance is the singing and dancing to serve the gods and to cure diseases and drive away demons.
Kerqin region of the Bo dance action is basically the same, but the style is different, some simple and majestic, some elegant and beautiful, some soft and strong, some funny and humorous, some soothing and delicate, some elegant and bright. Individual female Bo dance, the dance is more delicate and soft, distinctive charm. Bo dance also has its *** with the same characteristics, that is, they are in the line of Bo Bo shall wear a heavy copper five Buddha crown, waist tie nine round copper mirror, dressed in law skirt, law suit, etc.; line Bo process to make trembling legs, twisting, rotating, jumping and other movements, and can be drums, whip, mirror, sword, knife, etc. use of ease. Rough, fiery, crazy passionate performance is the unique style of horqin Bo dance.
All in all, Mongolian dance has been famous for a long time, and we have to dance when we are happy. The most distinctive feature of the Mongolian dance is the fast rhythm, the dance step is light, in a wave, a whip, a jump between the Mongolian people overflowing with simplicity, enthusiasm, bravery, rough and tough, showing their cheerful and open-minded character and bold and heroic temperament, with a strong national character. Mongolian dance has an inseparable relationship with wine. In folklore, almost any wine must be accompanied by song and dance, and any song and dance must be accompanied by wine. It is not too much to say that the Mongolian people are a nation of song and dance.
Saerden is the most important folk dance of the Mongols in Xinjiang, which is widely circulated in the areas where the Mongols live and loved by the people. Xinjiang Mongolian men and women, young and old, almost everyone will jump Saerdan. Sa'urdun is both the name of the Xinjiang Mongolian folk dance and song and dance song, but also the folk dance of the general term. Saerden often in the festivals, men and women married, welcome guests to send guests to the family feast and other recreational activities jump. Activity site, the number of people is not limited, generally in the felt room and felt room near the grass. Sagurdan is divided into unarmed jumping, jumping with a tool, singing and dancing jumping and singing and dancing jumping in several forms, also known as Topsyul music and dance. Bharat Mongolia with Mongolian folk dance known as the Bay. Beile, Chinese means the body's rhythm. Live in the Xinjiang Uygur Autonomous Region and Inner Mongolia Autonomous Region Alxa League of Bharat Mongolia four tribes: Junggar, Taolhu, Durbeit, and Shuket, each tribe has an extremely rich folk dance, they have an ancient two-stringed plucked instrument called the Tophuuer, according to the custom of Bharat Mongolia, the Tophuuer will be accompanied by a sound of Bei Baiyil, Bei Baiyil must be carried out in the sound of the Tophuuer. music, therefore, Bharat Mongolian folk dance is also known as Topshur music and dance. The more complete preserved music of Topshur has 12-17 songs, each song has its own name and different actions and jumping methods, such as Black Jima, Yuk old man, slow withdrawal of Bourdon, etc. Batla Mongolian folk dance reflects the life of the content of the performance of labor, such as shearing, felt, milking, etc.; there are performance of daily life, such as combing, mirror, wearing headdresses, etc.; there are imitation of birds and animals, such as eagles, goats running, jumping, and other things. There are imitations of birds and animals, such as eagles, goats, horses, camels, etc. There are simulations of natural scenery, such as water waves, water waves, grass waves, etc. The forms are divided into unarmed and props. Formally divided into unarmed and with props 2 kinds of props with the top bowl and hands holding a pair of chopsticks jump. Hand holding Topsy turvy jumping while bouncing, its action in addition to the hard shoulder, shrug, turn around in addition to the bounce Topsy turvy dance and action. Jumping method has Daler Lehn Beile (beckoning style, refers to the pressure wrist action), Odelehn Beile (winding jump, refers to the arm action), Acha Beile (support heavy and jumping, nail with legs to hold the waist of B, B support A, the two face-to-face jumping), the whole dance throughout the around around the rhythm to double Teng slightly trembling, the typical action: hard shoulders, shrugs, pressure to raise the wrists, shaking hands, around the arm, in the 2 people, 3 people and more than one person to the dance in the action improvisation can be a thousand. In the two, three and more people in the dance improvisation in the action can be a thousand variations.
The Circle Dance is a Mongolian folk dance. It consists of several movements, such as the alternating footsteps, the bold and unrestrained jumping step, and the bright and elegant running and jumping step of the lower body or the side body. The upper body movements include shaking hands, holding hands with people behind the back, holding hands with people, and dancing in a circle, which is why people usually call Buryat folk dance a circle dance. The slow dance is lyrical and soft, and the fast dance is cheerful and agile, with strong jumping. The folk style is simple, with ancient colors, warm and exuberant feelings.