Zhou Libo was born on April 22, 1967, and entered the Shanghai Comic Troupe in 1981 under the tutelage of Zhou Bochun, a veteran of Shanghai's opera and comedy scene. Zhou Libo became famous at the end of the 80's. His performance style is unique, combining the cold-faced comedy of all schools of thought into one, without losing the humanistic talent of flirting and mockery. Over the years, Zhou has gone to sea, through business and abroad to expand his self-imposed limitations, but he has always been attached to the performing arts. He said in an interview, my life accumulation over the years, social experience has been prompting me to look for a brand new, can express the breakthrough point of the modern Haiku performing arts culture, the opportunity arrives, I will be back on the stage. Sure enough, at the end of 2008, Zhou Libo created the Haikai Qingkou "Laughing Kan Thirty Years", "Laughing Kan Shanghai" caused a strong sensation in Shanghai, and it was hard to get a ticket. Its art form is the original Haikai Chingkou (as distinct from the meaty mouth that relies on pornographic jokes), in which one person, a cue clip, and a chair perform for two hours in a Shanghainese stand-up comedy format.
In 1990, 23-year-old Zhou Libo was sentenced to jail for accidentally injuring his girlfriend's father, who was vehemently opposed to his relationship at the time, and was forced to leave the stage, causing a wave of regret in the comedy world.......
Talking about the "accident" that almost upended his artistic career Today, we still take care of our father-in-law." And Mrs. Zhou Libo has no regrets about her choice: "Zhou Libo is talented and responsible, and the past is all just a misunderstanding."
Over the years, Zhou Libo has been to the sea, out of the country, but he has always been the heart of the stage art. In the predecessor Wang Rugang, Yan Shunkai, as well as close friends Guan Dongtian, Sun Xu Chun and other encouragement, he finally once again drummed up the courage to go on stage. Zhou Libo, known as "Shanghai's Living Treasure", has not been on stage for more than a decade, but his style has not diminished. He told reporters that over the years, although he did not have the opportunity to stand on the stage to perform for the audience, but the sense of humor in his bones can not be suppressed.
He has participated in the long-running TV sitcom "More Trouble at Home", playing the eldest son of the Zhou family, and cooperated with Lv Liang and other people, and had wonderful performances
Major performances:
2006-2007 "Haipai Chingkou" (Lanxin Theatre)
Late 2008 - Early 2009 "Laughing at the 30th Year" (Maggie's Grand Theatre)
Late 2008 - Early 2009 "Laughing at the 30th Year" ( Maggie's Theatre)
May 2009 - Today "Laughing at Shanghai" (Maggie's Theatre)
What to watch in Zhou Libo's performance
Wearing a parted hair, a decent suit, and a couple of bottles of mineral water, Zhou Libo, without any change of clothes or breaks, is a single person, with a single mouth, and a single cue-clip to support a Haiku style of Qingkou performance. His monologue, both traditional gags, more fashionable jokes; both stand-up comedy, but also talent shows and text message interaction. He talks about love, marriage, family, career and wealth, often interspersing unbelievable gags in an unintentional way, and incorporating his own life lessons into his chats with the audience. After the death of comedian Zhou Bochun, he gave audiences a taste of the master with his realistic impersonations. In the wake of the stock market crash and the subprime mortgage crisis, he has launched a special financial program called "I am crazy about money".
Zhou Libo frankly said that his original creation of both the shadow of the commentary, sketches, but also stand-up comedy, one-legged play improvisation live mouth features. Like "laughing Kan 30 years" due to the "new weapons" multimedia accession, the former grass-green military uniform, bell-bottom pants, explosive head, the Shanghai Telecom Museum to find the old pay phone and brick big brother, "car family" treasured bicycle tickets and so on. The precious old objects such as the bicycle tickets treasured by the "car people" are all reproduced one by one on the stage. He proudly said, "I just want to let more audiences feel the charm of the art of slapstick, and correct the misleading tendency of some peers to mistake vulgarity for pro-people."
Guan Dongtian, artistic director of Zhou Libo's special show, believes that the theater stage has always been more serious faces, but Zhou Libo's stuff is very lighthearted, "a lot of very commonplace things, like a rare meal as a child of doughnuts, oil duns, Cream of Wheat, said out of his mouth are very funny, and can speak to the hearts of others, causing everyone's **** song. " Guan Dongtian, a famous Peking Opera actor, told the media that they had done statistics that there were more than 500 laughs and about 200 applauses in a performance.
Zhou Libo's killer feature is his "narrow-mindedness," the same badass look he wore when he rose to fame 20 years ago, and his ability to amuse the audience with just a few words. His gimmick is unique, the performance is also Zhuang also harmonious, educational and entertaining, the line is full of sea thinking and rich imagination, such as "last year, the stock market is the brain congestion, congestion hair hair, on the paraplegia"; "this 30 years, 2 wheels less, 4 wheels more, the original ride on the taxi is a large, and now The original taxi is a big tenant, now the taxi counts as a retailer". ...... In the roll of his lips, in the various anecdotes close to the times, the audience was nostalgic and sensible. Experts praised: "The gags, full of laughter but containing philosophy everywhere, are no longer the small-city antics of yesteryear, but have entered the realm of the great antics that both suit the old Shanghainese and convince the new Shanghainese."
Classic Line:
You must tolerate my ignorance as you tolerate your leaders. I don't mean that a leader is necessarily ignorant, but ignorant is basically a leader.
You will offend your friends and leaders by telling the truth, and you will offend yourself by telling lies.
A person must have the concept of law, to know how they protect themselves, of course you know the law after you do not break the law, that is a waste.
There is another 、、、、
Zhou Libo (1908-1979), formerly known as Zhou Shaoyi, the word Fengxiang, also known as Zhou Fengwu. Zhou Lipo was born on August 9, 1908 in Qingxi Village, Dengshiqiao, Yiyang County (present-day Heshan District), Hunan Province (he once wrote a poem about his hometown: "There is no Qingxi in Qingxi, and the grass on the Tiancheng Road is bleak. In the fall of 1924, he was admitted to Changsha Provincial High School No. 1, where he was educated under the influence of his teachers, Wang Jifan and Xu Telli, and pursued progressive thinking and loved new literature. After the failure of the First Revolution, he dropped out of school and returned to the county to teach at the elementary school, and in the spring of 1928, he went to Shanghai with Zhou Qiying (Zhou Yang), and then enrolled in the Department of Economics of the Jiangwan Labor University, where he took part in the activities of the Revolutionary Mutual Aid Society, and was expelled from the school in the spring of 1930 because of the distribution of pamphlets. He was expelled from the university in the spring of 1930 for distributing pamphlets. Soon after, he returned to his hometown and began to engage in literary writing and translation. In 1931, after the September 18th Incident, he worked as a proofreader for the Shanghai Shenzhou Guoguang Society, and was arrested and imprisoned in 1932 for participating in a workers' strike, and in July 1934, he was released on bail. In July 1934, he was released on bail and joined the Chinese Leftist Writers' Union in Shanghai, and in January 1935, he joined the Chinese ****anist Party. He was in charge of editing the secret journal of the Left League, served as a member of the party caucus of the C*** Left League, and was the editor of Weekly Literature, a supplement of Current Affairs New Daily. He was actively engaged in the left-wing literary movement, and translated The Reclaimed Virgin Land, Secret China, and nearly a million words in translation. Zhou Lipo's work cover
In 1937, after the outbreak of the Anti-Japanese War, he went to the front headquarters of the Eighth Route Army in North China and the Jinchaji Border Region to participate in the Anti-Japanese War, working as a war correspondent, and writing a collection of reportage and essays.In the winter of 1938, he went to Yuanling, Hunan Province to take part in the work of the underground party leadership and participated in the editing of the Anti-War Daily, and in May 1939 he was transferred to Guilin by Zhou Enlai to serve as the editor of Salvation Daily and editor of Chinese National Literature Daily, and as editor of China National Literature Daily. In May 1939, he was transferred to Guilin by Zhou Enlai, where he served as editor of the Salvation Daily and preparatory committee member of the Guilin branch of the China National Literary and Artistic Association Against the Enemy. In December of the same year, he arrived in Yan'an and became the director of the compilation department and instructor of the literature department of the Luxun Academy of Arts and Letters, and was elected as an executive member of the Shaanxi-Gansu-Ningxia Border Region Cultural Society of Salvation and a director of the Yan'an branch of the All-China Literary and Artistic Society of Resistance against the Enemy. 1942, he participated in the Yan'an Literary and Artistic Symposium, and became the vice minister of the deputy publication department of the Jiefang Daily and chief editor of the Literary and Artistic Supplement in 1944. In the winter of the same year, he became the secretary of the headquarters of the first detachment of the Eighth Route Army, and accompanied the army on its southward expedition. In 1945, after the surrender of the Japanese invading forces, he became deputy director of the Central Plains Military Region's "July 7 Daily" and "Central Plains Daily". 1946, he was transferred to the northeast, where he successively served as a propaganda committee member of the Central *** District Party Committee and director of the propaganda office of the Songjiang Provincial Party Committee, taking part in the agrarian reform movement and editing the Songjiang Peasant's Newspaper. 1947 saw the beginning of the creation of his most important work, "Stormy Weather", and in 1948, he was transferred to the Northeastern Literary Association to serve as editor-in-chief of "Literary Front". Literary Front" in 1948, and in July 1949 he was elected as a member of the All-China Federation of Literature and the National Literature Association. After the founding of the People's Republic of China, he served as the director of the Research Office of the Lu Xun Art Institute in Shenyang, the head of the Editorial Office of the Ministry of Culture of the State Council, the chairman of the Hunan Provincial Federation of Literature and the secretary of the Party Group of the C***, etc., and he was elected as a deputy to the first, second, and third National People's Congresses, and a member of the Fifth National Committee of the Chinese People's Political Consultative Conference. He is also the editorial board member of People's Literature and editor-in-chief of Hunan Literature. Zhou Libo's work cover
His long novel "Stormy Weather" and the film "Liberated China", which he participated in scriptwriting and shooting, have won the Stalin Prize for Literature, and "Night on the Xiangjiang River" has won the first prize for the national short story; Zhou Libo is also an outstanding socialist writer of vernacular literature; from 1955 to 1965, he went back to his hometown to write his long novel "Huge Changes in the Hills and Countryside" and more than 20 short vernacular novels, which created a new socialist socialist culture. From 1955 to 1965, he wrote a long novel "Great Changes in the Hill Country" and more than 20 short stories about the countryside, which created a new theme and style of vernacular literature, and he and Zhao Shuli, a famous writer in the same period, enjoyed the reputation of "South Zhou and North Zhao". On September 25, 1979, Comrade Zhou Libo passed away in Beijing due to illness; he published "Zhou Libo Short Stories", "Zhou Libo Essays", "Zhou Libo Selected Works", "Libo Anthology", etc.; Comrade Zhou Libo, in more than forty years of revolutionary literature, set a writer, a scholar and a warrior in one body, and in his whole life*** he created more than three million words of writings, and the works he created are profound in thought and enjoyable for the masses of the people; He recorded the social progress after the founding of New China in a sincere tone, with a distinctive sense of the times.
Editing Main Writings
The Stormy Weather
The Stormy Weather is a classic work reflecting land reform alongside Ding Ling's The Sun Shines on the Sanggan River. The story is about a village called Yuanmautun on the banks of the Songhua River in the northeastern region as the background, depicting the revolutionary struggle of land reform in this new layout
The revolutionary struggle is magnificent, showing the readers the radical changes that have taken place in China's countryside by breaking through the constraints of thousands of years of feudal relations of production, and enthusiastically praising the revolutionary spirit of China's peasants who have broken through the feudal nets and run swiftly towards the path to liberation under the leadership of the ****nationalist party. In 1948, he finished the novel "Stormy Weather", which won the third prize of the 1951 Stalin Prize for Literature. The main characters of the work are Zhao Yulin, Guo Quanhai, and Lao Suntou. The novel depicts the whole process of land reform from 1946 to 1947 in a village called Yuanmautun in the Northeast. The book is divided into two parts. The first part, with Zhao Yulin as the central character, shows the struggle of the farmers in Yuanmao Tun against the evil landlord Han Laoliu, and ends with Zhao Yulin's heroic death in a bandit raid. The second part is about a year later when Captain Xiao leads a task force to re-enter Yuanmao Tun and reverse the unfavorable situation that has recurred. The main character is Guo Quanhai, who leads the peasants to continue the unfinished business of Zhao Yulin and others, to carry on the hoeing of traitors and anti-Special Forces and the struggle against the landlord Du Shanren, and finally consolidates the fruits of the victory and takes the lead in joining the People's Liberation Army and fighting in the south. On a broad background, the novel profoundly expresses the real face of the great land reform movement in the countryside of the vast liberated areas during the liberation war, enthusiastically glorifies the revolutionary struggle of the peasants who rose up to overthrow feudalism under the leadership of the Party, and thus tells readers that the land reform not only uprooted thousands of years of feudalism, overthrew the landowning class, and annihilated feudal land ownership, but also changed the class relations and social landscape of the countryside, which is the most important part of the liberation war. The land reform not only uprooted thousands of years of feudalism, overthrew the rule of the landlord class, destroyed the feudal land ownership system, and changed the class relations and social outlook in the countryside, but also powerfully inspired the class consciousness of peasants of all classes and changed the spiritual outlook of the peasants, and some of the advanced peasants became proletarian revolutionary fighters, and the Chinese peasants, under the leadership of the ****-producing party, broke through the feudal net, and were running rapidly towards the road to liberation.
"Huge Changes in the Hills and Villages"
"Huge Changes in the Hills and Villages" (Serial)
"Huge Changes in the Hills and Villages" can be said to be the sequel to "Stormy Weather," although one is written about land reforms in the Northeast region, while the other is about the agricultural cooperative movement in the Hunan hills and villages -- two of the most significant changes in rural China. "Stormy Weather". The novel focuses on an in-depth portrayal of a secluded mountain township, in which the cooperative agricultural movement caused unusually deep and wide-ranging changes - the economic foundation of private ownership that had been in place for several millennia, ancient social customs, family life, and human relations were overturned by the roots in a short period of time. With delicate self-criticism, the author portrays several revolutionary cadres and peasants with an affectionate townsman's air, among which Deng Xiumei, Li Yuehui, Chen Zaichun and Sheng Yuting have their own distinctive personalities and traits, which leave a deep impression on people. The famous serialist He Youzhi created a comic strip of the same name based on this novel, which is also called a classic.