What plays did Lao She write?

Laoshe wrote the plays are "The Remnant Fog", "Square Pearls", "The Problem of Face", "Longshougou", "Spring and Autumn", "Youth Commando", "Drama Collection", "Willow Tree Well", "Shopgirls", "The Family Portrait", "Teahouse", "The Unknown Heights have a name", "The Crescent Moon", "My Whole Life", "Sakurakai Collection", "Clam Algae", "Train", and "Anemia" Deng.

1, "Longshougou" 3-act play is one of Lao She's masterpieces. The play was completed in 1950 and premiered in February 1951 by the Beijing People's Art Theater, directed by Jiao Juyin.

Longsugou is an ode to the new socialist China. It reflects the different destinies of the Chinese people before and after the liberation of China through the story of the protagonist, Cheng Maniac, who was transformed from an artiste to a "madman" in the old society, and then from a "madman" to an artiste after the liberation of China, and their support for the Party and the government. The story reflects the different destinies of the Chinese people before and after the liberation, as well as their support and love for the Party and the government.

The play depicts the different encounters of four families in a small courtyard in Beijing in the midst of social change, showing the dramatic changes between the old and new eras. The play portrays various characters such as Crazy Cheng, Wang Da-ma, Niang Zi and Ding Si Sister-in-law.

2. "Looking West at Chang'an" is a four-act play written by Mr. Lao She. The play "Looking West at Chang'an" is written about this big scam and its revelation. On the stage as in life, each of us should learn a lesson from this incident.

3. "The Teahouse" is a play written by the modern literary scholar Lao She in 1956 and published in July 1957 in the inaugural issue of Harvest magazine, which was edited by Bajin, and in June 1958 it was published in a single volume by the China Drama Publishing House.

The play shows the social changes in the past half century during the three eras of the Hundred Days' Reform, the Warlords' War and the eve of the founding of New China. Through a teahouse called Yutai, it reveals the darkness and corruption of the Chinese society in the past half century, the strange and the strange, as well as the many people in this society.

4, "The Remnant Fog" was written in 1939, Lao She 4-act play is based on the social reality of Chongqing, the play of the Secretary of the Wash on the one hand, shouting the war, the moral appearance, on the other hand, greedy for money, sex, power, he not only use his position to play with women, but also collusion with the traitors, for which to steal information, and later failed to be captured, so that he is behind bars.

He had no choice but to confess to the female traitor, and at this time the woman of God, but openly to a government dignitary's home to go to a banquet. Lao She's comedy, intended to brush away the "fog" shrouding the situation of the war, the irony of the sharp edge of the corrupt rule. In November 1939, the play was premiered in Chongqing by the Hurl Troupe, with its distinctive characters and lively, playful language.

5. "Who Came to Chongqing First "*** In four acts, the main character, Wu Fengming, helps his brother, Feng Yu, to escape from the fallen area of Peking to participate in the war in Chongqing, while he himself stays in Peking to assassinate Japanese officers and traitors, and is finally martyred in his own country. Before his sacrifice, he said, "It is still me who arrived in Chongqing first." Here, Chongqing has become the center of the resistance war and a symbol of the spirit. A heart first to Chongqing is to dedicate oneself to the war of resistance.