Era: Song Author: Xin Qiji
The young man does not know the taste of sadness,
love to go up to the upper floors, love to go up to the upper floors,
for the sake of assigning new words to speak of sadness.
And now I know the taste of sadness,
I want to talk about it, I want to talk about it,
but I say it's a cool autumn.
This is a poem made by Xin Qiji when he was removed from his post and was living in Belt Lake. During his stay in Belt Lake, he traveled around the Boshan Road, but he did not have the heart to enjoy the local scenery. Seeing that the state affairs were deteriorating and he could do nothing about it, he could not get rid of his sadness, so he inscribed this poem on a wall of Boshan Road. In this song, the author used the contrasting techniques, highlighting the rendering of a "sad" word, as a thread through the whole piece, the feelings of the true rate and euphemistic, shallow words, deep meaning, people enjoy endless.
The first part of the word focuses on recalling the youthful days when he was unaware of his sorrows. In his youth, he was in the prime of life, not y involved in the world, optimistic and self-confident, and lacked a real experience of the "sorrow" that people often talk about. The first sentence "young people do not know the taste of sorrow" is the core of the last piece. As we know, Xin Qiji grew up in the fallen area of the Central Plains. In his teenage years, he not only experienced the suffering of the people and saw the cruelty of the Jin people, but also inspired by the spirit of the northern people's heroic struggle against the Jin Dynasty. He not only has the courage and skill to fight against the Jin Dynasty and restore the country, but also believes that the Central Plains can be recovered, and the Jin invaders can also be driven out. Therefore, he did not know what is "sorrow", in order to follow the previous generation of writers, express a little so-called "sorrow", he is "love on the floor", no sorrow to find sorrow. The author even used two "love on the floor", the use of this stacked sentence, avoiding the general general description, but a powerful bring up the following. The first "love the upper floors" forms a causal compound sentence with the first sentence, meaning that the author didn't know what sorrow was when he was young, so he liked to climb the stairs to enjoy the scenery. After a "love on the upper floors", and with the following "for the endowment of new words strong sadness" to form a cause and effect relationship, that is, because of the love of tall buildings and triggered the poetry, in the case of "do not know the taste of sadness", but also to force some "sadness". I have to say something like "sadness" even though I don't know the taste of sadness at that time. The use of this phrase links the two different levels, and the idea of "not knowing sorrow" is expressed in the first part of the poem.
The second part of the poem focuses on the fact that he is now aware of his sorrows. The author pays attention to the contrast with the previous piece, showing that as he grows older and deepens his experience in the world, he has a real experience of the word "sorrow". The author with the volunteer to sacrifice his life to the country defected to the Southern Song Dynasty, and wanted to work with the Southern Song regime, *** build the restoration of the great cause. Who knows, the Southern Song regime to him at his beck and call, come and go, he is not only no door to the country, but also fell into the situation of being cut idle, "a cavity of loyalty and anger, nowhere to vent", the heart of the sadness of the pain can be imagined. "And now know all the sadness", here the word "all", is extremely generalized, it contains the author of many complex feelings, thus completing the whole piece of lyrics in the thought and feeling of a big turnaround. Next, the author uses two sentences "want to say yet to rest", still in the form of superimposed sentences, and also echoes with the previous piece in terms of structure and usage. These two phrases "wanting to say yet to rest" contain two different meanings. The first sentence immediately following the previous sentence of the word "exhaustion", people in real life, happiness, anger, sadness and happiness and other emotions are often the opposite of each other, extremely happy to submerge in sadness, deep sadness turned into self-mockery. The author used to have no sorrow and hard to say sorrow, but now the sorrow to the extreme and have nothing to say. The latter "wanting to talk about it" is immediately following. Because, the author's sorrow is not a personal parting feeling, but the sorrow of the country and the time. At that time, the surrendered faction of the situation, expressing this kind of sadness is a taboo, so the author here is not convenient to say, only to say the weather, "the sky is cooler, a good autumn". This ending seems to be light on the surface, but it is very subtle, fully expresses the author's "sadness" of the deep and broad.
Xin Qiji's lyrics, through the "young", "now", no sorrow, sorrow contrast, showing his suppression and exclusion, the pain of no way to serve the country, is the ruling group of the Southern Song Dynasty of irony and dissatisfaction. In terms of artistic techniques, "young" is the guest, "and now" is the main, to the past against the present, to have to write no, to write no, writing techniques are also very clever, highlighting the sadness of today's deep sadness, have a strong artistic effect.
Xia Chengtao, "Appreciation of Tang and Song Dynasty Words": although the appearance of his words is euphemistic, but the bones are contained in the melancholy, dull
dissatisfaction.
Deep feelings expressed in plain language are sometimes more intriguing.
Zhang Bibo's "Selected Words of Xin Qiji": this song is written in a euphemistic manner, with a distinctive style.
Nanxiangzi
Era: Song Dynasty Author: Huang Tingjian
The generals said that they were feudal lords, and the piccolo sang a long song and leaned on the building alone.
All things go with the wind and the rain.
Prompting the wine, do not delay to stay, the taste of wine this autumn like the last autumn.
Flower to the old man's head smile, shy, white hairpin flowers do not solve the sadness.
This is one of the author's last words. In the words, he expressed his deep and infinite feelings about the storms and difficulties he had experienced in his life, and he despised fame and wealth, and expressed his feelings of indulgence in wine and decadence, laughing and being proud of the world.
The first two lines of the word depict a set of opposing images: all the generals are talking eloquently, discussing the success of the feudal lords, while they are quietly independent, and the sound of the flute, leaning against the building long song. The contrast is so sharp that it has the meaning of "all the world is muddy and I am only clear, and all the people are drunk and I am only awake" (Chu Rhetoric - Fisherman's Father).
In feudal society, the feudal lords and nobles have always been the goal of life, but in the eyes of the author, all this is just a dream, so he is only on the side of the cold-eyed observer, intoxicated in the music. This group of contrast with the contrasting tones to depict, for each other, highlighting the image of the words of the lonely and upright. With the sound of the flute and the song, the lyric brings us into a long and far-reaching mood, and the transcendent feelings are contained in the unspoken words, which has its own kind of rhyme, flavor and purpose. The famous line in the poem "Chang'an Autumn Watch" by Zhao Longevity of Tang Dynasty, "the few remaining stars and geese crossing the plug, the long flute leaning on the building", cuts right into the meaning of this word to write about the 9th day of the 9th lunar month to climb the mountain and look away.
"All things go with the wind and rain," he said. All the right and wrong, the rise and fall of honor and disgrace, all submerged in the waves of the passage of time. "Hugh Hugh", forget it, what else is there to say! Even like the Song Wu Emperor Liu Yu in Pengcheng play horse platform feast feast Chongyang event, also become a historical relics and never come back. With the "play horse platform" of the canon is cut Chongyang feast of the title, and "Jin Luotou", with Baozhao "Jieke Junior field line" "buckskin horse Jin Luotou, brocade belt wear Wu Hooks", both cut the play horse platform of the horse, but also It is also a reference to the "generals" who are said to be the lords at the beginning of the poem. The author was influenced by the thought of the Buddha and the old man, and his outlook on life had a negative and futile side, which was revealed from time to time as he suffered from successive political blows. This is what is expressed here, but in a more subtle way.
The next piece then turned into a cheerful and optimistic. The lyricist raised his glass and urged him to drink: "Don't be late for the wine, the taste of wine is like the last autumn" (a).
Let the past go by, or open up and drink, do not let down this great autumn and the cup of wine. To the vanity of fame, the lovely wine, from the Jin Zhang Han "so that I have the name behind me, not as good as a glass of wine instantly" (see "Shishu Xinyao - Shishu Xuan"). Ancient chanting the 9th day of the 9th moon, often from the wine and the yellow flowers, the author followed this method, but turned out a new idea. He uses anthropomorphic techniques to make fun of himself through the flowers. The lyricist, in his old age, puts a flower on his head, but the flower laughs at him for amusing himself with a flower pin at his age. The phrase is taken from two lines of Su Shi's poem: "An old man is not ashamed to put flowers on his hairpin, but the flowers should be ashamed of the old man's head." ("Appreciating Peonies at the Jixiang Temple") The lyricist's love of life and his spirit of defying old age leaps off the page, and he does not feel depressed because of the adversity of his situation and the increase in his age; on the contrary, he feels that the autumn light and the fine wine are not different from those of last year, and he displays a cheerful and broad-minded mind.
The compositional method of this poem is "poetry as words", which reflects the characteristics of poetry from the words and phrases to the mood and tone. The poem is not rendered with the help of scenery, but directly expresses the feelings of the heart, and the style is bold and bold with a craggy and healthy.
Raccoon Brook Sand
Era: Song Author: Yanshu
One cup of wine for a new song,
Old pavilion in last year's weather,
When will I return to the setting sun?
There is nothing I can do about the flowers,
It's déjà vu, the return of the swallows.
This is the first time I've ever seen a woman in a house that was not her own.
This word contains the meaning of sad spring and cherish the time, but it is really a feeling of emotion.
The upper part of the word "ò" is a combination of the past and present, superimposed on the time and space, focusing on thinking about the past; the lower part of the word is cleverly borrowed in front of the scene, focusing on writing today's sadness. The whole word language round turn fluent, vulgar and fluent, clear and natural, deep meaning, enlightenment, intriguing. The deep thoughts on the universe and life in the words give people philosophical enlightenment and artistic enjoyment.
The first line is "A cup of wine for a new song, the old pavilion in last year's weather". The first line is "A new song and a cup of wine, the old pavilion in last year's weather". From the overlapping and intricate sentences and the light and fluent tone, we can sense that the lyricist, when facing the present situation, started with a relaxed and joyful feeling, and with a dashing and leisurely attitude. But while listening and drinking, this present situation triggers the memory of the similar situation experienced in "last year" unexpectedly: it is also the same twilight spring weather as this year, facing the same pavilion and the same pavilion, the same songs and wines in front of her. However, under the appearance that everything seems to remain the same, he clearly feels that something has changed irreversibly, which is the passing years and a series of personnel related to it. So the lyricist could not help but sigh from the bottom of his heart: "When will the sun set in the west?" The setting sun is a prospect for the eyes. But what the lyricist triggers from this is the lingering on the beautiful scenery and affairs, the disappointment on the time passing, and the faint hope on the reappearance of the beautiful things. This is the scene of feeling, but the feeling is actually not limited to the immediate situation, but extends to the whole life, which not only has a sensual activity, but also contains a certain philosophical contemplation. The sun is setting, can not be stopped, can only hope that it will rise again, and the passage of time, the change of personnel, but can never be repeated.
"There is nothing I can do to stop the flowers from falling, and the swallows from returning." The first line of the work of skillful and complete, fluent and implicit, in the use of false words to form a neat pairing, singing sighs to convey the spirit of the lyricist's ingenuity and deep feelings, but also the reason for the fame of this lyric. But what is more interesting is the implication of this line.
The fading of flowers, the passing of spring, and the passage of time are all irresistible laws of nature, and it is useless to lament and linger over them, which is why it is said that there is nothing we can do about it, and this sentence carries on with the phrase "the setting sun goes down in the west"; however, in the twilight of the spring, it is not only the hopelessness that is felt, it is also the feeling of the "sunset". However, in this twilight spring weather, what we feel is not only the inexorable decline and disappearance, but also the gratifying reappearance. The returning swallows are just like the old acquaintances who had made their nests here last year, aren't they? This sentence should be on the "when to return". Although the flowers fall and the swallows return is also the prospect of the eye, but once linked with "no alternative" and "déjà vu", their connotation becomes very broad, with the symbolism of beautiful things. In the interweaving of regret and relief, there is a certain philosophy of life: all the good things that are bound to fade can not be prevented from fading away, but at the same time there are still good things to reappear, life will not fade away and become nothingness. But this reappearance is not the same as the original reappearance of the good things after all, it is just "déjà vu".
The fundamental reason for the popularity and popularity of this poem is that there is a thought in the sentiment. It seems to be an unintentional depiction of a commonplace phenomenon, but it has a philosophical meaning that inspires people to think about the universe and life from a higher level. In the lyrics, the idea of time being eternal and life being limited is expressed in a very subtle way.
Yang Shen's "The Pieces of Words": "There is nothing I can do about it" is a beautiful and natural encounter.
Zhuo Ren Yue, "Word Unification": easy to work in the real place, difficult to work in the virtual place, the law of the wonderful no two.
Shen Jifei, "Cao Tang Poetry": "There is nothing I can do to help the flowers fall away", the poetry is also handsome language, but since it is a section of the word of the sky, the poem can not be written.
Tang Guizhang, "A Brief Explanation of the Words of the Tang and Song Dynasties": This word is harmonious but not vulgar, and the euphemisms are not too weak. The whole thing is not filled with words of nostalgia, but with scenery to set off the feelings. The first three sentences, because of the present thinking of the past. The present scene, remember and the past is no different. Weather also, pavilion also, sunset also, all vaguely last year's scene. But last year's people, this year's people are nowhere to be seen, so the sudden touch of this scene, that is to cause a sense of separation.
"There is no" two sentences, the genus of the neat, the most known in the past. Covered both hurt flower fall, but also like swallows return, swallows return and people do not return, the end of the people depressed and unhappy. Small garden fragrant path, but only wandering alone. The aftertaste is very meaningful.
Partridge Sky in Xidu
Era: Song Dynasty Author: Zhu Dunru
I am the Qingdu Landscape Lang,
The sky is taught to share with the crazy.
I was once granted a coupon for the rain to support the clouds,
and I was tired of staying on the clouds to borrow the moon chapter.
Ten thousand volumes of poems, a thousand goblets of wine,
How many times have I looked at the king of Hou?
The Jade House and the Golden Que are going home,
and the plum blossoms are drunk in Luoyang.
This is the author's work after returning to Luoyang from the capital, so it is titled "Xidu Zuo ." It is a popular small order in the late Northern Song Dynasty, and was popular in Bianluo. In the lyric, the author takes himself as a landscaper who "sticks plum blossoms diagonally and looks down on the king of Hou", which has a deep meaning. According to the Song History - Literary Garden Biography, he was "high and pure in ambition and behavior, although he was a man of cloth but had the hope of the dynasty and the field", during the years of Jingkang, Emperor Qin Zong summoned him to the capital and wanted to grant him an official position in the academy, he resigned and said, "The nature of the elk is to be happy with idleness and leisure, and the title and salary is not what I wish for." After all, he returned to the mountains. This "Partridge Sky", can be said to be the representative work of his early words, but also the first half of his life attitude and ambition of the concentration of reflection.
The two words "sparse and crazy" are the purpose of this word. The character of the lyricist is so, the attitude of life is so, so this word which fully reveals his character and attitude of life, the artistic style is also so. "I am Qingdu Shanshui Lang!" The exit is the words of "sparing madness" "Qingdu" comes from "Liezi - King Mu of Zhou", "Qingdu Ziwei, Juntian Guangle, the emperor's residence ." That is, the legend of the emperor's palace is . "Shanshui Lang", as the name suggests, is the attendant officer in charge of famous mountains and rivers beside the Heavenly Emperor. Can be justified to enjoy the use of such a love to the nature of the beauty of the job, really is the "heavenly teachings to pay with the crazy"! The first piece of four sentences of twenty-eight words, from Tao Yuanming's so-called: "less suitable for vulgar rhyme, nature of the love of hills and mountains" ("return to the field garden residence" five of its first) a meaning. After Tao Yuanming, reclusive poets, landscape poets, each galloping talent, the famous chapter of meaningful words, even if not more than 10,000, should be counted by hundreds of thousands, but like Zhu Dunru such a romantic, surreal and marvelous idea is not common.
The second part of the word uses a unique writing style to shape for the readers another "exiled immortal" other than Li Bai. He is not even willing to return to the heavenly "Jade Tower and Golden Que", and how can he look squarely at the earthly princes and lords! From this, it is clearer and clearer to see that the above piece of clouds, rather than the yearning for the world of immortals, rather than recognized as the Jade Emperor's apathy. This is not difficult to understand, feeling the oppression of the human world, longing for heaven to seek spiritual liberation of the fool is certainly where many; and realize that the kingdom of heaven is nothing but a replica of the human world, do not want to spend a lot of effort, another place to be bound by the wise are not few. The lyricist is one of them. Where does he send his mind and body?
Beyond the foothills of the mountains and the water, there is only poetry and drunkenness. So there are "ten thousand poems, a thousand goblets of wine", and "and insert the plum blossom drunken Luoyang". The most popular flower in Luoyang is the peony.
Song Zhou Dunyi's "Love of Lotus" said, "Peony, the rich and noble of flowers." The lyricist's high ambition naturally refused to favor the peony, which has been highly praised since Tang Dynasty, and preferred the plum blossom, which is " a thousand forests without companions, and is blandly proud of the frost and snow" ("Nian Nujiao"). Huang Tate Yuan, a Qing dynasty scholar, said, "Xizhen has the most words about plums, and the nature of the words is also close to them." (Selected Words of Tate Yuan) ("Selected Words of Polygon Garden") "Therefore, the lyricist does not say "and insert peony drunk Luoyang", favoring the cloud "and insert plum blossom drunk Luoyang", covered with another trust.
The author chose the plum blossom to compare himself with its noble character. "High purity" and "crazy", one with one, one in a table, organically united in the words of the person. But its character "high purity", unwilling to collude with the secular society, there are all kinds of "madness".
This word embodies the lyricist despise the power and nobility, proudly look down on the king's landscape, read admirably. Whether from the content or artistic words, this word can be called Zhu words in a representative work, is a "talent far away", elegant and smooth small order. The whole word is elegant and harmonious, natural and smooth, and echoed before and after, chapter and verse. The first sentence of the first piece, "Heavenly teaching is lazy and slow with madness", and the next piece, "Ten thousand poems, a thousand goblets of wine, and a few times I have looked at the king of the marquis with my eyes" and "and inserted plum blossoms drunk in Luoyang", show the lyricist's dashing, free and The "Jade Tower and Golden Que" and "Drunken Luoyang with Plum Blossoms" show that the lyricist is dashing, wild and unorthodox, which corresponds to the "madness"; and "lazy and slow" corresponds to the "lazy and slow".
He Xinlang
Era: Song Author: Xin Qiji
The garden pavilion in the euphony, the servants are all for the endowment of this word. One day, sitting alone and stopping the clouds, the sound of the water and the color of the mountains competing to entertain each other. I want to Xishan want to aid the example of the person, so I made a few words, but a few as if Yuanming think of friends and relatives of the intention of the cloud.
Very much so, I am in decline!
Disappointed in his life, the friendships are scattered, only now remaining a few?
White hair hanging empty three thousand zhang, a smile of the world all things.
What can make you happy?
I see the green hills are very charming, I think the green hills should see me like this.
The feelings and the appearance are slightly similar.
It's a little bit like that, but it's a little bit like that.
I think Yuanming, stop cloud poetry, this time the flavor.
Jiangzuo, who is in search of fame, does not know the wonderful reason for the turbid mash!
Looking back, I called, the clouds flew and the wind rose.
I don't hate the ancients I don't see, I hate the ancients, I don't see my crazy ears.
The one who knows me, two or three sons.
As mentioned in the note to the word, Xin Qiji's poem "Hexinlang" is modeled after Tao Yuanming's "stopping the clouds" and "thinking of friends and relatives", which expresses the author's loneliness and bitterness when he was dismissed from his post and lived in idleness. According to Deng Guangming's "Notes on the Chronology of Jiaxuan's Lyrics", it was written around 1198, the fourth year of Emperor Ningzong's Qingyuan reign in the Song Dynasty. At this time, Xin Qiji was cast into idleness and dispersed for another four years. He built a new residence in Xinzhou Lead Mountain (now belongs to Jiangxi Province) in the east period of Sidu Lady Spring, which has a "stop cloud hall", that is, to take Tao Yuanming's "stop cloud" poem.
Xin Qiji's words, love to use allusions, unique in the Song lyrics. The first part of the lyric begins with "I'm in a state of decline. Disappointment in life and travel scattered, only now the remaining a few! That is to quote the allusion in the Analects of Confucius. In the Analects of Confucius, Confucius said, "I am very tired, and I have not dreamed of the Duke of Zhou for a long time." If Confucius lamented that his way was not working, then Xin Qiji quoted it to lament that his political ideals could not be realized. Xin Qiji was already fifty-nine years old when he wrote this word, and he had been banished for many years, and his old friends were scattered, so it was natural for him to make such a lament. Here, the phrase "only a few of them remain" is connected with the ending phrase "those who know me, two or three of them" to emphasize the word "sporadic". Then, "My gray hair hangs three thousand zhang in the air, and I smile at all things on earth. What can make you happy?". In a few words, Li Bai's "Song of Autumn Pool" alludes to "white hair hanging three thousand zhang" and "Shishu Xinyao - Favors and Rites" records Xi Chao and Xun Wang as "being able to make the public (referring to Huan Wen, the Grand Secretary of Jin) happy", describing how he had nothing to show for his life but nothing to achieve, and how he couldn't find a friend who could satisfy his heart, and writing about the relationship between the world and his current situation of decline. The relationship between the world and his own despondency at this time. The two lines of "I see the green hills more charming, I expect the green hills to see me should be like this" are a warning for the whole piece. Because there is nothing (in fact, no one) to be happy about, the lyricist can only pour his deep feelings into nature, and he not only feels that the green hills are "charming", but also feels that the green hills seem to be "charming" to the lyricist as well. This is the same artistic technique as Li Bai's "Sitting Alone in Jingting". In this technique, the feelings of the aesthetic subject are first wedged into the object, and then the image of the object colored with the subject's feelings is used to reveal the inner feelings of the aesthetic subject. In this way, it greatly strengthens the subject's consciousness in the work and is easy to infect the readers. In the following two sentences, the words "love and appearance are slightly similar" refer to the lyricist's feelings. In the following two sentences, love refers to the feelings of the wordsmith; appearance refers to the appearance of the green mountain. There are many similarities between the two, such as sublime, peaceful and full of youthful vigor. The author here compares his own feelings with the green mountain, euphemistically expressing his high and pure will that he would rather be lonely and never be in the same boat with the traitors.
The author of the second part of the word again uses allusions. "I scratch my head in the east window, thinking of Yuanming's poem "Stopping the Clouds", the flavor at this time ." In Tao Yuanming's "Stopping the Clouds", there are verses such as "Liang Peng is far away, scratching his head" and "There is wine, there is wine, drinking at the east window", etc. Xin Qiji condensed it into one sentence to imagine the flavor of Tao Yuanming's poem when it was completed. Here the author mentions Tao Yuanming again, intending to use Tao as a self-reference. "The person who is sober and seeks fame in Jiangzuo, how can he realize the wonderful reason of cloudy mash?" Two sentences, on the surface seems to denounce the southern dynasty those "drunk also seek fame" (Su Shi "and Tao drinking twenty" of the third) of the celebrities; actually is satirizing the southern Song Dynasty, there is no Tao Yuanming style drinking high priest, but only some drunken dreaming of death of the rulers. The following "do not hate the ancients I do not see, hate the ancients do not see my crazy ear" two sentences, syntax and the last piece of "I see the green hills" a similar link, showing the author proudly look at the heroic spirit of the past and present. Here the "ancient people", not the general ancient people, but refers to a class of people like Tao Yuanming. According to Yue Ke "bed side stand history - Volume 3" records: Xin Qiji every banquet guests, "will be ordered to serve the concubine song it made. Special song 'Hexinlang' word, reciting its aphorisms: 'I see the green hills more charming, I expect the green hills to see me should be like this.' He also said: 'I do not hate the ancients I do not see, hate the ancients do not see my crazy ear.' Every time I come here, always patting myself and laughing, consulting the sitter how". It is clear that Xin Qiji is very conceited about their own two links.
The last sentence "know me, two or three children ." This "two or three children" for who no one special test, some people think it is then Chen Liang. But according to my personal opinion, may wish to expand the field of vision, the ancient Tao Yuanming, Qu Yuan and even Confucius, etc., are included. Xin Qiji lamented that there were not many like-minded friends at that time, and Qu Yuan lamented that "everyone is drunk and I am awake alone" similar to the mood, the same out of concern for the country and the nation's peril. And he lives in Lead Mountain, and Tao Yuanming living in the "South Mountain" of the situation is more or less similar.
He Xinlang (贺新郎) Same father to see and answer in rhyme
Era: Song Author: Xin Qiji (辛弃疾)
The oldest that can be said!
Like today, Yuan Long's odor, Meng Gong's entanglement.
I am sick of the gentleman to sing and drink, startled away from the building flying snow.
Laughing at the rich and powerful, a thousand pounds like hair.
Who will listen to the hard words? I remember the time when there was only the moon in the west window.
Re-enter the wine, change the sound.
There are no two ways about it.
If you have any questions, please feel free to contact us.
Sweat and blood, no one cares about the salt car, thousands of miles of empty bones.
It is the first time that I have seen a person with a broken eye, and I have seen a person with a broken heart, and I have seen a person with a broken heart.
I have the most pity for you to dance in the middle of the night, saying that men's hearts are like iron when they die!
Looking at the hands of the test, to mend the sky cracked.
The outstanding feature of this word is that it is a skillful combination of the narrative and the direct expression of the heart, with the cloudy and robust pen to write a generous, exuberant and vigorous feelings, sadness and heroism, and the style of the field.
The artistic power of a literary work lies in its ability to touch people. The best poems of the past and present, all overflowing with passion. The word is so. The author and Chen Liang, both famous patriotic wordsmiths in the Southern Song Dynasty, have a great ambition to restore the Central Plains. However, the Southern Song dynasty did not want to restore the Central Plains to the north. Thus, their grand wishes were not realized for a long time. At that time, the lyricist was off duty living in Shangrao, Chen Liang specially rushed to **** with him to discuss the war to restore the plan. The two traveled to Goose Lake together, singing and drinking, and wrote words to meet their aspirations, which became a good story in the history of literature. The lyrics, is a good piece of mutual harmony at that time. In the lyrics, the author's passion for the restoration of the war and his deep hatred for the national oppressors and the peaceful surrenderers saturated his pen and soaked the paper. As Zhou Ji said: "Jiaxuan injustice, everywhere, there are heroes language, no learning language" ("Jie Cunzhai on the words of miscellaneous writings"). The lyricist's generous and sad feelings are poured out by the use of hard words, and thus the heroic spirit is full of vitality, and it is a joy to see.
Zhou Ji also pointed out that: "the Northern Song lyrics are mostly about the scenery and emotions,? To Jiaxuan, Baishi a change for the narrative of the scene" (" Jie Cunzhai on the words of miscellaneous writings "). Different from the sentiment-centered scene, the scene is a narrative as the backbone, with lyricism as the vein, and the scene as the baking or padding of the narrative. In the first section of the song, the artistic technique of incidental narration is used. When recalling the "Goose Lake Meeting", the cold and lonely natural scenery is used to color the ambience, thus profoundly expressing the lyricist's exuberant and furious feelings.
The author, as a loyal and indignant anti-Senghis, wrote the lyrics, and the boiling passion in his chest was hard to contain, so he couldn't help but pour out his words. "The boss that can say." The words are written straight from the heart, and the feelings are extremely somber. The word "Nakan" is heavy and rich in meaning. At this time, the hero sits in old age, the ambition is difficult to fulfill, time is wasted, what else can be said! However, "An old steed in the stable still aspires to the gallop of 1000 miles; a martyr in his twilight years has a strong heart" (Cao Cao's "Walking out of the Summer Gate"). The flames in the hearts of those who take the recovery of the Central Plains as their mission will never be extinguished. Therefore, the following two lines, "Like now, Yuanlong's odor, Menggong's kwaji," express the author's strong feelings and coincide with Chen Liang's "comradeship". "Yuanlong", "Meng Gong", both surnamed Chen, and are the great man, to compare Chen Liang; "odor" is said to share the same smell, "kwaji" is said to be connected. "The author's friendship with Chen Liang is both deep and profound. The author and Chen Liang both deep friendship, patriotic will and the same, and therefore cited as a fast thing. Not long ago, the two "rest Goose Lake of the clear shade, discretionary ladybird spring and **** drink, long song to answer each other, extremely discuss world affairs" ( "Xin" sacrificed to the same father Chen Wen "This is a great comfort life meeting, so in this word enjoy: "I am sick of the gentleman to sing and drink, shocked to disperse the building head flying snow. Laughing at the rich and powerful, like a thousand pounds of hair. Who will listen to the hard words? I remember the time when there was only the moon in the west window." The lyricist was sick at the time, but as soon as he saw his friends arrive, he immediately sang and drank with them, and talked with them all night long. They aspire to restore the Central Plains, the heart has no ordinary thoughts, depending on the rich and powerful as light as hair, is laughing at the weight of the world it is like a thousand pounds. When discussing world affairs, hard words (Han Yu's poem "Recommendation of a Scholar": "hard words in the air, properly arranged."), which shows the power of argument. (Han Yu's poem "The Recommendation of a Scholar": "The hard words in the air, properly and forcefully arranged"). These lines are the actual record of their conversation. Because they are written in the lyrics, the description of natural scenery is inserted smoothly. The snow is falling, which describes the boldness of their conversation; the lonely moon peeping through the window reflects the silence of the night. Heroes and heroines drink and sing together, the majestic and loud and clear voice of the song rushed into the sky, and even scattered the snow at the top of the building. This exaggerated description of the two heroism and wild spirit fully expressed. With a "shock" word, can be said to penetrate the back of the paper, into the wood. However, at that time, only the cold bright moon and the two companions, discussing national issues of the "disk empty hard language" and who will listen to it? Here, the anti-war volunteers fire like enthusiasm and upright and wild character with the snow shocked fall, the lonely moon peeping out of the window of the silence and coldness. Formed a strong contrast, the image of writing in the Gouan compromise air covered the situation of the Southern Song dynasty, individual upper-class resistance volunteers lonely geese difficult to fly the difficult situation. This is the writing of the scene and the narrative glue one, more fully expressed in the lyricist rolled up in the chest of the crazy Nu feelings. It is because the two like-minded, so although the night is already very deep, but they are still "into the wine, for the sound of Arthur", the excitement does not diminish.
If the first section of the word is mainly the author's free-flowing boiling feelings melted into the narrative, then the next section is mainly straight out of the chest fugue, expressing a strong criticism of the ruling group of the Southern Song Dynasty and "look at the test hand, to make up for the sky crack" of the strong feelings. Lyricist galloped to the fullest extent of the power of the pen, laying out the matter, pouring out his heart, write to the pen flying ink dance, full of. "There are no two things that are different from each other." In the face of the times, the mountains and rivers are broken, patriotic aspirants heartache, while the Southern Song ruler is isolated in the corner, the family shame and national difficulties are all thrown to the back of the mind. The lyricist uses two different images, "nothing is the same" and "people's hearts are not the same" to contrast, which vividly portrays the cowardly and ugly attitude of the Southern Song rulers, and expresses the thousands of feelings in Yu Bo's heart. The lyricist, filled with righteous indignation, issued a stern question to the rulers: "I ask Qu Nong: After all, how many times has the Divine Kingdom been separated?" It has been the case since the ancient times that the land of China has been united by mountains and rivers, and there have been many times of "unity" but few times of "separation". Today, those in power do not want to restore the Central Plains, but to determine the situation of "separation" by peace negotiations, what is the intention! The words are aggressive enough to make the rulers feel ashamed of themselves. The strong and staccato writing power, aggravated the emotional color of the words, make it more rich in artistic infectivity.
The lyricist thought: China wants to get united, we must reuse the war resistance personnel, but today's society is "sweat and blood salt car no one cares about, thousands of miles of empty collection of steed bone". When the road of the public said empty solicitation of human resources, but the aspirants have been suppressed for a long time, just like pulling the salt wagon of a thousand miles of horses in distress and no one cares about the same. What is the use of acquiring the bones of a steed in vain! The lyricist uses three allusions in a row, very twisted and aptly expresses Yu Bo's heart but inconveniently sharp injustice.
"The word "empty" focuses on the writer's immense resentment towards the ruling party's rejection of the war party's various behaviors. The writing is strong and robust, the feelings are somber, and the mood is extremely majestic and broad. "The road to Guanhe is cut off." Lyricist touched the scene, by the snow plugging the road associated with the road to the Central Plains has long been cut off, the feeling of pathos arose. The tragic situation of the mountains and rivers divided, stirred the enthusiasm of the lyricist to recover the Central Plains. He remembered the Jin Dynasty Zu Ti and Liu Kun "heard the chicken dance" moving story, remembered the ancient myth of the female bane of the refining stone to mend the beautiful legend of the sky, more determined to unify the motherland's beliefs, sang out " I most pity the king in the night dance, said 'men to death heart like iron!
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Look at the trial hand, make up the sky crack" the strongest voice of the times. The most important thing to remember is that it's not just about the way you look at it, it's also about the way you look at it. The use of the dictionary as salt in the water, muddy without a trace, thus enriching the meaning of the word, strengthening the image of the depth and breadth, showing a very rich romanticism. The mood of the whole lyric is also finally pushed to the climax, giving people a great artistic infectious force.
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