What are the ditties of Beijing Rhythm and Drums

Bao Gong Kua Sang, Yutang Chun, Single Dagger Club, Battle of Changsha, Bowang Po, Prick Tangqin, Baidi City, Tan Qingwen, Dai Yu Burning Manuscripts, The End of the Ugly and the Beginning of the Year, Returning to the Boat in the Wind and Rain, The Eight Loves, Luo Shengjiao, The Party's Good Daughter Xu Xuehui, Fishing Songs on the Sea, The Party's Good Daughter Xiang Xiuli, The Stirring Waves of the Heart of Danshen, Han Ying Seeing Her Mother, Wild Pig Forest, Peach Blossom Chuang, Yingtai Crying at the Grave, The Wild Pig Forest, The Peach Blossom Chuang, and Yingtai Crying at the Grave. Wild Boar Forest", "Peach Blossom Village", "Yingtai Weeping at the Grave" The Jingyun Drum was formed in the late Qing Dynasty and popularized in the Beijing and Tianjin areas in the early part of the People's Republic of China. At that time, Liu Baoquan, a drum book artist, changed the original wooden drum sung in Hebei voice to Beijing voice, extensively absorbed Beijing opera singing and popular Beijing folk tunes to create a new accent, and added the four-stringed hu and pipa to the original wooden drum accompaniment, forming the Beijing Rhythmic Drums that have been passed down to the present day. There are three major schools of Jingyun Drums represented by Liu Baoquan, Bai Yunpeng and Zhang Xiaoxuan: "Liu", "Bai" and "Zhang". Among them, Liu Baoquan's artistic attainments are the highest and his contribution is the greatest, and he was called "the king of the drum world" and honored as a generation of masters. After the three schools, there was the "Shao Bai School" created by the brothers Bai Feng Yan and Bai Feng Ming. The Jingyun Drums emphasize singing and specialize in short pieces. Liu Baoquan is good at singing the stories of the Three Kingdoms, such as "The Slope of Chang坂坡","《Zhao Yun intercepts the river》","《Straw Boat Borrows Arrows》". Bai Yunpeng is good at singing stories of Dream of Red Mansions, such as Sacrifice of the Harvest Moon, Daiyu's Sorrowful Autumn, and Baoyu's Marriage. In addition to the storyline of the Beijing Rhythm and Drums, it also sings lyrical scenes. Such as "the end of the ugly Yinchu", "Hundred Mountains" and so on. The "Ushi Yinchu" is a popular traditional cantata sung by several generations of Beijing Rhythm and Drums artists. The work describes the life of the ancient Chinese people at the end of the year and the beginning of the year in an extremely concise manner, like a vivid and simple picture scroll. Its cadence is fluent, rhythm is lively, and short phrases are skillfully paired with large cadences. From the melodious singing, people get full artistic enjoyment. The development of Jingyun Drum has a history of more than one hundred years. Since the 1920s, actress Liang Xiaolou, Zhang Cuifeng, Luo Yusheng, Sun Shuyun, Yan Qiuxia, Xiaolanyun and so on have sprung up on the stage of Jingyun, and they have new expansions in singing and performance, thus making Jingyun Drums more favored by the majority of listeners. After the founding of the People's Republic of China, the Jingyun Drum got a great development. Artists have become the people's actors and artists, in addition to singing the traditional repertoire handed down, but also new and created many new repertoire reflecting real life. For example, "Glorious Voyage", "Everest Red Flag", "Rapid Wave of the Heart", "Han Ying Seeing Mother", "White Nyonya Tells the Story" and so on. At the same time, it has also trained generations of young actors and actresses. Achievements such as Zhao Xueyi (Bai Pai), Yang Fengjie (Liu Pai), Liu Chunai (Luo Pai), Zhong Yujie (Liu Pai), who have become popular Jingyun Drum performers on the stage of Chinese opera.