Which one can provide some Naxi folk songs and lyrics, thank you!

Lijiang Naxi ancient music is a precious cultural heritage of mankind *** with the living fossil of human civilization music, in China and even the world in the field of music research has an extremely important value, it is not only in the history of China and the world's cultural development has a unique position, but also in the future development of the national culture will continue to play an irreplaceable role. The Naxi people of Lijiang, who live in the "Three Rivers" area in the northwest of Yunnan Province in southwest China, are an ethnic group that loves nature, loves life, can sing and dance well, and is most rich in musical talent. As Lijiang is located at the interface of Yunnan-Guizhou Plateau and Tibetan Plateau, the Han-Tibet cultural fusion area, but also the plateau animal husbandry and the valley of the integration of agricultural ethnic interaction, the unique geographic environment, so that the multi-cultural collision here, resulting in a multi-cultural meeting point, the living fossil of music ---. The living fossil of music --- Naxi ancient music is the artistic crystallization of the fusion of multiple cultures. Naxi ancient music is rooted in the social production and life of the Naxi people, and it is indispensable for marriage, funeral, birthday, leisure and entertainment, and occupies an important position in the construction of Naxi culture. The origin of Naxi ancient music is that the Naxi people, who are good at singing and dancing, have prospered here for generations, such as the Naxi ancient music "Hot Meijin", which is a primitive music and dance produced in the period of clan society. During the Yongping period of the Eastern Han Dynasty (58-75 A.D.), the Naxi forefathers dedicated the "White Wolf Song" to the Han Dynasty, which is a collection of poetry and dance as one of the music, and it is the first recorded exchange of Naxi music with the culture of the Central Plains. Tang Dynasty "Yunnan Zhi" contains: Naxi people "commonly good drinking and singing and dancing". Yuan Dynasty Li Jing "Yunnan Zhiliao": "the end of some (Naxi) ...... first month fifteen mountaineering festival, very strict and clean, men and women moving hundreds of numbers, each holding their hands, because of the song and dance for music." At the end of the Song Dynasty and the beginning of the Yuan Dynasty, the Naxi people created a large-scale ancient musical composition "White Sand Fine Music" to reflect the clan wars and the yearning for peace. In the ancient Dongba scriptures of the Naxi people, there is a large amount of ritual and customary music. In the Dongba Scriptures, dozens of classical dances are recorded in hieroglyphics, which is not only a rare dance monograph in the ancient texts of domestic ethnic minorities, but also the earliest dance score recorded in writing in the world. Lijiang white sand murals painted in the Ming Dynasty, molded with beautiful and moving music and dance image. Ming Hongwu fifteen years (1382), the Lijiang Tujia chief Ajia Ader subordinate to the Ming Dynasty, Zhu Yuanzhang gave the surname wood, and for the hereditary Tusi, when the Ming Dynasty to implement the system of frontier cantonment, there are a large number of Han Chinese immigrants into Yunnan, these immigrants on the Central Plains culture, the dissemination of skills to the border people. Among them, the introduction of music, Taoism and other religious music and folk music. The music of the Central Plains was accepted by the music-loving Naxi people, and was widely inherited, while the unique Naxi musical instruments Sugudu, Bo Bo and Cold Resource Wicker (flute) were added to the band, and dissolved into the Naxi people's aesthetic interests and musical materials. The buried environment is a prerequisite for the formation of a certain type of ethnic culture, and to a certain extent, it also affects the development trend of ethnic culture. The Han Dynasty opened the Southern Silk Road and the cross of the Tea Horse Road passed through Lijiang, promoting the Naxi people and the economic and cultural integration between the various ethnic groups. Known as the "living fossil of music" known as the "Naxi ancient music" in a special geographical location, constantly enriched. In the long history, the Naxi ancestors not only created the music culture reflecting the production, life, religion and customs of different historical periods of the nation, but also miraculously introduced, learned and preserved some of the classical music of the Han nationality that had long been lost in the mainland. Dongba music, "white sand fine music", Lijiang cave music has aroused the world's keen attention and is internationally recognized as the Chinese Naxi "Lijiang three treasures". "Naxi ancient music" is the Naxi people in the long history of a variety of excellent cultural diversity and integration of the crystallization of art. Connotation of Naxi ancient music "Naxi ancient music" is Naxi people in the long-term labor and practice of creating and absorbing foreign music, enriching and gradually formed and inherited folk music. It mainly consists of primitive song and dance "hot beauty errand", Dongba music, "white sand fine music", Naxiization of the Lijiang cave scripture music and representative Naxi folk song and dance "feed Morda", "valley gas", "Naxi ditty" and other folk music composition. Remei Chiu. It is a primitive dance music produced in the period of clan society, widely popular in the Naxi folk funeral songs and dances, and is recorded in the Naxi Dongba scripture, this kind of singing and dancing can only be used in the funeral rituals after the elders passed away. The song and dance of "hot beauty errand" is "exorcism", and the music material comes directly from the combination of music and dance in the natural world, with no instrumental accompaniment, no scale, no tone law, imitating the dance of beasts' steps, and the formation of dissonant intervals between multiple voices which are rich in primitive artistic aesthetics. It is a living specimen of human primitive music, which still exists in the funeral rites of Naxi people in the mountainous areas around Lijiang Dadong, Mingyin and Baoshan. The music of "Hot Meijeong" cannot be recorded in any sheet music, and it is only passed down orally and by heart from generation to generation. Dongba Music. It is an important part of Naxi ancient music, preserving a large number of ancient and simple folk music movements. These movements have long been passed down in the form of oral transmission among the Naxi Dongba, and are preserved in the ancient books of the Naxi Dongba Scriptures. Naxi folk is also commonly known as "Dongba tune" or "Dongba singing". It is produced and still retained, inherited in the Naxi ancient Dongba religious ceremonies and Taoist ceremonies in the music. Dongba music consists of three organic components, namely, singing music, instrumental music and dance music, and is an ancient music culture of the Naxi ethnic group that has been preserved and inherited to this day, enjoying a certain degree of reputation in both domestic and foreign music circles. As the Dongba priests continue to die, the singing music mastered and owned by them will also face the danger of disappearing gradually. White Sand Music. Naxi folk commonly known as "Beshi fine miles", it is still retained and inherited in the Naxi folk large-scale funeral songs, dances, instrumental music group. Bayshah Fine Music" includes three organic components: dance, song and instrumental music. It is simple and elegant, with quite profound artistic attainments, and has been occupying an extremely important position in the history of Chinese music, and also has a high appreciation and collection value, known as the "living music fossil". The piece consists of 8 movements, namely, "Duk", "A Letter", "Sansi Ji", "Allegra Ji Pat", "Mei Lifu Wu", "Stamping", "Resisting" and "Curtain". With the tragic story of tribal war throughout, it is a large-scale orchestral suite with movements, stories, philosophies and harmonies with at least 700 years of history in China. Lijiang Cave Scripture Music. It is a group of folk instrumental music that has been gradually introduced into the Naxi area since the Ming and Qing dynasties by the Han and Bai areas, and is still widely circulated in the Naxi area, which contains the name of the song with a long history, and is one of the Chinese ethnic minority music types with high impact at home and abroad in recent years, and it is an indispensable content for the study of the Naxi music culture, especially for the study of the Naxi culture as a whole since the Ming and Qing dynasties. For more than 400 years, it has been inherited, processed and evolved by successive generations of Naxi musicians, so it has naturally incorporated the thoughts and feelings of Naxi people, cultural mentality and Naxi folklore, and become a special kind of music integrating the melody of traditional Han music and Naxi music style, and it is the crystallization of the mutual infiltration and intermixing of Han and Naxi music cultures, and can be said to be Naxiization of Han traditional music, which is the most important part of Naxi traditional music. This is the important reason why Lijiang people call it "Naxi ancient music". Lijiang Dongjing music not only retains the beautiful flavor of Han's Jiangnan silk and bamboo, but also combines the rough and bold style of Naxi folk music to form a very unique style, which is in fact a kind of religious music of Confucianism, Buddhism and Taoism, also known as the "elegant collection of Confucian fine music". Lijiang Dongjing music inheritance method has spectrum transmission, the Naxi people with the Chinese traditional sheet music "Gongshi sheet music" record of the Tang, Song and Yuan lyrics and music and Taoist ceremonial music. Feeding Morda", "valley gas" and other folk music. Naxi ancient music and Naxi ancestors in the nomadic, farming and other periods of folk songs and dances produced by the "Fei Muda", "Valley Gas", children's songs, ditties, chords, playing jumping tunes, etc., these folk music in the Naxi society is widely circulated, for the public to love, orally taught, and passed down from generation to generation, in the New Year's festivals, weddings, funerals, birthday ceremonies and other daily life activities are indispensable to the content of the important activities. The "Hot Meijin" and "Fei Merda" are the oldest primitive music, the "Baisha Fine Music" is a large-scale orchestral piece with stories and plots with at least 700 years of history in China, and the Lijiang Dongjing Music is a treasure of classical music of the Central Plains which has been preserved in Lijiang to date as recognized by experts of the Chinese music industry, and is regarded as the "living fossil of music", which is not only in the history of Chinese music, but also in the history of world music. They are regarded as "living musical fossils" and have unique value and status not only in China but also in the history of world music. Due to the closed geographical environment of Lijiang and the Naxi people's reverence for and absorption of foreign excellent culture, coupled with China's ancient work-size scores as a medium of inheritance, the Naxi ancient music, although through the long years of change from time to time, the original form of its music has changed little, and can be called a precious remnant of the Chinese national music and culture.