One, the Korean top water dance:
The dancers on top of the water cans, the original life of the object, and later in order to facilitate the dance, more than paper mache cans props, in the surface of the beautiful pattern painted on the light and chic. With the change of props, the dance movement also develops accordingly.
Top Water Dance takes "Thwarting Cushion Step", "Treading Wave Step" and "Broken Step" as its basic steps, and its main movements include "Scooping Water from the Sweet Spring", "Jade Spring Scooping Water", "Jade Spring Scooping Water" and "Jade Spring Scooping Water". The main movements include "scooping water from the sweet spring" and "flicking beads with jade fingers".
The dance expresses the inner feelings of joy and happiness by simulating various life movements in the marching of the top pot, and the dance posture is easy and beautiful. They artistically show the Korean people's life in the water, water, top water every bit of the experts in front of the heavy water cans on the head is so easy and comfortable.
Second, the Tibetan drum dance:
An old man wearing a blue Tibetan opera mask with a star on his head and a colorful Tibetan robe made his debut first. He carries a brass bell and sword slung over his shoulder, and holds a sacred staff called "Dada" wrapped around a white hada, stepping to the rhythm of the drums as he dances toward the center of the arena.
The revered god's spokesman took his place and began waving the staff, assuming the role of directing the dance for the amusement of the gods.
Under a gesture from the old man, the eight drummers who had already been on standby for the dance around the area came striding toward the center of the courtyard. These one-in-a-hundred swarthy men, date-red face with black hair plaited on the top of the head with crimson threads of oil braid, more penetration of the spirit of the masculine spirit.
They were clad in colorful short shawls, footsteps red and black color high waist Tibetan boots, waist side cross-body diameter of about sixty centimeters painted with colorful patterns of the drum, hands holding horseshoe mallets, in the side of the drum while jumping on both feet non-stop, for a fast and dexterous changes in formation.
They suddenly form a circle to rotate and dance, and suddenly form two teams to weave and gallop to achieve the purpose of rendering the atmosphere and expressing the strength of the dance with the changes in the formation. Then through the various postures adopted by the dancers, to reflect the theme of each dance section.
Three, Miao Lusheng Dance:
Sheng Dance takes the "path-finding step" as the basic dance step." Pathfinder step" dancers left foot lifted to the left side of the small semi-circle landing, the right foot left leaning, the body at the same time to the left side of the horizontal shift, slightly right sloping waist, the right foot and symmetrical action.
This kind of moving forward and to the left and right sides of the horizontal movement of the rhythm, and flower Miao other dances such as "flute tune", "bamboo stick dance", etc., has its own strong national characteristics.
The Lusheng Dance, in addition to the slightly simpler movements such as the "Pathfinding Step" and the "Double Treading Wave", also has some difficult and skillful movements and combinations such as the "Kneeling Down," "Bench Down," "Rolling Ground Sheng," "Legs Stomping to the Sky," and the "Looking at Home," and so on. To finish a group of Lusheng dance, the dancers must have a certain amount of kung fu and physical strength.
So the Lusheng Dance has been passed down among young people and some middle-aged people, and the old people have gradually withdrawn from the ranks of the dancers due to their advanced age. Therefore, the Lusheng Dance is not like the flute tune, no matter how old or small, all can dance with the music.
Fourth, the Li Bamboo Pole Dance:
When a pair of dancers dexterously jump out of the bamboo pole, the pole holder will loudly call out " Hey! Hey! If the dancers are not skillful or timid, it will be the bamboo pole clamped feet or hit the head, the pole holder will use the bamboo pole to lift up the people who are clamped to the outside of a fall, and the group rose and laugh.
On the other hand, the young man who is good at dancing the bamboo pole dance at this time, often because of the quick-witted, adaptable and won the favor of the girls.
Fifth, Uygur: Sama Dance
Sama Dance movements and drum rhythm with close." The "dong" is mostly a full foot on the ground, steady and powerful, not hard and not immediately lifted, with the effect of a note. When the power leg is lifted, the knee of the main leg has a clear flexion and extension, and the body has a greater undulation.
The hand is mostly a half-clenched fist in its natural form, and there is a clear yojimbo with the downward flinging open and the bending and flexing retractions. The body is swaying slightly from side to side as the hands are swaying, and single-step jumps and single-step jumps are common skill movements in Sama.
Sama has a special tune, and before it starts, it often plays the familiar music of muqam or sai nai m, and then changes to sama music with the rhythm of the drums.