The performance of fan in folk dance
In folk dance, props are the medium for sending emotions. For example, the fan, which is the most widely used props in Han folk dance, is small and agile. The fan is usually used to portray the characters, express delicate emotional changes, and express specific environments and plots. Similarly, the fan on the stage has long been shaping a variety of different characters with a symbolic meaning of the props, such as Zhuge Liang with a feather fan to command the war, the lady with a fan to pounce on butterflies, etc., the fan gradually detached from the actual function of the fan has become a symbolic props. With the help of props? Fan? At a higher level of operation and development to express the rich emotional world of the fan dance, which is the Chinese folk dance attaches great importance to and emphasizes. Fans from different times of life, different artistic perspectives, different forms of processing, shaping a different image, writing the emotional world of all kinds of characters. In the author's opinion, in folk dance, the representative work that combines human and fan with emotional expression is "Fanny", which was performed by Wan Su in the Fourth? Peach and Lee Cup It is a folk dance work created by Wan Su in the 4th Tao Li Cup. It reflects a playful scene in which people mingle with the fan, and is based on the "Jiaozhou Rice-planting Song", a folk dance composed by Wan Su in the Fourth Peach and Lee Cup. Jiaozhou Yangge A small theater piece of Jiaozhou Yangge. Little Man holding a fan It reveals the delicate and youthful image of many girls in real life. The work utilizes the fan dance of Yangge. Butterfly Pouncing with Fan Folding the fan? The fan is taken and wandered away. The work utilizes the dance forms of the Yangge Fan Dance, such as the fan fluttering, the fan folding, the fan walking, etc., and focuses on the characterization of the Fan girl? The image of the fan girl. When she appeared on the scene, she was smiling and joyful, and her childish appearance was accompanied by a lively spirit, which was exceptionally exquisite. Soon, this vivid fan girl will run a round, a moment of hands holding a fan to the back of the waist vigorously stretched, a moment to show off the fan skills: or transport fan over the head of the big flash waist, highlighting its spicy character; or fan is not away from the chest and half cover the face, to show its shyness and innuendo. Fan, in her hands greatly played? Fan art? The dance rhythm. In her feet, she imitates the dance of Little Man. Little Man When she walks with her feet wrapped in the opera, the fan girl at this time dances with the fan in a more exaggerated, more improvised and more flowing rhyme. The emotional communication between the body and the fan, gesture and the fan, smile and the fan, and even the eyes and the fan, seems to be like the delicate crafts with dozens of layers. Ivory ball? The layers analyze the meaning of the spirit. The performers have fully absorbed the essence of the Jiaozhou rice-planting song. Jiaozhou Yangge The performers have fully absorbed the dance vocabulary of the fan girl and Little Man, comprehending the roles with their hearts, getting close to the roles with their emotions, and conveying the roles with their intentions, so as to achieve the performance effect of expressing the roles in both form and spirit. It is due to the unique role of the combination of human and fan that the emotional expression of the fan in fan dance is fully realized. Therefore, the audience can accurately grasp the progress of the plot and understand the rich emotions of the characters.
Interpretation of the fan in folk dance
Take the dance "A Green Leaf" as an example, the dance is produced in the context of the choreographer's re-cognition of the development of folk dance in the new period and new thinking, this work through ? People? and? Green Leaves This work divides the plot into three parts through the two excursions and overlaps of "Man" and "Green Leaf", and there is a large emotional progression between each part. The choreographer uses the green fan and the human body to create two choreographic images, and through the two choreographic images, the choreographer gives a new meaning to "Green Leaf". Green Leaf? The human emotion and life, human and green leaves are one, leaving the audience with a wide space of imagination.
The dance expresses a woman's lament and remembrance of her lost youth triggered by a green leaf, as well as the resulting inner turmoil and the pursuit of life. On the dark stage, all around is silent, a green leaf quietly floats down in the center of the stage, a woman stands beside it; she gently picks up the leaf, is it pity, is it sigh, or is it? She felt the loneliness of her heart, remembered the youth that never returned, remembered the face that withered early. In the wind and rain, she thirsted and longed for the green leaves not to wither, longed for youth and the footsteps of the years, and longed for the flash of her life again, so she lifted up the green leaves again and again, again and again. The whole work is hearty and smooth, with a single breath, capitalization and lyricism, creating a moody space of reminiscence and reverie in the distant and euphemistic music. This work takes Jiaozhou Yangge as the basic movement element, but boldly innovates and uses the movement language of modern dance to reconstruct it, creating a movement vocabulary that has both traditional national characteristics and projects a strong modern flavor, which is in line with the character and characteristics of the characters, and fully reflects the choreographer's pursuit of the "New Folk Dance". New Folk Dance? The reason why it can achieve such a good stage effect is that the choreographer has given symbolism and emotional life to the props. Props are used a lot in Chinese folk dances, through which people expand the means of performance, extend the expressive ability of the body, and also play a decorative role. Especially fans, handkerchiefs and other props have a strong ...? plasticity? In order to take the fan as an example, the choreographer takes the fan as an example, and the choreographer takes the fan as an example. Fan? Representing the green leaves, the choreographer utilizes the "Jiaozhou Yangge". Holding the fan in front of the chest? Pushing the fan, wrapping the fan in 8 characters, and walking around the fan. Grinding step and other movements, and seize the essence of the Jiaozhou Yangge. Twisting and? twisting? The movement characteristics of Jiaozhou Yangge clearly portray the tenderness of green leaves and the weakness of women. At the same time, the choreographer integrates the modern dance movement breathing and strength changes with the original material, increases the contrast in the movement amplitude and strength, makes the movement have tension and relaxation, smooth and free, and a lot of rotations and center of gravity tilting transformations, as well as a large amount of the dance that appears many times, driving the whole body of the? Holding the fan? Wrapping the fan? and? Rowing circles? The movement better expresses the woman's longing and the fluttering of the green leaves, reflecting her unwillingness to let her youth pass by in vain. The technique says? To the fan, pull open the fan, turn off the fan with a smile, and point to the top of the fan with a happy heart. The choreographer and director use the phrase? The choreographer uses the phrase "to send out emotions through objects" to express his feelings. The choreographer uses the artistic technique of "to take a metaphor from an object" to express people's feelings towards the object. to express people's thoughts about life. The fan represents not only a green leaf, but also the embodiment of a woman's mind, energy, vitality, and the symbol of life that flows endlessly. A Green Leaf is like a poem that you can recite over and over again, and like a song that comes from the bottom of your heart, it triggers the audience's thoughts.
The fan dance of ? Driven by emotion and moved by heart?
Dance, as a matriarchal art, appeared when there was no formal language for humans. In this physical language, we have gradually discovered the deeper ideological connotations embedded in its tenacious vitality. And in this tenacity of life, every dance uses its main lifeline to run through the theme of the movement. This thread is the core content interspersed in the process of dance movement. As a teacher who has studied dance performance and education, the author often has insights in the usual teaching process. Therefore, the author personally believes that the fan in the fan dance is the flash point in the life line, running through the theme of the action, is the core of the whole dance and carrier.
? Driven by emotion? is the main ingredient in the dance. Emotion refers to the inner feelings, people are emotional body, only the mingling of emotions and feelings can produce eternal vitality. The skillful combination of man and fan in fan dance fully embodies the ? Spirit and? blood? The mingling of feelings and emotions. In fan dance, the fan is the main line of emotion, driving the spirit of the whole dance. If you say, in the fan dance? is the material foundation of the whole dance, then the fan dance is the main line of emotion, driving the spirit of the whole dance. is the material foundation of the whole dance, then? Move with the heart? is the ultimate goal of the whole dance. We know that the times are no longer satisfied with the happy dance that only needs the emotion in place, but more is the exchange and communication between the heart and the heart. We must open our minds, dance with the heart, feel with the heart, heart to heart understanding and communication is the eternal art. In fan dance, the fan not only represents props, but also the core of the whole dance. Dancers use the fan in the dance, which is equivalent to the heart in the dance, and the audience is more with the heart to feel. To make the fan dance has a stronger vitality, the dancers must be more attentive to dance fan. The author believes that this is the fan dance in ? Moving with the heart? The ultimate embodiment of the fan dance.
Numerous fan dance works, the ultimate revelation is the work of the internal emotions. Dance through the fan as a medium to convey human emotions, moving people with emotion, infecting the audience. Only the use of the fan in the fan dance to put forward the higher requirements, in order to make the fan dance in the hidden emotions more rich and delicate. Fan, as a dance everywhere in the props, it can not only play the role of extending the body, but also fan dance in the emotional performance of the carrier. I think, grasp the hands of the seemingly inconspicuous fan, make full use of its role as a finishing touch, in order to make the fan dance in the emotional performance of the best, so as to achieve the ultimate goal of infecting the audience, so that the art of dance glows with eternal vitality.