The Influence of Traditional Ethnic Music on Modern Popular Music
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Chinese national instrumental music has a relatively far-reaching history, and in the process of creating modern popular music, if the instrumental elements are combined with modern music, the true meaning of music can be reflected.
At present, the times are constantly developing, and modern pop music is gradually beginning to rise in China, but the time of development is very limited, and the technology and style of modern pop music are not so mature. This paper mainly analyzes the influence of traditional Chinese folk music on modern pop music, hoping that more musicians can realize the indispensability of traditional folk music style in the tide of pop music, and can integrate the elements of traditional folk music in their future music creation.
First, the status of China's folk music in the current stage of music
Folk music is widely used and highly valued. Folk music is a kind of traditional folk music in China, and its music style and music form are loved by the masses. It can be said without shame that folk music is a symbol of the characteristics of the Chinese nation and a treasure of the nation, which should be valued and loved by the people. At the same time, we need to carry it forward. China is a multi-ethnic country, and each ethnic group has different musical characteristics. For example, the music of the Tibetans is both high and broad, and the music of the Tibetan Plateau is high-pitched. This kind of music, which is closely related to people's lives and has national characteristics, is easy for people to have a favorite feeling. The style of performance is also changing in the ethnic instruments, the form of folk music ensemble can only be carried out in the past in the ethnic instruments, and now the ethnic instruments are with the instruments of various countries to cooperate, combined with the large-scale band, the existence of ethnic instruments is unique, according to the various characteristics of the ethnic instruments, the music creators will be orchestrated more with the soul of the music of the popular music.
The Influence of Ethnic Music Elements in Modern Pop Music
At present, in the process of creating pop music, the ethnic music elements provide good materials, combining the two different kinds of music perfectly, which not only enriches the connotation of pop music, but also promotes the development of pop music. The following is a description of the elements of folk music.
1. Elements of vocal music
China has very rich elements of ethnic vocal music, various artistic characteristics of the excellent culture of the Chinese nation. If you combine ethnic and pop together, you can add a variety of cultural elements to pop music, and the cultural context of the music will be different, which has a role to play in causing the listener's ****ing.
2. Instrumental elements
Chinese national instrumental music has a relatively profound history, and in the process of creating modern pop music, if the instrumental elements are combined with modern music, the real meaning of the music can be reflected. For example, the song "Chrysanthemum Terrace" uses two traditional instruments, the pipa and the jinghu, in the process of playing, which adds a mood to the music itself, and allows people to feel the subtleties of ethnic instrumental music in it.
3. Curvilinear elements of opera
In Chinese opera, there are many different kinds of curvilinear elements, and each kind of opera has its own unique flavor. Currently popular music is still very homogeneous, but for the sake of this factor to change and incorporate the elements in the opera, then it can satisfy the needs of the listeners. In the song "The Drunkenness of the New Noble Princess", the creators have done a good job of integrating opera into it, and in the course of the music, it can make the listener appreciate the beautiful situation, so that more people can have a better understanding of our country's opera and songwriting.
Three ways of integrating ethnic music in modern music
Over the past few years, a lot of musicians in the creative process have integrated traditional ethnic music into modern pop music, and the specific ways of integration are mainly four. First, in the process of creating pop music, adding the opera's song elements, which not only enriches the music itself, but also brings listeners extraordinary `enjoyment'; second, combining pop music with distinctive local folk songs, for example, the song "Kang Ding Love Song" is quoted in such a way to attract a lot of listeners, which not only lets people understand the local traditional culture, but also lets the listeners experience the music fusion Third, in the process of pop concerts, the performance of ethnic instrumental music is indispensable, and this combination has a strong attraction to the majority of listeners, allowing them to really enter into the music; fourth, the combination of modern pop music must have minority music.
Fourth, the impact on modern music creation
1. The form of popular music has become diversified
Nowadays, there are various forms of popular music in our country, and most of the songs have been gradually forgotten due to the lack of characteristics, and the fact that they disappeared in the altar of popular music is the doomed end of these music. In order to prevent this cyclical phenomenon from occurring, music composers have begun to utilize various elements to create music with characteristics. For example, many of the contestants in The Sound of Chinese Dream have incorporated ethnic music, and these fresh elements have given new impetus to modern music, making it fuller.
2. To make modern music more fulfilling
In the process of playing, folk music is unpredictable, sometimes rough and sometimes quiet, and the music style of each place is not in accordance with the traditional music mode. Each ethnic instrument can reflect different styles, some are high, some are joyful, some are sad, and different instruments used in each song can reflect different styles, so that the listener can feel the heritage of traditional Chinese culture. The rich ethnic culture runs through traditional folk music, with which humanities and arts are closely related. With the gradual development of history, the forms of folk music began to be enriched. In this way, music creators began to incorporate elements from different ethnic groups into popular music, which not only made modern popular music grow fuller, but also carried forward China's traditional ethnic culture. China's traditional ethnic music is distinctive and has profound and complex characteristics, so both music old-timers and later generations need to work hard to grope and grow on the road of music creation.
References:
Wang Lei. Ethnic Music Elements in Chinese Popular Music[J]. Culture and Education Forum, 2012(23):2.
Extension: Thesis FormatRequirements in Detail
Thesis Format Requirements
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Expansion: The Inheritance and Development of Traditional Ethnic Music Culture
I. Preface
China's folk music is a very important part of the world's ethnic music, and is also the treasure of China's traditional culture. According to statistics, there are about 300,000 folk songs that have been collected so far. Folk music occupies an important role in China's traditional culture and has an important historical status.
The Understanding of Ethnic Music
Ethnic music exists as part of the traditional culture of our nation. Ethnic music with the existence of the nation and produced, not only because of the means of life and terroir, natural conditions and changes are also subject to the influence of the national political and historical background and change. Because of their own beliefs, living habits, customs, and especially social groups with the same language, each ethnic group forms an ethnic culture adapted to the social and natural environments in a particular region. Therefore, the formation of national music has its own specific national characteristics.
Third, the inheritance of traditional national music culture
China's writing has a history of more than 5,000 years, but the history of music can be traced back to a much longer time. The bone flute is the earliest musical culture artifacts that China has, with a history of 7,000 to 8,000 years. Traditional folk music culture includes music of songs, folk songs, dance music, opera music and so on. According to statistics: there are a thousand kinds of folk songs, 1500 varieties of folk dance music, more than 200 types of opera music, more than 300 types of opera music, colorful traditional music constitutes a valuable wealth of traditional Chinese culture, because of the diversity of traditional Chinese folk music types and forms, so that it has become a traditional music and cultural wealth that is incomparable to that of any other country.
Xunzi once said, "Music is the music of the sages. And it can be good for the people's hearts. Its touching people y, and its move the wind and customs. Therefore, the first king guided by the rites and music and the people in harmony." Dong Zhongshu, an educator and thinker of the Western Han Dynasty, also pointed out, "Music is used to change people's winds and customs. It is easy to change the people, and it is also important to transform the people. Therefore, the sound comes from the harmony and the emotion, and it is connected to the skin and the bone marrow." That is, through "sound and" "heart and", to achieve "political harmony" "people and". For the Chinese, music is from the heart, is the expression of the human spirit, in the soul of any person is y affected.
Four, briefly describe the history and current situation of the ethnic music culture in Ma Guan County
Ma Guan County ethnic music has a long history and tradition. In Yunnan Province, as well as a number of state and county books have records. The Qing Dynasty Qianlong years of the historian Ni metamorphosis in the "Dian Xiaoji reed-pipe" wrote: "Song Qiande (964-968) in the tribute to summon. Asked about the geography and customs, made the country dance, a person played the lady sheng, called the water song, that is, the reed-sheng also." Ma Guan in the old days that is? County into the Sang County, the text refers to the Lusheng dance, now the Miao are still dancing. Qing Qianlong version of the "Kaifa Province" in the Nong people "marriage to sing privately, began to pass the parents to discuss the wealth." This custom is very common among the Zhuang Nong people in Maguan.
Ma Guan County, the national music culture in the party and the government's care to inherit and develop. Whenever there is a rush or festival, the compatriots of all ethnic groups in the county sing songs and play ancient music is a landscape that has lasted for decades. Music workers in Wenshan Prefecture have collected a lot of precious folk music materials. And on this basis created a batch and batch of excellent musical works. For example, in the 1980s in the province is quite influential Miao song "flower mountain ballad", this song is used to create the elements of the Miao folk songs in Maguan, has won the "Singing beautiful Yunnan" national songwriting award. It has been spread to the United States, Guyana and other countries across the ocean. The Dai music of Maguan is completely different from the Dai music of Xishuangbanna and Dehong, with a unique style, which is called "strange mountain Dai music".
Fifth, on the basis of the inheritance of the national music culture innovation
The traditional folk culture is ancient, but in front of the advanced scientific world it is fragile. Under the influence of the increasingly developed modern civilization, the traditional culture in its own way is often unable to resist the strong impact of modern communication media. Many traditional customs and heirloom arts have quietly withdrawn from the stage of history against this background. Therefore, national music culture should be innovated on the basis of inheritance. Especially in today's globalized cultural context, a healthy cultural ecology should be "pluralistic, constructive and continuous". Only through the organic integration of traditional civilization and contemporary background, rooted in the soil of our own culture, and using our own culture for our own use, can we realize the cultural innovation of the Chinese nation, and the national music culture can become a kind of music culture for people to enjoy, and then get people's recognition, and promote the development of national music.
The development and changes of the times have moved the general audience to update their aesthetic concepts of music. They require folk music to rise to a new height. This is the combination of folk music and modern musical expression. Composers try to be different in the program, on the basis of folk music to create a modern style of works.
Sixth, Conclusion
Ethnomusicology is a discipline that combines ethnography and musicology, and as Merriam emphasized, "Ethnomusicology is usually composed of two different parts, music and ethnography, and it can be argued that its main task is not to emphasize either side but to take both sides into account. to adopt a characterizing approach in which both sides are taken into account, so that they are integrated." Therefore, the understanding that it is necessary to study ethnomusicology with a cultural perspective and anthropological approach, and to conduct ethnomusicology research with a cultural vision and a global vision, and that ethnomusicology has its own special research methods are correct, and it is precisely because ethnomusicology has such a special methodology that it defines its field of study and its objects, i.e., the objects and fields that are suitable to be studied with these methods. Therefore, the objects of ethnomusicological research are not infinitely broad, but can and need to be delimited.
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