Line:
Mrs. Hua: Haha ~~~~ nonsense! Our "One Day Death Scatter" is made of seven different kinds of poisonous insects, plus the crane red, refined for seventy-seven and forty-nine days, colorless and tasteless, killing people without a trace.
Tang Pak Fu: our "half a step up with a smile" is with honey, Sichuan shellfish, orange blossom, plus Tianshan Snow Lotus formulated without refrigeration, no preservatives, in addition to the toxicity of the fierce, the taste is also very delicious.
Mrs. Hua: those who ate our "One Day Death Scatter" will lose all of their martial arts skills in one day, their tendons and veins will flow backward, and their thoughts will go astray, and they will die of blood vessel bursting in the end.
Tang Pak Fu: no mistake! The friend who ate the "half a step with a smile", as the name suggests, must not walk half a step, or smile, otherwise the whole body will also explode and die. It is really a home trip.
Mrs. Hua: killing people.
Two people: essential medicine!
Expanded InformationPlot Rating:
"Tong Pak Fu Poi Chau Heung" is not only very funny, but also the few martial arts scenes in the movie show the careful design of the writer-director. Especially in the end of the movie, when Tong Pak Fu fights the life-threatening scholar.
Beginning with Tong Pak Fu's shot at the tip of the sword, the king's spear is almost like an attack, step by step, and the bravado of the sky, presenting the audience with a duel scene that is painful and overwhelming.
Chow Sing-chi's version of Tong Pak Fu left many classic dialogues for the audience, such as calling cockroaches "little strong". The film demonstrates the extraordinary imagination of Hong Kong filmmakers in subverting classical themes.
The film features a variety of postmodern techniques, including performance art paintings, modern percussion performances, a fashion model's gait, an introduction to poisons filled with advertisement terms, and hilarious ideas such as "the foot with no face".
This is one of Stephen Chow's most iconic theatrical productions, with numerous nonsensical, hilarious, and classic moments. Even though the movie has been around for more than a decade.
Most of Stephen Chow's films have survived in an environment where praise and praise*** exist, and this one is no exception. Though in hindsight such a nonsensical flick seems commonplace.
Controversy is inevitable, after all, for a kind of post-modern culture or many people can not accept, they may also want to dang a Jiangnan talent how to let a little gangster flavor Stephen Chow to play it.
Like the old man waving a tree branch today? This is a kind of collision between art and reality, as in the case of the old man waving a tree branch to drive away the "body art" incident today.
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