Jin Yanxi's ending: She dumped Bai Lianhua and Bai Xiuzhu and went abroad with her fifth and sixth sisters. Later, it was discovered that she was a film actress and married Qiu Xizhen (also a film actress). She alluded to her past in the film, but distorted the facts and tried her best to highlight her misery and clear autumn. After Qing Qiu showed it to his son, he was very sad and angry.
Leng Qingqiu's ending: He escaped from the fire with his son, attempted suicide, and later hid with his family. Later, I still lived with the Han couple, selling couplets in the market and teaching children to make a living.
Later, because the author introduced Jin Yanxi's third sister-in-law's work as a tutor, he immediately fled and hid with his family. Later, my son and I watched a movie directed by Hu. When my son grew up as a teenager, he also bought a fan engraved with Clear Autumn.
Mrs. Kim's ending: separation, moving to a house in the mountains to eat fast and read Buddha. My second aunt followed.
Other characters: Jin Fengju and his wife, Jin and his wife all moved out of the mansion and separated. Jin Daozhi and her husband have not changed. Both Jin Minzhi and Jin Runzhi have studied abroad. Jin Meili lives in her fourth sister's house, goes to the old lady's house on weekends, and continues to associate with Xiao Xie.
Time background
At that time, although the time sequence of Beijing changed on the surface, its cultural roots were not completely consistent with the two cultures because of the change of dynasties, and it was difficult to completely change the internal cultural lifeline in a short time. The envy and wealth of ordinary citizens can be seen from the popularity of the so-called "four sons of Beijing" at that time. "Four children in Beijing" has evolved into a general term for children of noble and romantic families.
Influenced by the trend of the times, The Golden Powder Family takes two romantic "sons" (Jin Yanxi and Jin Fengju) of a prime minister in the period of Beiyang Warlords as the protagonists, and with the help of the family stage, it focuses on exposing the dissolute and parasitic life of the dignitaries and reveals the warmth and coldness of life.