Your most memorable episode of "Martial Arts Outreach"?

1 unexpected "Martial Arts Outreach" January 2, 2006, the central eight sets of primetime broadcast a TV series, as a result, the first day of broadcasting, the ratings let the station staff deflated. I thought the prime time broadcast, the ratings should not be wrong, did not expect ratings of only 1.91%, see such a result, many people are thinking: "finished, the drama is not up". But on the next day, the drama's ratings reached 4.26%, making it the No. 1 drama in that time slot. More surprising still, within a few days, many people in the streets were discussing the drama, what "rows of mountains and seas," "sunflower pointing hand", "the world is so wonderful, but I am so grumpy! "The world is so beautiful, but I'm so grumpy," have become everyone's catchphrases. That's right, this surprisingly popular TV series was the popular "Martial Arts Outreach" 14 years ago. Now, 14 years after the start of "Martial Arts", there are still people who are immersed in it, so why is an old drama from 14 years ago still so charming? Perhaps, only by understanding the behind-the-scenes footage and stories, can we understand how awesome the play "Martial Arts Outreach" really is.2 Don't take the audience as a fool, but take the funny as a learning curveIt is said that when Ning Cai Shen first wrote the script of "Martial Arts Outreach," the more he wrote, the more he felt that it was going to be over, and he felt that he was writing it in a way that wasn't funny at all. Some people suggested that he refer to the Internet's funny paragraphs, but Ning Cai Shen refused, he said: "handy paragraphs, the audience has long seen, the first time to see will laugh, the second time to see the annoyance, to be funny must be their own efforts." Later, Ning Caixin and director Shang Jing pondered that no matter writing a script or making a TV series, you can't shut up in the room and write blindly, you have to really observe life in order to write a really good story. "Don't treat the audience as fools, be funny as learning", it is this kind of attitude and vigor that has laid a solid foundation for the quality of "Martial Arts Outreach" in the future. If you are a veteran "Wulin Gaidian" viewer, you know that this drama seems to be fun and funny, but the classics and knowledge hidden deep within are truly admirable. Hidden within these 80 episodes are the masterpieces of Jin Yong, Gu Long, and Wen Rui'an. The chivalrous Guo Furong is a combination of Jin Yong's Guo Fu and Huang Rong; Bai Zhantang, the Saint of Thieves, is borrowed from Bai Yu Tang in The Seven Heroes and the Five Righteousnesses; Li Dazui, the cook, formerly known as Li Xiu Lian, is quoted from The Greatest Generation of the Pride of the World and The Fastest Talker Li Cui Lian; Lv Qinghou, the scholar, is modeled after the Zuo Qinghou in Gu Long's masterpiece The Legend of Chu Liu Xiang; Mo Xiaobei, is borrowed from the head of the Hengshan Sect, Mo Mo, in The Laughing Pride of the Wanderers; and the boss's wife Tong Xiangyu, the boss of the New Dragon Gate Guests, is modeled after the New Dragon Gate Guests in The New Dragon Gate Guests. The characters are all from different sources, but different from the original characters. After the adaptation by Ning and the director, these characters are given new personalities and backgrounds, which is innovative and pays homage to the classics; in addition to the well-known wuxia masterpieces and the Four Great Masterpieces, the plot also includes the Four Books and Five Classics in China and Shakespeare in foreign countries; there are Chinese pop music and English songs; and from time to time in the middle of the play, there are Chinese pop songs, English songs, and Chinese pop songs, Chinese pop songs, English songs, and Chinese pop songs. English songs; in the middle from time to time also inserted an adapted advertising lines, dance a square dance --- in a word, "Wulin Outreach" is so good, with the creators of the hard work of the early research can not be separated, a group of people are willing to take the funny as a study of the study of the people, naturally shot to let the audience genuinely laugh at a good show.