(1) The bright moon has the connotation of missing, and Aimatsuoka is the burial place of Su Shi's wife.
Dwarf pine is a kind of mountain with dwarf pine trees;
During the Kaiyuan period of the Tang Dynasty, there was an official named Zhang in Youzhou. After his wife died, he left five sons, who were abused by his later wife. His dead wife suddenly came out of the tomb, and the poem told Zhang that there was a difference between life and death, and there was no reason to meet each other. ; If you want to know the heartbroken place, the moon shines on Matsuoka. Su Shi expressed his grief here.
(2) This means that Su Shi never forgets his wife and misses her every night.
2, the original poem:
Mao Yi, the son of Jiangcheng, remembers dreams on the 20th day of the first month.
Song Dynasty: Su Shi
Ten years of life and death are two boundless, disapproving and unforgettable. A lonely grave thousands of miles away, desolate and nowhere to talk about. Even if we don't know each other, our faces are dusty and our temples are frosty.
At night, I suddenly dreamed of going home, and the window of Xiao Xuan was being decorated. Care for each other without words, only tears thousands of lines are expected to break the heart, and the moon and night are short and loose. (heartbreak: heartbreak)
3. Translation:
They have been dead for a lifetime, ten years apart, but they miss each other but are at a loss and can't meet each other. I don't want to miss myself, but I can't forget it. His wife's lonely grave is thousands of miles away, and there is no place to tell her sadness. Even if we meet, we shouldn't know each other, because I'm running around, dusty and cold.
At night, I suddenly returned to my hometown in a vague dream, only to see my wife dressing up in front of the mirror in the small window. The two men looked at each other, and they didn't know where to start with a thousand words, only tears fell thousands of lines in relative silence. It stands to reason that the grave mountain with the bright moon and small pine trees is where I miss my wife every year.
4. Appreciate:
When Su Dongpo was nineteen, he married Wang Fu, who was sixteen. Wang Fu is young, beautiful and very filial. They love each other deeply. Unfortunately, Wang Fu died at the age of 27. This is a great blow to Dongpo, and his inner and spiritual pain is self-evident. Su Shi said in the epitaph of his late wife Wang: "Ding Hai, the wife of Su Shi in Zhao County, died in the capital in May of the second year of Zhiping (1065). In Wu Jia in June, the funeral was held in Jingxi. At noon next June, he will be buried in the tomb of the first gentleman and first lady of Li Kelong, Anzhen Township, pengshan county, northeast of Yumei, eight steps northwest. " In a calm tone, it is extremely painful. In a.d. 1075 (the eighth year of Xining), Dongpo came to Mizhou. On the 20th day of the first month of this year, he dreamed of his beloved wife, Wang, and wrote this poem "When the sky is full of sound, when the spring is full of tears" (now).
In the history of China literature, there have been "Mourning Poems" since the Book of Songs. From the appearance of mourning poems to Su Shi in the Northern Song Dynasty, Pan Yue in the Western Jin Dynasty and Yuan Zhen in the Middle Tang Dynasty are the most famous mourning poems. In the late Tang Dynasty, Li Shangyin also wrote a play on Shu. Their works are sad and touching. Or write that after his lover left, he was lonely and sad, and he was sad to see the relics; Or writers are rich and expensive, reminiscing about the past and lamenting that the world is good and destiny is impermanent; Or use trance-like words and colors to express their profound thoughts and memories, which makes people sad to read. Writing mourning in words is Su Shi's initiative. Compared with predecessors, the expressive art of Su Shi's mourning poems is different. The first word is "dreaming", and the day of dreaming is clearly written. But although it is "Remembering Dreams", in fact, only the following five sentences are about remembering dreams, and the rest are all about expressing their feelings and telling their sadness. They are sincere, simple and touching.
The year of "Mao Yi" in the inscription refers to 1075 (the eighth year of Xining in Song Shenzong), and Su Dongpo was appointed as Mizhou (now Zhucheng in Shandong) at the age of forty. In fact, the word "dreaming" is lyrical except for the following five sentences about dreams. The first three sentences are empty, frank and touching. "Ten years of life and death are two boundless" where will you go, the dead are at a loss about the world, but so are the living and the dead, aren't they? Lovers give up forever, time suddenly, and ten years pass by quickly. "If you don't think about it, you will never forget it." Although people are dead, the beautiful scenes of the past are unforgettable! It has been ten years since Wang Fu died. I think sixteen-year-old Wang Fu married nineteen-year-old Su Dongpo. Needless to say, the young couple have deep feelings, and what is even more rare is that she is generous and sensible. In ten years, Dongpo was suppressed for opposing Wang Anshi's new law, and his mood was sad; When I arrived in Michigan, I was busy with government affairs and had a miserable life, so I ate chrysanthemums to maintain it. In addition, Wang Runzhi (perhaps out of deep yearning for his beloved wife Wang Fu, Dongpo continued to marry Wang Fu's cousin Wang Runzhi, who is said to have the charm of a cousin) and her son are all by my side. How can I keep my dead wife in my heart every year? I don't often miss it, but I never forget it. This deep-rooted feeling is hard to shake off. Because the author is middle-aged, the relationship between husband and wife that * * * has been worried about for a long time cannot be eliminated for a while. The author combines "unexpected" with "unforgettable" and reveals his inner feelings truly and profoundly by using the tension between these two seemingly contradictory mentality. How can he "not think" about his wise and considerate wife on a touching day ten years after his death? The past suddenly came to my mind, and the pent-up undercurrent of emotion suddenly opened like a floodgate, which was hard to stop. So dreams are real and natural. "A lonely grave thousands of miles away, nowhere to talk about bleak." I am very sad to think that my beloved wife died prematurely in China, thousands of miles away. In fact, even if the grave is close at hand, can you spend your life and death miserable? This is a sentimental language that obliterates the boundary between life and death, and to a great extent, it expresses the author's feelings of loneliness, helplessness and desire to tell, which is particularly touching. Then "even if we meet, we should not know, our faces are dusty and our temples are frosty." These three short sentences confuse reality with dreams, including all kinds of personal troubles and resentments after his death, including the aging of his face and the decline of his body. At this time, he was only forty years old and his temples were "frosted". Even if she has been dead for ten years, she will still "meet", which is a desperate and impossible assumption. Her feelings are deep, sad and helpless, which shows the author's deep nostalgia for her lover and gives a vivid description of her personal changes, making the meaning of this word more profound.
Su Dongpo once described his father's teachings in an inscription on the grave of his late wife Wang Shi: "Women share weal and woe, and we must not forget them." And this word is like a dream, but it seems true. In the meantime, I'm afraid the truth is not just obeying my father's orders, but my life experience. What the author relies on in his heart and dreams is indeed a deep sense of suffering that "without thinking, never forgets".
In the first five sentences of the next film, I began to remember my dream, "I came to my hometown at night." It is a narrative that I suddenly returned to my hometown in my dream and met and reunited in the place where they had a sweet time. "Xiao Xuan window, dressing" small room, kind and familiar, her appearance, vaguely in those days, is dressing up. It's like a young woman who has not been married long. Her beautiful image brings out the joy of Su Shi's boudoir. The author used such a common and unforgettable scene to express his eternal impression of his lover. When husband and wife meet, there is no intimacy of reunion after a long separation, but "nothing to care for, only a thousand tears"! This is exactly what makes Dongpo's brushwork extraordinary. The pain is only "speechless"; What is better than a thousand words is "silence"; It is silence that makes this dream feel infinitely desolate. "Silence is better than sound", and this is the victory of silence. Where do you start? Just let the tears overflow. A dream brought back the past, but the beautiful scene of that year did not exist. This is to melt the feelings of reality into the dream and make this dream feel infinitely bleak. The last three sentences fell from dreams to reality. "It is expected to be heartbroken every year; Moonlight night, dwarf matsuoka. " It is expected that lovers buried in the ground will be heartbroken every year on this mourning day in order to cherish the world and be reluctant to part with their loved ones. The author puts himself in the other's shoes and imagines that his dead wife is alone in the cold and lonely "bright moon" night, which can be described as well-intentioned. Here, the author expresses his condolences by imagining the pain of the deceased. This expression is a bit like Du Like's masterpiece Moonlit Night. Not how you are, but how the other person is, which makes poetry more meaningful. The last three sentences of Dongpo's ci are profound, painful and lingering, which makes people memorable. In particular, the phrase "moonlit night, short matsuoka" is desolate and lonely, which makes people sad and lost. The so-called "everlasting, everlasting; One day both will end, and this endless sorrow will last forever "(Bai Juyi). This infatuation is really earth-shattering.
This word uses many artistic expressions, such as frustration, combination of reality and fiction, narrative sketches, etc., to express the author's thoughts and feelings of missing his dead wife. While mourning his dead wife, he also expressed his feelings about his life experience, thus profoundly and sincerely expressing the feelings between husband and wife, which makes people sigh and sigh after reading it.
After Song Shenzong's death, Song Zhezong succeeded to the throne and appointed Sima Guang as Prime Minister. Su Dongpo was recalled to Beijing, promoted to a bachelor's degree in Longtuge, and served as a servant of the little emperor. At this time, Su Dongpo was very appreciated by Xu An and the 12-year-old emperor, and he was politically proud. Su Dongpo misses his dead wife Wang Fu from time to time: "Ten years of life and death are two, and I will never forget it. A lonely grave thousands of miles away, desolate and nowhere to talk about. Even if we don't know each other, our faces are dusty and our temples are frosty. At night, I suddenly dreamed of going home, and the window of Xiao Xuan was being decorated. Care for each other without words, only a thousand lines of tears. It is expected that the heartbroken place will be broken every year, and the moon will be exhausted. " This made a masterpiece of mourning for his wife.
Su Dongpo was deeply saddened by Wang Fu. "Night dream suddenly home, Xiao Xuan window, is dressing. There is nothing to care about, only a thousand tears. " Yin and Yang are separated, and reunion can only be expected in dreams. Only dreams have no time and space restrictions and can transcend all boundaries and restrictions. Simple and sincere affection, you will be moved by affection every time you finish reading it.
It should be said that Su Dongpo's popularity again is somewhat lucky. Such a great poet and writer is dizzy because of politics, and Perilla's life often makes people feel a little ironic, so we have reason to believe that Su Dongpo's mental state is relaxed and happy in this relatively stable and comfortable life, but Su Dongpo can't forget those difficult years that Wang Fu spent with him. Wang Fu's role in Su Dongpo's life is not as simple as that of a housewife. In Lin Yutang's biography of Su Dongpo, he once wrote: ... Su Dongpo ... it was his temperament and natural hobbies that prompted him to become a hermit. Society, culture, learning, reading the lessons of history and external responsibilities can only hide people's true colors. If you strip a person of all the affectations given by time and tradition, the true colors of this person will appear to you. ..... He gets drunk occasionally, and even often wanders around the city drunk on a moonlit night. At this time, he became a big urchin in nature-maybe the creator just wanted people to look like this. "urchin", here Mr. Lin Yutang is commenting on Su Dongpo's free spirit in a commendatory tone, but isn't Su Dongpo actually a naughty child? Unfamiliar with the world, interested, smart enough, not introverted enough.
A wife is steady, but a husband is often not. Husbands are often impatient, depressed and moody. Cheer up if you are happy, and scold your mother if you are unhappy. The trouble is that her husband is talented, so it's not as simple as swearing. Su Dongpo often reveals some "inappropriate" arguments in his poems, asking for trouble. This shows how incompetent these characters will be in daily life and dealing with people. If there is no decent, generous, dignified and elegant wife to arrange these "unsightly" common things for her husband, I am afraid Mr. Su will not have a few days of leisure. In Michigan, they lead a hard life. Su Dongpo was very angry about the new income tax. The children grabbed his clothes and told him about it. He said, "Children are so stupid!" Mrs. Su said, "You are so stupid. What are the advantages of sitting all day? All right. Let me get you some wine. " Su Dongpo felt humiliated when he wrote this story as a poem. At this time, his wife washed the cup and heated the wine for him. This certainly made him very happy. He said that his wife was more virtuous than that of the poet Liu Ling. Because Liu Ling's wife forbids her husband to drink. It took Mrs. Su several years to find out her husband's character. Is a multifaceted personality, optimistic and happy-go-lucky, but sometimes very fierce and stubborn. Mrs. Su is clever and resourceful. She is the daughter of a scholar. She can read and write, but she is not a scholar. Wives also know that they have to keep the house, raise children and live. Because of this, Su Dongpo cannot leave such a woman who has mastered the rudder. Only under the careful care of his wife Su Can did Dongpo have more leisure to "dance in the wind". Because of this, Mrs. Su became the most trusted and dependent person of Su Dongpo. Many things are buried in Su Dongpo's heart. Most people don't know, but Su Dongpo's wife must know. Experienced adversity, experienced life and death, daily care and love, full of trust and comfort. What Wang Fu gave Su Dongpo was the simple and profound emotion of "caring for each other".
In this small word, I can't read a word that makes people feel "melodramatic", and the words are concise and dignified. The connection of each syllable has a sense of coldness, just like the sound of crying. The repressed breath spreads in this "repressed spring flow", making it difficult for people to breathe and escape.
What Su Dongpo can't give up ten years later is the kind of affection that affects each other. What he can't stand is not the loss of vigorous love, but the loneliness of a person after losing his partner. "Even if you don't know each other, your face is dusty and your temples are like frost." What you see in your dreams are trivial fragments of the past lives of your deceased relatives. Because in those trivial things, there is an indelible affection. What is the highest state of love in the world of mortals? Holding your hand is a realm, caring for each other is a realm, and life and death are also a realm. In this world, there is the most dignified and profound love, called dependence. It is a long-term infiltration and a warmth that blends into each other's lives.
In the face of such affection, deduction seems to be a kind of injury, and it is music that needs to be sung repeatedly in life and kept thinking in the quiet night. Countless people have generously given this poem the word "don't". However, thousands of years later, we heard a similar sigh, which gave us a beautiful article worth pondering over and over again, and also made us more deeply understand the pain in Perilla's heart. The Millennium singing of two literati expresses the deepest affection in the world. This is Mr. Ba Jin's memory of Xiao Shan, Xiao Shan. I don't comment too much. As the end of this article, I extracted two paragraphs, which is the most profound interpretation of Jiangchengzi. In such an age of promiscuity, we are glad that there are still such feelings worthy of our eternal commemoration:
She not only shared my pain, but also gave me a lot of comfort and encouragement. ..... I entered the door and saw her face, and all the dark clouds in my mind cleared away. I can pour out my grievances and complaints to her. ..... She kept giving me comfort, expressing trust and feeling wronged for me. ..... Looking back on the scene at that time today, her face full of tears is still vivid. How I wish her tears would disappear and her smile would reappear on her haggard face. Even if I lost my life for a quiet night in our family life, I would!
She left me for twelve years. Twelve years, what a long day and night. Every time I go home, I am greeted by smiling faces and friendly voices, but when I walk into the yard, I only see some high and low green trees and no flowers. On the steps, I looked around, and I still remember the last time she left home. ...
I seem to be still standing on the steps waiting for the car to approach, waiting for a person to come back. Such a long wait. Twelve years. Even in my dream, I can't hear her crisp laughter. I only remember that the children went home with her urn. This urn was originally placed in my bedroom downstairs, on the chest of drawers in front of my bed.
Sorrow is useless. I must end all my dreams. I should cheer up, even for the last time. The urn is still in my house, and my dear face is still printed in my heart. She will never leave me, and she has never left me. I have been a "ghostly" for ten years and I don't feel lonely. I still have the courage to go to my ultimate goal-death. My legacy will be dedicated to the country, and my ashes will be mixed with hers and scattered in the garden as fertilizer for flower trees.
5. Introduction to the author:
Su Shi (1037-1101) was a writer, painter and gourmet in the Northern Song Dynasty. Zi yue Zhan, no Dongpo lay man. Han nationality, Sichuanese, was buried in Yingchang (now Jiaxian County, Pingdingshan City, Henan Province). I have a bumpy career, profound knowledge, extremely high talent and excellent poetry, calligraphy and painting. His writing style, Wang Yang, is unrestrained and fluent, and he is also called Ou Su with Ouyang Xiu, one of the "Eight Masters of Tang and Song Dynasties"; Poetry is fresh and vigorous, making good use of exaggeration and metaphor, and its artistic expression is unique. Together with Huang Tingjian, they are called Su Huang. The uninhibited school has a great influence on later generations, and it is called Su Xin with Xin Qiji. Calligraphy is good at running script and regular script, and it can be innovative. Writing with a pen is ups and downs, full of childlike interest. And Huang Tingjian, Mi Fei and Cai Xiang are also called Song Sijia. Painting is the same as literature. In painting, we advocate spirit likeness and "literati painting". He is the author of The Complete Works of Su Dongpo and Dongpo Yuefu.