The youngest aunt is so eager to marry, even if it is revealed that the jewelry box is empty, but also to hold tightly in the arms. The Chinese wedding is a quiet affair, as she wished.
However, a marriage that is longed for but not chosen is doomed to be unhappy. The boss's wife, Deng Xiaogu, and the boss, Cai Xingshun, who hides under the table to fiddle with the abacus and occasionally gets up to hold the children, are not worthy of each other.
Missy looked at Luo De Sheng for her to drive away those ill-intentioned robes, and then recalled the wedding night Luo De Sheng and their "inadvertent" contact, Deng Missy inevitably as a drought meets the sweet dew, the dry wood meets the fire in love with him.
A so graceful and understanding of the woman, hopelessly in love with you, not a few men to carry. Even his own lover is willing to leave with hatred to set up the two, Luo Desheng determined to be with the youngest aunt.
Cowardly Cai Xingshun and what can be said, without the care of cousin Luo De Sheng, their own life is difficult, not to mention not to mention continue to run the restaurant. The three of them have been living a life of no shame.
However, how could Gu Tiancheng, who hated them so much, let them go? Simply by converting to a foreign religion, he had the right to make other people's families fall apart, something every loser is willing to do.
Luo Desheng abandoned her and fled, Cai Xingshun held the child in jail, leaving the badly wounded youngest lying in the bamboo forest in the pouring rain.
The youngest aunt, you have two ways, one is to marry me, your husband and children can live, your lover is no longer being pursued; the other way is to reject me, waiting for your husband, son and lover to collect the body. Gu Tiancheng is very proud, the great revenge has been avenged, and the beloved beauty is about to throw herself into the arms of the people.
He is a man of the world, a man of the world, a man of the world.
In the context of the society at that time, the rejection was like a slight ripple on a pool of stagnant water.
A Western-style wedding came to be, the wedding march is a happy requiem, uncovered the white veil into a white chrysanthemum in front of the grave of love.
The ending picture has been lingering in my mind: a dark, a beam of blood-colored light cover, the youngest aunt wearing a red wedding dress, playing a paper umbrella, flooded with blood-red light. That picture is very bizarre, seems to emanate the breath of death, let a person be scared.
When the heart dies, so does the soul.
Chongqing Ballet's Dead Water is a ballet, but it incorporates many Chinese elements such as Sichuan Opera face changing, late Qing Dynasty costumes, robe culture, plus some elements of modern dance, which makes it very intimate, which is different from the cultural strangeness of watching Swan Lake.
The choreographer was very attentive and achieved simplicity. For example, in the scenes where Gu Tiancheng is addicted to gambling, a jar netted with red rope is used as the backdrop, which is very meaningful.
The entire dance drama creates a mood of beauty, this beauty is by the people of the pavilion, the dance of the spirit of the floating, music, the beauty of the stage, the story of the tragic composition, not just the kind of use of the human body movement constructed artistic curves of the aesthetics.
Whether it's the cold and ascetic Luo De Sheng, or the graceful Missy Deng, all of them received a burst of applause. At the end of the show, Peng Yu, the actress who played Missy Deng, waved her hand like a little woman, and I don't know how many people's feelings of love and pity were aroused.