Focus on migrant workers! Why does Crossing the Future starring Yang Zishan and Yin Fang make people cry?

For this film, the focus is on foreigners who are struggling to live a hard life in the village in the city, but they have built a prosperous city with their own hands. Village in the city. This word that makes us live in the city is very strange to Li Ruijun. Li Dao admitted that he once went north and lived in a village in Beijing for 1 1 year. Different from village in city, city is a word we are very familiar with. However, for "second-generation immigrants" like Yao Ting and Xinmin, their parents were born in the city after working in the city. The city is a yearning that they can't integrate into, and the future can only pass by. Bian Xiao believes that Yang Zishan and Yin Fang's Through the Future can make people cry for the following reasons:

1, Passing the Future tells many hot issues in China society, such as high housing prices, declining manufacturing industry, factory layoffs, doctor-patient relationship, urban and rural development, and single young people. The essence of movies is still to pay attention to the causes of these phenomena: the conflict between traditional concepts and urban culture brought about by economic development, and to explore what economic development has brought to ordinary workers.

2. The most direct presentation of this film to the audience is the concern for the second generation immigrant families. In Yao Ting's home, the walls are covered with honors to witness her growth. These honors should be the best proof that she belongs to Shenzhen. However, people who have lived in this city for more than 20 years are very vulnerable. In the face of factory layoffs, Yao Ting can only choose to accept it gladly. Yin Fang's boat in the desert can speak fluent Cantonese, but in the end, he has to do the same job as his parents.

3. What these immigrants bring is the conflict between the urbanized life in contemporary society and the traditional concept of "home". In the future movies, the director may only want to describe a group of people, because their resistance to the times is often weak. In fact, I think everyone is trudging on their own circular orbit, starting from the shelter and looking for the next shelter.