How to learn how to write well with a brush?

Question 1: How to write a good brush character The "brush character" here refers to the brush character written in accordance with the traditional law, rather than writing characters with a brush at random. It is the first stage of learning calligraphy. How to write a good brush character, is a very complex, very specific problem, not a thousand words can be said thoroughly, this article is just a conceptual tip to write some good brush character of the basic essentials.

To write a good brush character must master the brush and word method.

First is the pen. Su Dongpo said: "the pen is not fixed, to make the virtual and wide." Here to introduce the general use of the "five-finger pen method": that is, the thumb and forefinger belly pinch pen (appropriate height), to ensure that the pen does not fall off; middle finger in the forefinger below the outside of the pen, not only to strengthen the forefinger to pinch the pen's strength, but also to play the role of the pen to the hook; ring finger of the occasion of the flesh of the armour against the pen on the inner side of the pen, playing the pen to the outside of the role; little finger attached to the ring finger in the pen, and the pen to the outside of the role of the pen, the pen to the outside of the pen, the pen to the outside of the pen. The little finger is attached to the lower part of the ring finger's belly, assisting the ring finger to push the pen outward. When holding the pen, as the ancients said: "make the palm virtual as holding the egg", so as to facilitate the pen. Learning to write should always practice holding the pen, hook back, launch and rotate the pen (plus the role of the wrist) to practice drawing straight lines and arcs. The height of the pen and whether to hang the wrist, elbow, by the size of the word to decide, small words low hold, pillow wrist; large words high hold, hanging wrist; and then big need to hang the elbow.

Calligraphy is the art of modeling lines. The so-called penmanship is mainly about how to create ideal lines (dots and strokes) with the brush.

Raise and press. When the pen is pressed down, the stroke is thick, and when it is lifted up, it is thin. Just like a person walking on two feet, a drop, a lift, constantly alternating, the pen in the process of writing is also constantly lifting the press. This is the only way to produce lines that are never the same thickness.

Each writing stroke, there are three processes: the entry, the line, and the closing. Into the pen, there is a "show" method, along the pen and into, so that the beginning of the stroke was pointed or square; there is a "hidden front method", against the front into the pen, the horizontal strokes want to the right first left, the vertical strokes want to go down first, so that the brush hidden in the strokes, the beginning of the stroke is basically round. Strokes should learn to use the "center stroke", so that the tip of the blade is always running in the middle of the points and scratches. In order to make the strokes have strength, but also learn to use the brush, line in the stay, stay in the line, to avoid flamboyance. The closing of the pen has a "show front" (the pen gradually raised to the surface of the paper, the painting was pointed, such as hanging needle vertical, apostrophe, press, hook), there is a "hidden front" (the tip of the pen back to the painting, such as hanging Luzhu vertical, the end of the stroke is rounded).

The word "junction" is also called "junction" or "inter-frame structure". Mr. Qigong once pointed out that to write brush characters, one should grasp the inter-frame structure, and the second should practice the characteristics of the strokes. The structure of the frame is more important than the characteristics of the strokes. The character with a good inter-frame structure is still pleasing to the eye even if the characteristics of the strokes are not prominent; on the contrary, it will not work. Therefore, it is very important to carefully study and grasp the laws of the word's structure. The so-called "distribution of the first learning, but seek to be correct".

Learning to write should start with the regular script or clerical script. After mastering a variety of penmanship and then learn other styles of calligraphy has a foundation. The post is a necessary means of practicing good words. Not to post, all according to their own ideas randomly write, is not on the road. Learn to write the word must have perseverance and perseverance, to persevere, guard against arrogance, not a day's sunshine. It is often said: "as long as the work is deep, pestle and mortar into a needle". As long as according to the law of learning to adhere to the pool, inevitably learn.

Question 2: How to learn brushstrokes (requirements are self-taught)? Calligraphy has a seal script, official script, regular script, running script, cursive five, many self-study calligraphy people do not know where to start, do not know that kind of calligraphy, do not know that kind of font, do not know that kind of posters.

The vast majority of people and I believe that beginners should take the Regular Script as the basis, but some people believe that they should learn from the Clerical Script. The arrangement of the Regular Script structure is right in the middle stage. It is evolved from the official script, if the regular script is written to the flat, plus wave limbs of the brushwork that is the official script. Will be written to simple flow some that is the line of the book, the line of the book and then write a simple grass that is the grass. If you start from the official script, it is difficult to master the penmanship of the regular script, because the penmanship of the regular script is richer and more complicated than that of the official script. It can be seen that practicing the basic skills of the regular script can be used as the basis for practicing the writing of each body.

With the foundation of Regular Script, mastered the Regular Script's inter-frame structure and brushwork, and then write Wei Bei, Clerical Script and Running Script, Cursive Script. Even the seal script, you can get twice the result with half the effort. Regular script and can make WeiBei, Clerical Script junction penmanship can be enriched and change, such as ZhuSuLiang's Regular Script; Regular Script infiltration of Running Script, Cursive Script penmanship can be added to increase the spirit of movement, such as ZhaoMeng \ some of the Regular Script tablet characters.

Some beginners are eager to practice running script, cursive, due to the lack of the basic power of the regular script, although the writing of the "dragon and phoenix dance", but there is no basic rules of the font and the basic power of the dots and scratches, the result is that twice the effort is half the effort, and take a detour

The best way to practice the regular script is to post it. Let a person feel simple, if there is anyone's more simple, I'm afraid that early has been the only initial practice of calligraphy. In fact, the pro-which post can be, according to their own preferences to choose the post, Yan, Ou, Liu, Zhao can be, but in the purchase of the post try to buy the better quality of the word stickers.

To do a good job, you must first sharpen your weapon, and to practice good brushwork, it is very crucial to choose the right brush.

There are many types of brushes, general writing pen, roughly divided into soft, hard, neutral three categories. Soft pen, sheep hair, chicken hair and so on. Hard brush, there are purple hair (rabbit hair), wolf hair, mouse hair, and so on. Neutral (not soft and not hard) pen is called "part-hair", there are sheep purple part, sheep and wolf part two.

For beginners, if you start with a hard pen, the pen does not need much technique is relatively trouble-free, because the pen will help you a lot, but over time, you can only use a hard pen, once you pick up the sheep pen to feel difficult to move. On the contrary, if you learn to use sheep-hair brush to practice, although the beginning of the difficulty of some, you must use the method of lifting and pressing the brush in order to write qualified strokes, but also learned to use the soft brush method, with the increase in contact with the time, slowly will be comfortable, free to apply. At this time if you pick up the hard brush to write, will feel easy to use.

The ancients also have a lot of experience in the use of pens. It is not easy to buy a very good and expensive pen when you first learn, and advocate the use of poor pen, because if you can write good words with a poor pen, with a good pen will be more suitable, write better. On the contrary, if you use a good pen right away, you will only use a good pen for the rest of your life, and once you encounter a poor pen, you will not be able to write well. Of course, you should not use too bad a pen to practice calligraphy, which will make it more difficult for beginners. The great calligrapher of the early Tang Dynasty, Ouyang Xun, had a record of "not choosing the pen and paper, all get like the will", which was highly praised by his contemporary, Yu Shinan.

In addition, from an economic point of view, the authentic wolf brush is very expensive, good "big orchid bamboo" to sell a couple of hundred dollars a, while the ordinary pen as long as two or three dollars, a little better five or six dollars a sufficient. And wolf brush because of the hard hair, easy to wear and tear, use time is not long, while the sheep pen is soft and durable. Beginners or buy a sheep pen affordable.

Before buying a pen, you also need to understand the model of the brush. Brush because of the different types of system and divided into lowercase, in the regular, large, and then large is the screen pen, pen, bucket pen, planting pen and so on. Due to the name of each pen factory, the brand name of the different, the size also varies. Beginners can buy a long-flower pen, the length of the brush in about four or five centimeters, the diameter of about one centimeter, so that the brush can write seven centimeters square of the large regular characters. It is more suitable for people who are just learning brush writing.

There are many kinds of brushes, in the first learning, I hope you choose "part-hair" of the lake brush. Because the part-hair brush, the quill hard, easy to grasp, it is very important for your future learning, I say why not use "sheep hair" and "wolf ho", because the former is very soft not easy to grasp, the latter is very hard for painting writing.

When choosing the peak of the brush, we should choose the appropriate length, because the brush is too long is not easy to grasp, but the brush long can contain a lot of ink, suitable for writing "cursive" in one fell swoop, the brush long enough to ensure that the ink, and vice versa, the brush short suitable for writing regular script, easy to grasp.

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Question 3: How do beginners write good brushstrokes? The "brush character" here refers to the brush character written in accordance with the traditional law, rather than the brush to write out the word. How to write a good brush character, this is a big problem, here can only be conceptualized to make some tips.

For adults, the easiest way is to find a favorite font, buy some celebrity stickers, and practice a lot; the focus is on practicing the inter-frame structure of the word, otherwise, the strokes are good, the word structure is not good, the writing will not be able to write the word brush. First practice the basic strokes, and then practice the inter-frame structure, and, the latter is the focus, which is the most need for time and enlightenment, that is to say, to practice more plus more thinking, more summarized, it will continue to improve.

In order to write a good brush character, you must master the brushwork and characterization.

First of all, let's talk about the pen. Su Dongpo once said: "the pen is not fixed, to make the virtual and wide." Here only introduce the general use of the "five-finger pen method": that is, with the thumb and forefinger belly pinch the pen (appropriate height), to ensure that the pen does not fall off; middle finger in the forefinger below the outside of the pen, not only to strengthen the forefinger pinch the pen's strength, but also to play the role of the pen to the hook; ring finger of the occasion of the flesh of the armour against the pen on the inside of the pen, playing the role of the pen to the outside; little finger attached to the ring finger, the pen to the outside of the role; the pen to the outside of the pen, the pen to the outside of the pen. The role of the little finger attached to the ring finger of the lower part of the belly, to assist the ring finger to push the pen outward. When holding the pen, as the ancients said: "make the palm of the virtual as holding the egg", so that it is easy to run the pen. Learning to write should often practice holding the pen, hook back, launch and rotate the pen (plus the role of the wrist) to practice drawing straight lines and arcs. The height of the pen and whether or not hanging wrist, elbow, by the size of the book to decide, small words, pillow wrist; large words, high enforcement, hanging wrist; and then the big need to hang the elbow.

Secondly, the penmanship. Calligraphy is line modeling art. The so-called penmanship is mainly how to create the ideal line (dots) of the pen method. The pen is pressed down to write, the strokes are thick, lift up on the thin. Just as a person walks with two feet, one down, one up, constantly alternating, the pen in the process of writing is also constantly lifting and pressing. Only in this way can we produce lines that are never the same thickness. For every stroke, there are three processes: entering the brush, traveling and closing the brush. Into the pen there is the "exposed" method, along the pen and into, so that the beginning of the stroke was pointed or square; there is the "hidden" method, against the brush, horizontal strokes want to the right first left, vertical strokes want to down first up, so that the brush hidden in the stroke, the beginning of the stroke is basically a rounded shape. Strokes should learn to use the "center stroke", so that the tip of the blade is always running in the middle of the points and scratches. In order to make the strokes have strength, but also learn to use the brush, line in the stay, stay in the line, to avoid flamboyance. The closing of the pen has a "show front" (the pen gradually raised to the surface of the paper, the painting was pointed, such as hanging needle vertical, apostrophe, down, hook), there is a "hidden front" (the tip of the pen back to the painting, such as pendant dew vertical, the end of the stroke is rounded).

Let's talk about junction. Jiezi is also known as the junction or inter-frame structure. Mr. Qigong once pointed out that: to write a brush character, we must grasp the structure of the frame, the second to practice the characteristics of the strokes. The structure is more important than the characteristics of the strokes. A word with a good inter-frame structure is still pleasing to the eye even if the characteristics of the strokes are not prominent; on the contrary, it will not work. Therefore, it is very important to carefully study and grasp the laws of the word junction, the so-called "distribution of the first learning, but seek to level", said this is the truth,

To learn to write a good brush word or the best from the regular script or official script to begin with. After mastering a variety of penmanship and then learn other styles of calligraphy has a certain foundation. And the post is the necessary means of practicing good brushwork. Do not post, all according to their own ideas randomly write, is not on the road, is not good at writing brush characters. Learn to write the brush character must have perseverance and perseverance, to be persistent, guard against arrogance and impatience, not one day's sunshine. As the saying goes: "As long as the work is deep, pestle and mortar into a needle". As long as we can adhere to the rules of writing, we will surely learn to write a good hand of brushwork

≯ω≮enP AnswerAdoption rate:28.3% 2008-08-06 16:05

Prosecution

If you want to write well, you must have a good grasp of the brushwork and the character method.

The first thing is to hold the brush. Su Dongpo said, "There is no definite way to hold the brush, but to make it weak and wide. "Here to introduce the general use of the "five-finger pen method": that is, the thumb and forefinger belly pinch the pen (appropriate height), to ensure that the pen does not fall off; middle finger in the forefinger below the outside of the pen, not only to strengthen the forefinger to pinch the pen's strength, but also to play the role of the pen to the hook; ring finger of the occasion of the flesh against the inner side of the pen, play the role of the pen in the Inside the pen, play the role of the pen outward; pinky finger attached to the ring finger of the lower part of the belly, to assist the ring finger to push the pen outward. When holding the pen, as the ancients said: "make the palm virtual as holding the egg", so as to facilitate the pen. Learning to write should often practice holding the pen, hook back, launch and rotate the pen (plus the role of the wrist) to practice drawing straight lines and arcs. The height of the pen and whether the hanging wrist, hanging elbow, by the size of the word to determine the book, small words low hold, pillow wrist; large words high hold ...... >>

Question 4: How do adults practice writing with a brush? Must copy a, you think people calligraphers life summarized calligraphy experience, must be worth learning!

It is recommended that you brush and hard pen together to practice, twice the result with half the effort! The regular script practice Yan Zhenqing's "Qinli monument", the running script choose Wang Xizhi's "Lanting Preface" "Shengjiao Preface". If you only want to practice penmanship, learn Qian Peiyun's, relatively fast, daily practice, a month word can be very decent! But remember to usually write to think of practicing the word is written that way!

Penmanship and brushstrokes don't seem to be related, but practicing them together will improve them faster!

Question 5: How can I get good at calligraphy? Calligraphy is an art of perseverance, the most taboo three days fish, two days sun net,

Because of the age of the relationship, you can not practice strokes and directly into the stage of practicing the word, the following briefly introduces a few methods:

1. tracing: that is, in the double hook penmanship outlined in the frame of the word to fill in the strokes, suitable for beginners, the general bookstore are sold.

2. copying: that is, in the predecessor of the law post covered with white paper copying, suitable for beginners.

3. copy: is the reference to the previous post for copying, suitable for those who have a certain foundation.

4. memorization: is the first to learn to digest the previous post, writing is not to see the post, after the completion of the post against the post to find out the shortcomings.

There are many more, not listed here.

Beginners should start with the real book (such as the regular, official, seal; Wei Bei, etc.) should not be practiced first cursive.

Here we recommend a few posters for beginners:

The regular script has Yan Zhenqing's Qinli monument, Duo Bao Pagoda monument, and Ma Gu Xian Tan; Liu Gongquan's Xuanxie Pagoda, and Shenzhe Jun monument; Ouyang Xun's Jiucheng Palace, etc.

The Shi Chen monument and Zhang Qian monument of the 隶书;///p>

The Wei monument has Zheng Wengong monument, etc. The Wei monument has the Zheng Wengong monument, etc. The Wei monument has the Zheng Wengong monument.

Because of time relations, only write so much, if interested, you can send me a message we study together.

Start practicing the word should pay attention to a few points: (practice a period of time to learn the structure of the word and other general knowledge)

① posture should be correct, both feet flat on the ground, both hands according to the case, shoulder flat, back straight, head, eyes on the paper.

② hold the pen to finger solid palm virtual, pen in the finger, pen in the wrist. Start practicing the word pillow wrist, gradually lift the wrist, hanging wrist.

③ penmanship to be clear, generally divided into two kinds of square pen and round pen, but also clear in the center of the front, the side of the front, lying front of the application site.

④ Regular script is the basis for learning brush characters. After learning the regular script, you can then learn the running script, and finally the cursive script. You can also learn WeiBei first.

⑤ Do not look at the post to write a stroke, first read the post, eat through the essentials, and then write a word in one breath.

⑥ First of all, you have to practice all kinds of radicals, and then it will be easier to form all kinds of characters.

Question 6: How to write a good brush character To learn calligraphy to write a good brush character must pay attention to the following points:

First of all, the key to learning calligraphy is to use the pen, the famous calligrapher Zhao Meng \ once said: "Calligraphy to use the pen for the top." Such as starting, traveling, closing, lifting, pressing, turning and so on. There is a difference between "square" and "round" strokes. The so-called starting brush is the reverse stroke. The so-called center-front line is to keep the main peak of the pen in the middle of the strokes, hide the head and protect the tail, so that the heart of the pen is hidden in the line of strokes, the center-front line of the pen can make the strokes full, rounded, thick and textured. To achieve the wood into the three points, force through the back of the paper. Square strokes are made by folding the brush against the wind, which inevitably becomes a side stroke. The basic principle is "horizontal painting straight down the pen, straight painting horizontal down the pen", in the pen immediately after the stroke to the center front, in the closing place to the side of the pen to the side front. Square strokes should be fast and heavy, folded to become square, and round strokes should be slow, light, and lifted to become round. Learn to use the pen also mastered the key to calligraphy. Second, the structure of the word. Strokes in accordance with certain rules to organize the word, the strokes of a word, pay attention to the appropriate sparseness and density, with the proportionality of the strokes, up and over to the back, appropriate changes, interspersed with contact, neatly arranged, let avoiding disturbing each other, each other according to the shape of the broken meaning of the even, echoing and looking forward to, each of the various strokes with each other to complement each other. The length of the strokes, short, thick, thin, wide, narrow and so on as the doctrine of yin and yang, it is necessary to yin and yang and harmony, interdependence, that is, opposition and unity, in order to make the word written in a perfect way. Once again, pay attention to the chapter, you can write many words into a chapter. The distribution of the whole work, such as word spacing, line spacing, the size of the word, high and low, leaving heaven and earth. To write before the design, to do in mind, so that the word and word, line to line between the right size, sparse and dense, that is, rich in change and integrated. Appreciate the calligraphy techniques and the inner charm, to be practiced by imitating the posters, to learn a variety of techniques written out with the original post against, to find the gap, the posters as a storybook to appreciate reading, enhance the understanding of the techniques. Calligraphy is not a day's work, in order to write good calligraphy, to be persistent, never stop practicing, learning calligraphy must have some achievements.

Question 7: How to write "study hard" brush character hope to adopt !!!!

Question 8: Is there a trick to learning how to write well with a brush? In order to write good brush calligraphy, you need to master the penmanship and characterization.

The first is the fate of the pen. Su Dongpo said: "the pen is not fixed, to make the virtual and wide." Here to introduce the general use of the "five-finger life pen method": that is, with the thumb and forefinger belly pinch pen (appropriate height), to ensure that the pen does not fall off; middle finger in the forefinger below the outside of the pen, both to enhance the forefinger pinch pen power, but also to develop the role of the pen to the hook; four thumbs of the occasion of the nail meat in the inner side of the pen, playing the pen to the outside of the role; little thumbs attached to the pen, the pen to the outside of the pen, the pen to the outside of the pen. Role; small thumb attached to the four thumbs of the lower part of the belly, to help the four thumbs to push the pen outward. When holding the pen, as the ancients said: "make the palm of the virtual as holding the egg", so as to facilitate the pen. Learning the book should often practice holding the pen, hook back, launch and rotate the pen (plus the role of the wrist) practice drawing straight lines and arcs. The height of the pen and whether to hang the wrist, elbow, by the size of the word to resolve, small letters low hold, pillow wrist; large letters high hold, hanging wrist; and then the big need to hang the elbow.

Calligraphy is the art of modeling lines. The first and foremost thing is how to create the desired lines (dots and drawings) with the brush.

The pen is pressed down. When the pen is pressed down to write, the strokes are thick, and the teeth and come to be thin. Just like a person walking on two feet, a sinking, a teeth and, constantly alternating, the pen in the course of writing is also constantly lifting the press. The only way to produce a thick and thin line is to have a cloud.

Each write a stroke, there are three courses of entering the pen, traveling the pen, and closing the pen. Into the chicken have "exposed" method, along the pen and into, so that the beginning of the stroke was pointed or square; there is a "hidden front method", against the front into the pen, the horizontal strokes want to the right first left, the vertical strokes want to go down first up, so that the brush hidden in the strokes, the beginning of the basic strokes were rounded. Strokes should learn to "stroke with the brush", so that the tip of the brush is always running in the center of the points and strokes. In order to make the strokes have strength, but also to learn to astringent situation with the pen, line in the stay, stay in the line, to stop frivolous and slippery. The closing of the pen has a "show front" (the pen gradually raised to the surface of the paper, the painting was pointed, such as hanging needle vertical, apostrophe, down, hook), there is a "hidden front" (the tip of the pen back to the painting, such as pendant dew vertical, the end of the stroke is rounded).

The word "junction" is also called "junction" or "frame layout". Qigong master teacher once pointed out that writing brush characters to grasp the layout of the frame, the second to practice the unique strokes. The layout of the frame is more important than the uniqueness of the strokes. Interframe good word, the unique strokes do not stand out, but also look comfortable; the other way around, it does not work. Therefore, it is very important to carefully study and grasp the rules of character formation. The first thing you need to do is to learn how to use the word "Diffuse", and then you can use the word "Diffuse" to make sure that you are not using the word "Diffuse".

Learning to write should start from the regular or official script. After mastering a variety of penmanship and then learn other styles of calligraphy has a foundation. Pro post is the necessary hand and eye to practice good words. Not to post, all according to their own ideas randomly write, is not on the road to finish. Learning to write the word must have constant and perseverance, to be consistent, guard against arrogance, not a day's sunshine. It is often said: "as long as the work is deep, pestle and mortar into a needle". As long as the law of learning is confronted with the pool, it is inevitable that the learning will be successful.

More practice exercises

First, find a good posters they like, from the beginning of the strokes to copy, can also be combined with each word copy, the more like the better, to find out each of the Pro is not like the strokes, repeated pondering the Pro is not like the reason, repeat the practice, practice will eventually be accomplished. Do not listen to others on this class, on who class, that all is cheating money, some calligraphy classes a week of cream actually to thousands of dollars, have this money to buy into the paper, ink and pen I do not believe that the practice is not a good word, Ouyang Xun, Wang Xizhi did not go to these calligraphy classes so can become everyone! I wish you success!

Generally, the beginning of the scholars brushes with part-hair relatively easy to master sheep hair is too soft wolf hair is too hard the price is relatively high and easy to bald Ink no said Ink to survive longer after writing since the grinding of the ink for just for practicing the character on the need to pay attention to the word stickers can be according to your personal favorite font to come to the should be to the regular as the beginning of the practice of the script and seal script can also be just not more than the practicality of the script The beginning of the pro-text can be to choose the Yan Zhenqing Liu Gongquan, Ouyang Xun, Zhao Meng \ and other famous hands in which the Zhao character is relatively inappropriate as an introductory exercise because the Zhao character has no real regular Ouyang Xun's regular layout is the most elaborate to start the most difficult, but it is also the most training of the bottom work, you can choose your own Brush calligraphy in fact, in order to write the character looks good, there is no special mysterious The most important is to be patient

Question 9: How to learn the brush character how to operate the pen well? Learning calligraphy should be persistent

Start practicing a few points should pay attention to: (practice a period of time to learn the structure of the word and other general knowledge)

1 posture should be correct, two feet flat on the ground, two hands according to the case, shoulder flat, back straight, head is, eyes on the paper.

2 Holding the pen to finger real palm virtual, holding the pen in the finger, running the pen in the wrist. Begin practicing the word pillow wrist, and gradually lift the wrist, hanging wrist.

3 penmanship to be clear, generally divided into two kinds of square pen and round pen, but also clear center front, side front, lying front of the application of parts.

4 Regular script is the basis for learning brush characters. After learning the regular script, then learn the running script, and finally the cursive script. You can also start with Wei Bei.

5 Pro post, do not look at a write a, first read the post, eat through the essentials, and then write a word in one breath.

6 First of all, we should practice all kinds of radicals, and then it will be easier to form a variety of words.

Question 10: How to Practice Running Script

How to Practice Running Script

The first thing you need to do is to practice the Regular Characters, and you can only start to learn the Running Script after you have finished the Regular Characters.

The basic skills of running script: the character should be scattered but not scattered, and the strokes should be fast and slow, and the reality should be appropriate.

How to practice calligraphy

1, copying

Copying is the most basic way to learn calligraphy, not only the first calligraphy to copy, is a certain foundation after the need to copy. Learning regular script needs copying, learning seal script, official script, running script and cursive script still need copying. Calligrapher's life is spent in copying, in copying to learn, in copying to think, in copying to create.

Copying post, is to use thin paper masked in the post above, and then pen with the shadow, according to the revealed handwriting to write, also known as "imitation shadow" or top writing. Facsimile also has a method called "red", that is, in the printed double hook red line to fill in the word.

The method of copying post: the first step first red. That is, from a post selected clear, complete word, with transparent and impermeable ink on thin paper, such as typing paper, glossy paper, tracing paper, etc., masked in the post, according to the outline of the word, with a very fine line hooked into the hollow word, which is called "double hook". Then hooked the word as a tracing book, fill in with red ink, then fill in with blue ink, and finally fill in with ink, so that not only deepen the memory, but also save paper.

Copy post should pay attention to the pen with the post to go, do not lose shape, to see the ins and outs of the strokes, speculate on its penmanship and structural form. Copying post with "write" intention, will be written into a stroke, full and refined, do not follow the gourd to fill in the smear.

Pro post, that is, on the basis of copying the post, the post of the word with the brush, after a basic understanding of the law of the word, to the post to write. There are three methods of copying the post, the grid and the back.

The Pro, that is, the post on the opposite side of the post frame according to write, this is the most convenient, the most commonly used method of Pro post.

The frame pro, that is, with a good grid of transparent paper (TianZiGe, MiZiGe, nine palace grid, etc.) according to the type of pro writing. Mainly used to grasp the structure of the word parts.

Back Pro, that is, the post put away, from memory, the word in the post, not only for its shape, but also for its God. After memorizing, you can set the words as a combination or set the words into a piece, and then enter the creation stage.

Copy post pen with the shadow to go, the ancients how to write, how we write, size, length, width, thickness, square, diagonal and so on must be written according to the requirements of the post word, there are certain norms and constraints. Copying the post is characterized by easy to learn to the position of the structure of the ancients, but because the norms are too dead, but the loss of the ancients of the meaning of the pen, the pen is rigid and inflexible, so that people feel unable to let go, can not stand; Pro post or on the Pro, or the back of the Pro, or the Pro, to join many of the book of their own personality, so easy to get the meaning of the pen of the ancients, and easy to lose the position of the structure of the ancients. Write freely and casually, the pursuit of individuality, but get very little.

So in the copying must be combined with copying, copying after the pro, not only to get the ancients of the pen method, but also to get the ancients of the structure of the law. When practicing, you can use the first copy and then copy, and then reverse copy, and then copy again. Or use the "double hook" method to study the structural rules. Copying interspersed, complementary, the effect is very good. In copying, we should look, think and ponder more, and then put down the pen. The pen should be accurate, first look like, then look like, in order to achieve both the form and the spirit. After copying to repeatedly check, summarize the lessons learned, in the negative to improve, in the lesson of maturity.

2, first in and then out

Copying is the most basic and effective way to learn calligraphy. Copying is inheritance, is to learn from the ancients, learn from the former excellent posters in the beauty of the pen, the beauty of the word, the beauty of the chapter, the beauty of the flavor and momentum. But copying there is a key issue into the post and out of the post. Not into the post, write not into, or write out not like, is not able to dialog with the ancients, can not learn the ancient calligraphy. But not out of the post, that is, in and out, too much like the ancients, simply become a slave to the ancients of the book, a bit of their own personality are not, so write, and ultimately not form their own style of calligraphy characteristics.

On the post and out of the post, Qing Yao Mengqi said well: into the post, "I can not have me, I will be vulgar"; out of the post, "I can not be no me, no I will be mixed." "Can not have me in" that is to concentrate on practicing the ancients post, to grasp the spirit of the post, to "a word and a pen must come from the ancient post", not into the post will have no basis; "can not have me in "said to be on the basis of Lin like, draw on the strengths of other post, integration, combined with their own artistic qualities and creative talent, and gradually form their own style, personality, creativity, and gradually move towards a new realm of free creativity.

3, read the post good understanding

The post not only to Pro, but also important in the reading, the book good understanding, that is, from reading the post in the understanding, some of the ancients excellent post, not necessarily to Pro, as long as the careful reading, repeated flavor, realize the law and flavor, will naturally into their own books ...... >>