52 years ago in the early morning of April 1, Ms. Lin Huiyin with great regrets about the urban planning of Beijing, with China's architectural career with great fondness, left the world, left her love of the cause of the beloved family and friends. Is there any reason today for our media to neglect in any way this people's architect who has done a lot of good things for the people?
Originally known as Huiyin, Minhou, Fujian Province, was born in Hangzhou on June 10, l904, and died in Beijing on April 1, 1955, after a long illness. 1916, she was admitted to the Peihua Girls' High School in Beijing, and in 1920, from April to September, she accompanied her father, Lin Changmin, on a tour of Europe to visit London, Paris, Geneva, Rome, Frankfurt, Berlin, and Brussels, and then studied at St. Mary's Girls' School in London. 1921, she was awarded the title of the "Best Architect of the Year" by the Chinese Academy of Arts and Sciences. In 1921, she returned to China and resumed her studies at Peihua Girls' High School; in 1923, she joined the Crescent Society; in 1924, she studied in the United States and enrolled in the School of Fine Arts of the University of Pennsylvania, where she took courses in the Department of Architecture, and graduated with a Bachelor of Fine Arts degree in 1927. In the same year, she entered the Yale School of Drama, and studied stage art design in the studio of Prof. G. P. Parker. She married Liang Sicheng in Ottawa, Canada, in March 1928, and after her marriage, she went to Europe to study architecture, and returned to China in August of the same year.
In 1929, he became an associate professor of the Department of Architecture at Northeastern University, teaching the History of Sculpture and specialized English.
In 1929, she became an associate professor in the Department of Architecture of Northeastern University, teaching the history of sculpture and English. From 1931 to 1946, during the period of China Construction Society, he participated in the investigation and research of Chinese ancient architecture, covering Beijing, Hebei, Shanxi, Zhejiang, Henan, Shandong, Shaanxi, etc. After 1946, he served as a professor of the Department of Architecture of Tsinghua University, teaching "History of Chinese Architecture" and opening "Introduction to Residence" and other special courses for postgraduates. 1949, he participated in the design of the emblems of the People's Republic of China and the State. In 1951 for the Tiananmen Square People's Heroes Monument pedestal design ornamentation and relief patterns, in 1951 investigation and research cloisonné production process and design a number of national style cloisonné new patterns, but also personally involved in testing.
She published papers on architecture, including On Several Characteristics of Chinese Architecture, Miscellaneous Records of Architecture in Ping Suburbs (co-authored with Liang Sicheng), Introduction to the First Chapter of Qing Style Building Regulations, Preliminary Survey of Ancient Buildings in Jinfen (signed by Lin Huiyin and Liang Sicheng), Identification of Architectural Era of the Temple of the Heavenly Peace (signed by Lin Huiyin and Liang Sicheng), History of Architecture in China (Liao and Song), History of Chinese Architectural Development (Liao and Song), and History of Chinese Architectural Development (Liao, Song, and Song). ), Historical Stages in the Development of Chinese Architecture (co-authored with Liang Sicheng and Mo Zongjiang).
Her literary works mainly include dozens of poems such as Who Loves This Unceasing Change, Laughing, Qing Yuan, One Day, Stirring, Day Dreaming, and Restless Thoughts; the play Mei Zhen Tong Them; the short story The Dilemma. In Ninety-Nine Degrees, etc.; essays Beyond the Window and A Piece of Sunshine. The People's Literature Publishing House published Lin Huiyin's Poems (1985); the People's Literature Publishing House and the Hong Kong Sanlian Bookstore jointly edited and published Lin Huiyin (one of the series of anthologies of modern Chinese writers). A native of Xinhui, Guangdong. Chinese architect, member of the Chinese Academy of Sciences, professor at Tsinghua University, son of Liang Qichao, a modern Chinese thinker and historian.
He entered Tsinghua School in 1915, went to the United States in 1924
to study in the U.S.
and received a master's degree in architecture from the University of Varnia in 1927, and then moved on to the Graduate School of Fine Arts at Harvard University.
Returning to China in 1928, Liang Sicheng became a professor and chairman of the architecture department at Northeastern University. He returned to China in 1928 and became a professor and head of the Department of Architecture at Northeastern University, a researcher of the China Construction Society in 1931, and a researcher of the former Academia Sinica in 1941, and a professor and head of the Department of Architecture at Tsinghua University from 1946 onwards, and a consultant to the Design Committee of the United Nations Building in 1947. Dr. Princeton University in the United States in 1948. He contributed to the architectural design of the National Emblem of the People's Republic of China, the Monument to the People's Heroes in the capital, and the Memorial Hall of the monk Jianzhen in Yangzhou
. His works, including Qing Dynasty Construction Rules, Song Construction Methods and Chinese
Architectural History, are valued by Chinese and foreign scholars.
Lin Huiyin was a famous Chinese architect and writer, the first female architect in China, and also regarded by Hu Shih as one of China's most talented women. In the early thirties, she and her husband Liang Sicheng used modern scientific methods to study ancient Chinese architecture and became pioneers in this academic field, and later gained great academic achievements in this area. From the early thirties to the outbreak of the Sino-Japanese War, in a few years they traveled to 15 provinces and more than 200 counties in China, and surveyed more than 2,000 ancient Chinese architectural relics in the field. Their work laid a solid scientific foundation for the study of ancient Chinese architecture, and wrote more than two dozen essays, preface and postscripts on architecture, and some of them were co-authored with Liang Sicheng. In literature, she wrote a lot of works in her life, including essays, poems, novels, plays, translations and letters, all of which are masterpieces, among which the representative works are You are the April Sky on Earth and the novel Ninety-nine Degrees in the Middle. In addition, after 1949, Lin Huiyin had done three great things in art: the first was to participate in the design of the national emblem. The second was to remodel the traditional cloisonné. Thirdly, she participated in the design of the Monument to the People's Heroes in Tiananmen Square, making great contributions to the nation and the country. Unfortunately, her ambition was not fulfilled, and she passed away in the early morning of April 1, 1955, at the age of 51, after a 15-year battle with illness.
With his outstanding talent and cultivation of Chinese and Western architectural culture, he found the dignity of practice for Chinese architects, and can be regarded as the founder of China's modern architectural culture. His design is skillfully conceived and ingenious. The alarm bell-shaped space modeling implies the profound meaning of "Muduo warns the world". It expresses the warning message of "the revolution has not yet succeeded, comrades still have to work hard". The architectural spirit of integrating the East and the West and the ideological temperament of Mr. Sun Yat-sen are merged into one.
Liang Sicheng, a famous architect, regarded the Sun Yat-sen Mausoleum designed by Lv Yanzhi as "a symbol of the beginning of the renaissance of our nation". Regrettably, Lu Yanzhi did not see the final completion of this building designed by his own heart and soul, and died of liver and intestinal cancer when the main project of the Mausoleum of Dr. Sun Yat-sen was about to be completed, suffering from fatigue and illness. He died of liver and intestinal cancer at the age of 36, unmarried for the rest of his life. The remaining works were completed by his close friends, Yen Kee architects Li Jinpei and Huang Tanfu.
In order to recognize the outstanding contributions made by Lu Yanzhi, the government of the Republic of China issued a commendation order and erected a monument in his memory. This is unique in the history of Chinese architecture. The monument later disappeared during the Japanese invasion of China, and its whereabouts are still unknown. For this reason, he personally surveyed the terrain and suffered a lot. Some of the key techniques of Dujiangyan are difficult to make now. It is good to be able to do so thousands of years ago.
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