Let the youth bloom true beauty
White snowflakes, dance out the melody of winter; floating willow flakes, holding out the hope of spring; tired fruits, light up the richness of the fall; the brightness of youth, showing the true beauty of our lives.
--Title
We have stepped into the sound and colorful years - youth. Youth is our inevitable noisy season, the thesaurus of youthful style refused to include silent and mute words, it is not willing to be lonely, to the ocean of ideas set off a tsunami. Youth is our inevitable mild season, youth refused to collect the restless behavior, it does not like cruelty, to the human bloodstream injected with a drop of goodness. Youth is our inevitable beautiful season, youth refused to temper it into flowers and plants, silent beauty, that is only adding to the lack of it.
Youthful you, if you put those whimsical and even inexplicable thoughts hibernate in the mind, in addition to show that your thinking rust, spiritual sleepy, but also what can be explained? Don't use the idea of silence as a shield for your fearfulness and awkwardness, just express what you really think. Don't care too much about your sound quality whether it has the impact of enlightening people's minds, penetrating power, whether it has the appeal of moisturizing the vulgar heart, you only need to sing out your true feelings. Don't care too much about what other people think of you, throw away the taboo of those who hate the face of the heart, put words to point out the world of human kindness, and the excitement of waving the youthful spirit, that is how a kind of real.
Youthful you, looking at the world of sadness and joy, miserable, you will quietly tears, in the heart of the silent prayer for them, that is a good.
Goodness is a valuable quality, a sublime realm, is the maturity of the spirit, the fullness of the heart. Goodness is a kind of benevolent light, a supreme blessing, a release for others and a generosity for oneself. Goodness is that ease, self-confidence and transcendence gained after youth.
"Open your mouth and laugh, laugh at the past and present, and pay attention to everything." That's not a good thing, is it?
People who are rich in the spirit of goodness are also bound to be tolerant people. "Old as we are, as well as the old; young as we are, as well as the young." Do not be hard on yourself, nor on others. So compared with the mean and jealous person, the good person shall be more popular and happy.
The goodness brought to us by the trials and tribulations of youth, what a precious thing it should be!
Youth contains endless treasures of thought and beauty. "The wind Xiao Xiao Ruoxi easy water cold, the strong man a go Ruoxi not come back" the beauty of the sadness, "life from ancient times who have no death, to take the heart of the sweat of the green" the beauty of the heroism, "the long wind will break the waves sometimes, hanging straight from the clouds sails to the sea! "The beauty of ambition, the philosophical beauty of "a thousand sails in a sinking boat, a thousand trees in front of a sick tree", the natural beauty of "the sunrise river flowers are more than fire, the river water is as green as blue in spring". The beauty of youth, beautiful, beautiful, beautiful, so that you "intoxicated do not know the way back".
It is the angel of youth that opens up the splendid scenery of our hearts, and lets us listen to the charming heavenly music of youth!
We stand above the peak of youthful beauty, and the world will be real, noisy and beautiful for us!
Jaspers' concept of "axial age" was introduced to China in the early 1980s, and has become a common term in contemporary Chinese academic research, and some scholars also regard the 21st century as the "new axial age" of mankind. However, there are not many treatises that really utilize this doctrine to construct a theoretical system. Liu Shilin's new book The Aesthetics of Suffering (Hubei People's Publishing House, 2004 edition) fully utilizes this doctrine to construct a theoretical system. Hereinafter referred to as Liu's book) draws fully on this doctrine and establishes a refreshingly new system of aesthetics, which is a solid step forward for Chinese scholars to participate in the academic dialogues of the "New Axis Era".
German philosopher Jaspers argued that the "Axial Age" of human history (800 to 200 BC) was a period of philosophical breakthroughs in which human beings created a universal framework for the self-understanding of spiritual life. This framework included the Confucian system pioneered by Confucius in China, rationalism in ancient Greece, and Buddhism in India. Since then, mankind has survived on all that was thought and created during the Axial Age, and every new leap looks back to this period and is rekindled by it. The awakening of the potentialities of the Axial Period and the return to them, the revival of them, have always provided the spiritual impetus for the development of civilization. This doctrine breaks through the Hegelian Western-centered discourse and helps to break the hegemony of the strong Western discourse. Liu's book begins with a reiteration of the "New Moralism" advocated by the author in the past few years, and establishes a "New Moral Ontology" as the foundation of the book, based on the idea of "invoking Kant to complement Confucius and Mencius". "Morality is higher than knowledge" is the basic concept of the author's cultural criticism. Although the author, like many others, regards aesthetic freedom as the highest state of spiritual life, he emphasizes that only moral ontology can truly distinguish human beings from animals, and that only when human beings are first reproduced from nature can we talk about other issues of human beings. In other words, without the moral essence, which is the bottom line of spiritual life, all the so-called aesthetic freedom and liberation are not illusory. In such a perspective, the "human and fowl" in Chinese Confucian ethical thought in the Axial Age was highly valued and fully explored, and became the direct source of the "New Moral Ontology". This provides a successful example of how ancient literary theories can be transformed into theoretical resources for the construction of modern literary theories. Liu's strong sense of returning to the Axial Age is a contemporary response to Jaspers.
Ya's theory of the "Axial Age" is intended to reflect on the predicament of Western civilization and to provide an ideological basis for the construction of a future world philosophy, but it tends to separate the Axial Age from the Pre-Axial Age, and fails to notice the negative aspects of the transformation of the Axial Age. Both of these shortcomings are better remedied in Liu's book. Liu constructs a "new dualistic context" for the study of aesthetics with the keyword "axial period", whose main connotation is manifested in two aspects: in terms of historical perspective, one of them is the primitive cultural structure that is highly unified with nature, and the other is the era of civilization, which is very different from the primitive cultural structure. As far as the spiritual structure is concerned, one of them refers to the poetic wisdom that exists as the primitive thinking of human beings and has the basic characteristic of "no confrontation with things" or "blending with things", while the other refers to the spiritual structure that exists as the spiritual structure of the civilized era and has the basic characteristic of "no confrontation with things" or "blending with things". The other element refers to the rational wisdom that exists as the spiritual structure of the civilized age and is characterized by "subjectification" and "objectification". The concept of poetic wisdom was firstly put forward by Vico in his New Science, but since the ancient Greek civilization was essentially a fractured civilization, its inheritance of the prehistoric culture was far less than its abandonment, and Vico's interpretation of poetic culture was often suspected of comparing to the age of civilization. The Chinese canonical texts before and after the Axial Period have a great deal of reminiscences and accounts of prehistoric culture, and they serve as the spiritual structure of the Axial Period, enabling a great deal of primitive culture to be inherited and developed into a system of Chinese cultural representations centered on poetry. In view of this, one of the important work done by the author of Chinese Poetic Culture (1999) is to take Chinese traditional culture as an object, explain the historical journey of ancient poetic culture in the age of civilization, and summarize the characteristics of poetic wisdom as "non-subjective" and "non-objective" as opposed to rational wisdom, so as to provide a basis for the author of Chinese Poetic Culture (1999) to make an analysis of Chinese traditional culture. The characteristics of poetic wisdom are summarized as "non-subjectivization" and "non-objectification" in contrast to rational wisdom, thus laying a solid foundation for the author's later aesthetic exploration. For a long time, under the influence of civilization-centrism and rationalist mainstream ideology, people have divided spiritual activities into two stages: perceptual and rational understanding. In this old dualism, poetic wisdom was elaborated as the primary stage of rational wisdom, and primitive culture was degraded as the lower form of the age of civilization. Therefore, this theory can neither find the real root of the occurrence of human spiritual life nor really solve the mystery of human aesthetics. The new dualism provides a relatively complete interpretive context for the occurrence and existence of human spiritual life. On the one hand, it puts an end to the confusion between primitive and civilized structures historically and logically, thus making it possible to analyze and examine their different ontological connotations; on the other hand, it identifies a profound structural relationship between poetic and rational wisdom, i.e., the evolution of poetic wisdom into the ontological structure of the ontology of the life that is united with the true, the good, and the beautiful. The author's Aesthetics of Clarification (2002) has already begun to use poetic wisdom to "clarify" the theory of aesthetics, proposing that the aesthetic activities of the civilized age are nothing but the historical residue of the poetic wisdom of the primitive age; Aesthetics of Suffering explicitly proposes a new dualism on this basis, highlighting the characteristics of the aesthetic in the differentiation and contrast with the rational and ethical schemas, and using approximation to identify the characteristics of the aesthetic schema. On this basis, The Aesthetics of Suffering explicitly proposes a new dualism, highlighting the characteristics of aesthetic schema in contrast to rational schema and ethical schema, and utilizing a logical deduction approach similar to that of Kant's Critical Philosophy to analyze in depth the "aggregate structure" of the harmony and unity of the three, namely truth, goodness, and beauty, as well as the "discrete structure" of the contradictory struggles between the three. From this, we can see that this interpretative context reveals the ontological structure of spiritual life awakened in the Axial Age on the one hand, and points out the root of human aesthetic consciousness and the logical reasons for its mutation in the Age of Civilization on the other, which is undoubtedly a major and unique theoretical achievement of contemporary Chinese aesthetics.
What the "Aesthetics of Suffering" aims to highlight is the suffering connotation of spiritual life, and the reason why it focuses on criticizing the phenomenon of pure consumer desire in contemporary popular culture is that the "suffering connotation" of spiritual life has been lost there. This is what the author is most worried about and cannot tolerate. The author has always believed that the spiritual life awakened in the Axial Age is a consciousness of suffering stimulated by the consciousness of death, and that it is this consciousness that prompts the awakening of the human being's consciousness of reflection, so that he or she can say goodbye to the animal and become a human being with a spiritual connotation with a capital "human being". Therefore, the elimination of the consciousness of suffering inevitably leads to the extinction of spiritual life. Contemporary consumer ideology shapes all kinds of consumer desires and ways to satisfy them by virtue of modern high technology, so that the instinctive pleasure of contemporary consumers is greatly satisfied, and the pursuit of pleasure becomes an even greater motivation for consumption. Sensory pleasure has obliterated all humanistic concerns, and thus, the true spiritual life is bound to die out. How can the real human being be possible in a consumer civilization? Or rather, how is the resurrection of the spiritual life that has been awakened in the Axial Age possible in the New Axial Age? "Born in sorrow, die in peace and happiness." On the basis of his creative interpretation of Kantian aesthetics, Liu regarded the "debate between the presence and absence of pleasure" as the "fifth dichotomy", and explicitly stipulated the true aesthetic psychological function as "pain", which is different from "pleasure", as well as "pain", which is different from "pleasure". He explicitly defines the true aesthetic mental function as "pain", which is different from "pleasure", and proposes that the mental function of spiritual life can only be reproduced in "pain". From Kant's "Practical Anthropology", the author discovered the principle of "pain first", and regarded pain as the prerequisite for spiritual life: without pain, we cannot feel our life, and will enter the state of lifelessness. Ten years ago, the author published "A Theory of the Spiritual Structure of Civilization", which was originally called "The Aesthetics of Suffering", and after ten years of painstaking contemplation, he finally accomplished a critique of the suffering-type judgment with "pain" as the connotation of the ontology, with a view to saving the contemporary consumer machine that "dies in peace and happiness". in order to save the contemporary consumer machine from "dying of contentment". The sense of anxiety of China's Axial Age is fully realized here. Liu's "Critique of Pure Desire" is a penetrating critique of the devouring of human civilization by the contemporary consumer society, attempting to find a true path of return for the faltering spiritual beings in the ideology of consumption through an ontological analysis of poetic wisdom, that is, from "anti-objectification" and "anti-objectification" to "anti-desire" and "anti-desire", in order to save the contemporary consumer machine from "death by pleasure". That is to say, to save the spiritual life itself from the physical sinking of "anti-objectification" and "anti-subjectification", thus answering the question "How is the resurrection of the spiritual life of the Axial Age possible in the New Axial Age? This is the theme of the whole book, so it justly declares, "The aesthetics of suffering is a true return to the Axial Age." (P403)
In contrast to the Hegelian Western-centered thesis, Jaspers' theory of the Axial Age is undoubtedly more in line with the historical reality of the pluralistic development of human culture. If we agree with Du Weiming and regard the twenty-first century as the "new axial age" of mankind, do Chinese scholars have the confidence and ability to respond to this concept, which gives rise to mixed feelings? Complaints are only synonymous with weakness, and what Chinese academics need are practical efforts based on deep reflection.
Toward truth, goodness and beauty, and harmonious development
Everyone is pursuing, truth, goodness and beauty, and harmonious development ......
What is truth?
I don't know where I heard this sentence: "Eggplants don't bloom false flowers, and real people don't tell lies." It means that every flower of an eggplant bears fruit, and there are no false flowers; and a sincere person speaks the truth, and there are no false words. This is the truth.
Yu Qian said, "I am not afraid of breaking my bones, but I want to leave my innocence on earth." The short fourteen words express the poet's pursuit of leaving noble character on earth forever. This is true.
What is good?
There is a line in the Three Character Classic: "In the beginning of man, nature is good." Everyone, at the time of birth, is good and feels everything that is innocent. That is goodness.
What is beauty?
Some say that beauty is manifested through outward appearance; others say that it is beauty in the mind. The bell-ringer in Notre Dame de Paris is so ugly in appearance, but his beautiful heart still makes him "famous for ages", not because of his ugly appearance and "stink for ages". This is beauty.
With truth, goodness and beauty, people have to pursue the harmonious development.
Man and nature need harmonious development. China's thousands of years of traditional civilization are in pursuit of the harmonious development of man and nature. China has long had its own "laws and regulations": four thousand years ago, the Xia Dynasty, it is not allowed to cut down trees in the spring, fishing in the summer, not allowed to hunt and kill young animals and bird eggs; three thousand years ago, the Zhou Dynasty, according to the climate and seasonal regulations, strict regulations on the time of hunting, bird hunting, fishing, cutting down trees, and burning the land; 2,000 years ago, the Qin Dynasty, the spring collection of plants that have just sprouted, the prohibition of capture plants that had just sprouted, the capture of young beasts, and the poisoning of fish and turtles. Throughout China's dynasties, there have been clear regulations and bans on environmental protection. But now it's not as good as it used to be, and many people are eating wild animals and littering ...... But we, the new teenagers of the 21st century, must start now and strive for the harmonious development of man and nature.
Man and nature need to develop harmoniously, and society, too, needs to develop harmoniously. The construction of a harmonious development of society, is how many people dream of ah. Harmonious development of society, not necessarily a perfect society, there will inevitably be some conflicts and contradictions, but the harmonious development of society will try to resolve these disputes, so that the relationship between people and people are harmonious. A harmoniously developed society will have people who are brave enough to take up responsibilities. SARS came, white angels in spite of themselves to rescue patients, on the front line without regard for their own lives ...... It is countless such people and things, constitute a harmonious development of society.
Let's shout: to the true to the good to the beautiful, the pursuit of harmonious development!
Ren Changxia, a monument in the hearts of the people
Profile: Dengfeng City, Henan Province, Director of the Public Security Bureau, in the performance of the mission of the female police officers killed in the line of duty
She is another heroine of the Central Plains. Sweeping evil and fighting black, in addition to violence and peace, her iron face selfless; warmth, help the poor, she tenderness. Ten miles long street, white flowers, hanging scrolls like clouds, that is flowing in the people's heart of the monument! A weak woman can win the love of the people, because, in her heart there is the most devout respect for the people!
Liu Xiang keeps surpassing and never gives up
Profile: hurdler won the gold medal in the men's 110-meter hurdles at the Athens Olympics
With 12 seconds and 91 seconds, he made a great leap forward, and the record of 100 years became history behind him, and the 10-heavy hurdles are no longer the obstacles for the Orientals, because there is Liu Xiang in China, and there is Liu Xiang in Asia! This windy young man, who constantly surpasses and never gives up, represents a nation that is accelerating. He is wearing the national flag, a leap to stand in front of the world.
Ming Zhengbin dancing on the tip of the knife
Character profile: Baoshan City, Yunnan Province, deputy director of the Public Security Bureau, at the forefront of the anti-narcotics front through countless life-and-death tests
Dance on the tip of the knife, the reason why the dance, is able to capture people's hearts, because it is the symphony of iron and blood. Ming Zhengbin is dancing on the tip of the knife. In front of drug dealers, he is not afraid of fear, can not be bought, difficult to defeat. And drug dealers under him, can not pass, can not hide, can not escape. Because of him and his comrades, we can enjoy the sunshine.
Yuan Longping lets the Chinese feed themselves
Profile: China's famous hybrid rice expert, the prestigious "Father of Hybrid Rice"
He is a true cultivator. When he is still a rural teacher, already has the courage to subvert the world authority; when he is famous all over the world, but still just focus on the field. He was indifferent to fame and fortune, a farmer, sowing wisdom and harvesting abundance. His lifelong dream is to keep everyone away from hunger. I am happy to see a thousand waves of rice beans and peas, the most popular Yuan Longping!
Xu Benyu's tender shoulders carry the tumbling classroom
Profile: A 1999 student majoring in Agricultural Economics at Huazhong Agricultural University, he went alone to the countryside to teach, and an online article on "Two Rural Elementary Schools and a Teaching Fellow" attracted more than a quarter of a million hits
If tears are a kind of wealth, Xu Benyu is a rich man, who, in the past year, has has brought us to tears. From the bustling city, he went into the depths of the mountains, and with a classroom, carried poverty and loneliness, and responsibilities that did not belong to him.
Tian Shiguo used his own kidney to prolong his mother's life
Profile: Lawyer who transplanted one of his kidneys to his mother, who suffered from uremia
"Who says that the heart of an inch of grass is the reward for the love of three springs?" This is a question that has been pursued for millennia. A son made his own answer with his body in 2004 by giving a part of his life back to his terminally ill mother. In the warmth of the lie, the mother's life may still be fragile, but the sincerity of the filial son has been as solid as a rock. Tian Shiguo, let all the mothers in the world reap solace.
Liang Wanjun life and death of the eight points of a shocking fall
Character profile: the Air Force, a test pilot, test flight in danger to save the new fighter
Eagle is the most skillful flyer in the sky, but he has more than the eagle is also excellent flight skills. Ten thousand meters above the sky, a number of dangerous and hairy occasion, he was calm and collected, the instant choice destined to this flight like a rainbow brilliant. Eight minutes of life and death, a shocking fall, he created a miracle! I'm proud of you! Chinese soldiers, steel is made like this.
Sun Bigan, far away from his homeland to continue the mission legend
Character profile: the former head of the embassy in Iraq restoration team, in the midst of the war for the motherland
He is in his old age in the face of danger, far away from his homeland just to continue the mission legend. In order to achieve peace, he traveled between the war, in order to save lives, he mediated in the edge of death. "If you want to benefit the country life and death, do not avoid it because of the disaster and happiness." In 2004, this old man tirelessly running, in front of him, is the mission he must go; Behind him, is to make him proud of the motherland.
Niu Yuru let the spirit through the times and evergreen
Profile: Hohhot Municipal Party Committee Secretary, touched a good secretary of the city
Named Niu Yuru, people like cattle, carrying the grassland people's happiness on the road, which is his happiness is his sustenance, but also his direction. Rain and shine of life, the pros and cons, he diligently followed the "low position did not dare to forget the country" of the ancestral training. As a government official, he left us the back of burning passion, so that the spirit of the evergreen through the ages. He let the living people in awe; he let the sky become the home of the eagle!
Gui Xi'en lets warmth pass and love gather
Profile: Director of Infectious Diseases Department of Zhongnan Hospital of Wuhan University, the earliest discoverer of China's high-prevalence area of AIDS
He is poor but full of fulfillment, gentle but firm. The responsibility of a benevolent person makes him rise to the challenge. He let the warmth pass, he let the love will gather, until more people open their arms to the weak, until the people in the corner to see the spring. He does not fear death, because he has a greater love for life.
"Touched" shakes the heart
A few months ago in the golden autumn, "Moving China" in the country to find the people who have touched you and I. At the end of November 2004, Yuan Longping as the representative of the 20 candidates in the media and the support of the push group to form the 2004 moving profile. ......
The ninth day of the first month of 2005 was a busy day for people to gather up their festive mood. On this day, CCTV a set of evening prime time broadcast the "Moving China - 2004 Person of the Year Award" award ceremony. With Ren Changxia at the same time was selected as "2004 Moving China People of the Year" there are nine individuals and a collective. On January 16 this year, CCTV recorded the event at the Beijing Institute of Aeronautics and Astronautics gymnasium.
The shock of two numbers
"From January 3 to January 15, 2005, the total number of votes cast by netizens, viewers and readers reached 900,000 in just 12 days of voting. The amount of advertising bid for a single program of 'Moving China' today reached 14.5 million yuan. These two figures illustrate the status of 'Moving China' in the minds of the people and business people." Zhu Bo, chief planner of the "Moving China" program and editor-in-chief of CCTV's news commentary department, said the two figures gave him a sense of shocking power.
According to Zhu Bo, when the event was first organized, the crowd did not vote as enthusiastically as it does today, and in the first year it even relied mainly on members of the push committee, CCTV staff and partner media in various provinces, cities and autonomous regions. This year there are so many people enthusiastic about this activity, fully illustrates the "moving China" has moved the public.
Zhu Bo recalled the first contest in 2003. At that time, the event was broadcast on CCTV's first program in prime time in the form of a special program called "Oriental Time - Sons of the Orient," without a single patch advertisement.
Today, "Moving China" has become one of CCTV's most influential brand programs because of its strong influence and impact, with a single program's advertising bid reaching 14.5 million yuan. For the creative team of "Moving China", they have realized the original concept of "impossible not to move".
The warmth of a song
"Moving China, moving you and me, the world has love to turn ......" The song entitled "Moving" is the theme song of the "Moving China" gala. Such a good song, perhaps we thought it was from which everyone's hand, in fact, not, the lyricist is 3 years ago just came to the CCTV news commentary department of a trainee Yu Jiang, composed and sung by the famous singer Han Hong.
Today, Yu Jiang is the editor of CCTV's Economy Channel, and Han Hong included the song in her newly released solo album in 2005, and used it as the title of the album: "With the purity of the first light, I drew a pair of eyes for the world; with the sound of the first flower blossomed, I sang a song for the world; with the news of all the springs, I wrote down the legend for you! With my eyes when I first saw you, I shed tears of happiness. Moving China, moving you and me, this world has love to turn ...... "According to the activities of the organizing committee of the side of the Wei said, in the days for the "Moving China" and sleepless nights, many of their staff will be singing this song, so that in many cases while recording sang, making the director constantly call a halt, or else it will become a simultaneous noise, and the director will be called off. Otherwise it would have become a simultaneous noise.
The sincerity of two celebrities
This time in the "Moving China" awards night scene, the audience once again appreciate the wisdom of CCTV celebrity Bai Yansong. There were 10 rotating props on the awards stage showing the portraits of the finalists, and suddenly one of the props stopped rotating, making the music stop and everyone stare at the props for nearly a minute. At this point, Bai Yansong said: "This is the selected person's deeds even moved the props, perhaps it is immersed in which a moment can not extricate themselves, please backstage staff as soon as possible on stage to help it wake up, turn to see the next selected person how to move the law?"
Throughout the event, the staff had a **** same friend lingering - tears. They often become the first to be moved. Jing Yidan is a household name in China, hosting parties of all sizes and forms, and awarding prizes to countless people on stage. However, according to CCTV staff, in two consecutive years hosting the "Moving China" awards ceremony, she often choked up her voice, tears, "I believe that can move our staff, will be able to move our audience, moving most of the Chinese people. Only by moving ourselves can we move the audience."
Touched Collective---Women's Volleyball Team
Collective Profile: Won the Gold Medal in Women's Volleyball at the Athens Olympics
The Chinese women's volleyball team, which has boiled the blood of a generation, has also left a 20-year-long anticipation in the hearts of the Chinese people.On a day in 2004. In the silence, the absolute counterattack. It was they who made the last hope climb up the arm of will, until the last heavy buckle to open the celebratory gongs and drums. The gold medal recalls the glory of the past, and the victory opens a new dream!
"Truth, goodness, beauty and ugliness" originates from the soul, how to ferry the boat of life, a worthy of a person's life to search for the problem
, because it guides the person to let the soul bloom color!