Suzhou Tanhuang has a long history and was formed around the Qianlong period of the Qing Dynasty. Tanhuang in various places is performed by one or two to five or six people, with both rap and simple accompaniment. Later, they developed into local opera types. For example, Suzhou Tanhuang was renamed Su Opera, Shanghai Tanhuang was renamed Shanghai Opera, Hangzhou Tanhuang was renamed Hangzhou Opera, Ningbo Tanhuang was renamed Jiao Opera, etc. "Hangzhou Customs Heritage" written by Fan Zu of the Qing Dynasty: "Tanhuang plays the roles of five people, Shengdan, Jingchou, etc., using strings, pipa, huqin, and drum boards. The singing is also a drama." Yao Hua's "A Spoonful of Quhai·Original Music" : "The remaining pieces are played randomly and flatly, and the barriers are not yet established. The Cantonese music is played on the beach, and the rumors are not widespread. It may be attached to Kunpu music, or it may not be included in the music. It is unknown, and it is like a gap." Qu Qiubai's "On Popular Literature and Art·Popular Literature and Art" Problems": "Revolutionary popular literature and art should use storytelling, Tanhuang and other forms." Qu Qiubai "On Popular Literature and Art: Practical Issues in Popular Popular Literature and Art": "What they 'enjoy' is: comic strips... Shadow plays, puppet plays, peep shows, storytelling, Tanhuang, Xuanjuan, etc. ”