Trembling", "open", "smooth", "left", "around" is a variety of different types of Tibetan dance **** the same characteristics, or known as the Tibetan dance of the five elements, which constitutes the aesthetic concept that distinguishes it from other fraternal dances.
In addition to the main features of the Tibetan dance, the basic "three steps and a change", "backward and forward step", "inverted foot rolling", "four foot", "four foot" and "four foot" are also prevalent in the rhythm of the dance. "and "four-step turn" **** the same law. On the basis of this **** the same law produces a variety of different changes, coupled with the operation of gestures, waist rhythm, the difference between the music and constitute a different style of dance.
The pace of Tibetan dance is very rich, from the foot movements can be summarized as "rub", "drag", "step", "err", "point", "point", "point", "point", "point", "point", "point", "point", "point", "point", "point", "point", "point", "point" and "point". ", "point", "tuck", "kick", "planing", "kick", "suck", "cross", "twist" and other 12 kinds of basic steps.
The gestures of the Tibetan dance can be summarized as "pull", "leisurely", "fling", "around", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push" and "push".
Tibetan dance gestures can be summarized as "pull", "leisurely", "fling", "around", "push", "rise", "Yang" seven kinds of changes.
The techniques in Tibetan dance mainly include: rolling turn, planing leg turn, kicking leg turn, fruit harmonic turn, cross leg turn, jumping cross turn, pushing mill turn, squatting turn, kneeling turn, tucking turn, forward and backward turn, twisting waist forward and backward turn, twisting and backward turn, pointing step turn, stepping step turn, pointing turn, flat turn, small bouncing, dead man bouncing, laying down the body of the big bouncing, flat turn tiger jump, and across the leg jump, leg sucking jump, cover the legs to jump, teasing the legs to jump, rubbing the step across the legs to jump, rabbit The Tibetan Clan is a group of people who have a lot of experience in the Tibetan Clan.
What are the characteristics of Tibetan dance?
The Tibetan people can sing and dance well. The Tibetan people can sing and dance well. There are many kinds of Tibetan songs and dances, and the names of the various regions are different. Folk song and dance "harmonic" is a song-based, song and dance combination of group dance, generally men and women stand on one side, pulling hands into a circle, singing and dancing. Folk dance also has "Zhuo", "hot bar", "pot Zhuang" and so on. "Qiangm" is a Tibetan religious dance, the performance of drums, cymbals, brass horns, bone horn accompaniment, lama chanting accompanied by singing, spectacular momentum, profound meaning, has a strong artistic influence.
Reba: Reba is a Tibetan bell drum dance, including strings, pots and pans, tap, rap, and juggling, including the integrated performing arts. Legend has it that the 11th century wandering monk Mira Reba was the first to create, with a history of more than 900 years. Dance, male brass bells, female tambourine, dance from slow and fast, often "top drums turn over", "lying body bungee", "one-legged turn" and other stunts. Engaged in this performance is also known as the artist "hot bar".
Tap dance: Tibetan tap dance, initially for the court dance. Dancing, wearing hard-soled leather shoes, by stepping out of the rhythm of change to express the inner feelings. Tap dance is accompanied by flute, yangqin, six-stringed zither, brass bells, moon zither, etc. The rhythm is slow and fast, and reaches a *** when it ends abruptly with the final step.
Le Xie: Le Xie is a Tibetan labor song and dance. In the labor at the same time, the mouth of the song and the hands of the tools and legs and feet rhythmic action with, so that the labor becomes the form of song and dance. In the shoveling, tamping, stacking wheat and other strong physical labor, the mouth of the song has a strong labor horn flavor.
Tibetan opera: widely popular in Tibetan areas in the form of song and dance to show the story of the comprehensive art. The Tibetan language called "Aji Ram", meaning "fairy sister". Legend has it that it was created in the early 15th century by the Kagyu lama Tangdong Jiebu to raise funds for the construction of the Yarlung Tsangpo River iron bridge. Most of the traditional repertoire is based on folktales, historical biographies, and historical events, such as Princess Wencheng and Prince Nuosang. They are performed on a continuous stage, interspersed with songs and dances, and sung with the help of other actors and actresses in chorus. There are many changes in the singing voice, and the dance movements are very graceful. A play is generally divided into three sections: ① the appearance ceremony, known as "dun" in Tibetan; ② the main play, known as "xiong" in Tibetan; ③ the end of the performance of the form of wishes, known as "zaxi" in Tibetan. The accompaniment is mainly drums and cymbals. Make-up and props are simple, and used to be performed in squares. After the democratic reform, the status of artists has been improved, the repertoire has also been reformed, get new development.
Types and characteristics of Tibetan dance
The main types of Tibetan dance
1, pots and pans -- Aba Tibetan and Qiang Autonomous Prefecture, Sichuan Province, Malcolm County, "four earth pots and pans" is in a leading position, Malcolm is also known as the hometown of pots and pans, pots and pans in Tibetan as "fruit Zhuo", is the circle of song and dance. Meaning in July 2004, the first Jiajiong pot Zhuang Festival broke the Guinness World Records - the world's longest and most spectacular pot Zhuang team. Mainly soft music, soft dance mainly, props mainly water sleeve-based, participatory, popular dance forms
2, strings - strings Tibetan for "harmonic", rich in singing Batang County, Ganzi Tibetan Autonomous Prefecture, Sichuan Province, the "Batang strings" is in a leading position, the male dancers holding Tibetan stringed zither, the female dancers wore water-sleeved Tibetan dress, the dance rhythm, the dance is very beautiful, and the dance is very beautiful. The male dancers hold Tibetan stringed zither and the female dancers wear water-sleeved Tibetan skirts, the dance is full of flavor, reminding people of the majestic snow-capped mountains
3. Tap - called "Heap Harmonious" in Tibetan, "Ganzi Tap" of Ganzi County of Ganzi Tibetan Autonomous Prefecture, Sichuan Province, is in a leading position, with the dancers wearing Tibetan leather boots and stepping out beautifully in rhythm of the music. The dancers wear Tibetan leather boots and dance according to the rhythm of the music, which is similar to Irish Tap. 4. Reba - mainly in Inner Tibet, with the background of wandering artists, the male dancers hold the Tibetan Ling and the female dancers the Tibetan Drums, and interpret the whole dance with a series of skills, which is very demanding. In fact, there are many kinds of Tibetan dances. Xiangma, Qiangmu, and each kind of dance have many sub-divisions
Characteristics and Benefits of Tibetan Dance
Folk dances refer to the forms of dances that are produced and passed down in the folklore, subject to the constraints of folklore and culture, improvised but with a relatively stable style, and with self-entertainment as the main function. Different regions, countries, national folk dance, due to the living environment, customs, lifestyle, national character, cultural traditions, religious beliefs and other factors, as well as by the age and gender of the performers
Tibetan dance, features \benefits
Folk dance refers to the generation and spread in the folk, subject to the constraints of folk culture, improvisation, but the style of the relative stability of self-entertainment as the main function of the dance form. Folk dance is a form of dance that is mainly for self-entertainment. Different regions, countries, ethnic folk dance, due to the living environment, customs, lifestyle, national character, cultural traditions, religious beliefs and other factors, as well as by the performer's age and gender
Types and characteristics of Tibetan dance
First, the types of: 1. There are foot for the festival, even arm treading song, enthusiastic and joyful rural "Zhuo Huan "(circle song and dance); 2. There are step for the section, focusing on foot rhythmic point changes, enthusiastic and cheerful "pile of harmony" (commonly known as tap dance); 3. There are song-based, song and dance combination, melodious and elegant "Nangma" (inner court); 4. 4. There is a ground for the festival, "chirp", "dun", "step" combination, staccato and powerful "Dahun" (forest area because of the dance) There are "Dahun" (forest area dance); 5. "Guozhuo" (formerly known as "Pot Zhuang") in the agricultural and pastoral areas, which emphasizes on emotional performance and beautiful and bold dance; 6. "Zheba" (bell drum dance), which is rounded and stretching, long-sleeved, *** vibration, rough river excitement, and skillful action, and expresses frenzied emotions; 7. "Sermadra" (a kind of "Sermadra"), which is a kind of "Sermadra" with the hammer flying and swallowing the mountains and rivers. There are the "Sermadrol" (the great drum dance of the latter Tibet) and the "Zhuoxun" (the waist drum dance of the former Tibet); 8. There are the Tibetan Opera character dances and the "Lexun" which are performed in conjunction with the plot and are self-contained, and the "Lexun" which is accompanied by labor and inspires the passion for labor, as well as the mime series. "and mime series dance" qiangm "(commonly known as law dance), rare, ancient, with the flavor of the Western region of the palace music and dance" kal "(for cloud music and dance) and so on. Can be roughly summarized into four series and categories, namely, folk, religious, opera, court. Folk dance, including fruit harmony, pile of harmony, fruit Zhuo, Kang harmonic, etc.; Religious dance and Qiangmu, the family put dance, Gong Gaer drum dance, etc.; Opera dance Ram, Gesar, Shirong Zhongzi, etc.; Court dance for the cloud dance (Gaer), etc.. In the multi-variety dance, even in the same folk dance form, there are different jumping methods and performance procedures in different places, presenting the multi-style characteristics of the same form of dance. II. Characteristics: From the point of view of movement, there are both "dancing boots" and "dancing sleeves"; from the point of view of rhythm, there are both "round and smooth wind" and "tonal wind"; there are both "dancing boots" and "dancing sleeves"; there are both "round and smooth wind" and "tonal wind"; there are both "dancing boots" and "dancing sleeves". From the point of view of rhythm, there are both "round and smooth wind" and "staccato wind", both the strong sound of "point" and the round and curved flow of "line", presenting the multi-style characteristics of the same ethnic group in different forms. Therefore, called the snowy Tibetan area for the "song and dance of the sea" is not a word of praise, this is the *** long history, cultural splendor of the true portrayal. Although the Tibetan dance in many different forms, many varieties, but if from its style and content and the system to be examined comprehensively, can be largely attributed to the four major series and categories, namely, folk, religious, opera, court. Folk dance, including fruit harmony, pile of harmony, fruit Zhuo, Kang harmonic, etc.; religious dance and divided into Qiangmu, the family put dance, Gong Gaer drum dance, etc.; opera dance Ram, Gesar, Xirongzhongz, etc.; court dance for the cloud dance (Gaer), etc.. In the multi-species dance, even in the same folk dance form, there are different jumping methods and performance procedures in different places, presenting the multi-style characteristics of the same form of dance. The basic movements of Tibetan dances are characterized by "trembling", "open", "smooth", "left", In addition to this, the most basic "three steps and one change", "retreating and stepping forward", "inverted foot rolling", "four steps and one change", and "four steps and one change" are also prevalent in the rhythm of the dance. The basic "three steps, one change", "backward and forward step", "inverted foot rolling" and "four steps turning" are also prevalent in the dance rhythm. On the basis of this *** same law, there are various changes, plus gestures of movement, waist rhythm, music difference and constitute different styles. For example, the pace of Tibetan dance is very rich, and can be summarized as "rubbing", "dragging", "stepping", "cutting", "point", "point", "point", "point", "point", "point", "point", "point", "point", "point", "point", "point" and "point". " "Point", "tuck", "end", "planing", "kick", "suck", "cross", "twist", etc.; the hand gestures of Tibetan dance can also be summarized as "pull", "leisurely", "fling", "around", "push", "rise", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push", "push" and "push". The changes of "pull", "leisurely", "fling", "round", "push", "rise" and "raise". Tibetan dance in the skills are: rolling, create leg turn, kicking leg turn, fruit harmonic turn, across the leg turn, jump across the turn, push the mill turn, kneeling turn, tuck turn, positive and negative turn, twisting waist positive and negative turn, wringing the body anti-striding turn, point step turn, step turn, point turn, flat turn, small bungee jumps, dead man's bungee jumps, lying body big lake son, flat turn tiger jump, and across the leg jump, leg sucking jump, cover the leg jump, teasing the leg jump, dabbing step across the leg jump, bunny jump, cat jump, and so on. I hope to be able to help you busy Oh O (∩_∩)O ~
What are the characteristics of the Tibetan dance?
Tibetan dance *** The Tibetan people is a belief in Tibetan Buddhism, but also arc able to sing and dance of the nation. In the long history of the nation bred under a number of festivals, almost can not find not to sing and dance as a tribute to the gods and entertain the people, in order to push the festival atmosphere to the most joyful *** precedent.
Types of Tibetan dances
There are foot-stomping for the festival, arm-stepping song, enthusiastic and joyful rural "fruit harmony" (circle song and dance); there are foot-stepping for the festival, the heavy foot rhythmic point changes, enthusiastic and joyful "pile of harmony" (commonly known as tap dance); there is a song-based, song and dance, the main song is a song and dance, and the most important thing is that it is not a song, but a song and dance. There is the "Nangma" (Inner Court Song and Dance), which is a combination of song and dance with a melodious rhythm; there is the "Chat", "Dun" and "Tap", which is a combination of staccato and powerful staccato, and the "Tap", which is a combination of staccato and powerful staccato. There is the "Dahun" (circle dance of the forest area), which combines "chirping", "dun" and "stepping" in a powerful and staccato manner; there is the "Guozhuo" (formerly known as the potshuang dance) of the agricultural and pastoral areas, which emphasizes the expression of emotions and has a beautiful and bold dance; there is the "Nangma" (inner court song and dance), which has a rounded and expansive shape, with long sleeves, a ringing sound, and a bold and exciting performance. There is the "Reba" bell drum dance which is round and stretchy, with long sleeves and vibrating bell sound, rough and vigorous, emphasizing skillful movements and expressing frenzied emotions; there are the "Sermadro" (the big drum dance of the Tibetans in the latter part of the country) and the "Drohun" (the waist drum dance of the former Tibetans), with which the hammer of the feather flies and swallows the mountains and rivers; there are the "Gosho" (the waist drum dance) which matches the performance of the drama. There are the "Sermadrol" (the great drum dance of the latter Tibetans) and the "Zhuozho" (the waist drum dance of the former Tibetans); the Tibetan opera dances, which are performed in conjunction with the plot and form an integral part of the show; the "Qiangm" (commonly known as the "Jumping God"), which is a series of "Lehun" mime dances that are accompanied by labor and inspire enthusiasm for labor; and the rare "Qiangm" dances. The most basic because the Tibetan compatriots live in the plateau area, so their bodies will sink down, if you want to learn Tibetan dance, you should first practice more trembling knee
What is the basic rhythmic characteristics of Tibetan dance?
The knee has a continuous, small and fast, elastic tremor and continuous flexible flexion and extension, forming the Tibetan folk dance "no flexion is not moving, want to move must be the first flexion" of the law of action. This "bend" in addition to the requirements of trembling knees, including slack hips, due to the characteristics of this law, so that the lower limbs of the Tibetan folk dance initiative, the upper limbs loose, the formation of the top down, want to move the first bend of the rhythmic characteristics of the dance, so that the dance to give people a kind of floating and calm feeling.
Characteristics of the dance steps of Tibetan dance
The Tibetan people can sing and dance. Tibetan songs and dances are of many kinds and forms, and the names of the regions are different. Folk song and dance "harmonic" is a song-based, song and dance combination of group dance, generally men and women stand on one side, pulling hands into a circle, singing and dancing. Folk dance also has "Zhuo", "hot bar", "pot Zhuang" and so on. "Qiangm" is a Tibetan religious dance, performed with drums, cymbals, brass horns, bone horns, accompanied by lama chanting and singing, magnificent and profound, with a strong artistic influence. Reba: Reba is a kind of comprehensive performing art of the Tibetans, which is mainly based on the bell drum dance, and includes strings, pots and pans, tap, rap, and juggling. Legend has it that it was first created by the wandering monk Mira Reba in the 11th century, with a history of more than 900 years. Dance, male brass bells, female tambourine, dance from slow and fast, often "top drums turn over", "lying body bungee", "one-legged turn" and other stunts. Engaged in this kind of performance is also known as "hot bar". Tap Dance: The Tibetan tap dance was originally a court dance. The dancers wear hard-soled shoes and express their inner feelings by stepping out in a changing rhythm. Tap Dance is accompanied by flute, yangqin, six-stringed zither, brass bells, moon zither, etc. The rhythm is slow and fast, and reaches a *** when it ends abruptly with the final step. Le Xie: Le Xie is a kind of labor song and dance of the Tibetans. In the labor at the same time, the mouth of the song and the hands of the tools and legs and feet rhythmic movements to match, so that the labor has become a form of song and dance. In the shoveling, tamping, stacking wheat and other strong physical labor, the song in the mouth has a strong flavor of labor horn. Tibetan Opera: A comprehensive art that is widely popular in the Tibetan area and expresses the content of a story in the form of songs and dances. In Tibetan, it is called "Aji Ram", meaning "Fairy Sister". Legend has it that it was created in the early 15th century by the Kagyu lama Tangdong Jiebu to raise funds for the construction of the Yarlung Tsangpo River iron bridge. Most of the traditional repertoire is based on folktales, historical biographies and historical events, such as Princess Wencheng and Prince Nuosang. They are performed on a continuous stage, interspersed with songs and dances, and sung with the help of other actors and actresses in chorus. There are many changes in the singing voice, and the dance movements are very graceful. A play is generally divided into three sections: ① the appearance ceremony, known as "dun" in Tibetan; ② the main play, known as "xiong" in Tibetan; ③ the end of the performance of the form of wishes, known as "zaxi" in Tibetan. The accompaniment is mainly drums and cymbals. Make-up and props are simple, and in the past, they were mostly performed in squares. After the democratic reform, the status of artists has been improved, the repertoire has also been reformed, get new development.