Perspective set noun explanation: the background of the stage is a completely still picture, usually painted with the principle of perspective in line with the streets and houses, and in the principle of perspective, the original fragmented background achieved unity, the original multiple sets, including houses, squares and palaces, can be through the method of perspective, in the same set.
The most basic and prominent element in the painting of classical perspective scenery is perspective. The emergence of the perspective set is inseparable from the extensive use of perspective in the plastic arts. Each development of perspective scenery is also inseparable from the further understanding of the law of perspective and its unique use in the stage space.
The most important role of perspective in stage scenery is spatial expression. Oriental theater stage in the performance of space is used in a virtual way, the stage does not appear intuitive spatial realm, relying on the performance of the actors and the audience's imagination. The Western theater stage and its plastic arts lineage, the choice of a relatively realistic perspective.
Classical perspective sets of perspective and modeling characteristics
Classical perspective sets of the picture is very strict, there is a strong sense of order. This is partly due to the strict uniformity of perspective changes, and partly due to the elaborate composition of the picture.
Classical perspective set of perspective laws and painting is basically the same, but in the specific method is much more complex than the general plane painting. Painting performance is generally completed in a two-dimensional plane, perspective changes relatively single. Stage set is in three-dimensional space, the perspective changes between the scene piece itself and the unit scene piece painted perspective changes will appear constraints and effects. This makes the handling of perspective more complex than general painting.
Taking parallel perspective as an example, during the process of drawing, the perspective line is not a straight line to the end as in painting, but is transformed through layers and finally disappears in a reasonable position. The value of this complex perspective method lies in the fact that when the set is in a stage space of different distances, the false perspective drawn is naturally connected with the perspective changes that really exist, giving the audience a visually coherent, reasonable and complete perspective relationship and a fantastical spatial feeling.
Programming is a very important modeling feature of classical perspective sets. The image of many sets is not a specific scene in life, but a relatively standardized architectural image and natural landscape modeling. Set performance also does not pursue uniqueness, specificity, the same set is often used in different performances, sometimes called duty set. However, this kind of programming does not make the set modeling flow into craftsmanship and vulgarity, but presents a strong painting, presenting an era of the overall modeling feeling and aesthetic characteristics.