The Snow in Jiangnan: An Appreciation of the Best Sentences

1. Jiangnan snow

"snow" answer:1. Jiangnan snow "moist and beautiful", full of vitality; Shuo Fang snow independent and unrestrained, shaking the sky and moving the earth. One is beautiful, one is magnificent. 2. Jiangnan snow although moist and beautiful, full of vitality and fun, but the disappearance of the snow Luo Han makes people produce beautiful things can not always in the feelings of regret, so naturally into the description of the snow of the Shuofang. It can be said that the snow Luo Han become a bridge connecting the two, in the content and structure plays a role in the content and the other, take on the role of the next. 3. write the qualities of the snow in the south of the Yangtze River, sent the author of the hometown of the beautiful scenery and the joy of the snow of nostalgia, the authors of the pursuit of a better life and ideals; due to the realities of the social environment is too cold and too dark, so write the snow of the ShuoFang flying the majestic scenery, reflecting the author's indomitable fight! The author's outlook on life is reflected in the author's indomitable fight. The author uses the beauty of the snow in Jiangnan to set off the magnificence of the snow in Shuo Fang, thus highlighting the pursuit of a magnificent fighting life. 4. "Beauty" is expressed in the Bao Zhu Camellia in the snowy field, the single-petaled plum blossoms, the waxberry blossoms, and the weeds under the snow. Depicting the form: always like powder, like sand, never sticking, scattered on the house, the ground, the dead grass; depicting the color: brilliant light; write the momentum: vigorously flying, such as the fog that encompasses the flames, swirling and ascending, so that the space rotating and ascending flickering; outline the space: boundless wilderness, under the bitterly cold sky ....

2. Sentence appreciation of the text Snow

Lu Xun's Snow was written in January 1925 . It was on the eve of the Northern Expedition Revolution, the same two parties formed a united front and the revolutionary situation appeared promising . However, Lu Xun was living in Beiping, which was still under the dark rule of the Northern Warlords, where reactionary forces were rampant and the struggle was extremely fierce. Lu Xun successively used the symbolic technique, through the contrasting description of the snow scene in Jiangnan and the snow, praised the snow pursuit of freedom and the spirit of tenacious struggle, expressed the author's strong dissatisfaction with the cold and dark social ornaments of the incomparable indignation of the feelings, expressed the praise of beautiful things and the dark forces of the revolutionary sentiment of a resolute struggle.

Lu Xun's "snow" is to seize the Jiangnan snowflakes "moist and beautiful", vaguely "youthful news", "is very strong and healthy place of the skin", Jiangnan seek wild full of youth and vigor. The vigor and the search of the "powder, such as sand", "never sticking" characteristics, a true and vivid reproduction of the unique scenery of the snow field in Jiangnan and the northern snow field snow will be the memory of the fresh and bright, magnificent and cold, full of spring, giving people unlimited interest of the snow field in Jiangnan and the snow field in Jiangnan, an empty and depressed, a barren area. Empty and desolate, a desolate, sad cold and lonely, suffocating northern snow field of different scenes, and vividly highlights the strong contradiction between the beautiful things and the cold reality, thus implicitly and profoundly expresses the author's strong dissatisfaction with the dark reality of the infinite nostalgia for the beautiful things and a strong deadline for a new life. Lu Xun's "Snow" is written from "Snow in Jiangnan" to "Snow in Shuo Fang", which is a big span of time and space. Magnificent performance of a vast and infinite snow map, showing the charming Jiangnan snow field and the majestic momentum of the Shuo Fang snow. The author uses the scene to write to the people, the scene blends, gives the southern snow field with infinite vitality and vigor. Both articles in the expression of quiet, curvy, static and dynamic, at the same time from the top to the bottom, from the bottom to the top, up and down, combined, write sound and color, shape and God Bigang. With shocking artistic charm.

Snow" is written: "They, that is the lonely snow, is the snow of the dead fall, is the essence of the two" summarizes the above, showing the curse of the dark point of view, anger, motivate the reader to go to the hard rot of the old world to create a brand-new world

Why the author of the ShuoFang snow is fond of? The logic of this emotion is carefully developed in the article. The article begins with a reference to the rain in the warm country, which is monotonous in the eyes of knowledgeable people. But it is the snow of Jiangnan that has a rich and colorful beauty. The author here writes with full of feelings about the snow in Jiangnan in his memory, it has a colorful environment, all kinds of flowers grow in the snowy field, "many bees are busy", and people can not help but think, "winter is already here, will spring be far away? " In the author's eyes, the snow in Jiangnan is also associated with the joy of the children, and the snowy days bring them happy games though their hands are frozen red. The vivid description of the molded snow Luo Han permeated the author's warmth, "white", "bright", "glittering light" these image of the words not only melted into the author for the southern winter The words "white", "bright", "glittering" not only incorporate the author's fond memories of the southern winter, but also depict the delightful scene through the eyes of the children. Jiangnan snow, revealing the vitality of the full, nurturing life.

3. Seek to appreciate the winter scenery of Jiangnan

Just think, after the fall harvest, the river three or five families will be gathered together in a small village, the door to the long bridge, the window facing the far foo, which is mostly in the middle of the tree branches of the woods; in this picture of the winter countryside, and then sprinkled with a layer of fine with the powder is also similar to the white rain, coupled with a layer of light to a few not the ink in the background, you say is not leisurely enough? If you want to point out the scenery into, then the door can be moored in front of a boat, thatched cottage can be added to a few boisterous drinkers, the day is dusk, you can also add a flavor of red and yellow, in the thatched cottage window painted a circle suggestive of the light of the moon halo.

After the winter solstice, the leaves of the trees south of the Yangtze River, and not so much to shed. Cold winds - the northwest wind - blowing occasionally, at most, but also cold for a day or two. By the time the gray clouds are swept away, fallen leaves all over the street, the morning frost is as white as the black woman's face like powder. Early in the morning, the sun on the roof, the birds will be again in the squeak, the mud will be released again steam to the old man and the children can go up to the door of the gap in front of the ground to sit exposed back to talk about the day, camping outside the house career; this kind of winter scenery of Jiangnan, is not it also lovely very much?

4. Jiangnan's snow Lu Tao reading review as the question Thank you

1. Jiangnan's snow "moist and beautiful", full of vitality; Shuo Fang's snow independent and uninhibited, shaking the sky and earth.

One is beautiful, one is magnificent. 2. Although the snow in Jiangnan moist and beautiful, full of vitality and fun, but the disappearance of the snow Luo Han people produce beautiful things can not always in the feelings of regret, and then naturally into the description of the snow of the Shuofang.

It can be said that the snow Luo Han became a bridge between the two, in the content and structure of the role of the other and the role of the beginning and the end. 3. Writing about the qualities of snow in Jiangnan sends the author's nostalgia for the beauty of his hometown and the joy of the snow, and expresses the author's pursuit of a better life and ideals; because the reality of the social environment is too cold and too dark, so writing about the snow in ShuoFang fights to fly the majestic scenery, reflecting the author's indomitable fight of the outlook on life.

The author set off the beauty of the snow in Jiangnan against the magnificence of the snow in Shuo Fang, thus highlighting the pursuit of a magnificent fighting life. 4. The "beauty" is shown in the snowy field of Baozhu camellia, single-petaled plum blossoms, waxberry flowers and the weeds under the snow.

Depicting the form: always like powder, like sand, never sticking, scattered on the house, on the ground, on the withered grass; depicting the color: brilliantly light; writing the momentum: vigorously flying, like a fog wrapped in flames, swirling and rising, so that the space swirls and rises to flicker; outlining the space: on the infinite wilderness, the bitterly cold sky....

5. Jiangnan's snow Lu Tao reading comments

1. Jiangnan's snow "moist and beautiful", full of vitality; Shuo Fang's snow independent and unrestrained, shaking the sky and earth. One is beautiful, one is magnificent.

2. Although the snow in Jiangnan moist and beautiful, full of vitality and fun, but the disappearance of the snow Luo Han people produce beautiful things can not always be in the feelings of regret, and then naturally into the description of the snow on the Shuofang. It can be said that the writing of snow Luo Han became a bridge connecting the two, in the content and structure plays a role in this and the other, take on the role of the next.

3. Writing the qualities of the snow in Jiangnan sends the author's nostalgia for the beauty of his hometown and the joy of the snow, and expresses the author's pursuit of a better life and ideals; due to the reality of the social environment is too cold and too dark, so writing about the snow in Shuofang to fight and fly in the majestic scenery, reflecting the author's indomitable fight of the outlook on life. The author uses the beauty of the snow in Jiangnan to set off the magnificence of the snow in Shuo Fang, thus highlighting the pursuit of a magnificent fighting life.

4. "Beautiful" is expressed in the snowy field of Baozhu camellia, single-petaled plum blossoms, waxberry flowers and weeds under the snow. Depicting the form: always like powder, like sand, never sticking, scattered on the house, the ground, the withered grass; depicting the color: brilliantly glowing; depicting the momentum: vigorously flying, like the fog that encompasses the flame, swirling and rising, so that the space swirling and rising shimmering; outlining the space: on the infinite wilderness, the bitterly cold sky.

6. Poem: Snow in Jiangnan

Sun Guangxian Miscellaneous Songs and Diatribes - Willow Branch

The wind at the gate of the capital is warm and the flowers are dry, and the snow is not cold all over Jiangnan.

Unique evening coming to the water stage, the idle people more by the red appendage.

There is a pool and a pavilion, which is the Mengmeng, soaked in water and turned to grow and raise the power.

Just like someone long inspection, rows and rows to the spring wind.

Although the root of the problem is the muddy river, there is no harm in being close to the song all day long.

A team of 4 horses and a golden belt, who can compare, but also laugh at the yellow warbler is not more.

Ten thousand plants withered and complained about the death of Sui, like hanging Wu Tai each hanging.

It is a good thing that in the bright moon of Huaiyin, the flute in the restaurant is not able to play.

Wang Qi Memories of South River

Snow in the South, the light vegetarian cut clouds. The agar tree is suddenly surprised early spring, plum blossoms feel the cold of the dawn fragrance. The cold shadow is not a good idea. The first thing you need to do is to get a good look at the night. I'd like to thank you for your poetic coverlet, and I'd like to thank you for the fun you've had. I'm not sure if I'm going to be able to do that, but I'm going to be able to do it.

Han Yuanji Bodhisattva Barbarian

The flowers in the snow of Jiangnan are like jade. The new outfit is a new kind of style. The first time I saw you, I was in the middle of the night, and I was in the middle of the night. The fragrance of the incense is thick and smoky. The first time I saw this is when I was in the middle of the night, and the second time I was in the middle of the night. But as a makeup plum face. There's no place for you to go. I'm not sure if I'm going to be able to do that, but I'm going to be able to do it.

7. snow, Lu Xun, sentence evaluation appreciation, at least three sentences

1 Yes, that is the lonely snow, is dead rain, is the essence of rain.

Appreciation: the use of prose, through the anthropomorphic technique, wrote the snow got that sense of loneliness, and the author seems to vaguely feel the darkness of the society at that time, so that is dead rain, because rain and snow were originally a family. Only the essence of the rain, so it can penetrate the world of nothingness, penetrate the reality of this society.

.2 But it was as if I saw before my eyes winter flowers blooming in the snowy fields, and there were many bees flying busily, and I also heard them buzzing around.

Appreciation: This sentence is the author by the snow to develop the imagination, the author is looking forward to the emergence of spring, but it is winter, where the flowers bloom ah? So in the vast snow field, the author of the fluttering snowflakes as the winter flowers, as for the bees busy and flying, it is hoped that the snowflakes can make the society to return to the spring-like prosperity it!

3 Jiangnan snow, but moist and beautiful to the point; that is still vaguely youthful news, is very strong and healthy virgin skin"

Appreciation: "very strong" written Jiangnan snow is full of vitality; "virgin" written Jiangnan snow is full of vitality; "virgin" written Jiangnan snow is full of vitality; "virgin" written Jiangnan snow is full of vitality; "virgin" written Jiangnan snow is full of vitality; "virgin" written Jiangnan snow is full of vitality; "virgin" written Jiangnan snow is full of vitality. The metaphor here makes the sentence seem vivid and specific.