The second problem: after the woman got on the boat, with the boat and go, suddenly met the wind, leaning on the window, the moon lightly swaying, occasionally heard a fisherman a word ~~~~~~ If you want to have a fisherman such as this, three kinds of possibilities,
1,, pretending to come out;
2, born monk, such as Xuanzang;
3, up and down in the heart of the grinding out, if the Ma Yun after old age and bankruptcy (perhaps Ma Yun now, but not like a fisherman).
Ke carries on as if there is, rare; personally feel that its later team packaged out of the possibility of larger; but its 5 works with the Bermuda three stone are very appreciated.
The third problem: this ride The lotus seed falls to the ground a few times confused
This feeling, should not be a woman's, as a young (the poet followed) the girl (running to no one place, stealing paintings of lotus, playfulness is very big), it is difficult to have such a feeling. Personally, I feel that this sentence is the end of a piece, should be an outsider of the whole story, the summary of this small prose. Like after writing the Three Kingdoms, Luo Guanzhong does a critique, rather than Cao Liu's words.
Personally, I don't understand the phrase "tofu is replaced by a golden coat of feathers, but I don't know that you're already in the painting", if there is a good solution, please enlighten me!