Poetry Prose Graduated Part 1: Prose Poetry
Prose Poetry Four Questions: "Once upon a time the sea is hard to be water"
Text/Hao Zhenchang
The more the road passes through the stage of time
To the people who are walking, they only see the appearance but do not remember it in their hearts
The more the river is lying down
To the sailors swimming, they do not need to care how much they are skilled
The flowers are more and more fragrant, but only smell it.
To the sailors who swim, no need to care about their skill
The flowers are more and more fragrant, but only smell, smell, can not be taken away
The scenery is good and beautiful, but only to appreciate, memory of the feelings stored in the heart palpitations
The crowd is crowded again and again, but also can not go with the flow, so we have to make a shortcut, take a shortcut seven turns
The square is again noisy and then wide, but also can not join. I've visited famous mountains and climbed the peaks of Mount Everest, and I know that the mountains are small
I've read the classics of famous authors, and I'm so rich in knowledge that I can describe the highest point of my soul
I've contacted the masters, and I'm so broad in my vision that I'm able to make rapid progress in the writing industry
I've admired the clouds on the top of the mountain plane, and I know that I can cry like a rain, and only then I'll be able to call it the real cloud
I've seen the magnificent ocean, and I don't need to know who they are. I have seen the magnificent sea, boundless, elsewhere in the water is simply a piece of cake, can no longer be called water
Chase the poetic life, even if the left hand is lonely, the right hand is loneliness, the front is the desire
The top of the head is despair, the courage can not be drummed up by the secular concept of the constant squeeze
Emotions again and again low, the thinking ran out of the clouds
also
This is the first time I've ever seen this. Sometimes he returns, sometimes he doesn't
I wait until the flowers are gone
In the morning, I get up and open the window
It's drizzling in the sky
The window sills are soaked with rain
It's just as well that I'm walking down the street
The farmers are curled up with reddened hands and frozen feet
But they are still smiling as they face their customers. The muddy mountain road must have been slippery
The plan of the study tour was not successful
The idea of going home was not expected
Walking along
Not only was his heart in a pause
Thinking of you is always in the rainy season
Brew the last of the sweetness into the strong wine
The cup of life has always been in our heart, but also in our heart, in our heart.
I'm not sure what I'm talking about,
I'm not sure what I'm talking about,
I'm not sure what I'm talking about,
I'm not sure what I'm talking about,
I'm not sure what I'm talking about,
I'm not sure if I'm talking about the same things I've been talking about for a while now, but I'm not sure if I'm talking about the same things I've been talking about for a while.
Loneliness and loneliness
Double suffering
Fortunately, to the hometown of this threadbare ancient book to offer a heavy gift
The last sweet brewed into a strong wine
"China, my morals have no bottomline"
China, my morals have no bottomline
Life is like a zombie, a bronze wall
I'm bored to death
China, my morals have no bottom line
Materialistic, money-oriented, uneducated
Drumming and bragging, right and wrong, the end of the road
China, my morals have no bottom line
Efforts go down the drain, the words are no better than the words
Gaining a lot of money is not enough, losing a lot of help, loneliness and loneliness
China, my morality has no bottom line
A clever daughter-in-law can't cook without rice
Starting a family with nothing, making careful calculations, and taking care of everything day by day
China, my morality has no bottom line
I don't know how to know how to repay my kindness and how to honor my parents
Seamlessly, and offer them to the fire
China, I don't know how to repay my kindness and how to honor my parents
I don't know how to repay my kindness and how to honor my parents. My morality has no bottom line
Life is worse than death, see through the red dust, face openly
Strike tigers and flies, come ferocious, scared to death
Biography:
Hao Zhenchang, female, pen name: clear and do not stain the dust, Sinan, Guizhou, was born in the late 1970s, a senior teacher of elementary school language. Spare time to write poems, began publishing poetry in 2009, there are poems selected "thousands of poetry
Essence Volume", "Guan Ju love poems", "Qu Yuan wind", "classic short poems of contemporary Founder", "love declaration love poem classic", there are poems published in the "Chinese poets", "Guizhou poets", "Guizhou Metropolis Daily", "Fanjing Mountain", "Fodingshan", prose published in the "Tongren Daily" and other publications, there are hometown series of poems published in the "Guizhou Poets", "Guizhou Metropolis Daily", "Fanjing Mountain", "Fodingshan", prose published in the "Tongren Daily" and so on. A series of poems about his hometown have been published in Wujiang Literature. Poetry review was selected in Poetry Weekly, Issue 126, 2014, and a number of poems were published in China Literature Network, Western Writers Network, Guizhou Literature Network. Some of his prose has been awarded the Excellence Award in commemoration of the 600th year of "My Story with Guizhou". He is currently the editor of JAC Poets and the chief editor of Dragon Bottom Waves. Poetry concept: tracing the true color of life in the depths of time, supporting the appreciation of those humble things. Blog:
/u/3406804080
Zip code: 565109
Address: Tangtou Elementary School, Sinan County, Guizhou Province
E-mail: 1193862225qq163.com
Phone: 13721575683
Please correct the editor!
Poetry Prose Graduated Part II: Modern Chinese Poetry Prose Appreciation
Modern Chinese Poetry Prose Appreciation (Poetry Part) Unit 1
Unit Description:
This unit is to show the "rhythm of life" poetry. These psalms show life forms that are full of boldness like the "Tengu", remain "silent and clear" like the "well", or are like the "spring". "Spring" generally shows vigorous vitality; or expressed as a warrior's courage in the face of death, or as a boatman's tenacity to fight against the rapids. In teaching, students should be guided to understand and savor the connotation of life contained in these poems, and further understand the relationship between modern poetry and the poet's personality, as well as the peculiar way of thinking of modern poetry.
Learning Objectives:
1. To understand the meaning of "the rhythm of life" in modern poetry.
2. To understand the charisma of each text.
3. Combined with the text, realize the strange way of thinking of modern poetry.
4. Appreciate the rhyme and rhythm of the poem and learn to recite modern poetry.
The Sky Dog
Teaching process:
1, pre-study questioning and understanding:
My questioning:
My understanding:
My gain:
2, with Ying mastication of a word of evaluation (this poem my favorite verse excerpts and evaluation):
My favorite verse excerpts: my evaluation
3, the question to explore:
1, the poem's central imagery and its characteristics?
Clarification: the central image: the sky dog
Characteristics: have swallowed the sun, the moon and the stars of the wanton, overpowering, flaunting the self, unrestrained, magnificent
2, please explore the deeper meaning of the central image of this poem.
Clarification: The image of "Tengu" has a double meaning (symbolic meaning), it is a symbol of the pursuit of spiritual freedom and personality liberation
The pursuit of spiritual freedom and personality liberation of the May Fourth Era of the capital "I" (the new man of the nation and the times), which shows the individuality of the spirit of the times. It shows the spirit of the era of individuality and liberation.
It is also a passionate, frank and rebellious "ego", which is a true reflection of the "poet's self-soul in the big time".
3. Briefly analyze the characteristics of this poem in terms of expression.
Clear: ① completely free verse form (stanzas are of different lengths, the number of lines in each stanza is not fixed, and there is no uniform rhyme
foot) and the poem shows the image of the "Tengu" and the expression of the ideological theme complement each other.
② Rhetoric: anthropomorphism: so that the image of the "Tengu" can be vividly demonstrated in the spirit of self-importance, but also to facilitate the poet's imaginative exaggeration.
Romantic exaggeration: to better show the Tengu's self-expansive and unrestrained personality.
4. Language taste:
? Four types of words:
? Verbs: "swallow", "run", "bark", "run" and a series of dynamic, energetic verbs. The "Tengu" fearless, wild and uninhibited, wanton venting of the characteristics of the vividly displayed. A new image of a courageous, full of life vigor, writing a new chapter of life jumped off the page.
? ② "big" words: grandeur, broad vision
? ③ repeated words: emphasize the momentum
? The first person pronoun "I", "Tengu" is driven by the strong self-conscious "I", all the words and phrases of the poem follow the call and push of "I". All the words and phrases of the poem follow the call and push of the "I" and surge forward, which fully reflects the dynamic spirit of the May Fourth Era and the poet's free-spirited personality.
Wen Yiduo compared writing poetry to dancing in chains. Lu Xun said, "Poetry must have a form, easy to remember, easy to understand, easy to sing, moving". Guo Moruo did not see it this way, he said: "the spirit of the poem in its internal rhythm", that is, "the natural ups and downs of emotion", as for the external form of the poem, such as language and so on is like clothes, "Poetry, no matter how old or new, as long as it is a real As for the external form of the poem, such as language, it is like clothes, "Poetry, no matter old or new, as long as it is a real beauty, it is good to wear any clothes, and it is better to be naked without clothes!" Tengu" is the extremization of Guo Moruo's poetic conception of creation, completely without speaking of the "form" of the poem, without the slightest consideration of the "courage to sing and move" of the poem, and letting his feelings pour out in a rush and blurting out his words. The whole poem is twenty-nine lines, each line starts with "I", the length is not confined, both monotonous and disorganized, totally disregarding the Chinese readers' aesthetic expectation of poetry of low singing and singing three times, and the whole poem is a loud voice shouting and screaming wildly, which rises steeply with pleasure, and then stops when the pleasure is over! This monotonous sentences from beginning to end, but enhanced the overall chain of the whole poem in one breath, the mouth, without polishing the harsh language, but strengthened, highlighting the strength of the poem, refused to pack, straight to the emotions of the readers, but easier to communicate with the readers **** Ming. In this way, the whole poem as one, such as hot magma broke through the crust, volcanic eruption like gushing; and as the top of the Tianshan Mountain eruption mudslide, surging, whistling, a diarrhea as a note?
5, reading tips:
Approaching the author
Guo Moruo (1892-1978), formerly known as Kaizhen, No. Shangwu, after his hometown of Dadu River and the Yahe River's alias "Mo Shui" and "Ruo Shui" pen name "Mo Shui" and "Ruo Shui". Afterwards, he took the pen name "Moruo" for his hometown Dadu River and Ya River, which were also known as "Moshui" and "Ruoshui". He was born in Leshan, Sichuan Province. In 1914, he went to Japan to study, where he came into contact with Tagore, Goethe, Shakespeare, Whitman, and other foreign writers, and in the spring of 1918 he wrote his first novel, and in the early summer of 1918 he wrote his earliest new poem, The Temptation of Death. In June 1921, he organized the "Creation Society" with Cheng Fuguo and Yu Dafu, and edited the "Creation Quarterly". In 1923, he graduated from the Imperial University of Japan, and returned to China to continue editing Creation Weekly and Creation Day. 1924 to 1927, he wrote the historical dramas Wang Zhaojun and Zhuo Wenjun, etc. In 1928, he went into exile in Japan, and in 1930, he joined the League of Chinese Leftist Writers and participated in the "Leftist League", which was the first organization of its kind in China. "In 1930, he joined the Chinese Leftist Writers' Union and participated in the activities of the Tokyo branch of the Leftist Union, and in 1938, he became the director of the National Association of Chinese Literary and Artistic Circles Against the Enemy, and during this period, he wrote six historical dramas, including Quyuan
Ten Criticisms. He also wrote Ten Criticisms, The Age of Bronze and a large number of miscellaneous essays, essays and poems. After the founding of New China, he served as a member of the Central People's Government, Vice Premier of the State Council and Director of the Culture and Education Committee, President of the Chinese Academy of Sciences, President of the National Federation of Literary and Art Circles for the first, second and third terms, and a member of the Ninth, Tenth and Eleventh Central Committees of the Chinese ****songwriters' Party, Vice-Chairman of the Standing Committees of the National People's Congresses of the First to Fifth Terms, and a member, Standing Committee Member, Vice-Chairman of the National Committee of the Chinese People's Political Consultative Conference. His works include "Ode to Xinhua", "Dongfeng Collection", "Cai Wenji", "Wu Zetian", "Li Bai and Du Fu" and so on. There are "Guo Moruo Anthology" (17 volumes) and "Guo Moruo Complete Works" (including literature 20 volumes) in the world.
Guo Moruo is a pioneer poet, his collection of poems "Goddess" responded to the spirit of the May Fourth period of rapid progress, full of passion to write the youth of the times and the newborn of the nation. In terms of poetic concepts, he advocated that poetry is the poet's self-expression, believing that "the duty of poetry is exclusively in lyricism"; he believed in poetic inspiration and intuition, proposing that "poems are not 'made', but only 'written'". He also emphasized the non-utilitarian nature of poetry, but he recognized the objective social effects produced by poetry. Guo Moruo pioneered the free verse of modern new poetry, and his unconventional poetic style had a great influence on later generations.
Background
In 1919, the May Fourth Movement brought new weather and vitality to Chinese society. Old morals, old rituals, authoritarian politics and all feudal idols were fiercely attacked and criticized, while new things, new ideas, new culture and all progressive requirements were warmly admired and praised. Advocating science and democracy, striving for independence and freedom, promoting individuality, the pursuit of personality liberation, and demanding the transformation of the old society and the construction of a new society have become the strong voice of the times.
6, recommended poems exchange:
Poetry sea to pick up shells (my favorite poem or verse excerpts):
Recommended reasons:
7, teacher-recommended poems and a recommended comment
Coal in the furnace - nostalgia for the motherland's mood
Guo Moruo
Ah, my young lady!
I will not fail you in your solicitude,
and you will not fail me in my contemplation.
I am burned to this likeness for my beloved one
!
Ah, my young lady!
And knowest thou what I was?
And dost thou not think me niggerish?
It is in my nigger's breast
That I have a heart of fire.
Ah, my young lady!
I think my predecessor
was a useful man,
and I have been buried in the earth for many years,
and now I have seen the light of day.
Ah, my young lady!
Since I have seen the light of day again,
I have often thought of my native land,
and I have burned for my beloved ones
in this shape!
Written in January/February 1920
(This piece was originally published on February 3, 1920 in Shanghai's Current Affairs News?
One comment:
This is a lyrical poem full of nostalgia for the motherland. In the poet's own words, "China after May Fourth is like a smart and enterprising girl in my mind; she is simply like my beloved." This poem adopts the anthropomorphic technique, with the "coal in the furnace" tone to the "beloved people" motherland, expressing a strong love for the motherland, expressed the willingness to sacrifice for the motherland wish.
The Well
1, pre-study questions and feelings (carefully read the poem, and write your doubts and feelings in the following):
2, with the English mastication, a word of comment (please extract your favorite lines in this poem and explain the reasons):
3, the problem of exploration:
(1) Please combine the whole poem to talk about your views on "There is loneliness to maintain the clarity of fullness".
Reference answer: the well is screened from the warmth, lonely but satisfied with the desolate loneliness, from the dark strata but connected with the boundless universe, abandoned but silently bear, adhere to the self, to maintain the silence, clarity, simplicity and piety of the nature of the well clarity of the plenitude of the well is originated in the state of their own life of the perseverance.
(2) What kind of symbolism does the poet give to the well?
Answer: "The well" symbolizes a spirit of self-sacrifice, the well is rejected by the warmth, but "maintains the fullness of clarity forever", but also symbolizes the spirit of individuality, a kind of toughness, high character, it quietly "bear everything", wash them, "I will always be myself", it is a part of the old days of integrity and goodness, cleanliness of the intellectuals portrayed.
4. Language Taste:
Please find out the rhyming feet of this poem, and think about what characteristics this poem has in rhyming.
参考答案:This is a relatively free form poem, but strictly rhymed. In the first stanza, "leaf" and "boundary" rhyme, in the second stanza, "wait" and "worry" rhyme, and in the third stanza, "warm" and "worry" rhyme. "warm" rhymes with "full", "face" rhymes with "rotten" in the fourth stanza, and "face" rhymes with "rotten" in the fifth stanza. "face" and "joint" rhyme, all of them are embracing rhymes; the rhymes of stanzas one to four are different, and in stanza six, "give up" and "cleanse" and "self" rhyme. The first to fourth stanzas have different rhymes; the sixth stanza rhymes with "abandon", "cleanse" and "self"; the seventh stanza rhymes with "sincerity", "endeavor", and "sound"; the third stanza is a rhyme scheme. The third stanza, "alone", rhymes with the fourth stanza, "place", and the rhymes in the stanzas form a cross-rhyme relationship.
5, reading tips:
Nine Leaves Poetry School: a school of poetry with a modernist tendency in the late war of resistance and the liberation war. The main members were Cao Xinzhi (Hang Yeohye), Xin Di (Wang Xindi), Chen Jingrong, Zheng Min, Tang Ji, Tang Chik, Du Yunxie, Mu Dan and Yuan Kejia. The main publications include Poetry Creation and New Chinese Poetry. They emphasized the unity of reflecting reality and digging into the heart, and their poems had a broad vision and a strong sense of the times, history and reality. Artistically, they consciously pursued the combination of realism and modernism, focusing on creating novel and strange imagery and realms in their poems. They took over the tradition of modernism in Chinese new poetry and contributed to the development of new poetry.
6, recommended poems exchange:
Poetry sea to pick up shells (extracurricular poetry excerpts):
Recommended reasons:
7, the teacher's recommended poems and a recommended comment
flint
Govt forest
I am angular
I do not have the diamond and emerald elegant and noble
Also not as elegant as alabaster or jade. I am not as elegant as alabaster or emerald
I am not carved into a seal to be fought over by lords
nor do I deserve to be worn on the delicate fingers of modern women
or dangling from their creamy necks
I am no better than drifting glacial gravel
Poetry and Prose on Graduation III: Graduation
"Graduation is a time to be proud of your life.
"Graduation" TV Prose Review
From the moment we step into the school it means that we are going to separate, we are going to graduate. We look forward to graduation and at the same time we are sad about it. "Graduation is a heavy verb, graduation is a noun that lasts a lifetime, graduation is an adjective that moves us to tears, graduation is an adverb that we look back on with smiles and regrets when we are alone." Graduation is the end of our journey in school, and at the same time, graduation is also a starting point for us to enter the society. The director of TV Poetry Prose "Graduation" has framed the wonderful memories in the college campus with its strong emotions and an unforgettable memory picture.
The director used a male and a female voice-over to interpret the memories and experiences of boys and girls in college. It makes us see the experiences of the boys and girls in college more closely and clearly, and what they think and feel from their first to their fourth year of college. The director has set up 4 clips in the movie to tell the 4 years of college life. The Golden Years, Where Dreams Begin, Friends Don't Cry, Farewell University IV, these four clips added to the film let us more clearly and methodically feel the rich and strong emotional color in the university. From the beginning of the campus longing for college life, to explore the subject with the teacher, and then carrying heavy luggage out of the four years of youth campus, this structure allows the audience to feel the freedom of college life, feel the pressure of college life, but also feel the sadness of the university graduation, more rich in the audience's emotional color.
This movie review interprets the beauty of college and the charm of youth with a soothing rhythm and elegant and affectionate music. The director of the movie uses a lot of lyrical and beautiful music to express feelings. At the beginning, a beautiful and pure "gardenia blossom" brings us into the longing for a long time in the college campus. During the period uses " love 'price ", " my future is not a dream " and so on to express the college student in the university time when the pursuit and struggle, during the period and " friend " to express the university life during the teacher and student and with the school friendship. Finally, the song "Wish You a Safe Journey" was used to express the blessing between classmates as well as the teachers' expectation of the students, letting the audience feel the throbbing emotion of parting from the music. The heavy voice-over of "Really, Really Graduated" with the heavy and inspiring music made the audience feel a great emotional impact on their hearts. It's the music that keeps us coming back for more.
In this movie, there are many close-ups, such as flowers, fans, windmills, basketballs, and bicycles on the university campus, which show the energy and passion of the students. The close-ups of the many shoes show the hardships of the college students' journey over the years. The close-up of the train shows the sadness of graduation. In addition, the reverse shot shows the students' nostalgia for the past and their wish to turn back the clock. The use of slow-motion and bright light during the recollection shows the good memories of the school days. Finally, a pull-shot in the crowd turns into a panorama, suggesting that the graduates will be traveling in the crowd in their future lives. This changing shot leaves a deep memory in the viewer's heart, leaving a quality sense of flower in the viewer's heart.
The deep and beautiful voice-over is also a powerful way to express the emotion of this TV poetry essay movie. The deep voice-over with beautiful music in this movie makes the audience feel the sadness of the college students when they face the graduation, and the use of simultaneous voice-overs in the movie lets us feel the sadness of the college students when they really face the graduation.
The blossoming and the falling of flowers
-- Analysis of the TV poetry essay "Graduation"
"Graduation" of this TV poetry essay successfully combined prose and TV art to achieve the perfect combination of the mood of the poem and the aesthetic characteristics of the TV work, giving people a kind of soothing, light and elegant, The feeling of elegance, so that people naturally into the literary mood reflected in the TV screen, from the picture to the heart of the perception so that people can understand the work of the intention of the production of the work.
Television prose is the subtleties of television and literary performance of the symphony and make people interested in the sound and picture convergence to strengthen the emotional flavor. Literary ideas always dominate the flow of emotions, spread out through the picture, giving the sound and picture a soul. What Graduation brings us is a beautiful enjoyment.
I. Multi-angle three-dimensional display
The director's camera, in different angles of those who can evoke the audience's memories of the things described in detail, such as the soccer ball outside the window, with the top shot, back shot, flat shot of the angle, as far as possible to describe the integrity of its description, the change of each angle is like a drop of manna, which is little by little in the hearts of the audience in the most tender place of the nourishment of a youthful, bright and beautiful. A flower as bright as youth opens its petals one by one, and as the camera advances and pulls away, it blooms to its fullest, and then withers one by one. The scene in the study room, first from a subjective point of view, makes the audience feel that they are integrated into those memories, as if returning to the days when they sat there and studied hard, the camera pulls away, a panorama, such as the review of the time when they are about to leave, and then the camera pulls away again, that is, after going out of the door, an incomparable lingering glance, symbolizing the real farewell to that part of the life, and then towards an unknown future. A series of panning shots pushes the panorama to be shown step by step into a close-up, giving some partial close-ups on some characterizations. The description of each shot is very detailed, but does not give a tedious, boring feeling. From some of the side of the drop, to their own college life of lingering. The campus, the cafeteria, and even a path that you have walked before are all filmed. Although there is no storyline in it, it can make people have a pleasing mood. The images are always centered around the grass and trees of university life, and the use of montage techniques to constantly change the scene makes it more of an aesthetic pleasure for us to watch. In the shooting interval can let us
recall may be parked bicycles, put on the windowsill shoes, campus pay phone, in the photo of the graduation of everyone with a joyful smile to us left all some very beautiful scene. You can see how delicate the mind of the photographer is.
Second, the text is vivid and beautiful
"Graduation" this work will move the audience, to a large extent, because of its prose content of the powerful infectious force, simple images with a touching text can be the most people from the plain in the revelation. The article follows the chronological order, uses a lot of rhetorical methods of prose, and shows the college life clearly and completely in front of the audience, as if each word is like a picture, and digs out the mundane but indispensable details of life that have been deposited in the depths of the memory, which is not cumbersome, but more nostalgic and evocative of memories. Therefore, the success of Graduation first originated from the beauty of the prose, which provided a very high platform for filming, and thus the creation of a more comfortable.
Third, the use of music is appropriate
Television is a combination of sound and picture, so the TV prose as a kind of TV program, but also need to use music as a picture of the explanation and match. The soft music accompanied by the moody recitation makes the mood of the prose penetrate into the TV work and makes the audience empathize with it. After each passage there is another song reflecting the feelings of the text, making each small section a complete presentation of each stage of life in the university and the indelible mark that these years have left in the hearts of the graduates. The melodies and lyrics of "Gardenia", "The Price of Love", and "Those Flowers" are a perfect match for the prose of the paintings
and the off-beat prose. The blossoming of the flowers in the picture just really makes the audience feel that those flowers, those memories, those people who have walked through our lives, are quietly blooming for us in some corner of the world, not knowing where they are, not knowing if they are still okay. The images record familiar, representative things, as if each of them has that unforgettable youth painted on it. "Is that the dream of youth?" Perhaps, time slips away inside the palm of your hand, once still complaining about its slowness, when the end of the line suddenly appeared in front of your eyes, only to realize that four years of time, so fast that one would have thought that it was a dream of youth. Faint sadness, deep reluctance. The infectious power of music is reflected here, but anyone who has experienced graduation will have tears in their eyes, as if they have heard the footsteps of this youth. An excellent TV essay is to use the combination of sound and picture that TV has, so that the audience is mesmerized and touched, "Graduation" apt combination of sound and picture, really do this.