The golden age of gospel music began in 1945, with many new independent music companies such as Apollo, King, and Speciality publishing gospel songs, radio stations offering early-morning gospel music programs and Sunday night performances, and traveling gospel bands filling theaters, churches, and festivals. At that time, gospel bands usually featured an infectious female singer in the front with beautiful harmonies in the back, usually accompanied by only a piano and organ. 1940s, black gospel music had its own radio program, and the best DJ at that time was Joe Bostic, who organized the first Black Gospel and Religious Music Festival in Carnegie Hall with Jackson in 1950. In 1959, the event moved to Madison Square Park and grew into the first annual festival of gospel, spirituals, and country music.During the 1950s, gospel music was frequently featured on television programs. Jackson made his first appearance on Ed Sullivan's program.In 1957, the Ward Choir became the first gospel music group to participate in the Newport Jazz Festival. Bessie Criffin brought gospel music to Bumps Blackwell's 1959 New Orleans cabaret Portraits in Bronze.In 1961, the Ward Singers entered nightclubs, and Jackson participated in the John F. Kennedy President John F. Kennedy's inauguration performance. Since then, the Ward group has taken a place in urban music radio halls. Clara also took the lead in one of the first gospel musicals. At this time. The winds of rock and roll were already creeping in: white artists represented by Elvis Presley (PRESLEY, ELVIS) and Jerry Lee Lewis (LEWIS, JERRY LEE) were heavily influenced by the freewheeling style of black southerners as well as the white churches. Ray Charles (CHARLES, RAY*) also stopped deliberately imitating Nat Cole (NAT'KING'COLE) and turned to rhythm and blues music under the influence of the Baptist Church, and he even drew directly on a large number of gospel tunes. Other rhythm and blues artists were more radical [e.g., Little Richard and "Screamin' Jay" Hawkins (HAWKINS, SCREAMIN' JAY)], popularizing their styles and fervently promoting " sexuality" and the gratuitous destruction of holy things, practices which were undoubtedly frowned upon by believers. Of course, gospel music was still dominated by men. From 1945 onwards, gospel records labeled Apollo, especially Peacock, King and Savoy, became a big deal. Gospel records were also published by the Dixie Hummingbirds, the Soul Stirrers (formed in 1935, the first five-piece band, with four-piece harmonies), and the Soul Stirrers (formed in 1935, the first five-piece band, with four-piece harmonies, with four-piece harmonies). The Soul Stirrers (formed in 1935, the first five-piece band to feature four-piece harmonies to accompany the lead singer, and the first use of guitar accompaniment), The Swan Silvertones, The Golden Gate Jubilee Quartet, formed in 1939, with Stalin Wasn't Stalin as their wartime masterpiece], The Staple Singers, and many others. Women's groups included The Southern Harps Spiritual Singers, who produced such fine musicians as Griffin, and the singer/songwriter duo Dorothy Love Goates. "The Ori ginal Gospel Harmonettes, led by singer/songwriter Dorothy Love Goates. These bands had long been influenced by rhythm and blues and doo-wop, and the explosion of black soul music in the 1960s was a direct result of this. Alesha Franklin (ARETHA) was heavily influenced by Ward and made her first album in her father's church. The great Sam Cooke (COOKE, SAM) came from the Soul Stirrers, and became an idol to young boys and girls before he got into pop music.
In 1957, his gorgeous vocals took "You Send Me" to the top of the charts, and the song became a spiritual classic. Archie Brownlee (Archie Brownlee) passion impressed James Brown (BROWN, JAMES), "silver tone" style is also subtle in the "enticement" (TEMPTAIONS) singing group of the The authenticity of black gospel music has always been there for the taking. The truth of black gospel music has been forever merged into the cultural flood of modern popular music. 1969, Edwin Hawkins Singers (Edwin Hawkins Singers) with a song "Oh, Happy Day" (Oh, Happy Day) famous at home and abroad. Most of the artists mentioned above and their compositions are listed in the Religion, Chants, and Hymns section of the Schwann Records catalog in the United States.
Since 1969, the Gospel Music Association has been awarding annual Dove Awards, which recognize traditional and contemporary gospel music for whites and blacks, respectively. Gospel music finally had its own Grammy Awards.
Gospel music: Historically, black serfs in the U.S. accepted Christianity and prayed in the fields, hoping to reduce the pain of labor. This soon evolved into impromptu musical performances. After the abolition of slavery, black people organized their own churches and used this form of music as a form of church activity. in the mid-20th century, Elvis Presley introduced gospel music into his own style, which was later commercialized by Motor City Records. in the late 1970s, gospel music became progressively more popular and evolved into contemporary Christian music by adopting the production and star-making styles of pop music. Major gospel music artists include Aretha Franklin, the Winans Family, and Kirk Franklin. en:Gospel music