——A brief discussion of "A Glance for Ten Thousand Years" in Chen Xiao's play
The spring breeze was blowing, and the pear blossoms were full outside the door. She waved her long whip, and she became charming and stunning. The sky was filled with flowers and rain, but she kept the place clear and pure. He looked out at the misty rain outside the mountains and the world in his heart. Until now, the world was silent, promising several lovesicknesses to accompany him in this life.
"I smiled before we met, and I promised you a lifetime when we met for the first time. Just looking back at you makes me miss you. ("Qiantang Lonely Man")" Long-lasting feelings often come from Eye contact may be profound, entangled, and uneasy, hiding thoughts that turn over and over again. It is precisely after this glance that we are promised to stay together for the rest of our lives. Therefore, "one glance for ten thousand years" has actually become a silent promise in the chaos. Just looking at each other, it seems like we have spent a painless and sorrowless life together.
The glance of the star under the pear tree should be the dividing point of the entire character's emotions. In the midst of extremely complex emotions, he suddenly caught a glimpse of Zhou Ying standing under the pear tree. This emotion was like a blur of ink, The ink melts in the water bit by bit, first shallowly, and then slowly entangled over time. At the end, it was like a "bang" of flames in the candlelight, awakening the young man's long thoughts, and now love has become a habit and nature.
If you want to talk about "one glance for ten thousand years", the fixed eyes of several characters in the sculpture have made several characters obsessed with life. Xiao Guo'er and her aunt were besieged by Li Mochou in the ancient tomb and were forced to put down the trap. As a result, Long Guo also experienced the first separation between life and death. As the huge stone door slowly fell, Xiao Guo'er's eyes filled with tears, and he felt that The dust is flying, and the ground is filled with the despair of never meeting again. This gaze has become the dividing line between Long Guo's emotions, from the love between master and disciple to the love between man and woman. After this disaster, waiting and parting have become Long Guo's feelings. The normal situation between them is that Yang Guo only cares about one person in his life, even if he sacrifices his life for love, he will not hesitate.
Wei Zhuang, a poet of the Huajian School, once wrote in "Sidi Xiang": "Whose young man on the road is very romantic. I plan to marry him and live in peace for the rest of my life." I don't know how many light film clips there are The character has been trapped in this "one glance" for thousands of years, unable to escape even a single word of love. Yang Guo took off his mask at Fengling Ferry, thus freezing Guo Xiang's youth for the next twenty-six years. "A glance at Fengling Ferry lasts for ten thousand years." She has been with the Ancient Buddha of Qingdeng all her life. She cannot forget this sight and miss it all her life. Cheng Ying and Xiao Guo'er sat opposite each other in the thatched house, and Lu Wushuang took off their masks at the same time. The moment their eyes met, Cheng Ying, who had always been steady and steady, decided that "you can only love one person in your life", even though life and death are far apart. After decades, I still don’t want to say goodbye.
There is also a kind of "seeing for ten thousand years at a glance" in Xiaoge's film and television dramas, which is quite dramatic. For example, in "Agarwood Locked in the Palace", Agarwood meets Brother Thirteen head-on while chasing a painting, and Thirteen looks back at her. In Lu Zhen, A Zhan’s eyes meet when he hugs the heroine and spins around on the horse. This type of shot often appears in "first encounters". It is usually lengthened and slowed down, with the meaning of "I don't know where the fate came from, but the love is deep". Maybe my girl's heart is still there. After reading the whole story, I think of this again. The eyes conveying affection in the dark parts of the plot sometimes make her cry, and sometimes she smiles and sighs at the wonder of fate.
Regarding the "One Eye for Ten Thousand Years" in Brother Xiao's drama, I can only talk about my personal understanding. The emotional line of the stars in "The Flower Bloomed That Year" is long and thick. I believe that under the pear tree This look will also give people new feelings after the story ends.
Finally, I end with a passage from Tsangyang Gyatso:
"For many years, you have been living in my wound. I have let go of the world, but I have never I have let go of you, and let you say goodbye to all the mountains and rivers in my life."