Appreciation of Modern Dance Red Fan'er's Works The opening of the pas de deux "Red Fan" draws the audience's attention to the dancer in a silent manner. Amidst the slow music, the male and female pr

Appreciation of Modern Dance Red Fan'er's Works The opening of the pas de deux "Red Fan" draws the audience's attention to the dancer in a silent manner. Amidst the slow music, the male and female protagonists open and close their fans respectively. When the fans are opened, the woman's eyes show the shyness of a girl, while the man's closed fans show his meticulous care for the woman. Every time he opens and closes the fan, the girl's shyness is revealed. The high and the low promote the continuous sublimation of the emotions between the two. At this time, the red fan was like an invisible rope, tying their hearts together. Then, as the drumbeats changed, the two people opened and closed the fans no longer in the same tacit agreement as before. The disharmony in the rhythm seemed like friction between the two in their lives. The woman continued to move forward and fanned, but the man kept close. Holding the woman's waist tightly, the two people were entangled with each other, and the fan was like a tie, connecting the two people even tighter. Sometimes the man holds on to the red fan and sometimes the woman holds on to it. You pull me, and I pull you, showing the emotion of never leaving each other. At the end, the dance is still in silence, with the woman walking in front and opening the fan, and the man following closely behind to receive the fan, following the route of the red fan and walking forward, revealing people's thinking "...so holding hands , we will walk together in the next life, so we have the road of companionship, and there is no time to look back..." "The Red Fan" by director Wang Mei cleverly uses the spatial changes of a pink folding fan as clues, and narrates it through the body language of the male and female actors. An unforgettable Chinese complex emerged. There is no obvious paragraph structure in the dance, and there is no common pushing fan around flowers. Everything goes from silence to silence. The indifference of the expression seems to express the life rules of "quiet and far-reaching" in real families. The opening and closing of the fan affects the changes of the two bodies, which seems to indicate the changes in the relationship between the two. Therefore, in the dance, there are "women walking and men following", "women left and men right", "women are right and men are wrong", The artistic image of "you restrain, I resist". And all of this is obviously the product of the choreographer using dance to experience life. It is the interweaving of rationality and sensibility, and thus forms the multi-layered meaning of dance, allowing the audience to freely spread their imagination wings, thus making the dance produce implicit and endless meanings.