I get along with Hu Ya not many opportunities, the first time to get along is last year in the Jiujiang Dragon Pen Club ...... Maybe the character is a little similar, not good at euphemism, do things straight, want to do things always idea as soon as possible to do well, the same as the bright and straight type; maybe there is no generation gap in age, and at home and is the eldest daughter, are The parents were treated as a boy, the mind is easy to communicate with each other; perhaps ...... perhaps ...... In short, the acquaintance with Hu Ya is a kind of destiny.
Previously, I have read many of her works in bits and pieces, but the most concentrated, the most systematic reading of her works should be counted as reading her "Seeing Pear Blossoms Again" anthology. To be honest, I was thrilled to read Pear Blossom again, even though I've always been in the cool-reading category. Seeing Pear Blossoms Again is her first anthology, and it is the culmination of her love of literature and writing for more than a decade. I like her words in the afterword: "I long for the independence and freedom of spirit, for the personality in the first place, for the hustle and bustle of the world, but also to maintain a temperament of their own." Hu Ya really did this, and I feel comforted by her persistence and hard work.
The collection Seeing Pear Blossoms Again includes her essays, essays, and novels. Hu Ya's essays have a strong presence, and she writes about events she has personally experienced, absolutely no fiction, her essays are a great support for the true nature of the prose, and her success is also a powerful interpretation of the true nature of the prose. Prof. Pan Songde said, "It focuses on expressing the author's feelings about his life, and is generally devoid of complete characters and plots." I can see that Hu Ya, who is also good at writing novels, does not mix the writing style of novels into her prose, but respects the "on-site principle" of prose in a down-to-earth manner, insisting on not writing about events in which the author is not present, and insisting on not writing about feelings in which the author is not present. In her prose, some feelings can not directly reach the scene, such as the loneliness of the moon, she is through the actual moonlit night under the special atmosphere of the moon is very limited to some of the imagination, and never imaginary blind thought.
2.
When you open Hu Ya's prose, a wave of honesty comes to you, and she is honest as a person, and her writing is honest as a person, and her writing is honest. Her essays are based on real life experiences, and I like Hu Ya's style of writing in her essays, which is built on the level of real life. For example, in "An Afternoon in Autumn", she just writes an afternoon feeling, prose is precious in feeling, and she expresses this feeling in words and passes it on to the readers....... In this afternoon, she drinks chrysanthemum tea, in a kind of light flavor, and meets with Mr. Qiuyu's writings, and then samples the books in a special atmosphere, and the whole feeling is unique. The whole feeling was unique: "I opened the book and placed it lightly and gently on my lap without reading her, but just let it quietly accompany me, just like sitting with an old friend and not talking." It really achieves an exclusive elegance.
Hu Ya, who has a modern work nature, is quite classical in her leisure and writing, and is sensitive to seasons and landscapes. She not only writes about the static scenery, but also writes about her own dynamics in the scenery. For example, in her "Moonlit Night", she has a unique description of the moon color, "The moon is surrounded by some soft clouds, floating lightly, not far away from the inlaid with a few crystal twinkling stars, which sometimes brightly and sometimes vaguely dotted in the night sky. Looking around, what came into view was a silver world." Soon, her brushstrokes arrived at the dynamic from the static: "The city and the countryside had settled down from the hustle and bustle of the day, turning hazy in the moonlight, and a few nocturnal cars occasionally drove by, leaving behind a few beams of exploratory light. There are flickering fireflies on the mountain paths, which are not afraid of the darkness and carry lanterns to light their way forward." Yes, because of the beauty of the moonlight, HUYA has such a unique sentiment in the hustle and bustle of the world; dedicated time to go to the mountains to watch the moon, in order to cast a lot of light on the beauty of the moon, read how can it not be touching?
Snow is beautiful, less snow in Jiangnan, more and more feel the beauty of the snow, love snow like snow into the south of the women's "common disease", prefer literature Hu Ya is no exception, not because of the less snow and reduce the enthusiasm for snow. She grew up loving snow, and a group of children in the snow days, running in the snow, jumping, snowball fights, very happy to play. Loving the snow, sometimes she held a flake in the palm of her hand and watched as it roamed and melted. She misses the days when there is snow, and it creates this feeling in winter: "Pulling open the curtains to see if it's snowing, hey, the scenery is still the same, so disappointing. Looking at the gray sky, the heart will vaguely born a hint of hope." Because I like snow, I tend to hate the rain in the south in winter, "As long as it rains in winter, my mood will become bad for no reason." Snow is humane, can cater to people's wishes, in the hope that it really came. So, she was very happy in the "waiting in the snow" wrote: "The sky is misty, flying snowflakes in front of the eye full of wantonly dancing, spilling, light and dynamic, lonely branches open arms, lonely wilderness open bosom ...... they spilled their lovesick ten thousand strands of tenderness gently fell on the The land that longs to be pacified. Only a little while later, they turned the whole world into a fairy tale kingdom with their tenderness." Because she loves snow, Hu Ya wrote about the meticulous process of playing in the snow: "Ah, it was so nice to have a snowy day! With a call, I forgot that I hadn't eaten breakfast yet and started a snowball fight with my buddies. In the snow our laughter and snow globules flying together, in a short while it will be the whole snow tossed in a mess, a mess, our heads are hot, small face red, red, only the hands are frozen like a carrots. Are playing happily, I do not know who said, no more, no more, let's build a snowman! So the game of snowball fight stopped at once, and everyone started to pile up a snowman with seven hands and eight feet." Snowflake is not only beautiful, Hu Ya also through the beautiful thought of the philosophy: "I think of her from the heavenly palace posture curls to the earth, she has known the end of her life, so in this process of floating, she puts herself the best moment to show, she is in the moment she can ever have a brilliant and released all her enthusiasm. " Here, with the help of the life of the snowflake, Hu Ya expounds her own philosophy of life to everyone: life is not in length, but in quality. As long as there is quality, even a short life is meaningful. Therefore, in our daily life, we should learn to bring out our maximum heat, for the sake of others and for ourselves.
3.
HUYA is an affectionate person in her life. Because of her heavy feelings, she has a high quality of life. Love, affection, friendship, township, dazzle in her heart, become her motivation to do things. Love is the white head to old age, affection is flesh and blood feelings, friendship is the road ahead of the solace, the countryside is for once grew up in the home cut care. Write love, write her lover "Mr. Careless medical records", the writing style is simple and humorous, although only intercepted a fragment of the couple's life, can still be read to the harmony of mutual love of the model couple. Carelessness" has become a symbol of her happy family life, her husband is careless, Hu Ya is also careless, she writes about her own carelessness in "Careless Mom", she is so busy going to work in the morning that she locks her son in the house, especially the story of the careless mom that she heard from her grandmother when she was a child interspersed in the text. "Today I finally saw that there really is such a careless mother, this person is myself", so that the whole article adds to the interest of life.
Her father, Mr. Hu Hongjun, was a teacher and an accomplished literary creator, and he had a great influence on Hu Ya. Hu Ya, in the article "My Father," used the technique of white description to portray her father's spirit of dedication: "He treated his students in a way that was always nonchalant, and even if some of them were naughty and mischievous, he was able to treat them with generosity. " My father was a qualified teacher, even in the era of "political superiority", he still used the method of "reading the dictionary", so that the students can learn the real skills. "My father developed the habit of doing more with less, and he devoted all his passion to his students." Every year, students visited him at home, which was the happiest time for my father. Hu Ya also writes about her mother with deep affection because she is synonymous with home - with warmth - in her eyes. Because Hu Ya was loved and tolerated by her mother when she was small, she was a bit worried about her future life: "When I got married, I was a bit worried because my ability to take care of myself was not very strong, and I didn't know anything about the world, and my in-laws were a big family, so I didn't know if I could adapt to the living environment of a big family." However, Hu Ya is lucky, after marriage in her mother-in-law's house, the baton of mother's love has been continued, "another great and ordinary woman - my mother-in-law, with her selfless love to embrace me."
In her essay "The Continuation of Love", she writes with gratitude about the love from another mother - her mother-in-law, which includes the detail "I have to change clothes and shoes can not be found, I shouted: Mom, my clothes can not be found, Mom, my shoes, where did you put it? She immediately asked which one? Which pair? I explained the color and style within a few minutes after she gave quickly find out ...... "The continuation of love, expressed how good ah. A family needs the continuation of love, a nation needs the continuation of love, the whole of mankind needs the continuation of love; people and nature, people and other animals also need to have the continuation of love, the root of harmony lies in the love - HUYA gave us a vivid and true depiction of the picture of love.
It is relatively difficult to write about people in prose, and it is necessary to capture the spiritual flavor of people and the typical details of life, but not to pull the process, not to portray the character, and not to have too many dialogues, and these requirements limit the difficulty of writing about people in prose. And Hu Ya in the prose writing people but obviously at ease. In ***Using a Pair of Eyes, she focuses on "eyes", and it is an old couple who love each other ***Using. The character she introduces in the text is her husband's uncle, who is in poor health and unable to see, so his mother reads the newspaper to him, becoming "**** with one pair of eyes". In this work, Hu Ya also fondly remembers her mother's love for her father, using one detail, namely - her mother's hand. She writes: "When I was very young I envied my mother for having a pair of beautiful hands, soft as bones, with long thin fingers. Father is a man of letters, in addition to work, on the pile of books, two ears do not hear outside the window, used to clothes to hand, meals to mouth. Once upon a time, the mother's slender fingers gradually became thick joints, rough skin." How people are touched by the feelings between the old couple ah, Hu Ya not matter of exaggeration, only the use of "eyes" and "hand" close-up, the two pairs of old people deep and steady feelings and love to write out.
In terms of material, Hu Ya's prose is huge, because she has a sensitive heart. In life, as long as the events that can move her can be captured and covered by her heart, any material can enter her prose. As her personal anthology published book title "see pear blossom", but also one of her book of prose, taken from the Jiangnan town - Zhouxiang, this place is planted in the north of the common pear tree, pear tree blossom, "pear tree soil fragrance, moist air, elegant fragrance lined with a glance at the head clean white. head clean white." In this essay, Hu Ya compared the pear blossom with the peach blossom and the orchid, adding hope to life, saying that the pear blossom "did not come to earth to show her face, she had a purpose. Seeing such dashing pear flowers can make one's thoughts go to another golden world." For the old buildings with feelings and cultural precipitation, she has deep feelings, she used anthropomorphism to portray the old house in "Farewell, Old House": "The herringbone frame made up of trees can still be seen on the mountain wall, like a weather-beaten old man's hands bloomed up with stripes of sinews." When she was married, the river she saw in her mother-in-law's old house was beautiful, "The water was clear, and in the morning and evening you could see many housewives and big girls going to the river port to pull out rice and wash clothes." However, because of the polluted environment, a change has since taken place, "Now no one goes there even to wash mops," presenting at once the major proposition of protecting the environment. There are various techniques of expression in prose, and I think that "to see the big from the small" is her common method of expression. For example, "The Flavor of Hometown" uses the rhetoric of generalization to condense her hometown into a flavor, but the flavor is brought by "two spring bamboo shoots". The end of the text exclaims: "No wonder my brother, who is far away from home, wants to drink this soup as soon as he comes home, so this is the taste of home."
4.
Romance is a valuable quality for a person, it is the persistence of a person's mind that is not stained with dust and dirt. Hu Ya has a romantic temperament, and she recreates the earth and nature in her eyes through her own rich mind, and for the beautiful things, she praises them with sufficient ink and writing, for example, the lotus, which is portrayed meticulously in her "Seeing the Lotus on a Summer Day": "The lotus is open in the morning, a lotus flower of can open three or four days ...... to the third day is open to three or four o'clock in the afternoon, she still want to shyly close that petal, but at this time she is already out of power." She also wrote the hometown's gardenia with lively tone, "the little girl picks the gardenia, uses the leather band to tie in the hair, some don't in the clothes, more is the big handful of gardenia in the glass cup, with the clear water to raise, let the real room is full of the fragrance, that the boudoir really becomes the fragrant boudoir, seems to become mysterious up." Beautiful things one by one came alive under her pen.
I also read that, as a Jiangnan woman, her character has a brash side, she likes violent storms; there is also a gentle side, she also likes the drizzle of Jiangnan, she is in the "small building one night listening to the spring rain", for the character of the drizzle of Jiangnan is carefully portrayed, "listening to the raindrops ding-dong-dong on the eaves of the house, hitting the windows, that the rain flowers are like in the pounding in the depths of the dusty heart, this gentle dampness, sprinkled into every corner of my heart, and sticking through my heartstrings, drifting in the silent space." What a nuanced emotion and experience. In her "New Year's Interests", she makes a deliberate description of the Spring Festival in Jiangnan, first of all, the preparation for the rice cakes, because the labor itself has a living point: "Golden grains turn into crystalline white rice in the sound of the rumbling machine ...... Then the adults pick the rice that has been invaded by the water and process it in the rice cake farms. At this time of the year, the rice cake farms are full of people, and the freshly made rice cakes emit a tantalizing aroma." In Hu Ya her memories of her hometown New Year's Eve, even if it is a very small thing, there is a deep impression, because there has been a deep sense of nostalgia, "left in the memory of the interesting things are still a lot of fried Luo Han beans, feeding rice cakes, making frozen rice candy, call the rooster, share the New Year's Eve money, set off firecrackers, go to Grandma's house, and so on, all of which is overflowing with a thick and unshakable affection, so much so that I will always be difficult to forget! ." It has a strong infectious power.
Landscape prose is a garden that reflects Hu Ya's prose skills, her landscape prose has a significant feature, that is, drunkenness is not wine, not to write scenery but to write scenery, but the scenery as a citation, writing is the flow of the mind in the landscape, written with strong humanistic care. For example, "Walking on That Land" is about the famous northern city of Harbin. In the article, she uses the words of the philosopher Bacon as the beginning, but she doesn't introduce the overall urban characteristics of Harbin in detail, but writes about this famous northern city indirectly through her own psychological feelings; she writes about her personal psychological feelings in Harbin. When she took a walk on the Songhua River and Sun Island, she was undoubtedly disappointed, and thus had a comment: "Nature is magical, and what is even more magical is the mood of the people who look at the scenery. Beautiful or ugly, harmonious or twisted, it's really all a mood." But seeing the Sofia Church is different, although it is not possible to go in, because the Sofia Church is the largest church in the Far East, HUYA stood in front of the church, was shocked by the sacredness of the great religion, "from afar, she is so ancient and clear ...... Since I can't go in for a visit, I just have to look from afar look and feel the mystery from a distant time and space." The biggest difference between her and the average traveler is that she has a lot of feelings in Harbin, a lot of thinking. In her travels to get close to nature, she recorded the stone forest in Guilin, in her writing "two sides of the stone columns top the sky, the opposite bank of a peak towering, like a broken sword." Not much ink is used to portray the bones of the stone forest. Write the scenery and not stick to the scenery, Hu Ya's travel prose has its own distinctive features.
When she wrote Collecting Zhouzhuang, she used flashbacks, which are memories, and wrote about the flavor, avoiding details. "Over time, Zhouzhuang became a slightly sentimental dream, appearing in my affections from time to time as I curled up on the sofa after a tiring day." Oh, it also looks like an ink painting that highlights the flavor of Zhouzhuang in Jiangnan. Hu Ya she had deep feelings for Zhouzhuang, after she arrived there again, she wielded her pen and wrote "Listening to Distant Zhouzhuang," writing about the details of Zhouzhuang, putting into words the sounds, the pictures, and all the sensations of the people in this environment "Listen, a sound or two of the water, a small boat paddling by, the sound of the yawl and the groove that presses on the yawl rotating and rubbing together, ' Creak-ya-ya-ya.' The sound came from the river not far away, as if the rhythm had been stretched by the river, and it felt crisper as it reached the eardrums." And then there is the stillness of Zhouzhuang that she writes about. In her eyes, stillness is a realm of life, and she writes: "At night, when the moon has just risen, Zhouzhuang enters a state of silence. It was as if those who walked, those who opened stores, those who ate, and those who rowed boats, all quieted down at once. There was only one thing left in this world, silence! It was a silence, deep in the soul! It was a silence, the silence of nature. But when you realize the word stillness, stillness in turn is not stillness."
Stillness is a realm, the world is moving, a lot of impatience, and even sin is commonplace in life in, she is in the "behind the house of cards", from the ancient Huizhou, Anhui Province, a Bao family owns seven houses of cards to write, write to the old times for the unfairness of the woman, her pen swings wide, write to the Lu Xun novel of the sister-in-law of the xianglin, and finally put the brush strokes to reveal the phenomenon of the real life of no shame: "It is hard to find beautiful girls in Huizhou nowadays, because they all go out to make money, and engage in surprisingly pornographic mostly."
5.
Reading ten thousand books and traveling ten thousand miles is the same practice of ancient readers. Hu Ya has a strong interest in traveling, and she believes that individual life can be released to the greatest extent in nature, and she always adjusts her body and mind to the mentality of "tomorrow I will travel far". As she said herself, "I always like the feeling of being on the road, even though every time I go on the road, the final destination is going home, but every time I arrive at the destination, I look forward to the next time I go on the road." Although she was a Jiangnan woman, she loved mountains very much, she wrote about Wuyi Mountain, Tianyou Peak, and Jiuqu Stream, what a clear stream, "As soon as I put my hand into the water, I was softly entangled by the water." "The stream is so clear and fresh that a school of fish of all sizes swings its head and tail to meet the current against the water, and so many people on the bank do not disturb its calmness at all." In her admiration for the fish, she already includes admiration for those who are not captured by material impatience in life. Because bamboo is temperate, she emphasizes the beauty of the bamboo there in "Impressions of Huangshan Mountain", "When there is a mountain breeze blowing through, all you can see is the cultivated bamboo plants, swaying and dancing like graceful young girls", and in such a beautiful environment, she even thinks of her own teenage years in her grandmother's house behind the mountain in the bamboo forest, " I seem to have returned to my childhood, turned into a bouncing little girl, I laugh in the bamboo forest, cry in the bamboo forest, shout in the bamboo forest, sing in the bamboo forest." She wrote about Huangshan Mountain, of course, write to the Huangshan Pine, she portrayed the pine tree's proud and upright character; write about Huangshan Mountain naturally to write about the clouds of Huangshan Mountain, she wrote about Huangshan Mountain clouds, with dynamic writing, "the gale blew, the clouds in the rushing ...... The wind rests its feet, the cloud is strolling, leisurely as the sheep on the grassland; cloud in the dance, stretch like Yang Liping jump peacock dance waist." Hu Ya is a diligent writer, I asked her to go to see the Hangzhou Bay Bridge, visit back, she wrote "the other side of the yearning", "once the dream evolved into reality. This is how many years of waiting, this is how many people look forward to. Today, Cixi has a historical significance of a bridge, which is a symbol of the vicissitudes of this magical land epitomized. This is a symbol of the Cixi people's perseverance, pioneering spirit of embodiment."
In addition to writing essays, Hu Ya also dabbles in fiction, and her novels are full of women's feelings and the beautiful pursuit of love. Several novels, such as "Rouge Mole" and "Women's Flowers," reflect this characteristic. Women should pay attention to themselves, "Women's Flowers" involves more complicated emotional entanglements, but I think it is never a general love triangle story, the main character Hao and Mei's marital life is depressing, and Dr. Liu's involvement in the story adds variables, everything comes from "love" - the most precious human feelings. Everything comes from "love" - the most precious human emotion; however, real life is so complicated that love gives birth to "hate" in the end, which is really thought-provoking. I see that "Women's Flowers" adopts the method of developing the psychology of both men and women at the same time, which is very unique and can give readers more fair comments. Marriage and family are important to contemporary women, how to run a marriage, whether to persistently pursue or give up, how to maintain the beautiful nature? To know the beauty of everything, always the most easy to teach people jealousy, colorful to the place, very easy to be destroyed. The most beautiful, the most colorful, always the most difficult to maintain in the eternal earth. The real love in the world, maybe only so many chances, for love, she is an idealist, so her novels, even if sad and painful to break people's hearts, but also seems pure and beautiful. Some critics say that novels should be "written with the texture and intensity of life." I believe that novels, like essays, should be blossoming, and that different writing styles should be respected. In particular, the heroines depicted in several of her novels make sacrifices for their emotions, which is indeed respectable. How can a woman realize the value of her life? It needs to be pondered together by our female sisters. I read Rouge Mole carefully, and read that Chun and Mae are finally reunited after their bitter love, but the story did not go down according to people's imagination, and the hero and heroine eventually had to break up again, because the novel reflects real life, and the heroine is in real life and has to deal with it according to the logic of real life. In the pursuit of the art of the novel efforts, I think in the book at the beginning of the "root of the life" is more heavy, in the modern people in the heart of the confusion, contradictions show up, than the above two marriage subject matter of the novel, some more depth.
Zhang Qiaohui said that her sister HU Ya is a small woman, yes, HU Ya looks big and bold, but in principle she is not careless at all, in the emotion can be seen everywhere in the true nature of a small woman, in the text also shows a small woman's delicate. Zhao Si Tran said his Hu Ya sister is a chivalrous woman, also right, the real life of Hu Ya, in many ways are chivalrous true, real life, eyes can not tolerate dust, never seen her coy words and deeds; her writing is also very straightforward, almost no deliberate plan, think of writing, not at all pretentious, even at the dinner table, can also be called absolutely brash. However, the Hu Ya I read in the article, the Hu Ya I am familiar with in real life, no matter how strong her appearance is, no matter how casual and easy her words are, she also needs the shoulder of her lover. Her "chivalry" is only in dealing with things, and her "small" lies in a woman's world, she herself is as refreshing as the pear flower, loving and heavy emotions, always a "tenderness" of the true woman who can not escape.
However, it is not easy to find a way to get rid of the "softness" of a woman.
Hu Ya is hard, her job is a cadre of industry and commerce, writing is only a hobby, during the day to deal with all kinds of people in the industrial and commercial sector, but also to maintain a reverie on the temple of literature, hard to imagine, it is enough to respect. And Hu Ya is lucky, she is under the influence of her father, embarked on the road of amateur creation, and through personal efforts, published their own with a distinctive personal style, from the simple to shine brightly in the "see the pear blossom" collection of works. Literature provides readers with spiritual food at the same time, but also gives the writer a lot of joy, I believe her spiritual life is rich, the quality of life is very high, I hope that she is on the road of amateur writing to go faster and farther.