Description of the problem:
Is there a video that teaches this?
Answer:
tywd/video?lb=Dance Instruction
salsachina/down
ylld17-5.anyp/
Waltz Tutorial Video.
The samba is a cultural art that is as unique in the world as the sport of soccer. From the 16th century, originated in the west coast of Africa samba dance to Brazil, in the absorption of the Portuguese and Indian dance, music art style, evolved into the Brazilian samba dance. Samba is a collection of Brazilian music, and its dance is intense, enthusiastic, joyful and lively, with every muscle of the dancers shaking. Now, the Brazilian carnival has been inseparable from the samba, samba has also become synonymous with the Brazilian carnival. Brazilian samba is a performance that integrates gorgeous costumes, stirring music and rich expressiveness and storytelling.
The special flavor of cha-cha-cha
1, originating in Mexico, 4/4 music, 30-32 bars per minute, 4 bars of prelude, the first beat moving crotch, the second beat moving feet, the fourth beat to complete the cha-cha-cha; the first beat for the re-tap, the four beats to go five steps, not to be ups and downs.
2. Characteristics: interesting music, fancy dance style, sharp and compact footwork, which originated from jazz, jazz dance has a strong vitality, infectious force, explosive force, is because it emphasizes more on the main leg dancing method.
Cha Cha Cha is a newcomer in Latin dance, which is developed from a dance named Mambo. Immediately following the mambo, another rhythm flourished and eventually took the world by storm: the cha-cha-cha. Its music is a little slower than the mambo and its rhythm is simpler and faster. The cha-cha-cha-cha brings people a happy, relaxed, amusing, and somewhat party atmosphere. It was later shortened to cha-cha-cha.
The Cha-Cha-Cha is the most popular of all Latin dances, and the music is easily recognizable, with melodic notes that are usually short or out of tune. The music is in 4/4 and sometimes 2/4 time, and although Cha-Cha-Cha music is often played at 34 beats per minute, the ideal beat is 32 beats per minute.
The cha-cha-cha-cha is a Cuban dance, and like the rumba, Cuban dancers begin to move forward or lead on the second beat of the music. On the men's side, the correct way is to stand with feet slightly apart, with the center of gravity on the left foot, and on the first beat, take a small step to the right with the right foot (the opposite for women), and then move forward with the left foot (backward with the right foot of the woman) for the basic movement, and the beat counting method is: "slow, slow, fast, fast, slow," "step, step, step, step, step, step, step, step, step, step, step, step, step, step, step, step, step, step, step, step, step, step, step, step, step. Cha Cha Cha Cha" and "2,3,4,1" All the dance steps are this kind of counting method. Some British dancers in the ballroom is still the first beat of the music to start the left foot forward, the number of "l, 2, cha-cha-cha-cha", this method is easier for beginners to learn. However, the above counting method "2,3,4,1" is only used in the exams and competitions organized by the Dance Teachers' Association.
Hold: Cha Cha Cha's hold is the same as Samba's, with an open hold (0pen Hold) and a fan position (Pan Position) that is the same as Rumba.
Footwork: The footwork is the same as the Rumba, with the sole of the foot going out, and then the whole sole of the foot landing. No heel lead.
Introduction to Latin dance
Latin dance originated in Latin America, including: salsa, cha-cha-cha, mariachi, rumba, samba, cowboys and so on. The music is passionate, lively, to twist the waist, abdomen, hips, plus foot movements, free and smooth, especially to show the beautiful lines of women, moving into the love, some people say: Latin dance is specifically for women and the birth of.
Latin dance maximizes the freedom of dancers and casual, dynamic and full of exotic flavors, with the aerobic action of the popular dance music design, not only can adapt to the modern people's nervous life mood, to enhance the flexibility of the body, the long-term movement can be achieved by modifying the buttocks and the role of the leg curve. Secondly, the dance dress more personalized, whether it is dress pants, exaggerated accessories, as long as you like, can enjoy the "show" some.
Latin dance is easy to learn, do not need a fixed partner, that is, learning to use, has a good social function. For the pursuit of fashion, dance, enjoy the music of friends, its significance is not only a way of sports, more on behalf of a life philosophy, a positive and healthy lifestyle! Latin dance is alluring, dynamic and full of expectations ...... Now, join in ......
The waltz is also known as the round dance, this is because the waltz in the whole dance process, most of the non-stop rotation.
The waltz originated in Europe as a kind of European folk dance, and by the 18th century, the waltz became an extremely popular social ballroom dance. Waltz steps and music, and other dance steps have significant differences, the main difference is that the waltz is a 3-beat step, so some people call it a fast three-step dance or slow three-step. The waltz is light, bright and moving, and so are the steps, which give people a feeling of floating, more poetic than other dance steps, more gentle and elegant. This is the main reason why the waltz can be popular for a hundred years and become a standard.
Mozart, Chopin, Tchaikovsky, Strauss and other masters of music have written a number of immortal waltzes, especially Strauss, the waltz into the immortal dance, so that it became the king of the dance
The basis of the Vienna waltz beat 3/4 speed 60 bars / minute
Characteristics of the faster music to complete the various techniques of swing-type dance
Steps
The waltz is the most important element of the waltz.
Steps Introductory step Right turn Right change of step Left turn Left change of step Left turn in place Stopping step Right turn in place
Rhythm One step per beat Slightly longer on the first beat Slightly faster on the second and third beats Follow-up steps in groups of six steps per two bars Men move forward on the strong beat and back on the weak beat
Lift and lower Forward to lift and backward to footless lift
Tilt Depends on lift and lowering and the size of the swing (right to right and left to left).
Changing position Right for left with forward on the line Left for right with backward on the corner
Emphasis on partner changing position Inside and outside the circle take turns to do forward turn and backward turn, not round and round, right turn with SWIN (swing), left turn with CBM (reversed)
Waltz's basic step structure, is by forward (or backward), cross, and feet together three steps form a basic The waltz is composed of three steps of forward (or backward) movement, lateral movement, and parallel foot movement. In this way, the first and the second whirlback, there must be the inevitable change of feet. This is the first obstacle that beginners must solve. In practice, we should gradually develop the concept that the center of gravity is exchanged sequentially between the two feet, and that even in the parallel foot steps, the time when the center of gravity falls on both feet is very short, and that it is only a special form of exchanging the center of gravity, and that this special form is intended to create a "form of exchanging the center of gravity that does not show its presence". However, the subjective intention to change the feet remains unchanged. As long as you keep this intention alive, you can easily overcome this obstacle.
The second problem is the question of the program of movement of the heel, the ball of the foot, the toe, and its method. The basic methods of carrying the steps have already been described, and the problem now encountered is how to deal with the relationship between them in lifting and lowering. Whether moving forward or backward, after the first step of weight transfer is completed, the point of gravity should be moved to the forefoot. Although the knee is not yet straightened at this point, the heel should be slightly off the ground. The momentum toward the second step is triggered by the thrust of the foot from the ground. The second step of the traverse is a special form of the dribbling step, which is neither heel-first nor toe-first, but rather approximates the landing of the forefoot of the whole foot and is accompanied by a reverse tilt (i.e., right tilt in the case of the left traverse, and left tilt in the case of the right traverse). It should also be noted that the parallel foot movement does not begin on the third beat, but is accompanied by an uplift and tilt of the body on the second half of the second beat. The development (leaning) towards the parallel foot begins. At this point the center of gravity is entirely on the forefoot of the traversing foot. The parallel feet of the third beat are in place with no center of gravity at all, and the center of gravity is still rising on the forefoot of the traversing foot until the first half of the third beat, until the limiting state, when the palms of the parallel feet begin to support the center of gravity unobtrusively. This state of the center of gravity of both feet is but a momentary manifestation. From the second half of the third beat, the heel begins to fall, and the falling center of gravity is supported mainly by the palm of the foot that is joined together. In other words, the sole of the traversing foot performs the task of supporting the center of gravity that drives the heel up, while the center of gravity of the descending foot falls on the sole of the foot that is brought together. The turning point between ascent and descent is the time when the center of gravity is exchanged unobtrusively. These requirements are too difficult for a beginner. But if you want to dance beautifully, this second obstacle must also be crossed.
The third obstacle is the sidestep and the tilt. The tilt is an extension of the sidestep, the shoulder lead. To go further and deeper, this series of upper body movements arises from the strength of the lumbar region, rather than a localized separate movement. While this is a requirement at the highest level, it is one that must be attended to from the very beginning. Otherwise it will not be easy to change the problem of localized exertion once it is formed. The above three obstacles, we can be flexible according to their own specific circumstances. The foundation of the poorer beginners, you can practice the basic steps, one by one to solve; have a certain foundation of social dance enthusiasts, you can use these norms to improve their technical ability; if you are a hasty self-indulgent *** friendship dance dance timid enthusiasts, lazy in this regard to spend time and energy, but also in the first obstacle after the first, can be completely ignored after two problems, and will not affect your learning down the road. But when you have progressed to a considerable degree, you will certainly be interested in these things, and there is nothing to prevent you from practicing from the beginning at that time.
Question added: (Waltz) also known as the "waltz", originated in northern Austria, a folk dance in three beats. Round dance song is divided into fast, slow step two kinds of dance when the two pairs of spinning. In the seventeenth and eighteenth centuries, it was popularized in the court of Vienna, the speed gradually faster, and began to be used in the city social ball. Since the nineteenth century, it has been popular in European countries. Now prevailing round dance, most of the Vienna-style round dance, speed for the small fast plate, which is characterized by the section Qin Ming fast, smooth melody; accompaniment of each subsection commonly used in a ***, the first beat accent is more prominent, the famous round dance John Strauss's "Blue Dozier", Weber's "Invitation to the Dance" and so on.
Polka (Polka) the Czech Republic, a folk dance, to men and women dance mainly, its basic action consists of two steps, generally two beats.
Rumba
Author: Unknown Article Source: Site Original Hits: 182 Update Time: 2006-8-22 Font: Small Large
An overview
Rumba is a charming dance in the Latin dance, it is a lingering music, dance style soft and lyrical, to express the love between lovers as the theme, known as the soul of Latin dance. It is called the soul of Latin dance. Rumba music is 4/4 beat, the music speed is 27-31 bars per minute, rumba is a four beat walk three steps of the dance, the beat value is as follows:
beat 2 3 4&1
or Q Q S
rhythm value 1 1 2
the second beat and the third beat each walk one step, the fourth and the first beat ** ** walk one step. ** take one step. The musical accent is on the first beat, and the movement is expressed as a hip movement, due to a lateral hip twist that occurs naturally when flexing the knee of the power leg on the first beat, causing the foot to complete the march only on the second beat. The hips should always maintain a continuous, gentle twist, except at the prescribed pace.
Second rumba holding posture
Closed position dance - men and women standing opposite each other, 20 cm apart, the body is straight, the man's right hand on the woman's left shoulder blade, the woman's left arm lightly leaning on the man's right arm, the man's left arm slightly curved up with the eyes of the eye Qi, the woman's right hand fingers on the man's thumb and forefinger, both hands between the thumb and forefinger. The lady's right fingers are placed between the man's thumb and forefinger, and the hands of both sides are lightly clasped.