Writing material about Xin Qiji

Would like to get the green pine double drunk at night, for Yi wind sleep dream for ten years You are the immaculate river of autumn water, in the sky high clouds flow leisurely, empty and clear. The Wutai case, you use the will to adhere to your beliefs, with action to prove your principles. Your purity makes the filthy times silent and silent. You are a thousand miles of fertile land in the sky when the moon, in the ink of the night in the sea of stars in love with the wind, bright and bright. You have a life of ups and downs, ups and downs, but you have no intention of staying or leaving, you are not shocked, and your relaxed feelings make heaven and earth eclipsed. You are dancing in the words of the delicate elves, in the poetry of the languid arm Shu Huai, singing and dancing. Your words are a combination of the elegant and elegant and bold and unrestrained. Your talent, the world marveled. You have a "chaotic stone through the air, the waves beat the shore" boldness, you have a "a straw raincoat smoke and rain Ren PingSheng" calm and collected, you have a "but I wish people a long time, thousands of miles *** CanyuanJuan" beautiful vision, you even have "a long time, thousands of miles *** Canyuan". You have the beautiful vision of "wishing for a long life, a thousand miles *** Canyon", and you have the faithfulness of "the night of the bright moon, short pine". What kind of pain of infatuation let you hand-planted 30,000 pines, but only for the promise that can no longer be honored. What kind of unrepentant love makes you bury the memories deep in the bottom of your heart, but after ten years of dreaming, it still hurts like hell. Even if there is a bright moon, but alone drunk in the courtyard. Thousands of miles away from the sadness of standing on a pine plant thoughts, but in the end of the world on this shore of melancholy hovering. Beauty like jade sword like rainbow, rise and fall but an autumn wind. You watched her singing and dancing to come, and their own once together, but also had made a promise not to leave each other, life and death, but ultimately is swiftly passed away. Now, your smile is still bright, you sing in the lake, but she can no longer dance to your song. Only enjoy the sweetness of ten years, but carrying endless thoughts, your dream face and you look at the silent, bleak eyes full of tears, blurred into a raging sadness, into two lines of clear melancholy. However, this is a dream, but also just a dream. Because you are open-minded and cheerful by nature, with the passage of time, those soft memories will gradually settle in the bottom of the heart. That person, those things, that will never come back to the instantaneous flower face, that full of watery warmth and eyes between the burning expectations; that with the water into the dust, the wind and the moon without edge of the light years, that once thought and the resulting grief, more will become a phantom idea, an idea, become a distant dream and the wind in the sky. These ten years of mourning turned into thirty thousand trees of thoughts, watching over the lonely tombstone. Pine waves gust, like a dream written in the night wind, turning over the sentences under the moon wind flow. The flowing wounds, and a string of released ghostly thoughts, alone with the frail light. //tieba.baidu/f?kz=524278477 China's history is long, China's culture is profound, China's literati is as bright as a river of stars, but there are very few women literati who are famous in history. Li Qingzhao is one of these few women writers! Chinese literati are good at writing in a female tone, they use the sorrow of their girlfriends to express their feelings of unrecognized talent and unrewarded ambition, but very few of them really write about their girlfriends' sorrows and grievances. Li Qingzhao is one of the few who wrote about the sorrows of women. Li Qingzhao was born in the Northern Song Dynasty into a family of scholars. At least from her grandfather's generation, she was a scholar who entered the civil service and was recognized by the imperial examinations. "The widow's father and grandfather were born in Qilu, and who is more famous than them", which shows that this family was quite famous in the Qilu area. Li Qingzhao's father, Li Gefei, was a literate official. His poetic attainments are very high, very much appreciated by Su Shi, "Song History Li Gefei biography" has this record: "painstaking work in the words, Lings Biao Biao straight ahead, no difficult or easy can not be, the pen does not lag a little." Li Qingzhao's mother Wang's is the granddaughter of the scholar Wang Gongchen, also has a high cultural cultivation, good at writing words and compositions. Li Ge Fei Biography of Song History said that she was "also good at writing", and the Record of Famous Women of the Motherland said that she was "good at writing words and writing". Li Qingzhao lived in a family with a strong literary atmosphere, and she was y influenced and cultivated by her parents in terms of literary literacy, as well as inherited and developed from her predecessors. Bixi Manzhi once said that she was "famous for her poems since she was young, and her talent was so impressive that she was close to her predecessors". Since then, Li Qingzhao became an outstanding female writer in the history of Chinese literature. At the age of eighteen, Li Qingzhao married Zhao Mingcheng. The Zhao family, like the Li family, was also a family of scholars. Li and Zhao shared the same hobbies and interests and were very much in love. They often sat together, **** with the appreciation of inscriptions. *** with literary hobbies to their lives added endless fun. But not long, Zhao Mingcheng went out to study, only Li Qingzhao alone at home, can not help but miss her husband, so the feelings of longing to the end of the pen and made a very elegant and refined, fresh and delicate "One Cut Plum". One Cut Plum" is a masterpiece in which she directly expresses her love for her bosom friend, with a fresh tone and delicate style that is intriguing and unique. The first part of the poem mainly describes the solo life of the lyricist. The "red lotus root fragrance remnants of jade woven grass mat autumn" is a point to bring the face of the writing style, giving the reader a picture of the lyricist's eyes of the after-smell curls of the autumn scene. The lotus flower has given up, although there is still a residual fragrance, but it can not help but reveal the coldness and depression of autumn. The jade mat has also cooled down, and the feeling of autumn is gradually coming, and the coolness of autumn is getting thicker and thicker. Chinese literati have been sad about autumn since ancient times, not to mention the female lyricist who is alone in her boudoir. How can she not feel lonely, how can she not miss her husband who is far away? In order to get rid of the sadness in her heart, she "lightly unwinds her robe and goes to the orchid boat alone". The word "alone" brings out the whole meaning: once the husband and wife were singing together, once they were hand in hand, once they were together, but now they are all alone, alone; looking around, they are accompanied only by an "orchid boat"! I came here for "eliminating sadness", but it is "more sadness", and the feeling of longing can not help but be heavier and thicker. - Seeing the geese, the lyricist imagined that perhaps her husband entrusted the geese to bring letters home, she put Su Wu geese feet to send letters to the allusion skillfully blended in the scene before her, natural and appropriate, aftertaste. We can imagine: the lyricist will even guess her husband in the letter to tell their own return date, the itinerary, the feeling of anticipation overflowing between the lines of the words "geese back, the moon is full of the Western Tower", to see the geese flying back to their hometown, naturally, will intensify the feeling of anticipation of her husband's return. We seem to see the lyricist alone on the fence looking into the distance, the soft moonlight sprinkled all over the west building, when the geese return, that kind of cold, that kind of loneliness, that kind of loneliness, how can you tell? The next piece is the lyricist expresses her inner feelings, directly express the pain of lovesickness The lyricist uses "flowers from floating water from the flow" to start, which is written in the boat she saw, but also her inner feelings. Flowers floating water flow is the self-state of things, but the lyricist touches the feelings: water and flowers have no taste of her feelings, still I do my own way of flowing away and falling, which increases the lyricist's sadness and desolation. Sentence "since" used the most wonderful, the lyricist moved to the object and borrowed the object to express emotion, as qu yuan said "but the grass and trees of the fall, fear of the beauty of the late twilight", expressed the sentiment of the passing of the light. In this way, the feelings in the words make people feel more in-depth than simple thoughts, more suggestive, leaving the reader with a greater imagination, adding more infectious. "One kind of lovesickness, two idle sorrows" is a direct expression of lovesickness. Lyricist put husband and wife together to write, this is she put herself in the position to imagine her husband also like their own y miss each other, but the spatial distance so that the two can not talk to each other, but only their own thoughts, sadness. This is also a unique female delicacy. But this is just a prelude, the main idea of the word falls on the last two lines "there is no way to eliminate this feeling, only under the eyebrows but on the heart". The love of love should be "eliminated" by "plan", but there is "no plan to eliminate", so it can be seen that the love of love is deep and bitter. The love of love is so deep and bitter that it can be seen in the heart and eyebrows. We can experience the lyricist's thousands of sorrows, which is the same as her "I am afraid that the two small warships can not carry many sorrows", giving people unlimited reverie. Throughout the whole piece, the lyricist to delicate and euphemistic strokes to express their own husband's unceasing love for each other, with the usual words to express the novelty of the mood. This lyric is the best interpretation of Li Qingzhao's delicate and profound style, and it also makes One Cut Plum one of Li Qingzhao's masterpieces.　You use a sheet of four stanzas to tell your story. Said you were 14 years old, twice ran to Yanshan Mountain to see the terrain, in order to restore the soil of national shame; said that your weak crown year to rise up, jingo and iron horse, the momentum as a tiger; said you fifty light riding straight into the 50,000 soldiers and horses of the gold camp, captured traitors, escorted to Lin'an to be executed. ...... This section, you said the glowing. But that is, after all, the old days before the South Ferry, and then down, it is not as good as nine times out of ten, do not need you to say, I have heard a few times. I have heard that you have a powerful pen, nine discussion of nine like a pearl like jade like celery, however, Emperor Gaozong, Emperor Xiaozong, Emperor Guangzong, Emperor Ningzong, the powers that be Wen Tianwu play, indifferent. And you are not interesting, not long charming bone; and is the return of the people, identity is not clear, the end of those who have the power to start with the ostracism, followed by impeachment, time and time again, just your official. Five years, you have three ups and three downs. It is said that your life to the temperament of self-conceited, with the merits of self-approval, you put all the ambition into the tip of the arrow, aiming at the north of the Huaihe River; the formation of the Flying Tigers, on the plan of the Goose Lake, but also for the Northern Expedition spared no effort, but your footprints around, can only be Jiankang, Tanzhou, Fuzhou, Ezhou; you to each place, is nothing more than a patch of half a wall of leftover water and the mountains, and the Huaihe River north of the South Song Dynasty, you, both the end of the world. You have no healing, so you do nothing, even if you run around, even if you article fight, Chang'an father and mother, Xinting scenery, or still the same. And you 10,000 words of flat flannel strategy, only for the east family tree planting book, again and again, to send back home, will take the lake. I heard that you recluse life is not bitter, why do not you seek the field house, to call the wine to buy drunkenness, why not relative to the South Mountain, poetry and literature flow. In fact, those official life is also easy to pass, as long as you pay attention to the dance pavilion, focusing on the wine friends and poets, years of travel, Hangzhou, why not recognize as Bianzhou. Unfortunately, your heroic talent can not be shelved, loyalty and righteousness of the heart can not be put, just great gas suppression is not flat, you finally expressed in the heart, pouring paper, holding a tube such as the pen, dipped in the cavity like the tide of the blood, the flow of a generation of lyrics of the history of the painting of the generosity of the sadness, so that the people from the Southern Song Dynasty all the way to the song, popular popularity of popular reading materials. So, you keep the body before life after the name. It is a pity that it is not Le Shi Yan Ran, not drinking horse Yellow River, not drinking Yellow Dragon House, not even Windstorm Pavilion, all you, you stay, nothing more than those long and short long and short sentences. But I still see a fire as hot, the sea as deep, the conscience of the Southern Song Dynasty!　Su Shi was born in the Northern Song Dynasty, is the founder of the bold school. Xin Qiji was born in the Southern Song Dynasty, a variety of artistic styles, but the main bold and unrestrained. Passionate, generous, and strong, so with Su Shi and known as "Su Xin". Xin Qiji's "Broken Formations? For Chen Tongfu to send the strong words", "Yongyoule? Climbing to the Pavilion of Appreciation in Jiankang", "Bodhisattva Barbarian", and "Writing on the Wall of Jiangxi Maker". The Book of Jiangxi Maker's Wall", etc. are all famous. They are representatives of the same school of bold and loose words, Gao Youjian "Chen Qinian Hukai building word preface" quoted Gu Xian three words: "Song the most prevalent word, the body is not a pattern, Su, Xin's majestic and bold, Qin, Liu's charming style, judging the different ways, each extremely wonderful." Since the late Tang Dynasty's "Flower House School", the word is authentic in its elegance, and the poem is charming, which has become a stereotype. It was only when Su Shi, with his bold and unrestrained strokes, created a school of boldness and exuberance, enlarged the scope of the subject matter of the word, opened up the field of expression of the word, and broke the barrier of the word for the Yankee subject, so that the word body was liberated. Hu Yin said in the preface to Xiang Zi諲's "Wine Side Words": "and Meishan Su's, a wash of the state of the Cherry Fragrance, get rid of the Silk Mew and the degree of rotation, so that people climbed to see the distance, lifting their heads to sing, and escape from the bosom of the spirit, transcendent outside the dust and dirt. So the "flowers" for the soap, and Liu's for the opinion of the stage carry on." Xin Qiji inherited Su Shi's bold style and pushed it to a new stage of development. Xin's words are passionate, generous and heroic, with romanticism, creating a magnificent and majestic artistic realm. Xin's lyrics are not bound by sound and rhythm, and they are written in their own words and in their own hearts, and many of them are suspected of being loose culture. (See the article "Shandong Er'an".) Su and Xin's words are mainly bold and unrestrained, but there are also a variety of styles coexisting. The euphemistic words made by Su and Xin were no less than the works of the Euphemists. In the history of the development of words, Su and Xin played an important and positive role in promoting.