In the performance, the stage scheduling reveals the characters' personalities from the visual image and physical modeling form, reflects the rich spiritual world of the characters, and shows the contradictions and conflicts between the characters or their thoughts. Directors often use stage scheduling to form the stage focus, control the audience's attention, and emphasize a certain factor or important link in the script. Stage scheduling is also a bait to help actors capture the specific inner feelings of characters and correct stage self-feeling.
Stage scheduling is a typical and aesthetically processed form of body modeling, which can reveal or express a relatively independent content and concept, and convey some explanation and conception of second creation. Stage scheduling should have a bright and beautiful form, profound connotation and strong artistic appeal.
Stage scheduling is based on lines, stage instructions and the director's overall idea. The director should grasp the character's temperament and thoughts and feelings, grasp the specified situation of the script and the content of the character's relationship and conflict, and under the guidance of the whole drama's ideological etiquette, the overall image of the performance and the handling principle of the performance, foster the unique form of character conflict and action. The director should foresee the key scenes of the performance and the basic modeling forms of the main links, characters' actions and life scenes in the play. Stage scheduling is finally completed through the co-creation of the director and the actor. In rehearsal, the director should first help the actors to establish the organic life of the characters, so that the stage scheduling graphics conceived by the director can become an integral part of the organic action of the characters, and be good at refining and processing the creation of the actors as the embryonic form of stage scheduling.
In the process of completing the stage scheduling, the work of dancing beauty is very important. Together with the director, they explore the specific space processing of the performance and the plane structure of the stage space (that is, the layout of the stage scenery).
Stage scheduling should be subordinate to the genre of the script and show the performance style in its own graphic structure. The style of stage scheduling depends on the director's overall handling principles of this performance-realism or romanticism, the combination of realism and hypothesis, the specific characteristics of life and the generality of art, and the combination of life breath and decorative beauty.
Stage scheduling has its own characteristics. In the theater, the audience's point of view is fixed, so when arranging the actors' posture, space activities and the combination with the scenery, the director should pay attention to revealing the characters' thoughts and feelings with changeable positions and postures, and revealing the relations and conflicts between the characters. Stage scheduling is more hypothetical. It can have realistic graphics or romantic graphics; There can be realistic graphics, and there can also be hypothetical, virtual and even symbolic graphics. Therefore, stage scheduling has extremely rich aesthetic characteristics.
the performance figure of China's traditional operas. Space processing, such as dance and walk-on, is a valuable resource for stage scheduling, especially for China drama.