Western Art History
Modern Art (15th to 19th centuries AD)
U2 Baroque and Rococo
1. Baroque 17th century Prevalent Portuguese "irregular, especially those pearls with blemishes in their shape", implying a pejorative connotation
Italy|
Lacavaggio, The Death of the Virgin, The Burial of Christ, The Crucifixion of St. Peter, The Call of Cthulhu, and The Crucifixion of St. Peter, are all examples of baroque art. Peter's Passion," "The Calling of St. Matthew"
Bernini, "The Vision of St.? Teresa's Vision," "St.? Peter's Cathedral Square"
Holland|
Haars, "The Gypsy Girl"
Renbrandt, "The Night Watch", "Mr. Dupuy's Anatomy Lesson"
Vimille, "The Maiden Who Reads the Letters"
Flanders|
Van Dyck, "Portrait of Charles I", "The Passion of St. Peter", "The Calling of St. Matthew"
Vincent C. Charles I
Spain|
Velasquvz, Pope Ingolfsson X, The Weavers
Guéréco, The Funeral of the Count of Olgas
Moulinot, The Melon and the Grape Eater
2. Rococo art French " Shell-shaped" The jagged rockery used in gardens before the French Revolution to decorate the store. It was originally a mockery and contempt for the slenderness and gentleness of Rococo art, so it was sometimes called Rococo and sometimes Pompadour
France
Wedau, "Pilgrimage to the Isle of Love"
Boucher, "Diana after the Bath"
Fragonard, "The Swing"
Chamisch, "The Swing"
Chamisch, "The Swing"
Thanks for your help.
Chardin, "Kitchenware on the Table", "Villa Sobies"
Britain |
Gainsborough, "Boys in Blue"
Baroque in the language of art, more than the use of a strong sense of movement of the undulating curves, the amplitude of the wave path of the up to the color of the thick and warm. Strive to make the building, painting, sculpture, integration, resulting in a sense of illusion and mystery of the world. Rococo in the language of art, more euphemistic wave-like curves, wave through the amplitude than the Baroque smile, interior decoration more than beck, vines, curly leaves and flowers as the theme. Prefer to use green, yellow and delicate hues, resulting in a realistic earthly enjoyment of life.
Baroque and Rococo are the reflection of the aesthetic interests of the upper class in different historical periods, but the artistic techniques and skills are not exclusive to the upper class, and the same can be used to reflect the lives of ordinary people, Italy's Caravaggio, the Dutch Frans? Caravaggio of Italy, Frans Hals of Holland, Chardin of France, and Mouliot of Spain are obvious examples. However, in general, Baroque is still the maintenance of ecclesiastical and royal power, the Counter-Reformation and show off the majesty of the royal aristocracy, Rococo is still the royal aristocracy to enjoy the case of the art of love.
U3 Academician, Classical, and Neoclassical Art
1. Basic characteristics of Academician: emphasis on norms, elegance, tradition, and technique
2. Characteristics of Classical and Neoclassical Art
Characteristics of Neoclassical Art
Characteristics of Neoclassical Art
Academic, Classical and Neoclassical Art
2. Characteristics of Classical and Neoclassical Art
Neoclassical Art
Academic and Neoclassical Art
3. The Shepherd of Arcadia"
David (two masters of neoclassicism) "The Oath of the Brothers Horace"
Anger (two masters of neoclassicism) "The Fountain"
U4 Romanticism and Realist Fine Arts
1. Romanticism Fine Arts: As a kind of aesthetic thought, Romanticism emphasizes subjectivity, individuality, emotion and irrationality. As a concept in the history of art development, it was a didactic statement of common sense and indifference held by classicism, a negation and destruction of rigor, norms, and self-consciousness.
Basic Characteristics: Heavy on antiquity, heavy on nature, heavy on emotion, heavy on form, heavy on contrast
France
The Raft of Medusa
Delacroix, The Massacre of the Island of Chia
Spain
Goya, The Shot at Midnight on May 3, 1808
2. Touring Exhibition Society" - broke the pattern of art exhibitions only in Petersburg and Moscow at that time, and constantly exhibited in the provinces, and thus was called the "Touring Exhibition School" advocated adherence to Chernyshevsky's artistic ideology of "beauty is life", and opposed to the idea of "beauty is life". The main idea was to adhere to Chernyshevsky's artistic ideology of "beauty is life", to oppose the Westernization of Russian art, and to emphasize national characteristics. It took it as its duty to reflect the lives and sufferings of its own people, and adhered to the spirit of democratism and realism.
Leibin, The Slender Man of the Volga
Surikov, The Morning of the Execution of the Konos
Shishkin (one of the founders of the traveling school of painting)
Levitin
U5 Impressionism and Neo-Impressionist Art
1. Impressionism: Impressionism in the 1860th-1870th to the French painting world with an innovative posture, the sharp pointed against the classical school of painting and romanticism. The name of Impressionism originated from the fact that Monet's exhibit "Impression? Sunrise" was borrowed by a conservative journalist who mocked the exhibition by calling it "an exhibition of impressionist painters". Focused on the study of the representation of light in painting. The brown tones that had been used since the 16th were abandoned, and subtle color changes were expressed according to the painter's own observations and feelings.
Features of Impressionist art: emphasis on external light, emphasis on the moment, emphasis on consciousness, emphasis on atmosphere
France|
Manet, "The Bath," "Olympia"
Renoir
Degas, "Dance Lessons at the School of Cabaret and Ballet"
Monet, "Impression? Sunrise" "Pond? Water Lilies
American
Whistler, Portrait of the Artist's Mother
2. New Impressionism: This name indicates a recent, but also transformed and renewed impressionism
Characteristics: science, harmony and rationality
Seurat, Sunday Afternoon in Grande Jatte
Sunday Afternoon in Grande Jatte
Seurat, Sunday Afternoon in Grande Jatte
Sunday Afternoon in Grande Jatte
Seurat, Sunday Afternoon in Grande Jatte
Sunday Afternoon in Grande Jatte
Modern Art (20th Century)
U1 Prelude to Modern Art
3. The basic characteristics of modern art: post-impressionism, that is, the school of art that departed from the impressionist style after impressionism, generally refers to the paintings of Cézanne, Gauguin, Van Gogh, Lautrec and Redon.
Cézanne, Van Gogh, Gauguin
Nabi
Bonnard, Vuillard
U2 Modernism in Modern Art
Pre-World War I
1. Fauvism: the first school of modernist painting in France at the beginning of the 20th century. 1905, a group of artists led by Matisse, who had a great influence on the masters of Symbolism. In 1905, a group of young people, led by Matisse, studied in the studio of the Symbolist master Moreau and sent their works to the "Autumn Salon" in Paris. Most of these works, with their wild colors, flamboyant brushstrokes and bizarre images, surprised the audience and created a sensation in Paris. A critic at the time compared these works to a pack of wild beasts devouring those gentle and elegant academics, and from then on, the name "Fauvism" spread. These painters believed that the most important thing in painting was color, emphasized the contrast of colors, boldly used pure colors, dared to break through the constraints of form, and pursued the expression of strong emotions and the emancipation of individuality as their **** knowledge and purpose of action. In fact, they had neither a clear platform nor a strict organization, but only a loose organization of multiple factions under the name of Fauvism. The Fauvist movement culminated in 1905-1906, with a very short peak, but had a great influence on later modernist art, especially German Expressionism. After that, their respective works no longer had the same appearance, and the Fauvists disintegrated on their own. The Fauvists were represented by Matisse, Derain, Dufy, Flamenck, Van Gogh, Dungen, Rouault, Jaffe, and others. Dongen, Rouault, and Jawlinski.
Matisse, Flamenck, Derain,
2. Expressionism: (expressionism): Munch, Klimt, Kerchner
3. Cubism: Picasso The Maiden of Avignon, Guernica
Black
4. Futurism (futurism): Barra, Porcione
5. dadaism:
Duchamp, The Naked Woman Descending the Stairs, L?H.O.O.Q.
Between the two wars
1. surrealism
Dali, The Persistence of Memory
Ernest, Marguerite, Miró.
2. abstractionism
Kandinsky, Mondrian, Klee
4. Bauhaus: Gropius, Mies? Van? Mies van der Rohe.
After World War II
1. Abstract expressionism (abstract expressionism): the first major modernist painting school and artistic trend to emerge in the United States in the 1950s. It inherited the exploration results from Van Gogh to Surrealism in the pursuit of abstraction, directness, automaticity and expression of the subconscious self in art. It emphasizes the freedom and purposelessness of the author's action, and raises the act of creation itself to an important position. It has bred in it the element of using the creator's behavior as a medium of artistic communication. The Abstract Expressionist trend adapted to the psychological state and aesthetic requirements of post-World War II Americans.
Gorky, Pollock, de? Kooning, Newman, Louis
2. minimalism: originated in abstraction, and rebelled against abstract expressionism
3. pop art: the word pop contains the meaning of popular, popular, popular, which was proposed by the British art critic Arau Wei, who named the art of utilizing popular images as the content of a general term. This was proposed by the British art critic Alloway, who named the art that utilized popular images as its content, and was later accepted and widely adopted by the critics.
Rauschenberg, Warhol
4. Photorealism: The rise of photorealism in the United States at the end of the 1960s, when a large number of abstract works made people tired, so some of the painters engaged in pop art turned to a brutal and realistic reproduction of reality, which is obviously a conservative backward flow.
Cross, Hansen,
5. Op art (op art): Op art is the short form of light effect art, was developed in the 60s together with pop art, but only gained the attention of the society later. It is rooted in abstract art and is a new style developed from abstraction. Generally through static color patterns, it makes the audience produce visual effects such as illusion, spinning and glowing. It is a new development of abstract art in illusion.
Vasarelli
6. Conceptual art (Conceptual art): Kossoun
8. Earth art: Christo